The Tour of Life

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Dl2000 (talk | contribs) at 04:08, 25 February 2012 (en-uk; int'l fmt tag). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

The Tour of Life / Kate Bush Tour
Tour by Kate Bush
Cover of the tour programme.
Associated albumLionheart
Start date2 April 1979
End date13 May 1979
Legs1
No. of shows28 in Europe
Kate Bush concert chronology
  • Lionheart promotional tour
    (1978–79)
  • The Tour of Life
    (1979)
  • none

The Tour of Life (originally known as the "Lionheart Tour", and also officially referred to as the Kate Bush Tour and by outside sources as the "Kate Bush Show" and "Kate Bush: On Tour") is the only concert tour performed by British singer Kate Bush to date. Starting in April 1979, the tour lasted just over one month. Consisting of 24 performances from Bush's first two studio albums The Kick Inside and Lionheart (both 1978), it was acclaimed for its incorporation of mime, magic, and readings during costume changes. The tour is also renowned for its use of new technology; because of Bush's determination to dance as she sang, her engineers rigged a wireless headset microphone using a wire clothes hanger, making her the first singer to use such a device on stage. [1] The simple staging also involved rear-screen projection and the accompaniment of two male dancers. The tour was notable for the death of Bush's lighting director, Bill Duffield, to whom one of the London shows was dedicated.

The tour was a critical and commercial success, with most dates selling out and additional shows being added due to high demand. Members of the Kate Bush Club were provided with a guaranteed ticket. The BBC filmed a special of the Kate Bush Show entitled Kate Bush: On Tour. The documentary featured the production and staging of the set, and revealed the extent to which Bush was involved. Broadcast in 1979, it did not show any of the full performances. The concert also spawned two physical releases, the extended play On Stage (1979) as well as the home video Live at the Hammersmith Odeon (1981). Live at the Hammersmith Odeon was later re-issued in 1994 as a boxed set including an audio CD of the broadcast as well as the video. The name, "Tour of Life," was not coined until after its completion, with all promotional material referring to it simply as the Kate Bush Tour. Neither the EP nor the home video make any reference to the name.


Overview

The show was divided into four sections, concluding with two encores. It began with playback of whale song, with Bush's shadow projected as she began to dance whilst the curtain parted to reveal a simple stage with a ramp at its centre. Bush, wearing a blue leotard, sang the first song "Moving." A shadow projection of the band's saxophone player was used next, during "The Saxophone Song". The theatre was then filled with the sound of a heartbeat as red lights flickered whilst the onstage piano was removed. A large plush oval was rolled onto the stage, from within which Bush sang "Room for the Life" whilst curled inside as it was rolled around the stage. Dressed in a long coat and trilby hat, Bush was joined by her two male dancers as she performed "Them Heavy People". She then moved to the piano to play "The Man with the Child in His Eyes", whilst the stage props were removed and the lights faded out. The band then played the as yet unreleased "Egypt", whilst Bush emerged from the back of the stage wearing an Egyptian costume. An extended introduction to "L'Amour Looks Something Like You" was then played in darkness, whilst Bush changed into a black leotard and red skirt. Whilst at centre-stage by a tall mirror, a magician emerged to perform with a flying cane. Bush performed "Violin", wearing bat wings and taunted by her two dancers dressed as giant violins. As the stage darkened, Bush's brother, John Carder Bush, was heard reciting a poem, which culminated in a spoken duet with Bush herself. She was then illuminated by a spotlight as she performed "The Kick Inside" at the piano. A black veil was placed over her and the curtains closed.

The second section began with the curtains parting to reveal Bush in a long black dress, perched on top of the piano to perform "In the Warm Room." She then played the piano and sang "Fullhouse", after which the band played an extended introduction to "Strange Phenomena" as Bush changed into a magician's tophat and tails, whilst her dancers, now dressed as space men, performed with her. The magician then reappeared with his cane; he walked to the back of the stage holding a black cloth, which then dropped to reveal Bush, now wearing a veil, behind it. She danced with a single male dancer to the album recording of "Hammer Horror," after which a chant commenced, leading into "Kashka from Baghdad", performed at the piano. Traffic noise was played to the audience whilst the stage was fitted with a street theme, including fences which the dancers illuminated with torches. A spotlight was switched on and Bush sang and danced to "Don't Push Your Foot on the Heartbrake", bringing the second section to a close.

The third section began with the curtain opening on Bush, now wearing a purple dress, at the edge of the ramp which had been lifted to replicate a pier, to perform "Wow." "Coffee Homeground" began as a prisoner cell set was assembled; Bush sang on a centre-stage chair, as corpses fell out of the walls. Another spoken word poem was recited by Bush's brother as the intro to "Symphony in Blue", fused with "Gymnopédie 1" by Erik Satie was played. Bush, now dressed in a blue leotard covered by a leather jacket, performed whilst waving to the audience as images of a cloudy sky fell on the piano and the stage. Bush, now covered in party streamers refused a floating glass of champagne from the magician and performed "Feel It" at the piano. As the song came to an end, thunder was heard whilst Bush changed; she emerged with her leotard now fitted with wings, to perform "Kite," flying off the stage at the end of the song. Bush then appeared in Wild West attire and brandishing a shotgun, dancing and singing to "James and the Cold Gun". Her dancers, emerging from the wings, were shot by Bush as the song ended and the curtain closed.

For the show's first encore, Bush and her dancers emerged wearing WWII bomber attire as a parachute was spread across the stage. She sat to sing "Oh England My Lionheart", and the curtain closed again. There was a short interval before the curtains re-opened upon the stage covered in dry ice fog and illuminated in red, with a forest backdrop. As the music to "Wuthering Heights" began, Bush sprang up through the fog, costumed as the ghost of Catherine Earnshaw from Emily Brontë's novel of the same name. She performed the dance routine from the song's music video, before retreating to the top of the ramp and exiting the stage as the curtain closed.

Setlist

Setlist
  1. "Moving"
  2. "The Saxophone Song"
  3. "Room for the Life"
  4. "Them Heavy People"
  5. "The Man with the Child in His Eyes"
  6. "Egypt"
  7. "L'Amour Looks Something Like You"
  8. "Violin"
  9. "The Kick Inside"
Intro: John Carder Bush reading poem
  1. "In the Warm Room"
  2. "Fullhouse"
  3. "Strange Phenomena"
  4. "Hammer Horror" (not performed live)
  5. "Kashka From Baghdad"
Intro: Kate leading chant
  1. "Don't Push Your Foot on the Heartbrake"
  2. "Wow"
  3. "Coffee Homeground" (with extended intstrumental introduction)
  4. "In Search of Peter Pan"
Intro: John Carder Bush reading poem
  1. "Symphony in Blue" (contains elements of "Gymnopédie 1" by Erik Satie)
  2. "Feel It" (with intstrumental introduction)
  3. "Kite"
  4. "James and the Cold Gun"
  5. "Oh England My Lionheart"
Intro: John Carder Bush reading poem
  1. "Wuthering Heights"

Notes:

  • All songs performed from The Kick Inside or Lionheart, except "Egypt" and "Violin", both later released on Never for Ever.
  • "Fullhouse" was not performed on the London Hammersmith Odeon dates.

Tour dates

Date City Country Venue
Europe
2 April 1979 Poole England Arts Centre
3 April 1979 Liverpool Empire
4 April 1979 Birmingham Hippodrome
5 April 1979
6 April 1979 Oxford New Theatre
7 April 1979 Southampton Gaumont
9 April 1979 Bristol Hippodrome
10 April 1979 Manchester Apollo Theatre
11 April 1979
12 April 1979 Sunderland Empire Theatre
13 April 1979 Edinburgh Scotland Usher Hall
16 April 1979 London England The Palladium
17 April 1979
18 April 1979
19 April 1979
20 April 1979
24 April 1979 Stockholm Sweden Konserthuset
26 April 1979 Copenhagen Denmark Falkoner Theatre
28 April 1979 Hamburg Germany Congress Centrum
29 April 1979 Amsterdam Netherlands Carré Theatre
2 May 1979 Stuttgart Germany Liederhalle
3 May 1979 Munich Circus Krone
4 May 1979 Cologne Gürzenich
6 May 1979 Paris France Théâtre des Champs-Élysées
8 May 1979 Mannheim Germany Rosengarten
10 May 1979 Frankfurt Jahrhunderthalle
12 May 1979 London England Hammersmith Odeon
13 May 1979
14 May 1979

References

  1. ^ Philippe Badhorn. "Interview in Rolling Stone (France)". Rolling Stone. Retrieved 19 January 2007.

Further reading