This is a good article. Follow the link for more information.

Ugochukwu-Smooth Nzewi

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Ugochukwu-Smooth Nzewi
Ugochukwu-Smooth Nzewi by Caleb Kenna (cropped).jpg
Nzewi in 2013
OccupationArtist, art historian, curator

Ugochukwu-Smooth C. Nzewi is a Nigerian artist, art historian, and curator, currently Curator of African art at Cleveland Museum of Art. He was raised in Enugu and studied under sculptor El Anatsui at the University of Nigeria, Nsukka, before traveling as an artist and curator. In the United States, he completed his doctorate at Emory University in 2013 and became the curator of African art at Dartmouth College's Hood Museum of Art. In 2017, he moved to the Cleveland Museum of Art. Nzewi has curated the Nigerian Afrika Heritage Biennial three times, the Dak'Art biennial in 2014, and independent exhibitions at Atlanta's High Museum of Art and New York's Richard Taittinger Gallery. Nzewi also exhibited internationally as an artist and artist-in-resident.

Early life and career[edit]

Nzewi was born in Nigeria[1] and raised in Enugu.[2] He studied sculpture under El Anatsui at the University of Nigeria, Nsukka, and received a bachelor's degree in fine and applied art in 2001.[1][3] After graduating, Nzewi traveled internationally for six years as an independent artist and curator,[3] and was involved in the curation of three iterations of the Afrika Heritage Biennial.[4] In 2006, Nzewi moved to Cape Town, South Africa, where he worked on a yearlong postgraduate program in Museum and Heritage Studies at the University of Western Cape while serving as an artist-in-residence at the Greatmore Studio in Woodstock, Cape Town.[3]

The next year, 2007, Nzewi moved to Atlanta, Georgia, and began a doctorate degree in art history at Emory University.[3] During his doctoral years, he curated at Atlanta's High Museum (2009) and received Robert Sterling Clark and Smithsonian fellowships.[4] He wrote his dissertation on the Dak'Art biennial's influence on contemporary African art,[1] and graduated in May 2013.[3] The following August, Nzewi became the Dartmouth College Hood Museum of Art's first curator of African art,[5][6] where he mounted shows on Eric Van Hove and Ekpe textiles. After four years, Nzewi left Dartmouth to became the Cleveland Museum of Art's curator of African art.[7]

Among his considerations as a curator, Nzewi cites the importance of art history and his curiosity in how artworks reveal collective social imagination through expression and interpretation. He has expressed interest in learning from the creative process as artists make intellectual decisions about their work on reflection of how it will be received by others and the market.[3] He has published essays in multiple academic art journals, contributed to Grove Art Online, and co-edited a volume on independent African art initiatives.[4]

Nzewi served among the three curators of the 2014 Dak'Art biennial, which focused on themes of globalization (expressed through African ideas of communalism) and anonymity.[3] Dak'Art had served as important link between the African and international art world, and Nzewi helped to situate the show's own role in developing "pan-African internationalism".[4] In mid-2015, Nzewi curated a monthlong survey of African art at the Richard Taittinger Gallery in New York. The show was named after the 1967 comedy-drama film Guess Who's Coming to Dinner[2][8][9] In late 2016, Nzewi served as a guest curator at the Shanghai Biennale.[10]

As an artist, Nzewi has participated in shows and residencies in Africa, Europe, and the United States.[5] He has collaborated with Emeka Ogboh, whom he met in college. Under the moniker One-Room Shack, the pair prepared an installation for the Watermans Arts Centre in 2012 in which visitors walk through interconnected letters that spell "UNITY", a reflection on the Olympic spirit.[11]


  1. ^ a b c "Ugochukwu-Smooth Nzewi". Hood Museum of Art. Archived from the original on February 11, 2017. Retrieved September 6, 2016.
  2. ^ a b Artsy Editorial (July 21, 2015). "Understanding Contemporary African Art's Hard-won Rise to the Art World Main Stage". Artsy. Archived from the original on July 22, 2015. Retrieved July 22, 2015.
  3. ^ a b c d e f g Artsy Editorial (October 5, 2014). "Ugochukwu-Smooth C. Nzewi On Curating The African Canon". Artsy. Archived from the original on October 8, 2016. Retrieved October 8, 2016.
  4. ^ a b c d Faloia, Toyin (June 12, 2014). "'Producing the Common': Dak'Art 2014 and Dr. Ugochukwu-Smooth". African Studies Association. Archived from the original on October 9, 2016. Retrieved October 9, 2016.
  5. ^ a b Sutton, Benjamin (May 1, 2013). "The Hood Museum at Dartmouth Has Hired its First Curator of African Art". Artinfo. Archived from the original on October 8, 2016. Retrieved January 29, 2017.
  6. ^ "Ugochukwu-Smooth Nzewi Appointed Curator of Hood Museum". Artforum. May 6, 2013. Archived from the original on February 2, 2017. Retrieved January 29, 2017.
  7. ^ "Cleveland Museum Appoints Ugochukwu-Smooth C. Nzewi Curator of African Art". Artforum. June 5, 2017. Archived from the original on August 24, 2017.
  8. ^ Embuscado, Rain (August 2, 2015). "Meet 12 Contemporary African Artists Making Waves in the Art World". Artnet News. Archived from the original on October 10, 2016. Retrieved January 29, 2017.
  9. ^ Sefa-Boakye, Jennifer (July 27, 2015). "12 African Artists Explore 'The Burden of Africanness' In NYC Exhibition". OkayAfrica. Archived from the original on December 28, 2016. Retrieved January 29, 2017.
  10. ^ Boucher, Brian (September 13, 2016). "Raqs Media Collective Reveals 92 Artists Chosen for Shanghai Biennale". Artnet News. Archived from the original on January 30, 2017. Retrieved January 30, 2017.
  11. ^ Albert, Saul (April 2, 2012). "United nations". Imperica. Archived from the original on January 30, 2017. Retrieved January 30, 2017.

External links[edit]