User:Jasphetamine/sandbox

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First movement

$\relative c' { \key d \minor \tempo "Adagio" \partial 4 d8.\ff d16 | a'1~->\> | a2.\pp\! a8. a16( | <e' cis bes g>2.)( <f d b gis>4 | <e cis a>2 ) r4 <cis' a e>8.\pp <cis a e>16 }$

rwartest

$\relative c'' { \key d \major \time 2/2 \tempo "Allegro moderato" \partial 4 a8.\pp a16 | a'2( fis4 d | e2 cis4 a | d) e8( cis d4) e-. | e2( fis4) d8. d16( | fis2 d4 b | e2~) e8( fis g a) | b2( \times 2/3 { a4 g b,} | d2) cis4 }$

First theme

Like most of Schubert's early symphonies, the D.615 symphony opens with a slow introduction, which is cast in the key of D minor. Its beginning is somewhat reminiscent of the slow introduction to Joseph Haydn's 104th symphony, but it quickly moves into harmonically more remote territory, going as far as the tritone-related key of A-flat major. This moves into a conventional sonata-form movement in D major, with a transition making heavy use of triplets with the second theme in the dominant key of A major, but the sketch terminates at the end of the exposition. Near the end of the exposition, cadences in C major are alternated with those in A major. Brian Newbould sees a falling off of quality during the exposition, saying that "despite some promising ideas it runs out of wind before Schubert rests his pen".