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Stringed music(China) has different meaning in China especially in the east part Jiangnan, it is the name of all the instruments made from Bamboo and those with String (music). The stringed music was famous music in the past, for now some modern or international instrument started to be added in the list of stringed music. This form of performance start from Jin dynasty (265–420). In the past, most of the string instruments were only used by the kings to show the power of the dynasty. For nowadays, these instruments are more shown in the normal families.[1]

For most String instrumenta, the sound is made both by the vibration of the strings and the empty space inside the body of the instrument, which allowa the air to vibrate. This is the reason why most of the stringed instruments are hollow. There are some disadvantages of the design of most of the stringed instruments --- the materials of the string. The strings must thick enough to reach the tone, therefore the protection of strings is a difficult work for every player. In addition, even small movement of the place of strings on the panel can change the timbre of that instrument, thus the performance for most of the string instruments need long time to do the preparation.

Most of the instruments in stringed music are Xiao (flute), Sheng (instrument), Erhu, Pipa and so on. These instruments developed over thousands of years and many generations.

Instruments[edit]

Guqin[edit]

Guqin

This instruments is known to most of the people in China. It is made of paulownia wood,a substance that make athe guqin easier to carry and the tone sweeter than other wooda. In the past, rich business familisf and kings preferred to use rare woods to make the guqin, like namu, Pterocarpus santalinus, or Mahogany. The number of these rare-woood guqin are small and most of them are protected in museumat.[2]

The performance of Guqin requiees conditions , as the sound is by itself not loud enough. Therefore this instrument did not commonly appear in ensembles. Most players prefer to join group activities which can let them play the song one by one and communicate with each other about the skills and different feelings they experience during the song. Guqin have a unique music score which all the words on it is combined by different parts of chinese words. This is a essential reason about why the number of the people who chose to learn guqin is small.

Xiao (flute) string[edit]

Xiao

These are historical instrument swhich are now chosen by large group of people to learn. In may famous Chinese martial arts novels[3], the most powereful heroes always carry a Xiao with them, and many TV series contain this element as well. Therefore, for most Chinese youth, Xiao represent a image of coolness, and they attain prestige if they carry and can play Xiao.

The materials of making xiao is normal and can be found in most places in China --- Bamboo. For the best Xiao , it should use the bamboo which collected between the end of winter and the start of spring. Among these, those bamboo which grow more than three years are the best, the tone are the best.

Erhu[edit]

Erhu

The first time that erhu appeared were during Tang dynasty [4]. At the beginning, erhu were called huqin since they were invented by a ethnic group lived in north part of China. Compared with most stringed instruments, erhu were different: they were original role was their use by soldiers in the frontier regionsn. Therefore the timbre is strong, and songs for erhu always describe the views of wars, the view of desert, and for those people live far away from home to tell their how much they miss their families.

Erhu only have two strings. For nowadays using the metal strings than the silk string is a new style, since the silk strings is not stable and easier to break.

Pipa[edit]

Pipa

This instrument appeared two thousans years ago in history. The name " pipa" is a general name. Playign the instruments with the hand forward or backward distinguishes whether the instrument is pi or pa. [5]

In Tang dynasty, pipa was popular in the palace. The kings, as well as ordinary normal families all played pipa during their daily life. Many famous paintings were done at that time showing the pipa are now displayed in museums

Zheng[edit]

This is zheng.

Zheng have 21 strings (in contrast to guqin, which have only seven) Accordingly, the sound of zheng is louder and suitable for perfomingto groups of people.

Zheng have a 2500 years of history ,beginning in the Qing dynasty. In the 19th century, its performance became popoluar in ordinary life, and was learned by many of people, who developed new ways to perform and show the motion in the songs. Also, the performance of Guzheng began to reach aboard during the 2 st century 2 and became popular in many different countries.

The materials of Zheng have a standard: [6]

1.length : 1.63m

2.21 strings

3.Panel : the Paulownia

4.The string normally uses the tail of Horses in the past

5.In the past, the number of strings were : 12, 13, 18, 23,25 and so on.

The strings themselves[edit]

For most of string music the string is a necessary part. In the past the material had strict requirements; the raw material came from animals which had been specially fed. The most common material was the silk, this is a reason why in the past the string music was most developed by the rich families or spread from the palace. The strings made from silk were not durable, therefore the normal families cannot handle the expense of the changing of strings. For this time, only using silk strings cost a lot as well.[7]

Silk strings are made by several number of silk together, twisted tightly to improve the durability. Then put the strings into a kind of natural glue and dry those strings. After all of those steps, cutting the strings to different part: followed by the thickness to determine the usage of each one.[8]

More recently nylon-flatwound steel strings were developed. These strings have a longer durability, and are accepted by most people for their louder tone , the low cost of each string, and lack of high quality silk strings. Although most players start out using these Nylon strings, there are some disagreements: the traditional silk strings have better tone. Also, the sliding sounds for many string instruments is the distinctive feature, but nylon strings cannot capture this. Therefore, people still keep working on developing the newest mixture of material or new materials can solve this conflict.[9]

History of string music in China[edit]

The string music of Jiangnan appeare in Jiangsu, Zhejiang and Shanghai. It is small, light and elegant. It fully represents the culture of Jiangnan and is a specific product of the culture of Jiangnan. It is endowed with unique, rich and colorful characteristics. At last, everyone thought that treated "Jiangnan Silk Bamboo" as its was more suitable.[10]

Jiangnan string music was formed in the late Qing Dynasty. Folk music and ancient music were adapted and processed by generations of Silk and Bamboo masters and famous artists, gradually forming its characteristics. Its rose and prosperity was in the period of the Republic of China, more than a hundred years ago. [11]

Lyric and graceful. The instruments are simple and easy to get, the forms of performance are flexible and changeable. This attract the attention of the scholar and lead a number of people started to do research on those string music. It is most qualified to represent Jiangnan culture.[12]

Jiangnan string music, once known as "South Jiangsu silk bamboo" and "Wuyue silk bamboo" because of its regional and customary randomness. During the East China Folk Music Festival held in the early 1950s, several musicians who paid attention to this aspect discussed the issue of naming [13]

Masterpieces of Chinese string music[edit]

[14]

masterpiece in the past[edit]

《Er Quan Yin Yue》 《二泉映月》

《Gao Shan Liu Shui》 《高山流水》

《Mei Hua San Nong 》《梅花三弄》

《Ba Wang Bie Ji》《霸王别姬》

《Feng Qiu Huang》《凤求凰》

《Guang ling San 》《广陵散》

《Yu Zhou Chang Wan 》《渔舟唱晚》 [15]

modern masterpiece[edit]

《Flower And The Children》《花儿与少年》

《Street》《行街》

《unlimited lights》《无尽灯》 [16]

the style of music which will use this type of music[edit]

Soft: refers to the soft characteristics of Orchestra Ensemble sound;

Fineness: refers to the delicate and delicate performance style;

Light; refers to music that focuses on expressing lightness and pleasure.

The above characteristics are related to the indoor performance of stringed music.

See Also[edit]

References[edit]

  1. ^ "Woodwind Instruments: Types, History & Facts - Video & Lesson Transcript". Study.com.
  2. ^ Zhuo, Dr Sun (2015). The Chinese Zheng Zither: Contemporary Transformations. Ashgate Publishing, Ltd. ISBN 9781472416674.
  3. ^ Heaven sword & dragon sabre. Vol. 1. Comics One. 2002. ISBN 1-58899-183-0.
  4. ^ "English translation of 二胡 ( erhu / èrhú ) - urheen in Chinese". dictionary.hantrainerpro.com.
  5. ^ Nipponica, Monumenta. Hsi Kʼang and his poetical essay on the lute ([New., rev. and reset] ed.). Sophia University. ISBN 0-8048-0868-6.
  6. ^ Zhuo, Dr Sun (2015). The Chinese Zheng Zither: Contemporary Transformations. Ashgate Publishing, Ltd. ISBN 9781472416674.
  7. ^ Jianhua, Chen; Gimpel, Denise; Fa-Ti, Fan (2008). Beyond the May Fourth paradigm : in search of Chinese modernity. Lexington Books/Rowman & Littlefied. ISBN 978-0739111222.
  8. ^ Jianhua, Chen; Gimpel, Denise; Fa-Ti, Fan (2008). Beyond the May Fourth paradigm : in search of Chinese modernity. Lexington Books/Rowman & Littlefied. ISBN 978-0739111222.
  9. ^ Jianhua, Chen; Gimpel, Denise; Fa-Ti, Fan (2008). Beyond the May Fourth paradigm : in search of Chinese modernity. Lexington Books/Rowman & Littlefied. ISBN 978-0739111222.
  10. ^ Zhuo, Dr Sun (2015). The Chinese Zheng Zither: Contemporary Transformations. Ashgate Publishing, Ltd. ISBN 9781472416674.
  11. ^ Zhuo, Dr Sun (2015). The Chinese Zheng Zither: Contemporary Transformations. Ashgate Publishing, Ltd. ISBN 9781472416674.
  12. ^ Zhuo, Dr Sun (2015). The Chinese Zheng Zither: Contemporary Transformations. Ashgate Publishing, Ltd. ISBN 9781472416674.
  13. ^ Zhuo, Dr Sun (2015). The Chinese Zheng Zither: Contemporary Transformations. Ashgate Publishing, Ltd. ISBN 9781472416674.
  14. ^ "BBC Radio 3 - World Routes, Silk and Bamboo, Shanghai tea-houses". BBC.
  15. ^ "Guqin Handbooks 琴譜列表". www.silkqin.com.
  16. ^ "Guqin Handbooks 琴譜列表". www.silkqin.com.

External links[edit]