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To add infoboxes

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Jampec

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Time article[1], ‘Patchwork Identities and Folk Devils‘[2], Dance Hall Days[3], Aping the West in Hungary[4], + the one with the image.

Fukow

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Fukow was the tag of a graffiti artist based in Żoliborz, Warsaw. They were known for their characteristic stylised pigeon, examples of which on Paweł Suzin Street have been nominated for preservation by a councillor in the artists home district.

Art

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Obituary:[5]

Following the reported death of the artist, Konrad Smoczny, a local councillor in Żoliborz, put forward an interpellation that examples of Fukow's graffiti on a local cinema be preserved during renovation work. The specific work it was proposed to retain was a yellow pigeon alongside the words I przegapisz wschód słońca, jeżeli zamkniesz oczy. A to złamie mi serce na pół. The graffiti was reported to be part of a series the artist produced after having been diagnosed with a terminal illness.[6]

Dzika grafika exhibition at Poster Museum[7] and review here[8] Work could be found across Warsaw including railway tracks along the length of the Warsaw Cross-City Line.[9]

A black and chrome Fukow piece with stylised pigeon under a road bridge between Warsaw Ochota and Warsaw Main railway stations
A faded Fukow roller piece above the Warsaw Cross-City Line

Japan

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Anti-fascism in interwar Japan?[10] and[11]

‘Deplatforming’

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History of no-platform in UK.[12]

Mural

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The mural received a mixed response from graffiti critics, with one expert describing the mural as “a rather naïve artwork [which] looked more like typical 1990s graffiti characters than anything from the Stürmer.”[13] The street art video-journalist Doug Gillen launched his career by filming the painting of the original mural in 2012.[14] In 2018 he produced a Vlog interview during which the Vice contributor J. S. Rafaeli described the work as “absolutely, unequivocally” antisemitic, although Gillen claimed that when the mural was painted he “didn’t pick up on any intent of malice.”[15]

Legacy

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Rómpsczi’s mythologisation of Kashubia and the Kashubs is the subject of the book Naród: wspólnota wyobrażona Jan Rompski do Kaszubów by Artúr Jablonskji, an assistant in the faculty of liberal arts at the University of Warsaw. Referencing Benedict Anderson’s Imagined Communities, the author argues that Rómpsczi imagined Kashubian identity as formed by… and a civic nationalism.[16][17]

Union for the Defence of the Western Borderlands
Związek Obrony Kresów Zachodnich
FormationOctober 1921; 102 years ago (1921-10)
FoundersMembers of the Komitetu Obrony Górnego Śląska
Defunct1934; 90 years ago (1934)
Merger ofPolski Związek Zachodni
TypeAnti-imperialist and nationalist
President
Kazimierz Stamirowski

Karl Olma

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Bit more about dialect that references KO?[18]

GGB

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Mention of GGB in article about U&E.[19]

Article about graffiti (Soviet Blocks project) in the Iskar district of Sofia produced by Berlin Kidz and documented by Good Guy Boris. The art work was reported on in the Bulgarian media where it was speculated to have been produced using a drone or even contain extraterrestrial meaning.[20]

On the 27 June 2024 the graffiti was featured on the Bulgarian news channel Nova News in a segment presented by anchor Daniela Pehlivanova.[21]

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English bit about footy,[22] and sports in general,[23], and specifically about sports organisations.[24]

Link to Chłopska Sprawa and Fara św. Krzyża w Tczewie for article illustration!

Extra BB links?

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Study of coverage in Przekrój,[25] newsreel produced by the Warsaw Documentary Film Studio.[26]

Władysław Broniewski poem?

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Broniewski penned the poem Cześć i dynamit about the Siege of Madrid, followed by No pasarán! as the fall of the city neared. The latter poem, first published in the Warsaw weekly Czarno na Białem, described graffiti written by dying Republican soldiers as a beacon of hope against fascism.[27]

Burning Candy
A collaborative mural by members of Burning Candy in Hackney Wick
Notable workTelepathic Heights
Style'savant-garde'
MovementGraffiti, urban art, street art

Burning Candy (alternatively Before Chrome[28]) is a street art collective from London, United Kingdom.

Artwork by the collective was incorporated into the work of the artist John Dolan.[29]

Telepathic Heights mural by Burning Candy in Stokes Croft
A silver Burning Candy tag adorns a building in Shoreditch High Street

Participants

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Burning Candy is known to include the graffiti artist Cept, Cyclops, Australian artist Dscreet, Gold Peg, LL Brainwash, Mighty Mo, Rowdy, Sickboy, Sweet Toof, and Tek33.[30][31] The collective's origins have been described as a knitting circle that originally took place in the basement of a Mecca Bingo hall.[32]

A throwup by Burning Candy member Tek33 on Leake Street, incorporating the artist's trademark pitchfork[33]

Reference for Gitowscy

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[34]

  • Link to Radical Peasants Party programme[35]
Trainspotters at Doncaster railway station in the twenty-first century.

Comics

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Trainspotters have been depicted in comic form in various publications. In 1987 a Viz strip featured a new character called ‘Timothy Potter, Trainspotter’.[36] From the early 1990s Acne comic included a trainspotting character called Borin Norman and a recurring strip titled ‘Train Spotters’.[37]

A tetsu-doru (鉄ドル) is an idol, while solottetsu (ソロ鉄) denotes an unmarried female railfan.[38]

References

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  1. ^ https://time.com/archive/6615916/hungary-barbaric-culture/
  2. ^ https://www.jstor.org/stable/25594357?seq=1
  3. ^ https://1956osintezet.hu/sites/default/files/2020-12/Nr%2026_B5_C_0.pdf
  4. ^ https://www.degruyter.com/document/doi/10.1515/transcript.9783839419540.279/html
  5. ^ https://www.tygodnikpowszechny.pl/pozegnanie-golebia-albo-graficiarza-kim-byl-fukow-185756
  6. ^ Czarnocka, Julia (26 07 2024). "Czy sztuka miejska na Kinie Tęcza powinna tam pozostać?". Gazeta Żoliborza (in Polish). {{cite news}}: Check date values in: |date= (help)
  7. ^ http://www.postermuseum.pl/wystawy/dzika-grafika-pol-wieku-ulicznej-dywersji-wizualnej-w-polsce-19672017,64.html
  8. ^ https://culture.pl/en/article/a-brief-history-of-polish-street-art-from-confrontation-to-decoration
  9. ^ Dembinski, Michael (23 June 2020). "Return to town after 14 weeks". W-wa Jeziorki. Blogger.
  10. ^ https://brill.com/view/journals/fasc/9/1-2/article-p9_9.xml?language=en
  11. ^ Michielsen, Edwin (2020). "Fighting Fascism with 'Verbal Bullets': Kaji Wataru and the Antifascist Struggle in Wartime East Asia". FASCISM (9): 9–33.
  12. ^ Smith, Evan. "45 Years On: The History and Continuing Importance of 'No Platform'". New Socialist. Retrieved 28 July 2024.
  13. ^ Kaltenhäuser, Robert (2021). "Trolling is Solidarity. Urban Art at the Identitarian Intersection". In Häuser, Friederike (ed.). Graffiti: Interdisziplnäre und kontemporäre Perspektiven. Germany: Beltz Juventa. p. 143. ISBN 978-3-7799-6448-3.
  14. ^ Wakim, Sami. "Interview with Doug Gillen of the Fifth Wall". Street Art United States. Retrieved 24 July 2024.
  15. ^ https://www.widewalls.ch/magazine/fifth-wall-tv-anti-semitism-street-art
  16. ^ Puzdrowska, Lucyna (25 October 2023). "Muzeum Kaszubskie zaprasza na spotkanie z Arturem Jabłońskim, działaczem kaszubskim i pisarzem". Dziennik Bałtycki (in Polish).
  17. ^ https://www.znak.com.pl/ksiazka/narod-wspolnota-wyobrazona-jan-rompski-do-kaszubow-artur-jablonski-264085
  18. ^ https://kng-snbhj6.home.amu.edu.pl/publikacja.pdf
  19. ^ MacDowall, Lachlan (November 2017). Neves, Pedro Soares (ed.). "Cultural heritage and the ficto-critical method: The ballad of Utah and Ether". Street Art and Urban Creativity. 3 (1). VisualCOM Scientific Publications: 106–109. doi:10.25765/sauc.v3i1.71. eISSN 2183-9956. ISSN 2183-3869. Retrieved 1 July 2024.
  20. ^ "Mysterious graffiti in the streets of Sofia, Bulgaria". Newsflare. 27 February 2024. Retrieved 27 June 2024.
  21. ^ Pehlivanova, Daniela (27 February 2024). "Мистериозни графити се появиха върху фасадите на блокове в София". Nova News (in Bulgarian). Retrieved 27 June 2024.
  22. ^ Borys, Bartosz. "The Warsaw Jews and football before the war". Jewish Historical Institute.
  23. ^ Gliński, Mikołaj (28 January 2015). "Be Strong and Brave: Jews, Sport, Warsaw". culture.pl.
  24. ^ Bańbuła, Joanna (July 2019). "Jewish sport associations in Poland before World War II". Israel Affairs. 25 (4): 754–762. doi:10.1080/13537121.2019.1626103.
  25. ^ Stefańska, Katarzyna. Izdebska, Agnieszka; Konończuk, Elżbieta; Płuciennik, Jarosław (eds.). "Bikiniarze w „Przekroju". Podwójna narracja" [Bikiniarze in Przekrój: Double Narration]. Zagadnienia Rodzajów Literackich. Space as a Category of Culture. 66 (2): 219–233. doi:10.26485/ZRL/2023/66.2/4. eISSN 2451-0335. ISSN 0084-4446. Retrieved 16 May 2024.
  26. ^ Lemańska, Helena; Szelubski, Jerzy; Łapicki, Andrzej; Janik, Wiktor; Zawarski, Stefan. Kaźmierczak, Wacław (ed.). Operator was podpatrzył (Newsreel) (in Polish). Warsaw: Polish Film Chronicle.
  27. ^ Chodakiewicz, Marek Jan (2003). "Affinity and Revulsion: Poland Reacts to the Spanish Right, 1936–1939 (And Beyond)". In Chodakiewicz, Marek; Radziwiłowski, John (eds.). Spanish Carlin’s and Polish Nationalism: The Borderlands of Europe in the 19th and 20th Centuries. Michigan: Leopolis Press. pp. 70–71. ISBN 0-9679960-5-8.
  28. ^ NoLionsInEngland (18 October 2008). "Burning Candy Show". Graffoto. Retrieved 28 March 2024.
  29. ^ Claassens, Carina (2 September 2013). "Interview: John Dolan". Street Art London. Retrieved 28 March 2024.
  30. ^ Rushmore, RJ (17 October 2009). "Burning Candy Mural". The Thousands. Retrieved 28 March 2024.
  31. ^ "SOS – Dscreet". Street Art News. 18 May 2021. Retrieved 28 March 2024.
  32. ^ Osburn, Chris (September 2010). "Interview with The Baron: DOTS". Whitehot Magazine. Retrieved 28 March 2024.
  33. ^ Chris, Tiki (4 September 2007). "Londonist Interviews ... London Graffiti Artist Tek33". Londonist. Retrieved 28 March 2024.
  34. ^ Olszewski, Przemysław. "O Git-ludziach i międzydzielnicowych bójkach". pragagada.pl (in Polish). Retrieved 18 March 2024.
  35. ^ https://polona.pl/item-view/a831e924-608b-4613-bf6a-3720d6094508?page=0
  36. ^ Bradley, Simon (2016). The Railways: Nation, Network and People. St Ives: Profile Books. p. 530. ISBN 978-1846682131.
  37. ^ Chambers, Thomas (2023). "From Trespasser to Nerd: The Changing Image of Trainspotting in Post-War Britain" (PDF). Nuart Journal. 4 (1): 50. ISSN 2535-549X.
  38. ^ Kikuko. "Koya-Kosenkyo 向野跨線橋". kikuko-nagoya.com. Retrieved 17 January 2024.
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