Veiled Aristocrats
| Veiled Aristocrats | |
|---|---|
 Poster for Veiled Aristocrats | |
| Directed by | Oscar Micheaux |
| Written by | Oscar Micheaux |
| Produced by | Oscar Micheaux |
| Starring | Lorenzo Tucker Laura Bowman |
| Distributed by | Micheaux Film Corporation |
Release date |
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| Country | United States |
| Language | English |
Veiled Aristocrats is a 1932 American Pre-Code race film directed, written, produced and distributed by Oscar Micheaux. The film deals with the theme of "passing" by mixed-race African Americans to avoid racial discrimination, and is a remake of The House Behind the Cedars (1927), based on a novel by the same name published in 1900 by Charles W. Chesnutt.
Plot
John Walden, a light-skinned African American lawyer, returns to his family in North Carolina after being away for 20 years. Walden has passed as white and been successful. He discovers domestic turmoil: his mother is trying to dissuade his sister Rena, who is also light skinned, from being romantically involved with Frank Fowler (Carl Mahon), a dark-skinned African-American businessman. With his mother’s blessing, Walden suggest that Rena abandon Fowler and move with him to another part of the city, where she could pass for white.
After Rena reluctantly agrees, her brother sets her up in a fancy home with African-American servants, who are initially unaware of Rena's African ancestry. Rena is pursued by a white high-class man who proposes marriage. Becoming uncomfortable with the situation, Rena tells her brother that she is a "negress" and is "tired of being a liar and a cheat". Rena reunites with Frank and they elope.[1][2]
Production
Veiled Aristocrats was Oscar Micheaux's second film adaptation of the 1900 novel The House Behind the Cedars by the author Charles W. Chesnutt. In 1927 he made a silent film production of it (no print of that film is known to exist today).[3] In his 1932 version, Micheaux altered the Chesnutt story by having Rena and Frank marry. (Chesnutt’s book ends with Rena’s death). Micheaux's screenplay is often blunt in its exploration of color lines within the African-American community; at one point John says: "I've heard, right on the street, a coal black Negro declares he loves her!"[4]
Micheaux shot much of Veiled Aristocrats at his mother-in-law’s home in Montclair, New Jersey.[1] Lorenzo Tucker, who played John Walden, was a popular leading man of the race film genre. He was dubbed the "black Valentino" because of his striking good looks.[5] Laura Bowman was the leading lady in several of Micheaux’s films during the 1930s, including Ten Minutes to Live (1932) and Murder in Harlem (1935).[6]
Surviving copy
No extant print of Veiled Aristocrats is known to exist. It was presumed to be a lost film for many years, but a trailer and fragments from two reels were discovered in a Tennessee garage in 1992.[4] The surviving footage was restored by the George Eastman House in Rochester, New York, and has been preserved in the Library of Congress.[1][4] The original film’s running time is unknown. Most of the final ten minutes of the surviving incomplete version consists of musical numbers performed by Rena’s house servants, including a rendition of the song "River, Stay Away from My Door."[2]
See also
References
- ^ a b c Alan Gevinson, Within Our Gates: Ethnicity in American Feature Films, 1911-1960, University of California Press, 1997, ISBN 0-520-20964-8
- ^ a b Richard Corliss, “An Oscar for Micheaux”, Time Magazine, June 6, 2002
- ^ "Progressive Silent Film List: The House Behind the Cedars", SilentEra.com
- ^ a b c J. Hoberman, The Magic Hour: Film at Fin de Siècle, Temple University Press, 2003, ISBN 1-56639-995-5
- ^ "Lorenzo Tucker Dies; Stage and Screen Actor", New York Times, August 30, 1986
- ^ The Complete Index To World Film since 1895, citwf.com; accessed July 26, 2015.