July 1, 1961 |
Staten Island, New York
|Genres||Heavy Metal, Glam Metal, Hard Rock|
|Associated acts||White Lion, Dreamer|
Vito Bratta (born July 1, 1961, Staten Island, New York, United States) is the former guitarist and main songwriter for the rock band White Lion. Bratta co-founded White Lion with lead singer Mike Tramp in 1983 and played with the band until 1992.
He was influenced by Jimmy Page, Eddie Van Halen, Robin Trower and other rock and blues guitar players of the 1970s and 80s. His playing has been described as melodic, original and technically accomplished. Bratta often employed two-handed tapping, sweep picking, pinch harmonics and various whammy bar techniques. Despite not being a household name, he is highly respected in the world of rock guitar.
In 2003, Mike Tramp attempted to reunite with Bratta but was unsuccessful. Tramp talked about Bratta in a 2007 interview with Anarchy Music, claiming Bratta was always quiet and maintained a certain distance from the rest of the band.
On February 16, 2007, Bratta gave his first live interview in over 12 years. The following points were revealed during the Eddie Trunk interview: Bratta's father went through a 5-year illness, which required a large amount of personal time and commitment on Vito's part, both emotionally and financially. In 1997, he injured his wrist and finds it painful to move his hand up and down an electric guitar's neck; however he still manages to play classical guitars without excessive discomfort. In addition, he clarified that he has never ruled out a White Lion/Mike Tramp reunion; up until now, they have simply been impossible due to family obligations and his wrist injury.
Although Vito Bratta has not released any music since 1992, many musicians, both singers and guitar players, have continued to praise his songwriting skills and technical ability. Zakk Wylde has noted that Bratta is the only guitar player that sounds good tapping. He has also praised Vito Bratta's originality and pointed out that he considers the solo in "Wait" one of the best solos he has ever heard .
"Vito the guitar player and Vito the songwriter and musician, he was in a calibre all by himself. It shows in his great solos, and so many people love the way he played like Eddie with the hammer-ons and all that stuff like the Van Halen solo on “Ain’t Talkin’ Bout Love.” I just love the way Vito played solos on “Wait” and “Little Fighter” and some of the others. He was like Mozart."
Tramp also mentioned that many accomplished guitar players turned him down when he attempted to put together a new version of White Lion.
"We tried to do new White Lions with Warren DeMartini and Paul Gilbert and all these others, and no one wanted to do Vito. He was unlike anyone else, he had his own way of doing thing, and plus he was a great songwriter. Had he remained in the business, Vito would have been bigger than Steve Vai and all those types of guys. With him the melody came before anything else, and that’s nothing but the highest praise."
Guitar World Magazine named Vito one of the best 20 guitarists of the 80s, commenting:
Vito Bratta was the most tasteful, lyrical and inventive guitarist of his generation, adding structure, style and an unerring pop sensibility to Van Halen’s oft-tapped fountain of inspiration."
Rubicon Cross guitarist Chris Green considers Vito Bratta one of his first influences.
Vito Bratta was probably one of my first influences, the thing about him, that people just completely overlooked, is that he used to write guitar solos, he like wrote songs within songs! So, the solo was almost like a classical movement, within the track, and there are a lot of guitar players out there, I think, who could do that as well, but I think, Vito Bratta is the absolute best. It’s absolutely tragic that the guy doesn’t play anymore, and if you chat to the guys from Tyketto, they were very close to Vito. Mike, the drummer in Tyketto, was in a cover band when he was 14 years old, with Vito, and he was chatting to me on this last tour about how they had to sit backstage, because they weren’t old enough to be in the club, that they were playing in. They would play for six hours while they were waiting to go on stage! The way he crafted guitar solos, made me think extremely seriously about how to not go off topic, with a song, but to take it to another level, and somehow manage to make it come back again to make sense of where the song’s coming in. He was a huge influence.
- "Vitto Bratta". Metal Storm. Retrieved 2012-02-29.
- Guitar World, September, 1989
- http://destroyerofharmony.com/2013/09/06/vito-bratta-a-rock-n-roll-technician-that-got-lost-in-all-the-noise/. Missing or empty
- http://www.everlightskeep.com/music.php?songwriting=vito_bratta/. Missing or empty
- "Vito Bratta talks about White Lion reunion". Ultimate Guitar. February 20, 2007. Retrieved 2012-02-29.
- "Zakk Wylde interview Guitar World 1989".
- http://www.guitarworld.com/zakk-attack-zakk-wylde-discusses-working-ozzy-osbourne-1989-guitar-world-interview?page=0,2. Missing or empty
- "Mike Tramp - Metal Sludge interview".
- "Mike Tramp - Metal Sludge interview".
- "Guitar World Top 20 80s Guitarists".
- "Eddie Trunk - Vito Bratta interview script Feb 17, 2007".
- "Chris Green interview - The Rock Pit".