W. S. Van Dyke
|W. S. Van Dyke|
Woodbridge Strong Van Dyke II|
March 21, 1889
San Diego, California, U.S.
February 5, 1943 (aged 53)|
Los Angeles, California, U.S.
|Cause of death||Suicide|
|Resting place||Forest Lawn Memorial Park (Glendale)|
|Other names||One Take Woody|
|Occupation||Film director, writer|
Zina Ashford (m. 1909; div. 1935)
Woodbridge Strong “W. S.” Van Dyke II (Woody) (March 21, 1889 – February 5, 1943) was an American film director and writer who made several successful early sound films, including Tarzan the Ape Man in 1932, The Thin Man in 1934, San Francisco in 1936, and six popular musicals with Nelson Eddy and Jeanette MacDonald. He received two Academy Award nominations for Best Director for The Thin Man and San Francisco, and directed four actors to Oscar nominations: William Powell, Spencer Tracy, Norma Shearer, and Robert Morley. Known as a reliable craftsman who made his films on schedule and under budget, he earned the name "One Take Woody" for his quick and efficient style of filming.
Woodbridge Strong Van Dyke II was born on March 21, 1889 in San Diego, California. His father was a Superior Court judge who died the day his son was born. His mother, Laura Winston, returned to her former acting career. As a child actor, Van Dyke appeared with his mother on the vaudeville circuit with traveling stock companies. They traveled the west coast and into the Middle West. When he was five years old, they appeared at the old San Francisco Grand Opera House in Blind Girl. He would later remember his unusual education,
I think I've been to school in every state in the Union. Whenever the company stopped off long enough in any city I went back behind a school desk. The rest of the time my mother taught me.
When Van Dyke was fourteen years old, he moved to Seattle to live with his grandmother. While attending business school, he worked several part-time jobs, including janitor, waiter, salesman, and railroad attendant. Van Dyke's early adult years were unsettled, and he moved among jobs. In 1909, he married actress Zelda Ashford, and the two joined various touring theater companies, finally arriving in Hollywood in 1915.
In 1915, Van Dyke found work as an assistant director to D. W. Griffith on the film The Birth of a Nation. The following year, he was Griffith's assistant director on Intolerance. That same year he worked as an assistant director to James Young on Unprotected (1916), The Lash (1916), and the lost film Oliver Twist, in which he also played the role of Charles Dickens.
In 1917, Van Dyke directed his first film, The Land of Long Shadows for Essanay Studios. That same year he directed five other films: The Range Boss, Open Places, Men of the Desert, Gift O' Gab, and Sadie Goes to Heaven. In 1927, he traveled to Tacoma to direct two silent films for the new H.C. Weaver Productions: Eyes of the Totem and The Heart of the Yukon (the latter is considered a lost film).
During the silent era he learned his craft and by the advent of the talkies was one of MGM's most reliable directors. He came to be known as "One-Take Woody" or "One-Take Van Dyke", for the speed with which he would complete his assignments. MGM regarded him as one of the most versatile, equally at home directing costume dramas, westerns, comedies, crime melodramas, and musicals.
Many of his films were huge hits and top box office in any given year. He received Academy Award for Best Director nominations for The Thin Man (1934) and San Francisco (1936). He also directed the Oscar-winning classic Eskimo (also known as Mala the Magnificent), in which he also has a featured acting role.
His other films include the island adventure White Shadows in the South Seas (1928), its follow up: The Pagan (1929), Trader Horn (1931) filmed almost entirely in Africa, Tarzan the Ape Man (1932), Manhattan Melodrama (1934), and Marie Antoinette (1938). He is perhaps best remembered for directing Myrna Loy and William Powell in four Thin Man films: The Thin Man (1934), After the Thin Man (1936), Another Thin Man (1939), and Shadow of the Thin Man (1941); and Jeanette MacDonald and Nelson Eddy in six of their greatest hits, Naughty Marietta (1935), Rose Marie (1936), Sweethearts (1938), New Moon (1940) (uncredited because halfway through filming Robert Z. Leonard took over), Bitter Sweet (1940), and I Married an Angel (1942).
The earthquake sequence in San Francisco is considered[by whom?] one of the best special-effects sequences ever filmed. To help direct, Van Dyke called upon his early mentor, D. W. Griffith, who had fallen on hard times. Van Dyke was also known to hire old-time, out-of-work actors as extras. Because of his loyalty, he was much beloved and admired in the industry.
Van Dyke was known for allowing ad-libbing (that remained in the film) and for coaxing natural performances from his actors. He made stars of Nelson Eddy, James Stewart, Myrna Loy, Johnny Weissmuller, Maureen O'Sullivan, Eleanor Powell, Ilona Massey, and Margaret O'Brien. He was often called in to work a few days (or more), uncredited, on a film that was in trouble or had gone over production schedule.
Promoted to the rank of major prior to World War II, the patriotic Van Dyke set up a Marine Corps recruiting center in his MGM office. He was one of the first Hollywood bigwigs to advocate early U.S. involvement, and he convinced stars like Clark Gable, James Stewart, Robert Taylor, and Nelson Eddy to become involved in the war effort.
Final years and death
A devout Christian Scientist, Van Dyke refused most medical care during his last years. After finishing his last film, he said his goodbyes to his wife, children, and studio boss Louis B. Mayer and then committed suicide on February 5, 1943, in Brentwood, Los Angeles. At his request, Jeanette MacDonald and Nelson Eddy both sang and officiated at his funeral.
Awards and nominations
|1934||Academy Award||Best Film Editing (Conrad A. Nervig)||Eskimo / Mala the Magnificent||Won|
|1935||Academy Award||Best Director||The Thin Man||Nominated|
|1936||Venice Film Festival||Best Foreign Film||San Francisco||Nominated|
|1937||Academy Award||Best Director||San Francisco||Nominated|
|1938||Venice Film Festival||Best Foreign Film||Marie Antoinette||Nominated|
- The Land of Long Shadows (1917)
- The Range Boss (1917)
- Open Places (1917)
- Men of the Desert (1917)
- Gift O' Gab (1917)
- Sadie Goes to Heaven (1917)
- The Lady of the Dug-Out (1918)
- The Hawk's Trail (1919)
- Daredevil Jack (1920)
- Double Adventure (1921)
- The Avenging Arrow (1921)
- Forget Me Not (1922)
- White Eagle (1922)
- The Milky Way (1922)
- According to Hoyle (1922)
- The Boss of Camp Four (1922)
- The Miracle Makers (1923)
- Destroying Angel (1923)
- The Little Girl Next Door (1923)
- Ruth of the Range (1923) (uncredited)
- Half-A-Dollar-Bill (1924)
- Loving Lies (1924)
- The Beautiful Sinner (1924)
- Winner Takes All (1924)
- Gold Heels (1924)
- The Trail Rider (1925)
- Hearts and Spurs (1925)
- The Timber Wolf (1925)
- The Desert's Price (1925)
- Ranger of the Big Pines (1925)
- Barriers Burned Away (1925)
- The Gentle Cyclone (1926)
- War Paint (1926)
- Winners of the Wilderness (1927)
- The Heart of the Yukon (1927)
- California (1927)
- Spoilers of the West (1927)
- Foreign Devils (1927)
- Eyes of the Totem (1927)
- Under the Black Eagle (1928)
- Wyoming (1928)
- White Shadows in the South Seas (1928)
- The Pagan (1929)
- Trader Horn (1931)
- The Cuban Love Song (1931)
- Guilty Hands (1931)
- Never the Twain Shall Meet (1931)
- Tarzan the Ape Man (1932)
- Night Court (1932)
- Penthouse (1933)
- The Prizefighter and the Lady (1933)
- Eskimo (1933)
- Manhattan Melodrama (1934)
- The Thin Man (1934)
- Hide-Out (1934)
- Forsaking All Others (1934)
- Laughing Boy (1934)
- I Live My Life (1935)
- Naughty Marietta (1935)
- Rose Marie (1936)
- San Francisco (1936)
- His Brother's Wife (1936)
- The Devil Is a Sissy (1936)
- Love on the Run (1936)
- After the Thin Man (1936)
- They Gave Him a Gun (1937)
- Personal Property (1937)
- Rosalie (1937)
- Marie Antoinette (1938)
- Sweethearts (1938)
- Stand Up and Fight (1939)
- It's a Wonderful World (1939)
- Andy Hardy Gets Spring Fever (1939)
- Another Thin Man (1939)
- I Take This Woman (1940)
- I Love You Again (1940)
- Bitter Sweet (1940)
- New Moon (1940) (uncredited)
- Rage in Heaven (1941)
- The Feminine Touch (1941)
- Shadow of the Thin Man (1941)
- Dr. Kildare's Victory (1942)
- I Married an Angel (1942)
- Cairo (1942)
- Journey for Margaret (1942)
- "W. S. Van Dyke Dies, Film Director, 53". The New York Times. February 6, 1943. Retrieved July 17, 2009.
Woodbridge Strong Van Dyke 2d, motion-picture director, died at his home in Brentwood shortly before noon today. His age was 53 ...
- Barson, Michael. "W. S. Van Dyke". Encyclopædia Britannica. Retrieved February 16, 2015.
- "W S Van Dyke". Hollywood's Golden Age. Retrieved February 16, 2015.
- Mayer, Alicia (December 24, 2012). "W.S. Van Dyke: the trusted director ..." Hollywood Essays. Retrieved February 16, 2015.
"War Memorial Opera House" (PDF). verplanck consulting.
...the Wade (later Grand) Opera House. Located on the north side of Mission Street, just west of Third Street, the Grand Opera House perished in 1906, along with most of the city's other opera houses, including the Tivoli Opera House and the Orpheum Theater.
- "Shadow of the Thin Man (1941) - Full Credits - TCM.com". Turner Classic Movies.
Shull, Michael S. (2006). "Hollywood War Films, 1937–1945".
(Shadow of the Thin Man, 1941) : The only topical reference in this comic crime series entry was the billing in the opening credits for “Major” W. S. Van Dyke, the film's director.
- Erickson, Hal. "W. S. Van Dyke". The New York Times. Retrieved February 16, 2015.
- "Woody Van Dyke | Hollywood Walk of Fame". www.walkoffame.com. Retrieved 2016-08-19.
- "W.S. Van Dyke". latimes.com. Retrieved 2016-08-19.
- "The 7th Academy Awards, 1935". Academy of Motion Picture Arts and Sciences. Retrieved February 16, 2015.
- "The 9th Academy Awards, 1937". Academy of Motion Picture Arts and Sciences. Retrieved February 16, 2015.
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