Zheng Junli

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Zheng Junli
Zheng Junli 01.jpg
Chinese name 鄭君里 (traditional)
Chinese name 郑君里 (simplified)
Pinyin Zhèng Jūnlǐ (Mandarin)
Born (1911-12-06)December 6, 1911
Shanghai, China
Died April 23, 1969(1969-04-23) (aged 57)
Occupation Film director, actor
This is a Chinese name; the family name is Zheng.

Zheng Junli (December 6, 1911 – April 23, 1969) was an actor and director born in Shanghai and who rose to prominence in the golden age of Chinese Cinema. His films The Spring River Flows East and Crows and Sparrows are widely considered classics of Chinese cinema. He was severely persecuted during the Cultural Revolution and died in prison.

Republic of China[edit]

Zheng was born into an impoverished family, often harassed by creditors. At early ages, he showed great interest in reading and art performing. He left junior high at second grade and entered "Nanguo Art School" led by Tian Han and studied play acting.

During the 1930s, Zheng was an actor under contract with Lianhua Film Company. While with Lianhua, he played a number of roles, notably as the love-interest Yu Haichou in the film New Women opposite Ruan Lingyu.

After the Sino-Japanese War Zheng began to focus his efforts on directing, most notably with The Spring River Flows East (co-directed with Cai Chusheng) (1947) and his anti-Kuomintang polemic Crows and Sparrows (1948). In 1957, the latter was awarded Excellent Movie Award first-class (1949-1955) by Minister of Culture of PRC.

People's Republic of China[edit]

Zheng welcomed the establishment of the new government of CPC. As a left-wing director, he was at first one of the beneficiaries. He moved his family from dilapidated dormitory in Kunlun Studio to the best residential area in Shanghai, opposite to the house of Soong Ching-ling.

On 2nd meeting of CPC 7th national congress, Mao Zedong mentioned some issues of CPC cadres after entering the cities. Zheng immediately followed the directive and made the movie The Married Couple (我們夫婦之間), starring Zhao Dan and Jiang Tianliu. It told a story that a CPC cadre ditched his original wife in village in order to marry a girl in the city, showing his failure to resist the temptation of "sugar-coated bullet". This movie was banned even before the public release.

Zheng was a member of Art Commission of Shanghai Film Studio, and used to support the making of The Life of Wu Xun. This movie was severely excoriated by CPC authority and Zheng felt guilty of that. His former production, The Married Couple, was also criticized at this time, which exerted great pressure on the director.

In order to criticize The Life of Wu Xun, Jiang Qing and her followers went to Shandong to do research. They found another historical figure, Song Jingshi, a peasant uprising leader of the "Black Flag Army". They thus erected Song and Black Flag Army as revolutionary examples to further denounce Wu Xun. They borrowed Zheng Junli for a long time to study this movie script. However, a dilemma was encountered by Zheng and Sun Yu, another screenplay writer. In the real history, Song Jingshi eventually surrendered to Qing Dynasty, but for political purpose, Song must be depicted as a determined revolutionary. A compromise was finally reached as Song's surrendering was designed as a tactic. Due to the criticism of The Life of Wu Xun, Shanghai Film Studio hoped Song Jingshi would redeem its political mistakes. The then vice director of movie bureau, Cui Wei, acted as Song Jingshi himself. Other famed actors and actresses were all willing to perform minor supporting roles. But because of the fact that Song surrendered to Qing authority, the movie was only allowed to be released for a short period after four-five years after its completion. In the end, this film of "atonement" was banned.

After continuous lack of success, Zheng's next two biographical pictures on Nie Er and Lin Zexu (both starring Zhao Dan) won wide acclaim, and alleviated his feeling of guilt.

Zheng was severely persecuted during the Cultural Revolution, and died in prison in 1969.

He was a delegate to Shanghai municipal People's Congress, a member of 3rd and 4th CPPCC, a councilman of China Film Association, China Playwrights Association and Shanghai Film Association.

Film theory[edit]

Zheng devoted to translating and authoring works on films and plays. So far his published works include The Birth of a Role (角色的誕生) and Voice-over (畫外音), among others.

He thought his performance was rigid and not satisfactory. Thus he made great efforts to study performing theories. He first tried to translate Acting: The First Six Lessons authored by Richard Boleslavsky. Since he hadn't completed his junior high study, his English was poor. Nevertheless, he was very diligent. He did the translation relying on the English dictionary, and then double-checked the original book using a Russian-English dictionary and corrected any mistakes. After that, his English was greatly improved. He was also the first one who introduced the performing system of Constantin Stanislavski into China. Stanislavski's works were all written in Russian. Zheng thus found an English-Russian & Russian-English dictionary and translated Russian to Chinese through English, which was indeed a formidable job. His translation of An Actor Prepares of Stanislavski, co-authored by Zhang Min, was the first systematic work on art performing in plays in China.

Zheng also authored the book Art History of World's Movies. At the time when no one in China dared to break ideological shackle and compare films of western world with ones of Soviet Union's, it was a breakthrough by Zheng to write a chronicle of world films from a universal perspective.

Selected filmography[edit]

As director[edit]

Year English Title Chinese Title Notes
1947 The Spring River Flows East 一江春水向東流 Co-directed with Cai Chusheng
1949 Crows and Sparrows 烏鴉與麻雀
1951 The Married Couple 我們夫婦之間 Also known as Husband and Wife
1955 Song Jingshi 宋景詩 Also known as The Rebels
1958 Lin Zexu 林則徐
1959 Nie Er 聶耳
1961 Spring Comes to the Withered Tree 枯木逢春
1964 Li Shanzi Zheng's last film, never released due to political reasons[1]

As actor[edit]

Year English Title Chinese Title Role
1932 Wild Rose 野玫瑰 Xiao Li
1932 Pink Dream 粉紅色的夢 Li's first friend
1933 The Blood of Passion on the Volcano 火山情血 Song Ke
1934 The Big Road 大路 Zheng Jun
1934 New Women 新女性 Yu Haichou
1935 Song of China 天倫 Sun Yutang as an adult
1935 National Customs 國風 Chen Zuo
1936 Family Members 孤城烈女 Zhang Zhengke

See also[edit]


  1. ^ Zhang, Yingjin & Xiao, Zhiwei (1998). "The Fifth Generation" in Encyclopedia of Chinese Film. Taylor & Francis, p. 393. ISBN 0-415-15168-6.

External links[edit]