Amber Room

For other uses, see Amber Room (disambiguation).

The original Amber Room (Russian Янтарная комната, Template:Lang-de) in the Catherine Palace of Tsarskoe Selo near Saint Petersburg was a complete chamber decoration of amber panels backed with gold leaf and mirrors. Due to its singular beauty, it was sometimes dubbed the "Eighth Wonder of the World".

File:Oldamberroom.jpg

Amber Room before WWII

The Amber Room was created from 1701 to 1709 in Prussia and remained at Charlottenburg Palace until 1716 when it was given by Prussian king Friedrich Wilhelm I to his then ally, Tsar Peter the Great of the Russian Empire. Parts of the Amber Room were looted during World War II by Nazi Germany and brought to Königsberg. Knowledge of its whereabouts was lost in the chaos at the end of the war. Its fate remains a mystery, and the search continues.

A reconstructed Amber Room was inaugurated in 2003 in the Catherine Palace in St. Petersburg, Russia.

Creation

Section of the reconstructed Amber Room.

The Amber Room was made from 1701 onwards in order to be installed at Charlottenburg Palace, home of Friedrich I, the first king of Prussia, at the urging of his second wife, Sophie Charlotte. The concept of the room and its design was by Andreas Schlüter. It was crafted by Gottfried Wolfram, master craftsman to the Danish court of King Frederick IV of Denmark, with help from the amber masters Ernst Schacht and Gottfried Turau from Danzig (Gdańsk).

It did not, however, remain at Charlottenburg for long. Peter the Great admired it on a visit and in 1716, Friedrich Wilhelm I, the first king's son, presented it to him, and with that act cemented a Prussian-Russian alliance against Sweden.

In 1755 Tsarina Elizabeth of Russia had it transferred and installed, first in the Winter Palace, and then in the Catherine Palace. From Berlin, Frederick II the Great sent her more Baltic amber, in order to fill out the originals in the new design by the tsarina's Italian court architect, Bartolomeo Rastrelli.

The Amber Room represented a joint effort of German and Russian craftsmen. After several other 18th-century renovations, it covered more than 55 square meters and contained over six tonnes of amber. It took over ten years to construct.

Evacuation in World War II

Shortly after the beginning of German invasion of the Soviet Union in World War II (Operation Barbarossa), the curators responsible for removing the art treasures in Leningrad tried to disassemble and remove the Amber Room. Over the years the amber had dried out and become brittle, so that when they tried to remove it, the fragile amber started to crumble. The Amber Room was therefore hidden behind mundane wallpaper, in an attempt to keep Nazi forces from seizing it. However, this attempt to hide a well-known piece of art in such a manner failed.

As the palace had been hit by grenades, German soldiers disassembled the Amber Room within 36 hours under the supervision of two experts, in accordance with Hague Conventions. On 14 October 1941, Rittmeister Graf Solms-Laubach commanded the evacuation of 27 crates to Königsberg (renamed Kaliningrad in 1946) in East Prussia, for storage and display in the town's castle. On 13 November 1941, the newspaper Königsberger Allgemeine Zeitung reported about an exhibition of part of the Bernsteinzimmer in Königsberg Castle.

The last days in Königsberg

Orders by Hitler given on 21 January, 1945 and 24 January, 1945 allowed the movement of possessions. From that day onwards, Albert Speer's administration could move culture goods of priority "I (o)". Erich Koch was in charge in Königsberg. Eyewitness claimed that crates had been sighted at the railway station. They might have been put aboard the Wilhelm Gustloff which left Gdingen on January 30, and was sunk by a Soviet submarine. Another possible location is Weimar, the location of a planned propaganda center.

Later in the war, Königsberg was heavily bombed by the Royal Air Force. It suffered further heavy damage at the hands of the advancing Soviets before and after its fall on April 9, 1945.

Disappearance and mystery

The Amber Room was never seen again, though reports have occasionally surfaced stating that components of the Amber Room survived the war.

There have been numerous conflicting reports and theories, among them that the Amber Room was destroyed by bombing, hidden in a now-lost subterranean bunker in Königsberg, buried in mines in the Erzgebirge mountain range, or taken onto a ship or submarine which was sunk by Soviet forces in the Baltic Sea.

Many different individuals and groups, including a number of different entities from the government of the Soviet Union, have mounted extensive searches for it at various times since the war, with little result. At one point in 1998, two separate teams (one in Germany, the other in Lithuania) announced that they had located the Amber Room, the first in a silver mine, the second buried in a lagoon; neither produced the Amber Room. .

However, in 1997 one Italian stone mosaic that was part of a set of four which had decorated the Amber Room did turn up in western Germany, in the possession of the family of a soldier who had helped pack up the Amber Room.

Destruction theory

Recently, British investigative journalists Catherine Scott-Clark and Adrian Levy, conducted lengthy research on the fate of the Amber Room, including extensive archival research in Russia. In 2004 their book, The Amber Room: The Fate of the World's Greatest Lost Treasure, concluded that the Amber Room was most likely destroyed when Königsberg Castle was burned out, shortly after Königsberg surrendered to occupying Soviet forces.

Documents from the archives showed that that was also the conclusion of the report of Alexander Brusov, chief of the first formal mission sent by the Soviet government to find the Amber room, who wrote in June, 1945: "Summarizing all the facts, we can say that the Amber Room was destroyed between 9 and 11 April, 1945". Some years later, Brusov later gave a contrary opinion; the book authors intimate that this change of opinion was likely due to pressure from other Soviet officials, who did not want to be seen as responsible for the loss of the Amber Room.

Among other information from the archives was the revelation that the remains of the rest of the set of Italian stone mosaics were found in the burned debris of the castle. The authors' reasoning as to why the Soviets conducted extensive searches for the Amber Room in the years after WWII, even though their own experts had concluded that it was destroyed, is that it served the differing motives of several elements in the Soviet government: some wished to obscure (even from other branches of the Soviet government) the fact that Soviet soldiers may have been responsible for its destruction; others found the theft of the Amber Room a useful Cold War propaganda tool, and did not want to let go of a grievance that could be aired advantageously; still others did not want to share the blame for its destruction (through their failure to evacuate the Amber Room to safety at the start of the war).

Russian officials have denied the book's conclusions - angrily, in some cases. Said Adelaida Yolkina, senior researcher at the Pavlovsk Museum Estate: "It is impossible to see the Red Army being so careless that they let the Amber Room be destroyed." Other Russian experts were less sceptical, and had a different emphasis in their responses. Mikhail Piotrovsky, director of the State Hermitage Museum, was very cautious in his comments, and said: "Most importantly, the destruction of the Amber Room during the Second World War is fault of the people who started the war". In reply, Catherine Scott-Clark, one of the authors, indicated that they only came to their conclusions with reluctance: "when we started working on this issue we were hoping to be able to find the Amber Room."

Since the book came out, a Russian veteran has given an interview in which he confirmed their basic conclusion as to the fate of the Amber Room, although he denies that the fires were deliberate. "I probably was one of the last people who saw the Amber Room", said Leonid Arinshtein, a literature expert with the nongovernmental Russian Culture Foundation, who was a Red Army lieutenant in charge of a rifle platoon in Königsberg in 1945. "The Red Army didn't burn anything", he said.

A variation of this theory is common currency amongst present-day residents of Kaliningrad. This is that part at least of the room was found in the cellars after WWII by the Red Army, in relatively good condition. This was not admitted at the time in order that blame should continue to rest upon the Germans. To preserve this story access to the ruins of the castle, which were substantial after WWII, was restricted, even to historical/archaeological surveys. During the 1960s, access to the site was suddenly witheld and the ruins were blown up by the Army, sealing any access to the underground area. The still uncompleted Dom Sovietov was built over the central area. The remains of the room may still be sited underground; however, as mentioned above, amber which is not cared for will crumble into dust. It is presumed that this is what has happened and that the Russian authorities, even after Communism, have been unwilling to admit this.

Reconstruction

File:Amberroomdetail.jpg

Detail of the reconstructed Amber Room.

In 1979 a reconstruction effort began at Tsarskoye Selo, based largely on black and white photographs of the original Amber Room. Financial difficulties were helped with money donated by a German company (Ruhrgas AG). By 2003 the titanic work of the Russian craftsmen was mostly completed. The new room was dedicated by Russian President Vladimir Putin and German Chancellor Gerhard Schröder at the 300-year anniversary of the city of Saint Petersburg.

In Kleinmachnow, near Berlin, there is a miniature Amber Room, fabricated after the original. The Berlin miniature collector Ulla Klingbeil had this copy made of original East Prussian amber. The exhibit fee at Europarc Dreilinden is donated to the Arilex-Verein Foundation to aid handicapped children.

Fiction

The mystery of the Amber Room has been the basis for the plot of several films, books and art exhibitions.

See also

• The Amber Room (2003)
• Štěchovice Treasure (believed by some to contain the room)

Further reading

• Peter Bruhn, International bibliography of publications about the Amber Room. Berlin 2004. 468 pages (ISBN 3-86155-109-8)
• Catherine Scott-Clark, Adrian Levy, The Amber Room: The Untold Story of the Greatest Hoax of the Twentieth Century (Atlantic Books, London 2004) ISBN 1-84354-340-0
• Suzanne Massie, Pavlovsk: The Life Of A Russian Palace (Little Brown, Boston, 1990)

External links

• Database of the International literature about the Amber Room by Peter Bruhn
• AmberRoom.Org: History, Photographs and Research
• The Amber Room: The Fate of the World's Greatest Lost Art Treasure Web site for the book
  • Q&A with Catherine Scott-Clark and Adrian Levy
• Mysteries of the Lost Amber Room
• On the Trail of The Amber Room - BBC, August 1, 1998
• Peter the Great's amber room reborn - BBC, 14 May, 2003
• New theory on Russian art riddle BBC, 24 May, 2004
• Outrage At Amber Room Book St. Petersburg Times
• Mystery of the Amber Room resurfaces MSNBC
• The Amber Room on the Web
• Varoli, John (23 January 2003). "Amber Room, Lost to War, Is Recreated". New York Times. Retrieved 2006-12-15.
• Kinzer, Stephen (27 May 1992). "Weimar Journal; Amber-Tinted Rumors Whisper of Buried Booty". New York Times. Retrieved 2006-12-15. (Link for TimesSelect members only.)