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'''''This Is the Sea''''' is the third and last of [[The Waterboys]]' "Big Music" albums. Considered by critics to be the finest album of their early [[rock and roll|rock]]-oriented sound{{ref|AMG}}, described as "epic" and "a defining moment"{{ref|BBC}}, it was the first Waterboys album to enter the [[United Kingdom]] charts, peaking at number thirty-seven. It was also the first album with [[Steve Wickham]], who would radically change The Waterboys' sound for the next album, ''[[Fisherman's Blues]]'', and inspire the band's move to [[Ireland]]. ''This Is the Sea'' is the last album with contributions from [[Karl Wallinger]], who left the group to form his own band, [[World Party]].
'''''This Is the Sea''''' is the third and last of [[The Waterboys]]' "Big Music" albums. Considered by critics to be the finest album of their early [[rock and roll|rock]]-oriented sound,<ref>{{cite web | title=All Music Guide review | url=http://www.allmusic.com/cg/amg.dll?p=amg&token=&sql=10:1j9sa93gb23h | accessdate=October 22 | accessyear=2005 }}</ref> described as "epic" and "a defining moment",<ref name="bbc">{{cite web | author=Mick Fitzsimmons | title=Must Have Waterboys | work=BBC: Critical List | url=http://www.bbc.co.uk/radio2/shows/criticallist/must_have_waterboys.shtml | accessdate=October 22 | accessyear=2005 }}</ref> it was the first Waterboys album to enter the [[United Kingdom]] charts, peaking at number thirty-seven. It was also the first album with [[Steve Wickham]], who would radically change The Waterboys' sound for the next album, ''[[Fisherman's Blues]]'', and inspire the band's move to [[Ireland]]. ''This Is the Sea'' is the last album with contributions from [[Karl Wallinger]], who left the group to form his own band, [[World Party]].


[[Mike Scott (musician)|Mike Scott]], the album's principle songwriter and leader of The Waterboys, describes ''This Is the Sea'' as "the record on which I achieved all my youthful musical ambitions"{{ref|Scott}}, "the final, fully realised expresion of the early Waterboys sound", influenced by [[The Velvet Underground]], [[Van Morrison]]'s ''[[Astral Weeks]]'', and [[Steve Reich]]{{ref|TItS}}. The album was recorded between March and July of 1985, and released that October (see [[1985 in music]]). A remastered and expanded version was released in 2004. ''This Is the Sea'' contains the best-selling Waterboys single, the song "The Whole of the Moon". The album cover is a photograph taken by Lynn Goldsmith.
[[Mike Scott (musician)|Mike Scott]], the album's principle songwriter and leader of The Waterboys, describes ''This Is the Sea'' as "the record on which I achieved all my youthful musical ambitions",<ref>{{cite web | title=Mike Scott, March 2003 | url=http://www.go-entertainment.com/page13/page13.html | accessdate=May 5 | accessyear=2006 }}</ref> "the final, fully realised expresion of the early Waterboys sound", influenced by [[The Velvet Underground]], [[Van Morrison]]'s ''[[Astral Weeks]]'', and [[Steve Reich]].<ref name="tits">{{cite book | first=Mike | last=Scott | year=2004 | title=This Is the Sea | chapter=Recording Notes | pages=5 | publisher=EMI }}</ref> The album was recorded between March and July of 1985, and released that October (see [[1985 in music]]). A remastered and expanded version was released in 2004. ''This Is the Sea'' contains the best-selling Waterboys single, the song "The Whole of the Moon". The album cover is a photograph taken by Lynn Goldsmith.


==Production history==
==Production history==
With "Trumpets" as a starting point, Scott began writing songs for ''This Is the Sea'' in the spring of 1984. Scott recalls that in December of 1984 "during The Waterboys' first American tour, [he] bought two huge hard-bound books... in which to assemble [his] new songs"{{ref label|TItS|4|a}} For the following two months Scott worked on the songs in his apartment, writing the lyrics, and working on guitar and piano arrangements. Scott wrote between thirty-five and forty songs, but felt that the nine songs that made it onto the album "were the ones that were intended to be there"{{ref label|TItS|4|b}}. The first song from the album to be played live was "Trumpets", on [[April 10]] [[1984]]{{ref|toura}}.
With "Trumpets" as a starting point, Scott began writing songs for ''This Is the Sea'' in the spring of 1984. Scott recalls that in December of 1984 "during The Waterboys' first American tour, [he] bought two huge hard-bound books... in which to assemble [his] new songs"<ref name="tits" /> For the following two months Scott worked on the songs in his apartment, writing the lyrics, and working on guitar and piano arrangements. Scott wrote between thirty-five and forty songs, but felt that the nine songs that made it onto the album "were the ones that were intended to be there".<ref name="tits" /> The first song from the album to be played live was "Trumpets", on [[April 10]] [[1984]].<ref name="toura">{{cite web | title=1984 Tour Archive | work=mikescottwaterboys.com | url=http://www.mikescottwaterboys.com/mikescottwaterboys/Archive/Touring/setlistshowyear.asp?year=1984 | accessdate=December 6 | accessyear=2005 }}</ref>


The first recording session for ''This Is the Sea'' began in March of 1985 at Park Gates Studio in [[Hastings]], England. Band members Scott, [[Anthony Thistlethwaite]], [[Karl Wallinger]], [[Kevin Wilkinson]], and [[Roddy Lorimer]] performed the new material. Wallinger's home studio heard demo recordings for a number of the album's songs. Some of the recordings, like the ones of the last two albums, are relatively untouched by studio engineering. On other recordings, however, [[Mike Scott (musician)|Mike Scott]] added a [[drum machine]] and layered the sound{{ref|archive}}, using a studio technique similar to that of the famous record producer [[Phil Spector]], with help from Wallinger. "Having Karl [Wallinger] in the studio", writes Scott, "was like having a one-man orchestra around. There might have been a ''This Is the Sea'' without him, but it wouldn't have been the same -- or as good"{{ref label|TItS|4|c}}. The recording sessions continued through June.
The first recording session for ''This Is the Sea'' began in March of 1985 at Park Gates Studio in [[Hastings]], England. Band members Scott, [[Anthony Thistlethwaite]], [[Karl Wallinger]], [[Kevin Wilkinson]], and [[Roddy Lorimer]] performed the new material. Wallinger's home studio heard demo recordings for a number of the album's songs. Some of the recordings, like the ones of the last two albums, are relatively untouched by studio engineering. On other recordings, however, [[Mike Scott (musician)|Mike Scott]] added a [[drum machine]] and layered the sound,<ref name="archive">{{cite web | title=Archive 1978-85 | work=mikescottwaterboys.com | url=http://www.mikescottwaterboys.com/mikescottwaterboys/Chronology/chronoblue.htm | accessdate=December 6 | accessyear=2005 }}</ref> using a studio technique similar to that of the famous record producer [[Phil Spector]], with help from Wallinger. "Having Karl [Wallinger] in the studio", writes Scott, "was like having a one-man orchestra around. There might have been a ''This Is the Sea'' without him, but it wouldn't have been the same -- or as good".<ref name="tits" /> The recording sessions continued through June.


By that July, Wickham, after an invitation from Scott, entered the studio with the band to add his [[Musical styles (violin)#Folk music|fiddle]] to "The Pan Within". Produced from the original sessions at Park Gates Studio, along with recordings from Livingston Studios in London, Amazon in [[Liverpool]], Seaview, and The Townhouse Studio, among others, the album was released in October. Peter Anderson, writing in ''Record Collector'', describes Scott as "completely at home in the studio" and writes that Scott "spared nothing on" ''This Is the Sea''{{ref|RC}}.
By that July, Wickham, after an invitation from Scott, entered the studio with the band to add his [[Musical styles (violin)#Folk music|fiddle]] to "The Pan Within". Produced from the original sessions at Park Gates Studio, along with recordings from Livingston Studios in London, Amazon in [[Liverpool]], Seaview, and The Townhouse Studio, among others, the album was released in October. Peter Anderson, writing in ''Record Collector'', describes Scott as "completely at home in the studio" and writes that Scott "spared nothing on" ''This Is the Sea''.<ref name="rc">{{cite web | author=Peter Anderson | title=Mike Scott/Waterboys biography | work=Record Collector magazine | url=http://www.phpwebspace.net/waterboys/biog/pageone.htm | accessdate=October 22 | accessyear=2005 }}</ref>


A remastered version was released in 2004, with a second CD of material from the album's [[music single|single]]s, and unreleased tracks from the ''This Is the Sea'' recording sessions.
A remastered version was released in 2004, with a second CD of material from the album's [[music single|single]]s, and unreleased tracks from the ''This Is the Sea'' recording sessions.
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''This Is the Sea'' was promoted heavily and made it to number thirty-seven on the Top Forty album chart in the UK. Neither of the two preceding albums had charted in the Top Forty.
''This Is the Sea'' was promoted heavily and made it to number thirty-seven on the Top Forty album chart in the UK. Neither of the two preceding albums had charted in the Top Forty.


The album was followed by tours in the United Kingdom, and in [[North America]] as the headliners. [[Sinéad O'Connor]] made her United Kingdom live debut as a backup singer on "The Big Music" at a concert at the [[London]] Town and Country Club. In December, The Waterboys joined the band [[Simple Minds]] for a European tour. During the three major tours, the band's lineup began to change, and the album received more exposure than its two predecessors{{ref label|archive|6|a}}. Mike Scott, however, in a decision that expressed the values he had written about when authoring [[punk rock]] [[fanzine]]s, refused to promote the album and the single for "The Whole of the Moon" on ''[[Top of the Pops]]'' because he would not [[lip sync]], a requirement on the show{{ref label|RC|7|a}}.
The album was followed by tours in the United Kingdom, and in [[North America]] as the headliners. [[Sinéad O'Connor]] made her United Kingdom live debut as a backup singer on "The Big Music" at a concert at the [[London]] Town and Country Club. In December, The Waterboys joined the band [[Simple Minds]] for a European tour. During the three major tours, the band's lineup began to change, and the album received more exposure than its two predecessors.<ref name="archive" /> Mike Scott, however, in a decision that expressed the values he had written about when authoring [[punk rock]] [[fanzine]]s, refused to promote the album and the single for "The Whole of the Moon" on ''[[Top of the Pops]]'' because he would not [[lip sync]], a requirement on the show.<ref name="rc" />


==Songs==
==Songs==
Themes of the album include [[spirituality]] ("Spirit", "The Pan Within"), [[romantic love]] ("Trumpets"), and [[Politics of England|English politics]] ("Old England"). Michael Tucker, in an article entitled "The Body Electric: The Shamanic Spirit in Twentieth Century Music", lists ''This Is the Sea'' as an example of [[Shamanism|shamanistic]] themes in twentieth-century Western music.{{ref|Tucker}}
Themes of the album include [[spirituality]] ("Spirit", "The Pan Within"), [[romantic love]] ("Trumpets"), and [[Politics of England|English politics]] ("Old England"). Michael Tucker, in an article entitled "The Body Electric: The Shamanic Spirit in Twentieth Century Music", lists ''This Is the Sea'' as an example of [[Shamanism|shamanistic]] themes in twentieth-century Western music.<ref>{{cite journal | author=Michael Tucker | title=The Body Electric: The Shamanic Spirit in Twentieth Century Music | journal=Contemporary Music Review | year=1996 | volume=14 | issue=Music & Mysticism | pages= 67&ndash;97 | url=http://books.google.com/books?vid=ISBN3718659301&id=_dBEiXwO8o4C&pg=PA67&lpg=PA68&printsec=8&vq=67&dq=%22This+Is+the+Sea%22+Waterboys&sig=ateVYPfuIPhzEenQ0aSm61uB2zo }}</ref>


"Don't Bang the Drum", the lyrics of which encourage [[environmentalism]], was released as a single in [[Germany]], with a song titled "Ways of Men". The first draft of the song's music was written by Wallinger. Scott reworked the arrangement, changing its rhythym and "feel", but Wallinger's melody and chords were preserved.{{ref label|TIts|4|d}}
"Don't Bang the Drum", the lyrics of which encourage [[environmentalism]], was released as a single in [[Germany]], with a song titled "Ways of Men". The first draft of the song's music was written by Wallinger. Scott reworked the arrangement, changing its rhythym and "feel", but Wallinger's melody and chords were preserved.<ref name="tits" />


[[Image:The_Whole_of_the_Moon_Waterboys_single.jpg|thumb|left|Cover of the award-winning single for "The Whole of the Moon".]]<!-- FAIR USE of The_Whole_of_the_Moon_Waterboys_single.jpg: see image description page at http://en.wikipedia.org/wiki/Image:The_Whole_of_the_Moon_Waterboys_single.jpg for rationale -->
[[Image:The_Whole_of_the_Moon_Waterboys_single.jpg|thumb|left|Cover of the award-winning single for "The Whole of the Moon".]]<!-- FAIR USE of The_Whole_of_the_Moon_Waterboys_single.jpg: see image description page at http://en.wikipedia.org/wiki/Image:The_Whole_of_the_Moon_Waterboys_single.jpg for rationale -->
"The Whole of the Moon", one of The Waterboys' best-known songs and their most commercially successful, was first released as a twelve-inch single, and reached number twenty-eight on the United Kingdom singles chart. The single also contained a live recording of "The Girl in the Swing", from ''[[The Waterboys (album)|The Waterboys]]'', the band's first album, an extended mix of "Spirit", and a song titled "Medicine Jack". The latter two appear on the second disc of the album's re-release. When the single was reissued in 1990, it reached number ten, and was awarded the [[Ivor Novello Award]] in 1991{{ref label|BBC|2|a}}. Including the 2004 remastered album, the song has been officially released four times.
"The Whole of the Moon", one of The Waterboys' best-known songs and their most commercially successful, was first released as a twelve-inch single, and reached number twenty-eight on the United Kingdom singles chart. The single also contained a live recording of "The Girl in the Swing", from ''[[The Waterboys (album)|The Waterboys]]'', the band's first album, an extended mix of "Spirit", and a song titled "Medicine Jack". The latter two appear on the second disc of the album's re-release. When the single was reissued in 1990, it reached number ten, and was awarded the [[Ivor Novello Award]] in 1991.<ref name="bbc" /> Including the 2004 remastered album, the song has been officially released four times.


The song began as a "scribble on the back of an envelop on a wintery New York street"{{ref label|TItS|4|e}}, after Scott's girlfriend asked him if it was difficult to write a song{{ref|Dodd}}, and was unfinished at the beginning of the recording sessions, eventually being completed in May of 1985{{ref label|TItS|4|f}}. It begins with Wallinger's synthesizer and keyboards, and Scott's vocals begin within a few bars. The song, like The Waterboys' first single "A Girl Called Johnny" is a tribute to an inspirational figure. In each line, the singer describes his own perspective and immediately contrasts it with that of the song's subject, summarizing the difference with the line "I saw the crescent / You saw the whole of the moon". "You saw [[Brigadoon]]", one of these contrasts, refers to a fictional village that exists only one day every century (from the musical of the same name).
The song began as a "scribble on the back of an envelop on a wintery New York street",<ref name="tits" /> after Scott's girlfriend asked him if it was difficult to write a song,<ref>{{cite book | first=Philip | last=Dodd | year=2005 | title=The Book of Rock: From the 1950s to Today | pages=480 | publisher=Thunder's Mouth Press | url=http://www.amazon.com/gp/reader/1560257296/ref=sib_books_pg/002-1907880-9695235?%5Fencoding=UTF8&keywords=%22This%20Is%20the%20Sea%22%20Waterboys&p=S0DJ&checkSum=Bb63lNW7ZxdxP9uDbYIhW7lxPE2bYahFpTibplrDn3E%253D }}</ref> and was unfinished at the beginning of the recording sessions, eventually being completed in May of 1985.<ref name="tits" /> It begins with Wallinger's synthesizer and keyboards, and Scott's vocals begin within a few bars. The song, like The Waterboys' first single "A Girl Called Johnny" is a tribute to an inspirational figure. In each line, the singer describes his own perspective and immediately contrasts it with that of the song's subject, summarizing the difference with the line "I saw the crescent / You saw the whole of the moon". "You saw [[Brigadoon]]", one of these contrasts, refers to a fictional village that exists only one day every century (from the musical of the same name).


The subject of the song has inspired some speculation. Musician [[Nikki Sudden]], with whom Scott had collaborated before forming The Waterboys, said that Scott told Max Edie, the backup singer for "The Whole of the Moon", that the song was written about Sudden{{ref|Sudden}}. [[All Music Guide]] instead suggests that the song was written in response to a girlfriend's question about whether it was difficult to write a song or not, and its subject is actually a number of people who inspired Scott, including [[Christianity|Christian]] fantasist [[C.S. Lewis]] and the musician [[Prince (artist)|Prince]]{{ref|AMGtwotm}}. Scott himself says that he "couldn't have written" the song without having read [[Mark Helprin]]'s novel ''[[Winter's Tale (Helprin)|Winter's Tale]]'', but goes on to state that the song is not about Helprin{{ref label|TItS|4|g}}. The official Waterboys website's [[Frequently Asked Questions]] clarifies that Scott has said that the song's subject is "a composite of many people", including C.S. Lewis, but explicitly states that it is not about Prince{{ref|FAQ}}.
The subject of the song has inspired some speculation. Musician [[Nikki Sudden]], with whom Scott had collaborated before forming The Waterboys, said that Scott told Max Edie, the backup singer for "The Whole of the Moon", that the song was written about Sudden.<ref>{{cite web | author=Nikki Sudden | title=A Few Mike Scott stories | work=Excerpts from Nikki Sudden's Autobiography | url=http://nikkisudden.com/forum/viewtopic.php?t=269&sid=1f7d8f9c17dfc788833f6176b2c1c69e | accessdate=October 23 | accessyear=2005 }}</ref> [[All Music Guide]] instead suggests that the song was written in response to a girlfriend's question about whether it was difficult to write a song or not, and its subject is actually a number of people who inspired Scott, including [[Christianity|Christian]] fantasist [[C.S. Lewis]] and the musician [[Prince (artist)|Prince]].<ref name="amgtwotm">{{cite web | title=Review of The Whole of the Moon | work=All Music Guide | url=http://www.allmusic.com/cg/amg.dll?p=amg&token=ADFEAEE5721EDF4FA97620CE993A48C5AD23A1598B63E38F162F451BDFBA3C548E197BF159D9A584FDFB75AB7BAAE02CA45A0A9FCBEC5CFCDD6C3C3A9D9FDB&sql=33:4r6qoaraiiob | accessdate=October 24| accessyear=2005 }}</ref> Scott himself says that he "couldn't have written" the song without having read [[Mark Helprin]]'s novel ''[[Winter's Tale (Helprin)|Winter's Tale]]'', but goes on to state that the song is not about Helprin.<ref name="tits" /> The official Waterboys website's [[Frequently Asked Questions]] clarifies that Scott has said that the song's subject is "a composite of many people", including C.S. Lewis, but explicitly states that it is not about Prince.<ref>{{cite web | title=FAQ | work=mikescottwaterboys | url=http://www.mikescottwaterboys.com/mikescottwaterboys/mainframes.asp?file=News/faq.htm | accessdate=October 23| accessyear=2005 }}</ref>


A feature of "The Whole of the Moon" is the trumpet work on the recording, courtesy of the classically-trained Lorimer. Lorimer spent three days with Scott working on the song's arrangement. According to Lorimer, he "went home with a tape of the song and thought about a more classical approach. After a while sitting at the piano I came up with the idea of antiphonal trumpets. A piccolo trumpet on the left answered a piccolo on the right and then the same again, growing by adding a Bb trumpet below each side of the stereo picture. Mike [Scott] loved it, except the slightly jazzy chords I had used on the run down at the very end, which he simplified. I used the same classical approach later in the song, mixing two classical-type trumpets behind a later verse."{{ref|Lorimer}}. Lorimer also contributes [[falsetto]] background vocals to the song, while Thistlethwaite, another brass section member, performs a saxophone solo near the end.
A feature of "The Whole of the Moon" is the trumpet work on the recording, courtesy of the classically-trained Lorimer. Lorimer spent three days with Scott working on the song's arrangement. According to Lorimer, he "went home with a tape of the song and thought about a more classical approach. After a while sitting at the piano I came up with the idea of antiphonal trumpets. A piccolo trumpet on the left answered a piccolo on the right and then the same again, growing by adding a Bb trumpet below each side of the stereo picture. Mike [Scott] loved it, except the slightly jazzy chords I had used on the run down at the very end, which he simplified. I used the same classical approach later in the song, mixing two classical-type trumpets behind a later verse."<ref>{{cite web | title=Roddy Lorimer| work=Kick Horns Line Up | url=http://www.kickhorns.com/biog-roddylorimer.html | accessdate=October 31 | accessyear=2005 }}</ref> Lorimer also contributes [[falsetto]] background vocals to the song, while Thistlethwaite, another brass section member, performs a saxophone solo near the end.
{{listen|filename=The Whole of the Moon The Waterboys 19 sec.ogg|title=The Whole of the Moon|description=The album version of "The Whole of the Moon" demonstrates Lorimer's contribution.|format=[[Ogg]]}}
{{listen|filename=The Whole of the Moon The Waterboys 19 sec.ogg|title=The Whole of the Moon|description=The album version of "The Whole of the Moon" demonstrates Lorimer's contribution.|format=[[Ogg]]}}
<!-- FAIR USE of The Whole of the Moon The Waterboys 19 sec.ogg: see description page at http://en.wikipedia.org/wiki/filename=The Whole of the Moon The Waterboys 19 sec.ogg for rationale -->
<!-- FAIR USE of The Whole of the Moon The Waterboys 19 sec.ogg: see description page at http://en.wikipedia.org/wiki/filename=The Whole of the Moon The Waterboys 19 sec.ogg for rationale -->
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[[Image:The Whole of the Moon Waterboys bootleg.jpg|thumb|right|The popularity of "The Whole of the Moon" has created a market for [[copyright infringement|pirated copies]], such as the above [[compact disc]].]]
[[Image:The Whole of the Moon Waterboys bootleg.jpg|thumb|right|The popularity of "The Whole of the Moon" has created a market for [[copyright infringement|pirated copies]], such as the above [[compact disc]].]]
<!-- FAIR USE of The_Whole_of_the_Moon_Waterboys_single.jpg: see image description page at http://en.wikipedia.org/wiki/Image:The_Whole_of_the_Moon_Waterboys_single.jpg for rationale -->
<!-- FAIR USE of The_Whole_of_the_Moon_Waterboys_single.jpg: see image description page at http://en.wikipedia.org/wiki/Image:The_Whole_of_the_Moon_Waterboys_single.jpg for rationale -->
"The Whole of the Moon" was covered by [[Jennifer Warnes]] on her 1992 album ''[[The Hunter (1992 album)|The Hunter]]'', by [[Mandy Moore]] on her 2003 album ''[[Coverage (album)|Coverage]]'', and by the band [[Human Drama]] on the compilation album ''New Wave Goes to Hell''. It has also appeared on numerous other compilations{{ref label|AMGtwotm|11|a}}.
"The Whole of the Moon" was covered by [[Jennifer Warnes]] on her 1992 album ''[[The Hunter (1992 album)|The Hunter]]'', by [[Mandy Moore]] on her 2003 album ''[[Coverage (album)|Coverage]]'', and by the band [[Human Drama]] on the compilation album ''New Wave Goes to Hell''. It has also appeared on numerous other compilations.<ref name="amgtwotm" />


"Spirit", a song praising the resilience of the human spirit, originally appeared on a short, one-and-a-half minute version. A full four-minute version of the song was released on the 2004 remastered disc.
"Spirit", a song praising the resilience of the human spirit, originally appeared on a short, one-and-a-half minute version. A full four-minute version of the song was released on the 2004 remastered disc.


The lyrics of "The Pan Within" are partly derived from [[meditation]] techniques ("Close your eyes / Breathe slow / And we'll begin"), resembling the lyrics of the 1990s musical project [[Enigma (musical project)|Engima]]. It was the first of two Waterboys songs about the [[Ancient Greece|Ancient Greek]] god [[Pan (mythology)|Pan]], which have been played as a [[medley]] at Waterboys concerts. Scott describes the song's guitar solo as "[consisting] of a series of phrases or lines/melodies that generally build in an order (which may change), though which includes a lot of improvisation which is different each night. The lines have never been 'tabbed' or written down... The song is in Aminor (the chords under the solo are F - Em - Am - Am repeated)"{{ref|ftpw}}. The second Pan song, "The Return of Pan", appears on the album ''[[Dream Harder]]''. "The Pan Within" is the first Waterboys song to feature Wickham's fiddle playing. It was selected as one of [[DWXB-FM]]'s Hits of 1986.
The lyrics of "The Pan Within" are partly derived from [[meditation]] techniques ("Close your eyes / Breathe slow / And we'll begin"), resembling the lyrics of the 1990s musical project [[Enigma (musical project)|Engima]]. It was the first of two Waterboys songs about the [[Ancient Greece|Ancient Greek]] god [[Pan (mythology)|Pan]], which have been played as a [[medley]] at Waterboys concerts. Scott describes the song's guitar solo as "[consisting] of a series of phrases or lines/melodies that generally build in an order (which may change), though which includes a lot of improvisation which is different each night. The lines have never been 'tabbed' or written down... The song is in Aminor (the chords under the solo are F - Em - Am - Am repeated)".<ref>{{cite web | title=KTB Pan Within Guitar Solo | work=All Mike Scott Waterboys forums | url=http://forums.delphiforums.com/waterboys/messages?msg=3499.6 | accessdate=October 25| accessyear=2005 }}</ref> The second Pan song, "The Return of Pan", appears on the album ''[[Dream Harder]]''. "The Pan Within" is the first Waterboys song to feature Wickham's fiddle playing. It was selected as one of [[DWXB-FM]]'s Hits of 1986.


An alternative version of "Medicine Bow" was released as a single in Germany, with an instrumental version of "Don't Bang the Drum" for the seven-inch. The twelve-inch contained another mix of "Medicine Bow" and "Ways of Men". Scott writes that he invented the name, and was unaware of [[Medicine Bow, Wyoming]]{{ref label|TiTS|4|h}}. The album's re-release contains a "full length" version of the song that contains an instrumental "piano storm - from first sonic droplets of rain to final crashing thunder and lightning" performed by Adrian Johnston{{ref label|TiTS|4|i}}.
An alternative version of "Medicine Bow" was released as a single in Germany, with an instrumental version of "Don't Bang the Drum" for the seven-inch. The twelve-inch contained another mix of "Medicine Bow" and "Ways of Men". Scott writes that he invented the name, and was unaware of [[Medicine Bow, Wyoming]].<ref name="tits" /> The album's re-release contains a "full length" version of the song that contains an instrumental "piano storm - from first sonic droplets of rain to final crashing thunder and lightning" performed by Adrian Johnston.<ref name="tits" />


"Old England" is a criticism of [[Thatcherism]], blaming [[Margaret Thatcher]]'s economic policies for what Scott perceived to be an increase in desperation amongst the young and poor in the [[England]] of that time, and a rise in drug addiction, specifically to [[heroin]]. The refrain, "Old England is dying" is a quote from [[James Joyce]], and the lines "You're asking what makes me sigh now / What it is makes me shudder so" are from [[W.B. Yeats]]' poem, "Mad as the Mist and Snow". [[The Clash]], one of the bands that had inspired Scott during his [[punk music]] phase, released "This is England", a song with a similar theme, as a single the same year. Scott and The Waterboys would move to Ireland the following year.
"Old England" is a criticism of [[Thatcherism]], blaming [[Margaret Thatcher]]'s economic policies for what Scott perceived to be an increase in desperation amongst the young and poor in the [[England]] of that time, and a rise in drug addiction, specifically to [[heroin]]. The refrain, "Old England is dying" is a quote from [[James Joyce]], and the lines "You're asking what makes me sigh now / What it is makes me shudder so" are from [[W.B. Yeats]]' poem, "Mad as the Mist and Snow". [[The Clash]], one of the bands that had inspired Scott during his [[punk music]] phase, released "This is England", a song with a similar theme, as a single the same year. Scott and The Waterboys would move to Ireland the following year.


"Trumpets", a [[love song]], was the first song written for the album, in the spring of 1984{{ref label|TItS|4|j}}, and the first song from the album to be performed live. It quotes from "I'm Only Sleeping", a recording by [[The Beatles]].
"Trumpets", a [[love song]], was the first song written for the album, in the spring of 1984,<ref name="tits" /> and the first song from the album to be performed live. It quotes from "I'm Only Sleeping", a recording by [[The Beatles]].


The title track, the last song on the original release, has a slower tempo than most of the other arrangements. Scott notes that he wrote over twenty verses for the song, some of which wound up included on the "alter ego" of "This Is the Sea", "That Was the River", which was released in 1994 on ''The Secret Life of the Waterboys''{{ref label|TItS|4|k}}. The song "This Is the Sea" was first performed in [[Worcester]] on [[December 2]] [[1984]]{{ref label|toura|5|a}}, and a longer version than would eventually appear on the album, was played at a [[benefit concert]] for [[miner]]s in February of 1985{{ref label|archive|6|b}}. The subject of the lyrics is conflicted about their present ("You've got a war in your head / And it's tearing you up inside"), and nostalgic for a past clarity ("And you know you once held the key"). The speaker instead argues that the past is irrelevent ("But that was the river / This is the sea)".
The title track, the last song on the original release, has a slower tempo than most of the other arrangements. Scott notes that he wrote over twenty verses for the song, some of which wound up included on the "alter ego" of "This Is the Sea", "That Was the River", which was released in 1994 on ''The Secret Life of the Waterboys''.<ref name="tits" /> The song "This Is the Sea" was first performed in [[Worcester]] on [[December 2]] [[1984]],<ref name="toura" /> and a longer version than would eventually appear on the album, was played at a [[benefit concert]] for [[miner]]s in February of 1985.<ref name="archive" /> The subject of the lyrics is conflicted about their present ("You've got a war in your head / And it's tearing you up inside"), and nostalgic for a past clarity ("And you know you once held the key"). The speaker instead argues that the past is irrelevent ("But that was the river / This is the sea)".


Those additional tracks on the re-release that are not alternative versions of songs originally appearing on the album were recorded in the same recording sessions.
Those additional tracks on the re-release that are not alternative versions of songs originally appearing on the album were recorded in the same recording sessions.
Line 109: Line 109:
* [[Steve Wickham]] - [[violin]]
* [[Steve Wickham]] - [[violin]]
* Marek Lipski - violin
* Marek Lipski - violin
* [[Roddy Lorimer]] - [[trumpet]], background vocals{{ref|TItSLorimer}}
* [[Roddy Lorimer]] - [[trumpet]], background vocals<ref>Unattributed. {{cite book | first=Mike | last=Scott | year=2004 | title=This is the Sea | chapter=Recording Notes | pages=5 | publisher=EMI }}</ref>
* [[Kevin Wilkinson]] - bass guitar, [[drums]]
* [[Kevin Wilkinson]] - bass guitar, [[drums]]
* Martin Swain - bass guitar
* Martin Swain - bass guitar
Line 119: Line 119:


==Notes and references==
==Notes and references==

<!-- How to add a footnote:
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2) Add the macro {{ref|TheSun_Dec9}} to the body of the article, where you want the new footnote.
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# {{note|AMG}} {{cite web | title=All Music Guide review | url=http://www.allmusic.com/cg/amg.dll?p=amg&token=&sql=10:1j9sa93gb23h | accessdate=October 22 | accessyear=2005 }}
# {{note|BBC}} {{note label|BBC|2|a}} {{cite web | author=Mick Fitzsimmons | title=Must Have Waterboys | work=BBC: Critical List | url=http://www.bbc.co.uk/radio2/shows/criticallist/must_have_waterboys.shtml | accessdate=October 22 | accessyear=2005 }}
# {{note|Scott}} {{cite web | title=Mike Scott, March 2003 | url=http://www.go-entertainment.com/page13/page13.html | accessdate=May 5 | accessyear=2006 }}
#{{note|TItS}} {{note label|TItS|4|a}} {{note label|TItS|4|b}} {{note label|TItS|4|c}} {{note label|TItS|4|d}} {{note label|TItS|4|e}} {{note label|TItS|4|f}} {{note label|TItS|4|g}} {{note label|TItS|4|h}} {{note label|TItS|4|i}} {{note label|TItS|4|j}} {{note label|TItS|4|k}} {{cite book | first=Mike | last=Scott | year=2004 | title=This Is the Sea | chapter=Recording Notes | pages=5 | publisher=EMI }}
#{{note|tour archive}} {{note label|toura|5|a}} {{cite web | title=1984 Tour Archive | work=mikescottwaterboys.com | url=http://www.mikescottwaterboys.com/mikescottwaterboys/Archive/Touring/setlistshowyear.asp?year=1984 | accessdate=December 6 | accessyear=2005 }}
#{{note|archive}} {{note label|archive|6|a}} {{note label|archive|6|b}} {{cite web | title=Archive 1978-85 | work=mikescottwaterboys.com | url=http://www.mikescottwaterboys.com/mikescottwaterboys/Chronology/chronoblue.htm | accessdate=December 6 | accessyear=2005 }}
#{{note|RC}} {{note label|RC|7|a}} {{cite web | author=Peter Anderson | title=Mike Scott/Waterboys biography | work=Record Collector magazine | url=http://www.phpwebspace.net/waterboys/biog/pageone.htm | accessdate=October 22 | accessyear=2005 }}
# {{note|Tucker}} {{cite journal | author=Michael Tucker | title=The Body Electric: The Shamanic Spirit in Twentieth Century Music | journal=Contemporary Music Review | year=1996 | volume=14 | issue=Music & Mysticism | pages= 67&ndash;97 | url=http://books.google.com/books?vid=ISBN3718659301&id=_dBEiXwO8o4C&pg=PA67&lpg=PA68&printsec=8&vq=67&dq=%22This+Is+the+Sea%22+Waterboys&sig=ateVYPfuIPhzEenQ0aSm61uB2zo }}
# {{note|Dodd}} {{cite book | first=Philip | last=Dodd | year=2005 | title=The Book of Rock: From the 1950s to Today | pages=480 | publisher=Thunder's Mouth Press | url=http://www.amazon.com/gp/reader/1560257296/ref=sib_books_pg/002-1907880-9695235?%5Fencoding=UTF8&keywords=%22This%20Is%20the%20Sea%22%20Waterboys&p=S0DJ&checkSum=Bb63lNW7ZxdxP9uDbYIhW7lxPE2bYahFpTibplrDn3E%253D }}
# {{note|Sudden}} {{cite web | author=Nikki Sudden | title=A Few Mike Scott stories | work=Excerpts from Nikki Sudden's Autobiography | url=http://nikkisudden.com/forum/viewtopic.php?t=269&sid=1f7d8f9c17dfc788833f6176b2c1c69e | accessdate=October 23 | accessyear=2005 }}
# {{note|AMGtwotm}} {{note label|AMGtwotm|11|a}} {{cite web | title=Review of The Whole of the Moon | work=All Music Guide | url=http://www.allmusic.com/cg/amg.dll?p=amg&token=ADFEAEE5721EDF4FA97620CE993A48C5AD23A1598B63E38F162F451BDFBA3C548E197BF159D9A584FDFB75AB7BAAE02CA45A0A9FCBEC5CFCDD6C3C3A9D9FDB&sql=33:4r6qoaraiiob | accessdate=October 24| accessyear=2005 }}
# {{note|FAQ}} {{cite web | title=FAQ | work=mikescottwaterboys | url=http://www.mikescottwaterboys.com/mikescottwaterboys/mainframes.asp?file=News/faq.htm | accessdate=October 23| accessyear=2005 }}
# {{note|Lorimer}} {{cite web | title=Roddy Lorimer| work=Kick Horns Line Up | url=http://www.kickhorns.com/biog-roddylorimer.html | accessdate=October 31 | accessyear=2005 }}
# {{note|ftpw}} {{cite web | title=KTB Pan Within Guitar Solo | work=All Mike Scott Waterboys forums | url=http://forums.delphiforums.com/waterboys/messages?msg=3499.6 | accessdate=October 25| accessyear=2005 }}
#{{note|TItSLorimer}} Unattributed. {{cite book | first=Mike | last=Scott | year=2004 | title=This is the Sea | chapter=Recording Notes | pages=5 | publisher=EMI }}


==External links==
==External links==

Revision as of 01:51, 15 May 2006

For the 1991 Irish film, see This Is the Sea (film).
Untitled

This Is the Sea is the third and last of The Waterboys' "Big Music" albums. Considered by critics to be the finest album of their early rock-oriented sound,[1] described as "epic" and "a defining moment",[2] it was the first Waterboys album to enter the United Kingdom charts, peaking at number thirty-seven. It was also the first album with Steve Wickham, who would radically change The Waterboys' sound for the next album, Fisherman's Blues, and inspire the band's move to Ireland. This Is the Sea is the last album with contributions from Karl Wallinger, who left the group to form his own band, World Party.

Mike Scott, the album's principle songwriter and leader of The Waterboys, describes This Is the Sea as "the record on which I achieved all my youthful musical ambitions",[3] "the final, fully realised expresion of the early Waterboys sound", influenced by The Velvet Underground, Van Morrison's Astral Weeks, and Steve Reich.[4] The album was recorded between March and July of 1985, and released that October (see 1985 in music). A remastered and expanded version was released in 2004. This Is the Sea contains the best-selling Waterboys single, the song "The Whole of the Moon". The album cover is a photograph taken by Lynn Goldsmith.

Production history

With "Trumpets" as a starting point, Scott began writing songs for This Is the Sea in the spring of 1984. Scott recalls that in December of 1984 "during The Waterboys' first American tour, [he] bought two huge hard-bound books... in which to assemble [his] new songs"[4] For the following two months Scott worked on the songs in his apartment, writing the lyrics, and working on guitar and piano arrangements. Scott wrote between thirty-five and forty songs, but felt that the nine songs that made it onto the album "were the ones that were intended to be there".[4] The first song from the album to be played live was "Trumpets", on April 10 1984.[5]

The first recording session for This Is the Sea began in March of 1985 at Park Gates Studio in Hastings, England. Band members Scott, Anthony Thistlethwaite, Karl Wallinger, Kevin Wilkinson, and Roddy Lorimer performed the new material. Wallinger's home studio heard demo recordings for a number of the album's songs. Some of the recordings, like the ones of the last two albums, are relatively untouched by studio engineering. On other recordings, however, Mike Scott added a drum machine and layered the sound,[6] using a studio technique similar to that of the famous record producer Phil Spector, with help from Wallinger. "Having Karl [Wallinger] in the studio", writes Scott, "was like having a one-man orchestra around. There might have been a This Is the Sea without him, but it wouldn't have been the same -- or as good".[4] The recording sessions continued through June.

By that July, Wickham, after an invitation from Scott, entered the studio with the band to add his fiddle to "The Pan Within". Produced from the original sessions at Park Gates Studio, along with recordings from Livingston Studios in London, Amazon in Liverpool, Seaview, and The Townhouse Studio, among others, the album was released in October. Peter Anderson, writing in Record Collector, describes Scott as "completely at home in the studio" and writes that Scott "spared nothing on" This Is the Sea.[7]

A remastered version was released in 2004, with a second CD of material from the album's singles, and unreleased tracks from the This Is the Sea recording sessions.

Album promotion

This Is the Sea was promoted heavily and made it to number thirty-seven on the Top Forty album chart in the UK. Neither of the two preceding albums had charted in the Top Forty.

The album was followed by tours in the United Kingdom, and in North America as the headliners. Sinéad O'Connor made her United Kingdom live debut as a backup singer on "The Big Music" at a concert at the London Town and Country Club. In December, The Waterboys joined the band Simple Minds for a European tour. During the three major tours, the band's lineup began to change, and the album received more exposure than its two predecessors.[6] Mike Scott, however, in a decision that expressed the values he had written about when authoring punk rock fanzines, refused to promote the album and the single for "The Whole of the Moon" on Top of the Pops because he would not lip sync, a requirement on the show.[7]

Songs

Themes of the album include spirituality ("Spirit", "The Pan Within"), romantic love ("Trumpets"), and English politics ("Old England"). Michael Tucker, in an article entitled "The Body Electric: The Shamanic Spirit in Twentieth Century Music", lists This Is the Sea as an example of shamanistic themes in twentieth-century Western music.[8]

"Don't Bang the Drum", the lyrics of which encourage environmentalism, was released as a single in Germany, with a song titled "Ways of Men". The first draft of the song's music was written by Wallinger. Scott reworked the arrangement, changing its rhythym and "feel", but Wallinger's melody and chords were preserved.[4]

Cover of the award-winning single for "The Whole of the Moon".

"The Whole of the Moon", one of The Waterboys' best-known songs and their most commercially successful, was first released as a twelve-inch single, and reached number twenty-eight on the United Kingdom singles chart. The single also contained a live recording of "The Girl in the Swing", from The Waterboys, the band's first album, an extended mix of "Spirit", and a song titled "Medicine Jack". The latter two appear on the second disc of the album's re-release. When the single was reissued in 1990, it reached number ten, and was awarded the Ivor Novello Award in 1991.[2] Including the 2004 remastered album, the song has been officially released four times.

The song began as a "scribble on the back of an envelop on a wintery New York street",[4] after Scott's girlfriend asked him if it was difficult to write a song,[9] and was unfinished at the beginning of the recording sessions, eventually being completed in May of 1985.[4] It begins with Wallinger's synthesizer and keyboards, and Scott's vocals begin within a few bars. The song, like The Waterboys' first single "A Girl Called Johnny" is a tribute to an inspirational figure. In each line, the singer describes his own perspective and immediately contrasts it with that of the song's subject, summarizing the difference with the line "I saw the crescent / You saw the whole of the moon". "You saw Brigadoon", one of these contrasts, refers to a fictional village that exists only one day every century (from the musical of the same name).

The subject of the song has inspired some speculation. Musician Nikki Sudden, with whom Scott had collaborated before forming The Waterboys, said that Scott told Max Edie, the backup singer for "The Whole of the Moon", that the song was written about Sudden.[10] All Music Guide instead suggests that the song was written in response to a girlfriend's question about whether it was difficult to write a song or not, and its subject is actually a number of people who inspired Scott, including Christian fantasist C.S. Lewis and the musician Prince.[11] Scott himself says that he "couldn't have written" the song without having read Mark Helprin's novel Winter's Tale, but goes on to state that the song is not about Helprin.[4] The official Waterboys website's Frequently Asked Questions clarifies that Scott has said that the song's subject is "a composite of many people", including C.S. Lewis, but explicitly states that it is not about Prince.[12]

A feature of "The Whole of the Moon" is the trumpet work on the recording, courtesy of the classically-trained Lorimer. Lorimer spent three days with Scott working on the song's arrangement. According to Lorimer, he "went home with a tape of the song and thought about a more classical approach. After a while sitting at the piano I came up with the idea of antiphonal trumpets. A piccolo trumpet on the left answered a piccolo on the right and then the same again, growing by adding a Bb trumpet below each side of the stereo picture. Mike [Scott] loved it, except the slightly jazzy chords I had used on the run down at the very end, which he simplified. I used the same classical approach later in the song, mixing two classical-type trumpets behind a later verse."[13] Lorimer also contributes falsetto background vocals to the song, while Thistlethwaite, another brass section member, performs a saxophone solo near the end.

The Whole of the Moon
The album version of "The Whole of the Moon" demonstrates Lorimer's contribution.
Problems playing this file? See media help.
The popularity of "The Whole of the Moon" has created a market for pirated copies, such as the above compact disc.

"The Whole of the Moon" was covered by Jennifer Warnes on her 1992 album The Hunter, by Mandy Moore on her 2003 album Coverage, and by the band Human Drama on the compilation album New Wave Goes to Hell. It has also appeared on numerous other compilations.[11]

"Spirit", a song praising the resilience of the human spirit, originally appeared on a short, one-and-a-half minute version. A full four-minute version of the song was released on the 2004 remastered disc.

The lyrics of "The Pan Within" are partly derived from meditation techniques ("Close your eyes / Breathe slow / And we'll begin"), resembling the lyrics of the 1990s musical project Engima. It was the first of two Waterboys songs about the Ancient Greek god Pan, which have been played as a medley at Waterboys concerts. Scott describes the song's guitar solo as "[consisting] of a series of phrases or lines/melodies that generally build in an order (which may change), though which includes a lot of improvisation which is different each night. The lines have never been 'tabbed' or written down... The song is in Aminor (the chords under the solo are F - Em - Am - Am repeated)".[14] The second Pan song, "The Return of Pan", appears on the album Dream Harder. "The Pan Within" is the first Waterboys song to feature Wickham's fiddle playing. It was selected as one of DWXB-FM's Hits of 1986.

An alternative version of "Medicine Bow" was released as a single in Germany, with an instrumental version of "Don't Bang the Drum" for the seven-inch. The twelve-inch contained another mix of "Medicine Bow" and "Ways of Men". Scott writes that he invented the name, and was unaware of Medicine Bow, Wyoming.[4] The album's re-release contains a "full length" version of the song that contains an instrumental "piano storm - from first sonic droplets of rain to final crashing thunder and lightning" performed by Adrian Johnston.[4]

"Old England" is a criticism of Thatcherism, blaming Margaret Thatcher's economic policies for what Scott perceived to be an increase in desperation amongst the young and poor in the England of that time, and a rise in drug addiction, specifically to heroin. The refrain, "Old England is dying" is a quote from James Joyce, and the lines "You're asking what makes me sigh now / What it is makes me shudder so" are from W.B. Yeats' poem, "Mad as the Mist and Snow". The Clash, one of the bands that had inspired Scott during his punk music phase, released "This is England", a song with a similar theme, as a single the same year. Scott and The Waterboys would move to Ireland the following year.

"Trumpets", a love song, was the first song written for the album, in the spring of 1984,[4] and the first song from the album to be performed live. It quotes from "I'm Only Sleeping", a recording by The Beatles.

The title track, the last song on the original release, has a slower tempo than most of the other arrangements. Scott notes that he wrote over twenty verses for the song, some of which wound up included on the "alter ego" of "This Is the Sea", "That Was the River", which was released in 1994 on The Secret Life of the Waterboys.[4] The song "This Is the Sea" was first performed in Worcester on December 2 1984,[5] and a longer version than would eventually appear on the album, was played at a benefit concert for miners in February of 1985.[6] The subject of the lyrics is conflicted about their present ("You've got a war in your head / And it's tearing you up inside"), and nostalgic for a past clarity ("And you know you once held the key"). The speaker instead argues that the past is irrelevent ("But that was the river / This is the sea)".

Those additional tracks on the re-release that are not alternative versions of songs originally appearing on the album were recorded in the same recording sessions.

Track listing

Peace, an 1896 etching by William Strutt, based upon Isaiah 11:6-7, was part of the album art for This Is the Sea.

All songs were written by Mike Scott except where noted.

  1. "Don't Bang the Drum" (Scott, Karl Wallinger) – 6:46
  2. "The Whole of the Moon" – 4:58
  3. "Spirit" – 1:50
  4. "The Pan Within" – 6:13
  5. "Medicine Bow" (Scott, Anthony Thistlethwaite) – 2:45
  6. "Old England" – 5:32
  7. "Be My Enemy" – 4:16
  8. "Trumpets" – 3:37
  9. "This Is the Sea" – 6:29

Bonus disc track list

  1. "Beverly Penn" – 5:38
  2. "Sleek White Schooner" – 3:44
  3. "Medicine Bow" (Full Length) – 5:44
  4. "Medicine Jack" – 4:11
  5. "High Far Soon" – 2:05
  6. "Even The Trees Are Dancing" – 4:27
  7. "Towers Open Fire" – 4:34
  8. "This Is The Sea" (Live) – 5:53
  9. "Then You Hold Me" – 4:56
  10. "Spirit" (Full Length) – 4:11
  11. "Miracle" – 1:14
  12. "I Am Not Here" – 0:22
  13. "Sweet Thing" (Van Morrison) – 7:11
  14. "The Waves" – 6:38

Personnel

Notes and references

  1. ^ "All Music Guide review". Retrieved October 22. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |accessyear= ignored (|access-date= suggested) (help)
  2. ^ a b Mick Fitzsimmons. "Must Have Waterboys". BBC: Critical List. Retrieved October 22. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |accessyear= ignored (|access-date= suggested) (help)
  3. ^ "Mike Scott, March 2003". Retrieved May 5. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |accessyear= ignored (|access-date= suggested) (help)
  4. ^ a b c d e f g h i j k l Scott, Mike (2004). "Recording Notes". This Is the Sea. EMI. p. 5.
  5. ^ a b "1984 Tour Archive". mikescottwaterboys.com. Retrieved December 6. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |accessyear= ignored (|access-date= suggested) (help)
  6. ^ a b c "Archive 1978-85". mikescottwaterboys.com. Retrieved December 6. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |accessyear= ignored (|access-date= suggested) (help)
  7. ^ a b Peter Anderson. "Mike Scott/Waterboys biography". Record Collector magazine. Retrieved October 22. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |accessyear= ignored (|access-date= suggested) (help)
  8. ^ Michael Tucker (1996). "The Body Electric: The Shamanic Spirit in Twentieth Century Music". Contemporary Music Review. 14 (Music & Mysticism): 67–97.
  9. ^ Dodd, Philip (2005). The Book of Rock: From the 1950s to Today. Thunder's Mouth Press. p. 480.
  10. ^ Nikki Sudden. "A Few Mike Scott stories". Excerpts from Nikki Sudden's Autobiography. Retrieved October 23. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |accessyear= ignored (|access-date= suggested) (help)
  11. ^ a b "Review of The Whole of the Moon". All Music Guide. Retrieved October 24. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |accessyear= ignored (|access-date= suggested) (help)
  12. ^ "FAQ". mikescottwaterboys. Retrieved October 23. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |accessyear= ignored (|access-date= suggested) (help)
  13. ^ "Roddy Lorimer". Kick Horns Line Up. Retrieved October 31. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |accessyear= ignored (|access-date= suggested) (help)
  14. ^ "KTB Pan Within Guitar Solo". All Mike Scott Waterboys forums. Retrieved October 25. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |accessyear= ignored (|access-date= suggested) (help)
  15. ^ Unattributed. Scott, Mike (2004). "Recording Notes". This is the Sea. EMI. p. 5.

External links

Retrieved from "https://en.wikipedia.org/w/index.php?title=This_Is_the_Sea&oldid=53243392"