Art destruction

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Art destruction involves the damaging or destruction of works of art. This can happen through a natural process, an accident, or deliberate human involvement.

Natural destruction[edit]

All physical works of art are slowly affected and degraded by the natural elements. Some may survive long enough to allow the slow processes of erosion to act on them. Works of art may also be destroyed by natural disasters.

  • The Great Sphinx of Giza is slowly eroding. Most experts believe it is a natural process, but some believe acid rain is accelerating the process.
  • It is estimated that tens of thousands of works of Japanese art dating as far back as the 13th century were destroyed in the 1923 Great Kanto earthquake and the ensuing firestorm that destroyed much of central Tokyo.
  • 1,400 artworks were damaged beyond repair in the November 4, 1966, floods that devastated Florence, Italy, including Cimabue's The Crucifixion.
  • Ribeira Palace destroyed during 1755 Lisbon earthquake. Inside, the 70,000-volume royal library as well as hundreds of works of art, including paintings by Titian, Rubens, and Correggio, were lost. The royal archives disappeared together with detailed historical records of explorations by Vasco da Gama and other early navigators. Royal Alcazar of Madrid destroyed by fire on the Christmas Eve of 1734 with its gallery (Velázquez, Titian, Rubens, Ribera, and others.)

Accidental destruction[edit]

Many works of art have been damaged or destroyed by accident.

Intentional destruction[edit]

Of artwork designed to be destroyed[edit]

Burning Man

Many works of visual art are intended by the artist to be temporary. They may be created in media which the artist knows to be temporary, such as sand, or they may be designed specifically to be destroyed. Often the destruction takes place during a ceremony or special event highlighting the destruction. Examples of this type of art include:

Additionally, some artists destroy their own work out of lack of self confidence or to gain a fresh start (the prior art still inside their head). Claude Monet with destroying 30 paintings in the water lilies series and other paintings, or the John Baldessari collective 1953 - 1966 works in a 1970 bonfire were famous examples. An artist also may limit the number and quality variation of his work to make it more scarce, therefore gain a reputation of increasing in later valuations.

Festivals where artwork is destroyed:

  • The week-long Burning Man festival in the desert of Nevada, which began in 1986 with tens of thousands of participants who must pay a fee to attend, an entire city of art and self-expression is created.
  • The Semana Santa (Easter week) festival in Antigua, Guatemala, where designs made out of flowers and colored sawdust are created in the street prior to being trampled by a religious parade.
  • The burning of Zozobra during Fiestas de Santa Fe in Santa Fe, New Mexico, usually during the second week of September.
  • The burning of falles in Valencia, Spain.

Of artwork not designed to be destroyed[edit]

Other works of art may be destroyed without the consent of the original artist or of the local community. In other instances, works of art may destroyed by a local authority against the wishes of the outside community. Examples of this include the removal of Diego Rivera's Man at the Crossroads mural from the Rockefeller Center and the destruction of the Buddhas of Bamyan statues by the Taliban government. More than 14 Gustav Klimt masterpieces burned in a fire set by retreating SS forces at Immendorf Castle in May 1945

See also[edit]

Bibliography[edit]

  • Gunnar Schmidt: Klavierzerstörungen in Kunst und Popkultur. Reimer Verlag, Berlin 2012. ISBN 978-3-496-01475-1.
  • Anne-Marie O'Connor: The Lady in Gold, the Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer ISBN 0-307-26564-1