British Museum Reading Room
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|British Museum Reading Room|
Inside the Reading Room, before its conversion to an exhibition space
|Town or city||Bloomsbury, London|
|Structural system||Segmented domed|
|Design and construction|
The British Museum Reading Room, situated in the centre of the Great Court of the British Museum, used to be the main reading room of the British Library. In 1997, this function moved to the new British Library building at St Pancras, London, but the Reading Room remains in its original form at the British Museum.
Designed by Sydney Smirke and opened in 1857 the Reading Room was in continual use until its temporary closure in 1997 for renovation. It was reopened between 2000 and 2007 and has since been an exhibition space until 2014. Its function since has been under discussion.
Construction and design
In the early 1850s the museum library was in need of a larger reading room and the then-Keeper of Printed Books, Antonio Panizzi, following an earlier competition idea by William Hosking, came up with the thought of a round room in the central courtyard. The building was designed by Sydney Smirke and was constructed between 1854 and 1857. The building used cast iron, concrete, glass and the latest technology in ventilation and heating. The dome, inspired by the Pantheon in Rome, has a diameter of 42.6 metres but is not technically free standing: constructed in segments on cast iron, the ceiling is suspended and made out of papier-mâché. Book stacks built around the reading room were made of iron to take the huge weight and add fire protection. There is forty kilometres of shelving in the room.
The British Library
The Reading Room was officially opened on 2 May 1857 with a 'breakfast' (that included champagne & ice cream) laid out on the catalogues desks. A public viewing was held between the 8 and 16 May which attracted over 62,000 visitors. Tickets to it included a plan of the library.
Regular users had to apply in writing and issued a readers ticket by the Principal Librarian. During the period of the British Library, access was restricted to registered researchers only; however, reader's credentials were generally available to anyone who could show that they were a serious researcher. The Reading Room was used by a large number of famous figures, including notably Sun Yat-sen, Karl Marx, Oscar Wilde, Friedrich Hayek, Bram Stoker, Mahatma Gandhi, Rudyard Kipling, George Orwell, George Bernard Shaw, Mark Twain, Vladimir Lenin (using the name Jacob Richter), Norbert Elias, Virginia Woolf, Arthur Rimbaud, Mohammad Ali Jinnah, H. G. Wells and Sir Arthur Conan Doyle.
Closure and restoration
In 1997 the British Library moved to its own specially constructed building next to St Pancras Station and all the books and shelving was removed. As part of the redevelopment of the Great Court, the Reading Room was fully renovated and restored, including the papier mâché ceiling which was repaired to its original colour scheme, having previously undergone radical redecorations (the initial design of the roof was considered excessive at the time).
The Reading Room was reopened in 2000 to all museum visitors for the first time. It held a collection of 25,000 books focusing on the cultures represented in the museum along with an information centre and the Walter and Leonore Annenberg Centre.
In 2007, the Reading Room was closed so it could house a series of special exhibitions, beginning with one featuring China’s Terracotta Army. The books and facilities moved to the rest of the museum for this period. The general library for visitors (Paul Hamlyn Library) moved to a room accessible through nearby Room 2, but closed permanently on 13 August 2011. This is an earlier library that has also had distinguished users, including Thomas Babington Macaulay, William Thackeray, Robert Browning, Giuseppe Mazzini, Charles Darwin and Charles Dickens.
|The First Emperor: China’s Terracotta Army||13 September 2007||6 April 2008|
|Hadrian: Empire and Conflict||24 July 2008||27 October 2008|
|Shah ʿAbbas: The Remaking of Iran||19 February 2009||14 June 2009|
|Montezuma: Aztec Ruler||24 September 2009||24 January 2010|
|Italian Renaissance drawings||22 April 2010||25 July 2010|
|Ancient Egyptian Book of the Dead: Journey Through the Afterlife||4 November 2010||6 March 2011|
|Treasures of Heaven: Saints, Relics and Devotion in Medieval Europe||23 June 2911||9 October 2011|
|Hajj: journey to the heart of Islam||26 January 2012||15 April 2012|
|Shakespeare: staging the world||19 July 2012||25 November 2012|
|Life and death in Pompeii and Herculaneum||28 March 2013||29 September 2013|
In 2014, the British Museum opened its new World Conservation and Exhibitions Centre that included a specially constructed exhibition space. The museum has been consulting on the future of the Reading Room, but as of June 2014, its future is still undecided.
References in art and popular culture
The British Museum Reading Room has become iconic. It is the subject of an eponymous poem, The British Museum Reading Room, by Louis MacNeice. Much of the action of David Lodge's 1965 novel The British Museum Is Falling Down takes place in the old Reading Room. The 'Glass Ceiling' of Anabel Donald's 1994 novel is the ceiling of the Reading Room, where the denouement is set.
Alfred Hitchcock used the Reading Room and the dome of the British Museum as a location for the climax of his first sound film Blackmail (1929). Other movies with key scenes in the Reading Room include Night of the Demon (1957) and in the 2001 Japanese anime OVA Read or Die, the Reading Room is used as the secret entrance to the British Library's fictional "Special Operations Division".
Probably the first work of fiction in which the British Museum Reading Room plays an important part as a setting is "New Grub Street" by George Gissing, published in 1891.
In short story Enoch Soames, first published in May 1916, an obscure writer makes a deal with the Devil to visit the Reading Room one hundred years in the future, in order to know what posterity thinks about him and his work.
The British Museum and the Reading Room serve as the settings for An Encounter at the Museum, an anthology of romance novellas by Claudia Dain, Michelle Marcos, Deb Marlowe, and Ava Stone.
Virginia Woolf made reference to the British Museum Reading Room in a passage from her 1929 essay, A Room of One's Own. She wrote, "The swing doors swung open, and there one stood under the vast dome, as if one were a thought in the huge bald forehead which is so splendidly encircled by a band of famous names." 
- Reading Room, British Museum
- Invitation to a private view of the Round Reading Room, British Museum
- Wolpert, Stanley Jinnah of Pakistan, p. 13
- Charles Godfrey-Faussett (2004-05-01), Footprint England, Footprint Travel Guides, p. 884, ISBN 978-1-903471-91-3, ISBN 1903471915
- Facelift for British Museum's reading room, BBC 1999
- Museum libraries and archives, British Museum.
- Italian Renaissance Drawings
- Book of the Dead exhibition
- Hoberman, Ruth (Fall 2002). "Women in the British Reading Room During the Late-Nineteenth and Early-Twentieth Centuries: From Quasi--to Counterpublic". Feminist Studies 28 (3): 489–512.
- A history of the British Museum Library, 1753-1973. British Library, 1998, ISBN 0-7123-4562-0, ISBN 978-0-7123-4562-0
- Caygill, M. The British Museum Reading Room. London: The British Museum, 2000. ISBN 0-86159-985-3
- Wilson, David M. The British Museum; A History. The British Museum Press, 2002, ISBN 0-7141-2764-7
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