Chiang Chao-shen

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Chiang Chao-shen (Chinese:江兆申, October 26, 1925 – May 12, 1996), styled Jiaoyuan (茮原), and also known by the studio name Lingou Hall (靈漚館), was born on the banks of Fengxi (豐溪) River in Yanci Town (巖寺鎮), She County, Anhui Province.[1]: 10  He was a Taiwanese calligrapher, painter, and seal engraver, as well as a scholar in the study of Chinese painting and calligraphy. Chiang Chao-shen held prominent positions at the National Palace Museum in Taiwan, serving as the deputy director and Director of the Painting and Calligraphy Department. On May 12, 1996, he unexpectedly passed away due to a myocardial infarction while delivering a lecture at the Lu Xun Academy of Fine Arts in Shenyang.[2]: 129 

Life[edit]

Chiang Chao-shen (1925–1996), born into a scholarly family in She County, Anhui, in 1925, was exposed to literature and calligraphy under his parents' guidance and his fourth uncle's introduction to Huang Binhong (黃賓虹) during his childhood. In the fourth grade of elementary school, he carved a seal for someone, earning recognition from Deng Sanmu (鄧散木).[1]: 20–21  Influenced by traditional family education, he laid the foundation for his future artistic creations.

In 1949, after immigrating to Taiwan, Chiang became a high school teacher and joined Pu xinyu (溥心畬), where he became the disciple of Pu Xinyu, a renowned figure in poetry and literature, studying poetry and prose under his guidance.[2]: 120 

In 1965, Chiang held a solo exhibition of calligraphy, painting, and seal carving at Zhongshan Hall. The success of the exhibition garnered praise and led to recommendations from Chen Xueping (陳雪屏) and Ye Gongchao (葉公超), propelling Chiang into the position of Associate Researcher at the National Palace Museum in Taiwan.[3]: 57–58 

Then Chiang had the opportunity to study a rich variety of Chinese art, benefiting from the extensive collection. He was promoted to Researcher in 1969. In response to an invitation from the U.S. State Department of State, Chiang visited the United States as a visiting researcher for a year. In November of the same year, he published a book titled "A Study on Tang Yin" (關於唐寅的研究) in 1973, receiving the Chia-hsin Research Award (嘉新優良著作獎) and the Dr. Sun Yat-sen Culture and Arts Award (中山文藝獎) for his travelogue "Hualian Notes." (花蓮記遊冊)[4]: 243–244  Chiang's profound traditional literati background, coupled with his experience in artistic creation, allowed him to present insightful papers and lay the groundwork for academic research and exhibitions.

In 1972, Chiang was appointed Director of the Painting and Calligraphy Department at the National Palace Museum, and in the following year, he organized the " Ninety-Years of Wu School Painting Exhibition." (吳派畫九十年展)[1]: 26–27 [2]: 126  During his tenure, he delved into the study of ancient books and paintings, dedicating significant time to the research of Ming dynasty painter Tang Yin, as well as the painters in the Suzhou region during the time of Tang Yin (16th century) and completed the chronology of Wen Zhengming (文徵明).[4]: 16–17  In 1978, he was promoted to deputy director of the National Palace Museum while retaining his position as Director of the Painting and Calligraphy Department. He served at the National Palace Museum for twenty-seven years. In addition to his academic expertise, he also contributed to the administrative work of the museum.

After retiring in September 1991, Chiang moved to the lakeside of Liyu Pond (鯉魚潭) in Puli, Nantou County, establishing "Jieshe Garden." (揭涉園) During this period, he developed a new style in his ink painting by depicting the scenery of Nantou.[5] He continued to create prolifically, producing high-quality works, and was frequently invited to participate in exhibitions and lectures.[1]: 30–31 

In 1992, his "Wuchen Landscape Album" (戊辰山水冊) was collected by the British Museum,[6] and a solo exhibition titled "Chiang Chao-shen Calligraphy and Painting Exhibition" (江兆申書畫展) was held at the Taipei Fine Arts Museum. The following year, fifty selected pieces embarked on a touring exhibition, starting at the National Art Museum of China in Beijing.[2]: 129  Chiang Chao-shen passed away suddenly on May 12, 1996, due to a heart attack during an academic lecture at the Lu Xun Academy of Fine Arts in Shenyang.

References[edit]

  1. ^ a b c d 李, 蕭錕 (2002). 文人‧四絕‧江兆申. 臺北市: 雄獅. ISBN 9789574740475.
  2. ^ a b c d 國立歷史博物館編輯委員會, ed. (2006). 靈漚傳緒─江兆申書畫紀念集. 臺北市: 國立歷史博物館. ISBN 986-00-6298-6.
  3. ^ 張, 沛誼; 浦, 莉安 (2010). "「典型在夙昔－江兆申先生紀念座談會」紀實". 故宮文物月刊 (327): 48–66.
  4. ^ a b 張, 舜翔 (2014-12-01). "江兆申書法藝術研究". 國立臺灣藝術大學書畫藝術學系碩士班. Retrieved 2023-06-19 – via 臺灣博碩士論文知識加值系統.
  5. ^ 朱, 國良 (2006). 江兆申的繪畫藝術. 台北: 台灣學生書局. ISBN 978-957-151-312-6.
  6. ^ The British Museum. "Collection : Jiang Zhaoshen 江兆申". Archived from the original on 2023-08-11. Retrieved 2023-05-11.
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