Georges Bataille

Georges Albert Maurice Victor Bataille

Full name	Georges Albert Maurice Victor Bataille
Born	10 September 1897 Billom, France
Died	9 July 1962(1962-07-09) (aged 64) Paris, France
Era	20th-century philosophy
Region	Western Philosophy
School	Continental philosophy
Influenced by Hegel · Marx · Nietzsche Freud  · Alexandre Kojève  · Émile Durkheim · Marquis de Sade  · Lev Shestov
Influenced Michel Foucault · Jacques Derrida · Maurice Blanchot  · Jean Baudrillard · Michel Onfray, Guy Debord

Georges Albert Maurice Victor Bataille (French pronunciation: [ʒɔʁʒ baˈtaj]) (10 September 1897 – 9 July 1962) was a French writer. His multifaceted work is linked to the domains of literature, anthropology, philosophy, economy, sociology and history of art. Eroticism and transgression are at the core of his writings.

Life and work

Georges Bataille was the son of Joseph-Aristide Bataille (b. 1851), a tax collector, and Antoinette-Aglae Tournarde (b. 1865). Born in Billom in the region of Auvergne, his family moved to Reims in 1898, where he was baptized. He went to school in Reims and then Épernay. Although brought up without religious observance, he "converted" to Catholicism in 1914, and became a devout Catholic for about nine years. He considered entering the priesthood and attended a Catholic seminary briefly. However, he quit, apparently in part in order to pursue an occupation where he could eventually support his mother. He eventually renounced Christianity in the early 1920s.

Bataille attended the École des Chartes in Paris and graduated in February 1922. Bataille is often referred to, interchangeably, as an archivist and a librarian. Although he worked at the Bibliothèque Nationale, his work there was with the medallion collections (he also published scholarly articles on numismatics), and his thesis at the École des Chartes was a critical edition of the medieval manuscript L’Ordre de chevalerie which he produced directly by classifying the eight manuscripts from which he reconstructed the poem. After graduating he moved to the School of Advanced Spanish Studies in Madrid. As a young man, he befriended, and was much influenced by, the Russian existentialist, Lev Shestov.

Founder of several journals and literary groups, Bataille is the author of an oeuvre both abundant and diverse: readings, poems, essays on innumerable subjects (on the mysticism of economy, in passing of poetry, philosophy, the arts, eroticism). He sometimes published under pseudonyms, and some of his publications were banned. He was relatively ignored during his lifetime and scorned by contemporaries such as Jean-Paul Sartre as an advocate of mysticism, but after his death had considerable influence on authors such as Michel Foucault, Philippe Sollers, and Jacques Derrida, all of whom were affiliated with the journal Tel Quel. His influence is felt in the work of Jean Baudrillard, the psychoanalytic theories of Jacques Lacan and Julia Kristeva, and recent anthropological work from the likes of Michael Taussig.

Initially attracted to Surrealism, Bataille quickly fell out with its founder André Breton, although Bataille and the Surrealists resumed cautiously cordial relations after World War II. Bataille was a member of the extremely influential College of Sociology which included several other renegade surrealists. He was heavily influenced by Hegel, Freud, Marx, Marcel Mauss, the Marquis de Sade, Alexandre Kojève, and Friedrich Nietzsche, the last of whom he defended in a notable essay against appropriation by the Nazis.

Fascinated by human sacrifice, he founded a secret society, Acéphale, the symbol of which was a decapitated man. According to legend, Bataille and the other members of Acéphale each agreed to be the sacrificial victim as an inauguration; none of them would agree to be the executioner. An indemnity was offered for an executioner, but none was found before the dissolution of Acéphale shortly before the war. The group also published an eponymous review, concerned with Nietzsche's philosophy, and which attempted to postulate what Jacques Derrida has called an "anti-sovereignty". Bataille thus collaborated with André Masson, Pierre Klossowski, Roger Caillois, Jules Monnerot, Jean Rollin and Jean Wahl.

Bataille drew from diverse influences and used diverse modes of discourse to create his work. His novel Story of the Eye (Histoire de l'oeil), published under the pseudonym Lord Auch (literally, Lord "to the shithouse" — "auch" being short for "aux chiottes," slang for telling somebody off by sending him to the toilet), was initially read as pure pornography, while interpretation of the work has gradually matured to reveal the considerable philosophical and emotional depth that is characteristic of other writers who have been categorized within "literature of transgression". The imagery of the novel is built upon a series of metaphors which in turn refer to philosophical constructs developed in his work: the eye, the egg, the sun, the earth, the testicle.

Other famous novels include the posthumously published My Mother (which would become the basis of Christophe Honoré's film Ma mère), The Impossible and Blue of Noon. The latter, with its necrophilia, politics, and autobiographical undertones, is a much darker treatment of contemporary historical reality.

During World War II, he wrote Summa Atheologica (the title parallels Thomas Aquinas' Summa Theologica) which comprises his works "Inner Experience," "Guilty," and "On Nietzsche." After the war he composed The Accursed Share, which he said represented thirty years' work. The singular conception of "sovereignty" expounded there would become an important topic of discussion for Derrida, Giorgio Agamben, Jean-Luc Nancy and others. Bataille also founded the influential journal Critique.

Bataille's first marriage was to actress Silvia Maklès, in 1928; they divorced in 1934, and she later married the psychoanalyst Jacques Lacan. Bataille also had an affair with Colette Peignot, who died in 1938. In 1946 Bataille married Diane de Beauharnais, with whom he had a daughter.

In 1955 Bataille was diagnosed with cerebral arteriosclerosis, although he was not informed at the time of the terminal nature of his illness. He died seven years later, on 9 July 1962.

Key concepts

Base materialism

Bataille developed base materialism during the late 1920s and early 1930s as an attempt to break with mainstream materialism. Bataille argues for the concept of an active base matter that disrupts the opposition of high and low and destabilises all foundations. In a sense the concept is similar to Spinoza's neutral monism of a substance that encompasses both the dual substances of mind and matter posited by Descartes; however, it defies strict definition and remains in the realm of experience rather than rationalisation. Base materialism was a major influence on Derrida's deconstruction, and both share the attempt to destabilise philosophical oppositions by means of an unstable "third term." Bataille's notion of Base Materialism may also be seen as anticipating Althusser's conception of aleatory materialism or "materialism of the encounter," which draws on similar atomist metaphors to sketch a world in which causality and actuality are abandoned in favor of limitless possibilities of action.

Other

• The Accursed Share
• Erotism
• Heterogeneous matter
• Immanence
• The Pineal Eye
• Potlatch
• The Sacred
• Slow slicing
• The Solar Anus
• Transgression

Bibliography

Primary literature

Complete works

Georges Bataille, Œuvres complètes (Paris: Gallimard)

• Volume 1: Premiers écrits, 1922–1940: Histoire de l'œil - L'Anus solaire - Sacrifices - Articles.
• Volume 2: Écrits posthumes, 1922–1940
• Volume 3: Œuvres littéraires: Madame Edwarda - Le Petit - L'Archangélique - L'Impossible - La Scissiparité - L'Abbé C. - L'être différencié n'est rien - Le Bleu du ciel.
• Volume 4: Œuvres littéraires posthumes: Poèmes - Le Mort - Julie - La Maison brûlée - La Tombe de Louis XXX - Divinus Deus - Ébauches.
• Volume 5: La Somme athéologique I: L'Expérience intérieure - Méthode de méditation - Post-scriptum 1953 - Le Coupable - L'Alleluiah.
• Volume 6: La Somme athéologique II: Sur Nietzsche - Mémorandum - Annexes.
• Volume 7: L'économie à la mesure de l'univers - La Part maudite - La limite de l'utile (Fragments) - Théorie de la Religion - Conférences 1947-1948 - Annexes.
• Volume 8: L'Histoire de l'érotisme - Le surréalisme au jour le jour - Conférences 1951-1953 - La Souveraineté - Annexes.
• Volume 9: Lascaux, ou La naissance de l’art - Manet - La littérature et le mal - Annexes
• Volume 10: L’érotisme - Le procès de Gilles de Rais - Les larmes d’Eros
• Volume 11: Articles I, 1944–1949
• Volume 12: Articles II, 1950–1961
• Georges Bataille: Une liberté souveraine: Textes et entretiens, 2004. (Articles, Book Reviews and Interviews not included in Oeuvres Complètes, Michel Surya Ed.)

Works published in French:

• Histoire de l'oeil, 1928. (Story of the Eye) (under pseudonym of Lord Auch)
• L'Anus solaire, 1931. (The Solar Anus)
• The Notion of Expenditure, 1933.
• L'Amité, 1940 (Friendship) (under pseudonym of Dianus - Early version of Part One of Le Coupable)
• Madame Edwarda, 1941. (under pseudonym of Pierre Angélique - Fictitiously dated 1937; 2nd Edition - 1945; 3rd Edition - 1956 published with preface in Bataille's name)
• Le Petit, 1943. (under pseudonym of Louis Trente; fictitious publication date of 1934)
• L'expérience intérieure, 1943. (Inner Experience)
• L'Archangélique, 1944. (The Archangelical)
• Le Coupable, 1944. (Guilty)
• Sur Nietzsche, 1945. (On Nietzsche)
• Dirty, 1945.
• L'Orestie, 1945. (The Oresteia)
• Histoire de rats, 1947. (A Story of Rats)
• L'Alleluiah, 1947. (Alleluia: The Catechism of Dianus)
• Méthode de méditation, 1947. (Method of Meditation)
• La Haine de la Poésie, 1947. (The Hatred of Poetry - reissued in 1962 as The Impossible)
• La Scissiparité, 1949. (The Scission)
• La Part maudite, 1949. (The Accursed Share)
• L'Abbe C, 1950.
• L'expérience intérieure, 1954 (second edition of Inner Experience, followed by Method of Meditation and Post-scriptum 1953)
• L'Être indifférence n'est rien, 1954. (Undifferentiated Being is Nothing)
• Lascaux, ou la Naissance de l'Art, 1955.
• Manet, 1955.
• Le Bleu du ciel, 1957 (Written 1935-36) (Blue of Noon)
• La littérature et le Mal, 1957. (Literature and Evil)
• L'Erotisme, 1957. (Erotism)
• Le Coupable, 1961. (Guilty, second, revised edition, followed by Alleluia: The Catechism of Dianus)
• Les larmes d'Éros, 1961. (The Tears of Eros)
• L'Impossible : Histoire de rats suivi de Dianus et de L'Orestie, 1962. (The Impossible)

Posthumous works:

• Ma Mére, 1966 (My Mother)
• Le Mort, 1967 (The Dead Man)
• Théorie de la Religion, 1973. (Theory of Religion)

Translated works:

• Lascaux; or, the Birth of Art, the Prehistoric Paintings, Austryn Wainhouse, 1955, Lausanne: Skira.
• Manet, Austryn Wainhouse and James Emmons, 1955, Editions d'Art Albert Skira.
• Literature and Evil, Alastair Hamilton, 1973, Calder & Boyars Ltd.
• Visions of Excess: Selected Writings 1927-1939, Allan Stoekl, Carl R. Lovitt, and Donald M. Leslie, Jr., 1985, University of Minnesota Press.
• Erotism: Death and Sensuality, Mary Dalwood, 1986, City Lights Books.
• Story of the Eye, Joachim Neugroschel, 1987, City Lights Books.
• The Accursed Share: An Essay On General Economy. Volume I: Consumption, Robert Hurley, 1988, Zone Books.
• The College of Sociology, 1937–39 (Bataille et al.), Betsy Wing, 1988, University of Minnesota Press.
• Guilty, Bruce Boone, 1988, The Lapis Press.
• Inner Experience, Leslie Anne Boldt, 1988, State University of New York.
• My Mother, Madame Edwarda, The Dead Man, Austryn Wainhouse, with essays by Yukio Mishima and Ken Hollings, 1989, Marion Boyars Publishers.
• The Tears of Eros, Peter Connor, 1989, City Lights Books.
• Theory of Religion, Robert Hurley, 1989, Zone Books.
• The Accursed Share: Volumes II and III, Robert Hurley, 1991, Zone Books.
• The Impossible, Robert Hurley, 1991, City Lights Books.
• The Trial of Gilles de Rais, Richard Robinson, 1991, Amok Press.
• On Nietzsche, Bruce Boone, 1992, Paragon House.
• The Absence of Myth: Writings on Surrealism, Michael Richardson, 1994, Verso.
• Encyclopaedia Acephalica (Bataille et al.), Iain White et al., 1995, Atlas Press.
• L'Abbe C, Philip A Facey, 2001, Marion Boyars Publishers.
• Blue of Noon, Harry Matthews, 2002, Marion Boyars Publishers.
• The Unfinished System of Nonknowledge, Stuart Kendall and Michelle Kendall, 2004, University of Minnesota Press.
• The Cradle of Humanity: Prehistoric Art and Culture, Stuart Kendall, Michelle Kendall, 2009, Zone Books.
• Divine Filth: Lost Scatology and Erotica, Mark Spitzer, 2009, Solar Books.
• "WC" Georges Bataille and Antonio Contiero - W.C. a surrealistic novel of sex, madness and death edited by Transeuropa Edizioni - Massa (Italy) 9/2011

Collected Poems of Georges Bataille, Mark Spitzer, 1998, 1999, Dufour Editions. Hardback is titled Collected Poetry of Georges Bataille, 1998.

Secondary literature

• Ades, Dawn, and Simon Baker, Undercover Surrealism: Georges Bataille and Documents. (Cambridge: The MIT Press, 2006).
• Barthes, Roland. "The Metaphor of the Eye". In Critical Essays. Trans. Richard Howard. (Evanston, IL: Northwestern University Press, 1972). 239-248.
• Blanchot, Maurice. "The Limit-Experience". In The Infinite Conversation. Trans. Susan Hanson. (Minneapolis: University of Minnesota Press, 1993). 202-229.
• Blanchot, Maurice. The Unavowable Community. Trans. Pierre Joris. (Barrytown, NY: Station Hill Press, 1988).
• Boldt-Irons, Leslie Anne (ed.), On Bataille: Critical Essays (Albany: SUNY Press, 1995).
• Bourgon, Jérome, Bataille et le supplicié Chinois: erreurs sur la personne, Centre National de la Recherche Scientifique (French)
• Campillo, Antonio, Contra la Economía. Ensayos sobre Bataille (Granada: Comares, 2001).
• Connor, Peter, Georges Bataille and the Mysticism of Sin (Johns Hopkins University Press, 2000).
• Derrida, Jacques, "From Restricted to General Economy: A Hegelianism without Reserve," in Writing and Difference (London: Routledge, 1978).
• Dick, Marcus: Die Dialektik der Souveränität. Philosophische Untersuchungen zu Georges Bataille (Hildesheim/Zürich/New York: Georg Olms Verlag, 2010)
• Ferri, Laurent, and Gauthier, Christophe [eds.], L'Histoire-Bataille: l'Ecriture de l'histoire dans l'oeuvre de Georges Bataille, Geneva: Droz, 2006.
• Foucault, Michel. "A Preface to Transgression". Trans. Donald F. Bouchard and Sherry Simon. In Aesthetics, Method and Epistemology: Essential Works of Foucault, 1954-1984. Ed. James D. Faubion. (New York: New Press, 1998). 103-122.
• Gill, Carolyn, Bataille: Writing the Sacred, (London: Routledge, 1995).
• French, Patrick, The Cut (Oxford: Oxford University Press, 1999).
• Gemerchak, Christopher, The Sunday of the Negative: Reading Bataille Reading Hegel (Albany: SUNY Press, 2003).
• Heinämäki, Elisa, Tyhjä taivas: Georges Bataille ja uskonnon kysymys (Helsinki, Tutkijaliitto, 2008) (Kirjastoluokitus: uskonnonfilosofia, 21).
• Hill, Leslie, "Bataille, Klossowski, Blanchot: Writing At The Limit" (Oxford University Press, 2001).
• Hollier, Denis, Against Architecture: The Writings of Georges Bataille (MIT Press, 1992).
• Hollier, Denis, dir.,Georges Bataille après tout, Belin, Paris, 1995.
• Hussey, Andrew, Inner Scar: The Mysticism of Georges Bataille (Amsterdam: Rudopi, 2000).
• Kendall, Stuart, Georges Bataille (London, Reaktion Books, 2007).
• Land, Nick, The Thirst for Annihilation: Georges Bataille and Virulent Nihilism (an essay on atheistic religion) (London: Routledge, 1992).
• Merritt, Naomi, ‘Cannibalistic Capitalism and other American Delicacies: A Bataillean Taste of The Texas Chain Saw Massacre’, Film-Philosophy, (Vol 14, No 1, 2010, http://www.film-philosophy.com/index.php/f-p/article/view/190 )
• Mitchell, Andrew, and Winfree, Jason, ed. The Obsessions of Georges Bataille: Community and Communication. (Albany: SUNY 2009).
• Nancy, Jean-Luc, The Inoperative Community (Minneapolis & Oxford: University of Minnesota Press, 1991).
• Nechvatal, Joseph, Immersive Excess in the Apse of Lascaux, Technonoetic Arts 3, no3. 2005
• Noys, Benjamin, Georges Bataille: a critical introduction (London: Pluto, 2000).
• Pefanis, Julian, Heterology and the Postmodern : Bataille, Baudrillard and Lyotard, London, Duke University Press, 1991.
• Perniola, Mario, L'instant éternel. Bataille et la pensée de la marginalité, translated by François Pelletier, preface to the French edition by the author, Paris, Méridien/Anthropos, 1981, ISBN 2-86563-024-2.
• Richardson, Michael, Georges Bataille (London: Routledge, 1994).
• Roudinesco, Elisabeth, Jacques Lacan & Co.: a history of psychoanalysis in France, 1925-1985, 1990, Chicago,Chicago University Press
• Roudinesco, Elisabeth, Jacques Lacan, Outline of a Life, History of a System of Thought, 1999, New York, Columbia University Press.
• Roudinesco, Elisabeth, Our Dark Side, A History of Perversion, Cambridge, Polity Press, 2009.
• Sollers, Philippe, Writing and the Experience of Limits (Columbia University Press, 1982).
• Santi, Sylvain, Georges Bataille, а l’extrémité fuyante de la poêsie (Amsterdam/New York, 2007) (Faux Titre, 303).
• Sontag, Susan. "The Pornographic Imagination." Styles of Radical Will. (Picador, 1967).
• Sørensen, Asger. "The Inner Experience of Living Matter: Bataille and Dialectics", Philosophy & Social Criticism , vol. 33, no. 5, 2007.
• Stoekl, Allan (ed.), On Bataille: Yale French Studies 78 (1990). Includes: Bataille, "Hegel, Death and Sacrifice"; Bataille, "Letter to René Char on the Incompatibilities of the Writer"; Jean-Luc Nancy, "Exscription"; Rebecca Comay, "Gifts without Presents: Economies of 'Experience' in Bataille and Heidegger"; Jean-Joseph Goux, "General Economics and Postmodern Capitalism."
• Surya, Michel, Georges Bataille: an intellectual biography, trans. by Krzysztof Fijalkowski and Michael Richardson (London: Verso, 2002).

External links

• Works by or about Georges Bataille in libraries (WorldCat catalog)
• Kirjasto, sf, Overview of Bataille
• Popsubculture, Bio Project, George Bataille biography
• SOFT TARGETS Journal, Bataille's Apocalypse
• University of Wolverhampton, Extract from Bataille's Eroticism
• IMDb entry for Ma mère
• Hayward Gallery's 'Undercover Surrealism' site
• New Statesman, Bataille's exhibition
• Bataille Dutch
• Janus Head: Journal of Interdisciplinary Studies in Literature, Continental Philosophy, Phenomenological Psychology, and the Arts. Geoffrey Roche, "Bataille on Sade"
• Revue Silène, From Heterogeneity to the Sacred
• Centre National de la Recherche Scientifique, Jérome Bourgon's Bataille essay
• Out of line theatre's devised theatre creation based upon Bataille's "The Dead Man"