Glenn Tipton

Glenn Tipton
Glenn Tipton performing in 2005
Background information
Birth name	Glenn Raymond Tipton
Born	25 October 1947 (1947-10-25) Blackheath, England
Genres	Heavy metal
Occupations	Musician, songwriter
Instruments	Guitar, keyboards, vocals, bass
Years active	1968–present
Labels	Columbia, Atlantic
Associated acts	Judas Priest, The Flying Hat Band
Website	Official website
Notable instruments
Hamer Signature Model Gibson SG Fender Stratocaster

Glenn Tipton (born Glenn Raymond Tipton, 25 October 1947, Blackheath, England) is one of the Grammy Award-winning guitarists (and occasional keyboard and bongo player) for the heavy metal band Judas Priest. Prior to joining Judas Priest, he played in The Flying Hat Band and also at Death Thunder.

In 1997 Tipton released his first solo album Baptizm of Fire, featuring a host of well-known musicians including John Entwistle, Billy Sheehan, Cozy Powell, Robert Trujillo and Don Airey, among others.

Playing style and technique

Although Tipton did not pick up the guitar until he was 19 years old, he was taught by his mother how to play the piano at a young age. Tipton's piano playing features prominently on Judas Priest's second album Sad Wings of Destiny, especially on "Epitaph," a song that features no guitar. In addition, his brother was a guitarist in a band called the Atlantics. When his brother was not around, Tipton used to sneak into his room and play his guitar.

Tipton is known for his complex, sometimes classically-influenced solos, and he has a unique guitar-playing technique. Many of his solos are very difficult to transcribe, and his playing is notable for his double lead guitar trades with fellow Judas Priest guitarist K.K. Downing. Tipton's solos have maintained a consistent style for most of his career, but he has continuously incorporated new techniques into his playing over the years as he has developed as a guitarist.

In contrast to Downing, Tipton's solos tend to feature a more melodic, legato sound, making use of harmonic minor scales, Aeolian mode, pentatonic scales and techniques such as sweep-picking arpeggios, legato picking, tremolo/alternate picking, hammer-ons and pull-offs, and the solos often showcase both accuracy and aggression. However, like Downing, his playing sometimes emphasizes speed rather than precision, and Tipton has been known to occasionally use pinch harmonics and dive bombs in his solos. Tipton also has a trademark 2-strings bend/whammy dive screams for ending the solo, as evident in solos like All Guns Blazing, Heavy Metal, Demonizer, Bullet Train and Ram It Down. In 1978, Tipton began to incorporate tapping into his playing, which Downing promptly did as well. In the mid-1980s, both guitarists started to use the complex technique of sweep-picking, which can be notably heard on the title track of their 1990 album Painkiller. Both have continuously used these techniques ever since. His style is drenched in blues-based phrasing. His vibrato is medium speed, medium width — similar to Peter Green's but not quite as fast.

Influences

Tipton quotes : It goes without saying that I love playing and performing heavy metal, and have for most of my career. Going right back though, I've listened to a lot of early blues players, and I think the first band I saw live that really made an impression on me, was The Spencer Davies group. I remember going to see them play at an all-nighter at Birmingham Town Hall. Steve Winwood was a great all round vocalist, guitarist and keyboard player and I remember trying to learn "Georgia" on the piano after I had seen them play. They had great songs like "Keep on Running" and although you could try and categorize them as blues or R&B, they really had their own sound going for them, mainly due I believe to Steve Winwood. Rory Gallagher

Other early influences were Hendrix, Deep Purple and Zeppelin. I still can't believe where Hendrix came from. OK Seattle maybe but he just suddenly appeared, as if from nowhere, this black guy playing guitar in a way no one had imagined it could be played. He was more than a genius in my eyes, someone very, very special. I loved early Purple and the combined sound of Organ and guitar gave them a very powerful sound, again unique at the time. As for Zeppelin, what can you say, "Whole lotta Love", "Communication Breakdown", "Black Dog", and the epic "Kashmir" again a unique band with great songs. All these bands formed an impression on me going back to those early days.

I liked the early Fleetwood Mac with Peter Green and Jeremy Spencer. I thought Peter Green was a great white blues player and song-writer. He not only penned such greats as "Green Manalishi" and "Oh Well" but more delicate compositions such as "Need Your Love So Bad" or "Albatross" I saw them several times and it was great to watch them perform songs like "Stop Messin' Around" or songs featuring slide guitar such as "Dust My Broom".

As I've said before, as a guitar player my main inspiration was Rory Gallagher. I saw him play in Taste many times and he really inspired me, not just musically but also in the amount of energy and feel he put out.

I've always loved the Stones. They have so many classic songs such as "Jumping Jack Flash", "Honky Tonk Women", "Sympathy For The Devil", "Brown Sugar", or their earlier stuff like "This Could Be The Last Time", "Paint It Black", "It’s All Over Now" the list goes on and on. The Stones have great attitude and that rebel quality that’s so appealing. I recently saw them at the Isle of White festival and they were as good as ever after all these years.

As do many people, I think the Beatles were a great band. We were all lucky that fate put these guys together in our time. It totally amazes me that they came up with such an abundance of classic songs in such a relatively short amount of time. The Beatles changed everything. To start with they were the first band to write their own material. They were so prolific and the endless melodies they invented will live forever.

Tipton is a big fan of soundtrack music, something that is evident in listening to Judas Priest's metal opera Nostradamus. "I love people like Hans Zimmer," Tipton told Attention Deficit Delirium. "Some of the stuff that they do is incredible.” (He's a big fan of the Gladiator soundtrack.) "One day when I’m good enough to, I wouldn’t even call it a film score, but do music for film, I’d like that opportunity. It would be really exciting for me to do. Whether that will happen or not, I’m not sure. I would certainly welcome the opportunity to do something like that as long as it were something that I liked or had respect for visually."

Equipment

Tone

Glenn's tone is your basic humbucker through a Marshall tone. Compared to Downing's tone, Glenn's tone is warmer, with more bass and lower mids. This lets both guitarists play the same parts yet remain distinct in the mix. Tipton's classic sound on albums like British Steel, Screaming for Vengeance, and Stained Class was obtained using 50 watt, non-master Marshall heads with EL34 output tubes, and a Range Master treble boost — the same device Brian May uses to kick his AC-30's. During this period, Glenn also employed a MXR Distortion +, Phase 100, and digital delays, as well as an old Maestro Echoplex. In the late 80s, around the time of the Turbo album, Priest began incorporating guitar synths and abandoned the Marshalls for what sounds like a Scholz Rockman (Turbo, Ram it Down). Starting with the comeback album Jugulator, Glenn switched to Rocktron preamps, the Rocktron Intellifex for effects, and Crate heads and cabs. Glenn's used SG's, a Strat with two DiMarzio Super Distortion humbuckers, and various Hamer models including a few he helped design (see above photo). Most of his guitars are equipped with Kahler tremolos. Glenn uses very light strings and picks — string gauges are .009, .009, .014, .022, .034, and .038.

Guitars

Tipton has used numerous guitars over the years. These include a 1960s Fender Stratocaster up until about 1978. During the period from 1978 to 1979, he used a black Gibson Les Paul Custom, and he started using a modified CBS-era Fender Stratocaster with Dimarzio Super-Distortion (humbucking) pickups. For the Screaming for Vengeance tour, he added a chrome pickguard. For this tour, he also played a Gibson SG Special that he spray-painted black himself. The SG also had a chrome pickguard and stock PAF humbuckers. Around 1984, he switched to a Hamer Phantom GT model, which was fitted with one EMG humbucker, a Kahler tremolo, and one volume pot. A signature model of this was developed and sold to public from 1984 to 1986. Tipton still uses this guitar model, but now with Seymour Duncan Blackouts active pickups. In 2009, Tipton took his Fender Stratocaster and Gibson SG Special out of retirement for the British Steel 30th Anniversary tour.

He has also used various guitars over the years

• Fender Telecaster - For studio use
• ESP Eclipse acoustic - For stage use
• Ibanez 7621 seven-string guitar - In the studio for Demolition
• Gibson Explorer - Could be see on the Classic Albums: British Steel documentary and was used sparingly during the Nostradamus tour
• Legends custom-built acrylic Jaguar-shaped guitar - Tipton jokingly admitted that he wanted to make a lamp out of it, but liked the tone of it and was used for recording Demolition),
• Roland G-707 synth guitar - was mostly used in the studio, used a Hamer Phantom GT with a Roland Hex pickup for stage use

Amplification

Tipton has almost exclusively used Marshall Amplifiers. Tipton used Regular Vintage 50 and 100 Watt Marshall heads without a master volume until 1982, when the JCM 800 head was developed. The JCM 800 was used by Tipton and fellow Judas Priest guitarist K.K. Downing for many years. During the Jugulator and Demolition era, Tipton was endorsed by Crate amplifiers, using their Blue Voodoo heads in the studio and when touring. He would drop this endorsement during the 2004 reunion tour, switching to a large rack unit with multiple preamps and effects processors with a Marshall 9100 power amp.

In 2008, Tipton began using ENGL amps. Of the brand, he comments, “ENGL is the first ampline that I have ever used that not only has balls, but attitude, right out of the box”. When he first used Engl amps, he played through the ENGL Midi Tube Preamp E 580 and the ENGL Tube Poweramp E 850/50. For the Epitaph tour, he switched to using Engl Invaders that are modified to use 6L6 power tube.

Effects

During the late 1970s and early 1980s, Tipton used a Pete Cornish custom pedalboard with an overdrive unit, flanger, MXR distortion unit, MXR Phase 100, MXR digital delay, MXR 12-band EQ, Maestro Echoplex, line boosters between each effect to preserve the signal from input to output, and a Rangemaster-based custom treble boost connected to the bass channel of Marshall 50 and 100 watt heads with no master volume.

Around the time of the reunion with Rob Halford, Tipton only used a modified Crybaby 535Q Wah, Digitech Tone Driver, DigiTech Main Squeeze, and a Yamaha midi board controlling other effects and sounds in a rack unit.

Since the beginning of the 2008 world tour, Glenn has went back to mostly using a rack system, sans the current use of Engl amp heads. He currently uses a Korg rack tuner, Furman power unit, Dunlop Custom Shop Rackmounted Crybaby, Rocktron Intellifex and Yamaha XPS-90 multi-effects units, and a dbx 166A compressor and noise gate.

Recognition and honors

• He was ranked #19 on rock magazine Hit Parader's list of 100 greatest metal guitarists.
• He was ranked #28 on Gigwise's Top 50 Guitarists.
• He was ranked #9 on MusicRadar's The 20 Greatest Metal Guitarists Ever.
• He was ranked #25 on Joel Mclver's 100 Greatest Metal Guitarists.
• Sun Kil Moon released a song titled "Glenn Tipton" on their album Ghosts of the Great Highway.
• In the popular video game Guitar Hero II, a playable character called Izzy Sparks, wears clothes very similar to the ones Glenn Tipton used under the Screaming for Vengeance tour 1983.
• Kerry King of Slayer has stated that Tipton is one of the most underrated guitarists in the world. He stated that Tipton is one of his earliest guitar influences.
• Jeff Waters: "Glenn Tipton, along with partners KK Downing and Rob Halford, has come up with the most killer metal riffing, with elite, groundbreaking, original songwriting, and with blues-influenced lead guitar shredding. Judas Priest and Tipton's work are arguably more worthy of the term metal than any other, with Tony Iommi and Black Sabbath their only close rivals.

Discography

Solo

• Baptizm of Fire (1997)
• Edge of the World (2006)

Judas Priest

See the Judas Priest discography for the complete list of Judas Priest albums, as Tipton played lead guitar for all Priest's album releases.

Contributions

• Guest musician on the 1995 album Foma by post-grunge band The Nixons.
• Guest musician on the song Spirit of America by Samantha Fox
• Glenn recorded licks for the video game Brutal Legend.

External links

• Official Glenn Tipton Website