Holinshed's Chronicles, also known as Holinsheds Chronicles of England, Scotland, and Ireland, is a collaborative work published in several volumes and two editions, the first in 1577, and the second in 1587. It was a large, comprehensive description of the British history.
The Chronicles are a source of interest to many because of their links to Shakespeare's plays.
In 1548 Reginald Wolfe, a London printer, conceived the idea of creating a "Universal Cosmography of the whole world, and there with also certain particular histories of every known nation." He wanted the work to be printed in English and he wanted maps and illustrations in the book as well. Wolfe acquired many of John Leland's works and with these he constructed chronologies and drew maps that were up to date. When Wolfe realised he could not complete this project on his own, he hired Raphael Holinshed and William Harrison to assist him.
Wolfe died with the work still uncompleted in 1573, and the project, changed to a work about just the British Isles, was run by a consortium of three members of the London stationers. They kept Raphael Holinshed who employed William Harrison, Richard Stanyhurst, Edmund Campion and John Hooker. In 1577 the work was published in two volumes after some censorship by the Privy Council of some of Stanyhurst's contribution on Ireland. When the Chronicles were first published, they were met with suspicion by many scholars, who regarded the works as un-academic.
Influence on Shakespeare
Shakespeare used the revised second edition of the Chronicles (published in 1587) as the source for most of his history plays, the plot of Macbeth, and for portions of King Lear and Cymbeline. Shakespeare also used it as a primary source for the historical events of Henry V.
Several other playwrights, such as Christopher Marlowe used The Chronicles as a source.
The Chronicles and Macbeth
While Shakespeare used Holinshed's work extensively in Macbeth, it is clear that Shakespeare dramaticised the work. One such instance would be the witches. Holinshed describes the witches as "creatures of the elderwood ... nymphs or fairies." Nymphs and fairies are generally viewed as beautiful and youthful, however, Shakespeare describes the three witches in Macbeth in a different manner, casting them as ugly, dark, and bizarre. It is believed that those changes were made to heighten the suspense and darkness of the play. As well, the Chronicles were lacking in description of Macbeth's character, so Shakespeare was forced to improvise on several points. The characters Banquo and Fleance were taken from Holinshed’s works, but they are now considered by many historians to be mythical, created by the rulers of Scotland at the time of the Chronicles publications. 
- Kewes, Paulina; Archer, Ian W.; Heal, Felicity, eds. (2013). The Oxford Handbook of Holinshed's Chronicles. Oxford: Oxford University Press. ISBN 978-0-19-956575-7.
- Patterson, Annabel (1994). Reading Holinshed's Chronicles. Chicago: University of Chicago Press. ISBN 0226649113.
- Holinshed, Raphael. Holinshed's Chronicles England, Scotland, and Ireland. Ed. Vernon F. Snow. New York: AMS, 1965.
- Excerpts from Holinshed's Chronicles, Volume V: Scotland, at Macbeth Navigator.
- Works by Raphael Holinshed at Project Gutenberg
- Holinshed's Chronicles at Project Gutenberg
- The Holinshed Project at Oxford University, with parallel texts of the 1577 and 1587 editions.
- 1587 facsimile, from the University of Pennsylvania