Line producer

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A line producer is a type of film producer that functions as the key manager during the daily operations of a feature film, television film or the episode of a TV program. A line producer works on one film at a time.[1] He or she is accountable for human resources and all kinds of problems possibly occurring during the making.[2]

Responsibilities[edit]

According to Producers Guild of America (PGA) guidelines, the Line Producer is the individual who reports directly to the individual(s) receiving "Produced By" credit on the theatrical motion picture and is the single individual who has the primary responsibility for the logistics of the production, from pre-production through completion of production; all Department Heads report to the Line Producer.[3]

The Line Producer supports the director's vision but does not usually have direct influence on the creative expression or narrative of the film,[4] though it could be argued that through a line producer's ability to influence certain aspects of the film, like allocation of resources to certain departments, he or she can change important aspects of the film that have creative consequences, e.g Production Value. For example, they can affect the project's look by influencing the choice of filming locations.[3] While the director is in charge of all purely artistic decisions, the line producer will help him or her to substantiate his or her creative ideas by taking care of logistics and related issues.[5] From pre-production through principal photography, the line producer oversees the production budget and physical needs of the shoot. By the first day of production, several versions of the budget will have usually been drafted. A finalized or "locked" budget is the one used as the basis for the production to move forward. A key objective of a line producer is to respect this "locked" budget and to deliver in time.

While in production, the line producer oversees the execution of many decisions that must be made to deliver each day's shoot. The administrative aspects, especially those that have any financial impact, are all crucial areas of the line producer's work. These areas include but are not limited to negotiating compensation (usually during pre-production) of crew members (both for union and non-union productions) and resolving daily production issues (in conjunction with the first assistant director and possibly the unit production manager).[6] Moreover, they provide demanded equipment. If required they will handle unanticipated scheduling changes and serve "as a liaison between the crew and the producer".[3]

Becoming a line producer[edit]

Line producers usually come from the ranks of assistant directors and unit production managers, giving them a strong background in the logistics of filmmaking and time management. It is not uncommon for them to continue to perform in one of those roles on projects they line produce. They haven't necessarily graduated from a film school.[1]

References[edit]

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