News style encompasses not only vocabulary and sentence structure, but also the way in which stories present the information in terms of relative importance, tone, and intended audience. The tense used for news style articles is past tense.
News writing attempts to answer all the basic questions about any particular event—who, what, when, where and why (the Five Ws) and also often how—at the opening of the article. This form of structure is sometimes called the "inverted pyramid", to refer to the decreasing importance of information in subsequent paragraphs.
News stories also contain at least one of the following important characteristics relative to the intended audience: proximity, prominence, timeliness, human interest, oddity, or consequence.
Newspapers generally adhere to an expository writing style. Over time and place, journalism ethics and standards have varied in the degree of objectivity or sensationalism they incorporate. Definitions of professionalism differ among news agencies; their reputations, according to professional standards, and depending on what the reader wants, are often tied to the appearance of objectivity. In its most ideal form, news writing strives to be intelligible to the majority of readers, as well as to be engaging and succinct. Within these limits, news stories also aim to be comprehensive. However, other factors are involved, some of which are derived from the media form, and others stylistic.
Among the larger and more respected newspapers, fairness and balance is a major factor in presenting information. Commentary is usually confined to a separate section, though each paper may have a different overall slant. Editorial policy dictates the use of adjectives, euphemisms, and idioms. Newspapers with an international audience, for example, tend to use a more formal style of writing.
The specific choices made by a news outlet's editor or editorial board are often collected in a style guide; common style guides include the AP Stylebook and the US News Style Book. The main goals of news writing can be summarized by the ABCs of journalism: accuracy, brevity, and clarity.
Terms and structure
|Look up Glossary of article components in Wiktionary, the free dictionary.|
Journalistic prose is explicit and precise, and tries not to rely on jargon. As a rule, journalists will not use a long word when a short one will do. They use subject-verb-object construction and vivid, active prose (see Grammar). They offer anecdotes, examples and metaphors, and they rarely depend on colorless generalizations or abstract ideas. News writers try to avoid using the same word more than once in a paragraph (sometimes called an "echo" or "word mirror").
The headline (also heading, head or title, or hed in journalism jargon) of a story is typically a complete sentence (e.g., "Pilot Flies Below Bridges to Save Divers"), often with auxiliary verbs and articles removed (e.g., "Remains at Colorado camp linked to missing Chicago man"). However, headlines sometimes omit the subject (e.g., "Jumps From Boat, Catches in Wheel") or verb (e.g., "Cat woman lucky").
A subhead' (also subheading or subtitle; subhed in journalism jargon) can be either a subordinate title under the main headline, or the heading of a subsection of the article.[full citation needed]; the first is meant here In the first case, it is a heading that precedes a group of paragraphs of the main text. It informs the reader of the topic in those paragraphs, helping the reader to choose to begin (or continue) reading. Articles should have more than one subhead. Subheads are one type of entry point that help readers make choices.
The deck (or dek in journalism jargon), is a phrase, sentence or several sentences near the headline of an article or story, such as a quick blurb or article teaser. It is like an extended subtitle that expands on the headline, helping the reader decide whether the piece is of interest. [clarification needed]
An article billboard is capsule summary text, often just one sentence or fragment, which is put into a sidebar or text box (reminiscent of an outdoor billboard) on the same page to grab the reader's attention as they are flipping through the pages to encourage them to stop and read that article. When it consists of a (sometimes compressed) sample of the text of the ariticle, it is known as a call-out or callout, and when it consists of a quotation (e.g. of an an article subject, informant, or interviewee), it is referred to as a pulled quotation or pull quote. Additional billboards of any of these types may appear later in the article (especially on subsequent pages) to entice further reading. Journalistic websites sometimes use animation techniques to swap one billboard for another (e.g. a slide of a call-out may be replaced by a photo with pull quote after some short time has elapsed). Such billboards are also used as pointers to the article in other sections of the publication or site, or as advertisements for the piece in other publication or sites.
The most important structural element of a story is the lead (also intro), including the story's first, or leading, sentence or two, which may or may not form its own paragraph. Some American English writers use the spelling lede //, from Early Modern English, to avoid confusion with the printing press type formerly made from the metal lead or the related typographical term "leading".
Charney states that "an effective lead is a 'brief, sharp statement of the story's essential facts.'"[full citation needed][clarification needed] The lead is usually the first sentence, or in some cases the first two sentences, and is ideally 20–25 words in length. The top-loading principle (putting the most important information first—see inverted pyramid section below) applies especially to leads, but the unreadability of long sentences constrains the lead's size. This makes writing a lead an optimization problem, in which the goal is to articulate the most encompassing and interesting statement that a writer can make in one sentence, given the material with which he or she has to work. While a rule of thumb says the lead should answer most or all of the five Ws, few leads can fit all of these.
To "bury the lead" in news style refers to beginning a description with details of secondary importance to the readers, forcing them to read more deeply into an article than they should have to in order to discover the essential point(s).
Article leads are sometimes categorized into hard leads and soft leads. A hard lead aims to provide a comprehensive thesis which tells the reader what the article will cover. A soft lead introduces the topic in a more creative, attention-seeking fashion, and is usually followed by a nutshell paragraph (or nut graf), a brief summary of facts.
Media critics[who?] often note that the lead can be the most polarizing subject in the article. Often critics accuse the article of bias based on an editor's choice of headline and/or lead.
- Example hard-lead paragraph
- NASA is proposing another space project. The agency's budget request, announced today, included a plan to send another mission to the moon. This time the agency hopes to establish a long-term facility as a jumping-off point for other space adventures. The budget requests approximately ten billion dollars for the project.
- Example soft-lead sentence
- Humans will be going to the moon again. The NASA announcement came as the agency requested ten billion dollars of appropriations for the project.
A nutshell paragraph (also simply nutshell, or nut 'graph, nut graf, nutgraf, etc., in journalism jargon) is a brief paragraph (occasionally there can be more than one) that summarizes the news value of the story, sometimes bullet-pointed and/or set off in a box. Nut-shell paragraphs are used particularly in feature stories (see "Feature style" below).
Paragraphs (shortened as 'graphs, graphs or grafs in journalistic jargon) form the bulk of an article.
The optional kicker is the closing paragraph of the story which re-summarizes the key point, and may contain a call to action.
Inverted pyramid structure
Journalists usually describe the organization or structure of a news story as an inverted pyramid. The essential and most interesting elements of a story are put at the beginning, with supporting information following in order of diminishing importance.
This structure enables readers to stop reading at any point and still come away with the essence of a story. It allows people to explore a topic to only the depth that their curiosity takes them, and without the imposition of details or nuances that they could consider irrelevant, but still making that information available to more interested readers.
The inverted pyramid structure also enables articles to be trimmed to any arbitrary length during layout, to fit in the space available.
Writers are often admonished "Don't bury the lead!" to ensure that they present the most important facts first, rather than requiring the reader to go through several paragraphs to find them.
Some writers start their stories with the "1-2-3 lead", yet there are many kinds of lead available. This format invariably starts with a "Five Ws" opening paragraph (as described above), followed by an indirect quote that serves to support a major element of the first paragraph, and then a direct quote to support the indirect quote.
News stories aren't the only type of material that appear in newspapers and magazines. Longer articles, such as magazine cover articles and the pieces that lead the inside sections of a newspaper, are known as features. Feature stories differ from straight news in several ways. Foremost is the absence of a straight-news lead, most of the time. Instead of offering the essence of a story up front, feature writers may attempt to lure readers in.
While straight news stories always stay in third person point of view, it's not uncommon for a feature article to slip into first person. The journalist will often detail his or her interactions with interview subjects, making the piece more personal.
A feature's first paragraphs often relate an intriguing moment or event, as in an "anecdotal lead". From the particulars of a person or episode, its view quickly broadens to generalities about the story's subject.
The section that signals what a feature is about is called the nut graph or billboard. Billboards appear as the third or fourth paragraph from the top, and may be up to two paragraphs long. Unlike a lede, a billboard rarely gives everything away. This reflects the fact that feature writers aim to hold their readers' attention to the end, which requires engendering curiosity and offering a "payoff." Feature paragraphs tend to be longer than those of news stories, with smoother transitions between them. Feature writers use the active-verb construction and concrete explanations of straight news, but often put more personality in their prose.
Feature stories often close with a "kicker" rather than simply petering out.
There are broadly similar formats in other cultures, with some characteristics particular to individual countries.
Written Japanese in general, and news writing in particular, places a strong emphasis on brevity, and features heavy use of Sino-Japanese vocabulary and omission of grammar that would be used in speech. Most frequently, two-character kanji compounds are used to concisely express concepts that would otherwise require a lengthy clause if using spoken language. Nominalization is also common, often compacting a phrase into a string of kanji. Abbreviations are also frequent, reducing a term or kanji compound to just initial characters (as in acronyms in alphabetic writing systems); these abbreviated terms might not be used in spoken language, but are understandable from looking at the characters in context. Furthermore, headlines are written in telegram style, yielding clipped phrases that are not grammatical sentences. Larger articles, especially front-page articles, also often have a one-paragraph summary at the beginning.
- Wilson, Kenneth G. (1993). The Columbia Guide to Standard American English. New York City: Columbia University Press / MJF Books. "JOURNALESE" entry, p. 260. ISBN 1-56731-267-5.
- Bill Parks. "Basic News Writing" (PDF). Retrieved 2009-07-29.
- "What the Heck Is a Hed/Dek? Learning the Lingo in Periodical Publishing By Janene Mascarella". WritersWeekly.com. July 20, 2005. Retrieved July 29, 2009.
- Morrison, Daniel. "How to Write Headlines and Decks (Heds and Deks)". Info-Truck: A blog about delivering information—by the truckload.
- American Heritage Dictionary
- "The Mavens' Word of the Day". Randomhouse.com. November 28, 2000. Retrieved July 29, 2009.
- Charney 1966:166
- Unzipped! Newswriting by Chris Kensler
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|Look up lead or lede in Wiktionary, the free dictionary.|