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Nyonin Kinsei

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Nyonin Kinsei is a general term for a type of society custom against women that is found in Japan.[1][2][3][4]

In particular, it refers to customs that prohibit women from entering sacred places (shrines, temples, sacred sites, ritual sites, etc.).[5][6] In this sense, the isolated area (boundary) is called women's boundary.[7][8] Use is synonymous with women's prohibition.[9][7]

It also refers to social customs that prohibit mere women from entering, participating in, or participating in any other way, arising from reasons different from the main meaning of women's prohibition (as seen in Kabuki).

On the contrary, "forbidding men from entering" is called men's prohibition (e.g., praying and performing rituals in Okinawa in Okinawa (Ryukyu Kingdom) is called men's prohibition). Ryukyu Kingdom since ancient times, and is basically forbidden for men.

Opposition to the "no women allowed" policy

Meiji Government

On March 27, Meiji 5 (May 4, 1872), the Meiji government announced that Edo shogunate and temples and shrines would no longer be able The Tokugawa shogunate and its temples and shrines, in an effort to compete with the Western powers, adopted the Confucianism precept of "no women allowed" (one of the Five precepts) and the Confucianism precept of "no man and woman shall sit on the same seat at the age of seven" (an internal rule of the Book of Rites). (The Book of Rites, internal rules), was banned as one of the Discriminations ("perverse customs") that were out of the question for a modern nation trying to compete with the Western powers.[10]

Japan Sumo Association's "no women allowed" policy in the ring

However, the origin of the Japan Sumo Association (Grand Sumo) is different from these. The origin of the Grand Sumo Tournament is the Kanjin Grand Sumo Tournament, which was held to raise money for the construction and repair of temples and shrines since the Edo period. Later, in 1872, the ban on women entering and leaving the precincts of shrines and temples was lifted by the Grand Council of State Proclamation No. 98, Shrine and Buddhist Temples Closed to Women, but Open to Climbing and Pilgrimage, allowing female spectators to watch the Grand Sumo Tournament. The Japan Sumo Association still prohibits women from entering the ring except for the spectator seats, but this has not led to any opposition by female fans, as they are not directly disadvantaged as long as they are regular spectators. There have been incidents of discrimination against women.[11] Some journalists, politicians, writers, and others have called for women to be treated equally with men and not to be treated as unclean for the vague reason of "Tradition" on the basis of Article 14, Paragraph 1 of the Japanese Constitution, which prohibits discrimination.[12][13]

After graduating from Doshisha University, Konnichiwa joined the sumo club of Aisin Seiki, and in September 2021, a reporter from Number Web interviewed him and asked him questions about "Sumo wrestlers fighting against the ban on women in sumo. In September 2021, a reporter from Number Web interviewed and asked questions about sumo, saying, "There are many types and aspects of sumo, including grand sumo, Mongolian wrestling, amateur sumo as a sport, and votive sumo. Among them, I think that the prohibition of women is an idea that exists only in sumo. That's why we've been talking about how we'd like to be in the Olympic ring first, rather than in the sumo ring.[14] When interviewed by the Asahi Shimbun in the same month, he said, "I don't mind the ban on women in sumo because I think my amateur sumo and grand sumo are different. (I simply hope that sumo will develop as a modern sport.[15]

Opposition to the ban on women in Omine, Nara Prefecture

On March 27, 1872 (1872, May 4), the Grand Council of State issued Proclamation No. 98 of the 5th year of Meiji (1872May 04), which proclaimed, "Shrines and Buddhist temples shall be closed to women, and pilgrimages to mountain climbing shall be permitted. In spite of the Shugendo Abolition Decree of September 15, 1872 (October 27, 1872), the shugendo practitioners of Mount Ōmine (Ōmine) in southern Nara Prefecture were not allowed to return to the main religion of Tendai Shingon Buddhism. (Omine) in southern Nara Prefecture, the shugendo practitioners and their collaborators continued to maintain the "no women allowed" policy on the grounds that it was a sacred site for shugendo. In response to this, there has been a movement to lift the ban on women entering the mountain, and in the past there have been women who have climbed the mountain secretly or in spite of opposition.[10]

Opinion that the prohibition of women should be maintained

Just after the end of the Pacific War, the wife of a high-ranking official of the Allied Forces that occupied Japan once visited the village of Dorogawa, which is located at the trailhead, to request the lifting of the women's ward. At that time, a local elder countered, "Don't let the women of your country Abbeys be released to men," and the ban was maintained.[16]

Places where women are (or were) forbidden in Japanese beliefs and customs

Mountains and sacred sites

Buddhism and mountain asceticism

Shinto and other mountain worship systems

  • Tanabe Festival (Aomori PrefectureMutsu City) - In recent years, women have been allowed to pull the floats, but the festival is basically forbidden to women and they are not allowed to ride on the floats.
  • Gantō (Akita City) - Women have been allowed to participate in the festival since the late Showa period, but only men are allowed to hold the Gantō.
  • Gion Matsuri (Kyoto (city)) - Some of the floats have female musicians, but others, such as the long sword floats at the head of the procession, are forbidden to women.
  • Hakata Gion Yamakasa (Fukuoka Prefecture) - However, girls of elementary school age and younger are allowed to participate in the festival by dressing up like men (shimekomi).
  • Kishiwada Danjiri Festival (Osaka PrefectureKishiwada City) - Women are allowed to pull the Danjiri, but not to ride on it.
  • Cattle prodding (Niigata Prefecture, Nagaoka City, formerly Yamakoshi Village) - The ban on women cattle owners entering the area was lifted on May 4, 2018, in order to pull the cattle around after the procession.[21]。

Based on membership of special skilled workers

  • Sake brewery (Toji) - There are now female Toji.
  • On the ring at Grand Sumo Tournament (Japan Sumo Association) - Dan outside the ring for hair-cutting ceremonies, awards, and greetings from the Kangen at regional tournaments, and temporary suspension of Chibikko Sumo.
    • On April 4, 2018, during a tour in Kyoto Prefecture, Maizuru City, Maizuru Mayor Ryozo Tadami collapsed in the ring while addressing the crowd. At this time, an announcement was made to female medical personnel who had come into the ring to provide emergency medical care to get out of the ring. Hakkaku Chancellor made an Apology, and the third rank Gyoji who made the announcement resigned in July of the same year.[22][11]。
    • "Chibi Sumo" at regional tours has been suspended since 2018.[23] 。The reason for this was that there were concerns about the Sekitori inflicting wounds on girls' faces, some of the Sekitori, who were naked and wearing mawashi, were confused about what to do when they were dealing with older girls, even in elementary school, and there were two complaints from the parents of the boys who participated in the tournament that they were injured.[24]。At a rikishi meeting before the May 2019 tournament, several rikishi called for a revival. Yokozuna Tsururyū, who serves as president of the sumo wrestlers' association, said, "The most common request is for a tour of the tournament. When I think about the future of the sumo world and interacting with the customers," he said, making a request to the touring division.[25][26][27]。

Performances that are (or were) considered forbidden to women

  • Kabuki - Child actors are customarily allowed to perform before their first menstruation. Also, as of now, it is not strictly forbidden for women to perform.
    See also: Kabuki § History, and Onnagata § Onnagata in Kabuki
    • In 1993, the then 16-year-old Takako Matsu (the second daughter of Matsumoto Hakuō II) appeared at the Kabuki-za as Oku in Bunshichi Genbei. In 2007, Mitsuko Mori appeared with 18th generation Nakamura Kanzaburō in the October performance of Shimbashi Enbujo's "Nishiki-aki Enbujo Matsuri Nakamura Kanzaburō Struggle".[28]。In December 2017, Shinobu Terajima (eldest daughter of Kikugoro Onoe VII) appeared in 11th Ichikawa Ebizo's experimental stage show, Roppongi Kabuki, Zatoichi. Also, Nakamura Shidō II has been performing in Cho-Kabuki with virtual idol Hatsune Miku since the 2019 Minami-za performance, with a female dancer of the Fujima school (Kanjuro school). the trade name "Hanabiraya" in their social networking exchanges.[29]。
    • In May 2016, Fumimi Imamura played the heroine in "Bancho Sarayashiki" at the National Theatre of Japan. She played the heroine.[30]。
    • In 1983, under the supervision of Umeyuki Onoe VII, Shou Satou (playwright, screenwriter, director, professor at Osaka University of Arts Junior College)[31])The Theater troupe "Onna-Kabuki Sho" was founded by the Theatrical troupe, which consists of only female performers. The troupe has been staging a series of "too-beautiful period dramas" that have learned from the great kabuki plays and have been arranged for women to perform.[32]。In amateur kabuki, women also perform on stage, and there are even women's kabuki groups.[33]。
    • There is a school of Japanese dance that was founded by a kabuki actor (high-born or family member) and has been headed by a kabuki actor (family member) for generations, and there are daughters of kabuki actors who work as Japanese dancers. The eldest daughter and Takako Matsu of Matsumoto Shiroko II are the Natori of the Matsumoto school, while the eldest daughter and second daughter of Ichikawa Danjūrō IX are the second and third Iemoto of the Ichikawa school. The current head of the school, Ichikawa Juhon (the eldest daughter of Ichikawa Danjūrō XI), is also active as a kabuki choreographer. In addition, kabuki actors sometimes appear as guests at Shinpa performances.[34]、As a result, many daughters of kabuki actors (Kuriko Namino, Harumoto Yuka, etc.) and former kabuki actors (Kawai Yukinojo, Kitamura Rokuro, etc.) are enrolled in the Shinpa Theater Company.
  • Nohgaku - Female Noh performers were allowed to join the Nohgaku Association in 1948. Membership in the Nippon Nohgaku-kai was granted in 2004. The members of the Japan Nohgaku Society are recognized as holders of the important intangible cultural property "Nohgaku" (general recognition).

Others

  • As an example of temporary prohibition of women, in samurai etiquette, a samurai would abstain from women three or seven days before going into battle, to save his energy before leaving (in effect, women were prohibited around samurai a few days before going into battle).
  • Ueizumi Nobutsuna wrote in his book "Hatsukou" (The Book of War), Vol. 1, "It is forbidden to bring women into the camp", and women were forbidden even during the war. (When combined with the aforementioned, this means that women were forbidden from one week before and during the war). In the midst of war, unpredictable and unexpected battles and surprise attacks can occur. The exception to this is Toyotomi Hideyoshi, who led an overwhelmingly large army in the Conquest of Odawara, accompanied by his Concubines, Yodo-dono and others (Hideyoshi was born Yodo-dono). Buke (Japan)|Bushi]]). In addition, there are many examples of warlords staying with their wives during Siege Warfare and escapes.

Danshi Kinsei (Men are forbidden)

The opposite of no women allowed is no men allowed (danshi kinsei).

Beliefs

As an example of religion and faith, praying and performing rituals at Utaki in Okinawa has been the exclusive business of female priests called Noro (priestess) since ancient times, and is basically forbidden to men.

However, in modern times, there are many cases where it is not forbidden to enter the temple except during the priest's worship, but this is a measure for tourism (such as Saiba Utaki). The core sanctuary of the Utaki, which is controlled by the priests, is enclosed and is forbidden for men.

In addition, even if there is no enclosure, Utaki must not be entered by men or women without permission for religious reasons. In many cases, Utaki is privately owned and it is a sacred place unique to the village. Therefore, it is qualitatively different from shrines in mainland Japan where the public is basically allowed to enter as long as they observe the etiquette.

Hinukans, which are common in Okinawan households, are also generally forbidden to be worshipped by men, and are forbidden to men.

This prohibition on men is said to have originated from the fact that in matrilineality societies, women presided over rituals and sometimes reigned as queens (such as Himiko, Onarigami, and the Himeiko system).

Rear palace

The palace of a king, for example, the Ooku of the Edo Shogunate, or the Ouchiwara of Shuri Castle and Nakijin Castle in Ryukyu were also forbidden to men.

The prohibition of non-royal men in the imperial palace is widespread throughout the world. In Chinese dynasties, eunuchs were strictly enforced, and their duties ranged from clerical work, miscellaneous duties, and serving in the court, including the inner palace, to security, intelligence activities, education of the royal family, and management of firearms.

See also

References

  • Masataka Suzuki, Nyonin kinsei, Yoshikawa Kobunkan, 2002.
  • Junko Minamoto (ed.), "Nyonin kinsei" Q & A, Kaiho Shuppansha, 2005.


Citations

  1. ^ 石田瑞麿 (February 1997). 例文仏教語大辞典. 小学館. p. 848. ISBN 978-4095081113.
  2. ^ 日本国語大辞典. Vol. 14巻. 小学館. 2003-01-10. p. 6. ISBN 978-4095219011.
  3. ^ 歴史民俗用語よみかた辞典. 日外アソシエーツ. August 1998. ISBN 978-4816915185.
  4. ^ "大辞典. 第二十卷". 平凡社. pp. 96, 97. Retrieved 2017-05-07.
  5. ^ Kotobank (in Japanese) https://kotobank.jp/word/. {{cite web}}: Missing or empty |title= (help)
  6. ^ Kotobank (in Japanese) https://kotobank.jp/word/. {{cite web}}: Missing or empty |title= (help)
  7. ^ a b "Daijisen."
  8. ^ Daijirin, 3rd ed.
  9. ^ Kotobank (in Japanese) https://kotobank.jp/word/. {{cite web}}: Missing or empty |title= (help)
  10. ^ a b c DeWitt, Lindsey (2015). "A mountain set apart : female exclusion, Buddhism, and tradition at modern Ōminesan, Japan". hdl:1854/LU-8636501. {{cite journal}}: Cite journal requires |journal= (help)
  11. ^ a b DeWitt, Lindsey E. (September 2021). "Japan's Sacred Sumo and the Exclusion of Women: The Olympic Male Sumo Wrestler (Part 1)". Religions. 12 (9): 749. doi:10.3390/rel12090749.
  12. ^ "（社説）大相撲の伝統 「女人禁制」を解くとき：朝日新聞デジタル". archive.is. 2018-04-28. Archived from the original on 2018-04-28. Retrieved 2021-05-12.
  13. ^ "論点：大相撲の「女人禁制」". 毎日新聞(2018年4月27日) (in Japanese). Retrieved 2021-05-12.
  14. ^ "24歳"ジェンダーと戦う女性力士"今日和に聞く、相撲と女人禁制「急に英雄視されて、それって正しいのか？と…」（小泉なつみ） 2/4". Number Web - ナンバー(2021年9月13日) (in Japanese). Retrieved 2021-10-05.
  15. ^ "強豪実業団の女子相撲部員 「まずは世界一めざす」 今日和選手：朝日新聞デジタル". 朝日新聞デジタル(2021年9月20日) (in Japanese). Retrieved 2021-09-27.
  16. ^ Tatsumi Yoshinori, My Inner Demon Surrender: Shugendo, Otoko no Sekai (Shugendo: The World of Men) (Yamate Shobo, 1980), p.1-2.
  17. ^ 『佐久口碑伝説集北佐久編限定復刻版』発行者：長野県佐久市教育委員会、全434頁中83頁、昭和53年11月15日発行
  18. ^ Dewitt, Lindsey E. (2020-04-02). World Cultural Heritage and women's exclusion from sacred sites in Japan. Routledge. pp. 65–86. doi:10.4324/9780429265976-4. ISBN 978-0-429-26597-6. S2CID 213036925.
  19. ^ "Island of Many Names, Island of No Name : Taboo and the Mysteries of Okinoshima". The Sea and the Sacred in Japan : Aspects of Maritime Religion. Bloomsbury Academic. 2018. doi:10.5040/9781350062887.ch-004. ISBN 978-1-3500-6288-7.
  20. ^ 【そこが聞きたい】世界遺産がブームですが？／島本来の姿守りたい 鹿児島県屋久島町長・荒木耕治氏『毎日新聞』朝刊2018年1月15日
  21. ^ "新潟・長岡の闘牛場、女性の立ち入りＯＫに 会員増加で：朝日新聞デジタル". 朝日新聞デジタル(2018年5月4日) (in Japanese). Retrieved 2020-02-19.
  22. ^ "三段目格行司の木村昌稔が辞職 - 大相撲 : 日刊スポーツ". nikkansports.com(2018年7月3日) (in Japanese). Retrieved 2020-02-24.
  23. ^ "鶴竜、ちびっこ相撲の取りやめにさみしげ「盛り上がりが少ない」/デイリースポーツ online". デイリースポーツ online(2018年10月28日) (in Japanese). Retrieved 2020-02-24.
  24. ^ "協会からのお知らせ 理事長談話(2018年4月28日)". 日本相撲協会. Retrieved 2021-10-03.
  25. ^ "鶴竜、ちびっこ相撲復活へ改革案「相撲界の未来を」 - 大相撲 : 日刊スポーツ". nikkansports.com(2018年4月28日) (in Japanese). Retrieved 2020-02-24.
  26. ^ "力士会会長の鶴竜「未来のことを考えて」 普及のため、子どもの稽古再開を要望へ". SANSPO.COM（サンスポ） (in Japanese). 2019-05-01. Retrieved 2020-02-24.
  27. ^ "力士会、ちびっこ相撲復活を！". SANSPO.COM（サンスポ） (in Japanese). 2019-05-02. Retrieved 2020-02-24.
  28. ^ "錦秋演舞場祭り 中村勘三郎奮闘 十月大歌舞伎 - 新橋演舞場 (2007年10月) - 歌舞伎公演データベース". kabukidb.net. Retrieved 2021-09-09.
  29. ^ "連載「超歌舞伎 その軌跡（キセキ）と、これから」第十四回". ニコニコニュース オリジナル(2021年8月19日) (in Japanese). Retrieved 2021-09-26.
  30. ^ "前進座五月国立劇場公演". www.zenshinza.com. Retrieved 2021-08-26.
  31. ^ "教員紹介 ｜ メディア・芸術学科 ｜ 学科案内 ｜ 大阪芸術大学短期大学部". osaka-geitan.jp. Retrieved 2021-06-13.
  32. ^ "女歌舞伎 劇団尚公式ホームページ - 美しすぎる時代劇" (in Japanese). Retrieved 2021-06-13.
  33. ^ "全国の地芝居（地歌舞伎）調査報告書（平成27年度） | 文化庁". www.bunka.go.jp. Retrieved 2021-05-19.
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