Robert Bringhurst
| Robert Bringhurst | |
|---|---|
| Born | October 16, 1946 Los Angeles, California, United States of America |
| Residence | Quadra Island, British Columbia, Canada |
| Nationality | Canadian |
| Occupation | poet, typographer, author |
| Spouse | Jan Zwicky |
Robert Bringhurst (born October 16, 1946) is a Canadian poet, typographer and author. He is the author of The Elements of Typographic Style – a reference book of typefaces, glyphs and the visual and geometric arrangement of type. He has also translated works of epic poetry from Haida mythology into English.
He lives on Quadra Island, near Campbell River, British Columbia (approximately 170 km northwest of Vancouver) with his wife Jan Zwicky, a poet and philosopher.
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[edit] Life
Born in Los Angeles, California, he was raised in Utah, Montana, Wyoming, Alberta, and British Columbia. Bringhurst studied architecture, linguistics, and physics at the Massachusetts Institute of Technology, and comparative literature and philosophy at the University of Utah. He holds a BA from Indiana University and an MFA in creative writing from the University of British Columbia.
Bringhurst has taught literature, art history and history of typography at several universities and held fellowships from the Canada Council for the Arts, the Social Sciences and Humanities Research Council of Canada, and the Guggenheim Foundation.
Both his poetry and his work on typography have been widely acclaimed, but his translations of the Haida legacy have raised controversy; while his translations have reinvigorated Haida culture and the language, which in 1991 was considered "likely to be lost unless strong efforts are made very quickly to perpetuate them".[1] However, Bringhurst has been criticised by Haida communities and leaders for failing to acknowledge and spend time inside the Haida culture.[citation needed] Bringhurst has been accused of academic exploitation and cultural appropriation.[2] There is also resentment around the covers of his translations because they feature his name rather than the names of the Haida who created the works. This has been perceived by Haida communities as an extensions of the colonial legacy.[citation needed] Traditionally, Haida stories, songs, crests, and other intellectual works are considered more sacred than physical property; it was customary[when?] for violators of intellectual property rights to receive corporal punishment.
In 2005, Bringhurst won the Lieutenant Governor's Award for Literary Excellence which recognizes British Columbia writers who have contributed to the development of literary excellence in the Province.
[edit] Bibliography
[edit] Poetry
- The Shipwright's Log – 1972
- Cadastre – 1973
- Eight Objects – 1975
- Bergschrund – 1975
- Tzuhalem's Mountain – 1982
- The Beauty of the Weapons: Selected Poems 1972–82 – 1982 (nominated for a Governor General's Award), 1985 (Copper Canyon Press)
- Tending the Fire – 1985
- The Blue Roofs of Japan – 1986 (Barbarian Press)
- Pieces of Map, Pieces of Music – 1986, 1987 (Copper Canyon Press)
- Conversations with a Toad – 1987
- The Calling: Selected Poems 1970–1995 – 1995
- Elements (with drawings by Ulf Nilsen) – 1995
- The Book of Silences – 2001
- Ursa Major – 2003 (shortlisted for the 2004 Dorothy Livesay Poetry Prize)
- New World Suite Number Three: A poem in four movements for three voices – 2006
- Selected Poems – 2009
[edit] Prose
- Visions: Contemporary Art in Canada (with Geoffrey James, Russel Keziere & Doris Shadbolt) – 1983
- Ocean/Paper/Stone – 1984
- The Raven Steals the Light (with Bill Reid) – 1984
- Shovels, Shoes and the Slow Rotation of Letters – 1986
- The Black Canoe (with photographs by Ulli Steltzer) – 1991
- Boats Is Saintlier than Captains: Thirteen Ways of Looking at Morality, Language, and Design – 1997
- Native American Oral Literatures and the Unity of the Humanities – 1998
- A Short History of the Printed Word (with Warren Chappell) – 1999
- The Elements of Typographic Style – 1992, revised 1996, 2004, 2005 and 2008
- The Solid Form Of Language: An Essay On Writing And Meaning – 2004
- The Tree of Meaning: Thirteen Lectures 2006
- Everywhere Being is Dancing 2007
- The Surface of Meaning: Books and Book Design in Canada – 2008
[edit] Translation
- A trilogy entitled Masterworks of the Classical Haida Mythtellers:
- A Story As Sharp As a Knife: The Classical Haida Mythtellers and Their World – 1999 (nominated for a Governor General's Award)
- Nine Visits to the Mythworld – (a reinterpretation of the stories of mythteller Ghandl of the Qayahl Llaanas, as collected in 1900 by John Reed Swanton[3]) – 2000 (shortlisted for the 2001 Canadian Griffin Poetry Prize)
- Being in Being: The Collected Works of a Master Haida Mythteller - Skaay of the Qquuna Qiighawaay – 2002
- Parmenides, The Fragments – 2003
[edit] References
- ^ [Kinkade, M. Dale. 1991. The Decline of Native Languages in Canada. In: Endangered Languages. R.H. Robins and E.M. Uhlenbeck (eds). Berg Publishers.]
- ^ Bradley, Nicholas R., 1967- Remembering Offence: Robert Bringhurst and the Ethical Challenge of Cultural Appropriation University of Toronto Quarterly - Volume 76, Number 3, Summer 2007, pp. 890-912
- ^ Northwest Coast Books: Nine Visits to the Mythworld