Songwriter
A songwriter is an individual who writes the lyrics to a song. They can also write the music to a song, but it's not essential to write the music to a song to be called a songwriter. Many popular songwriters only write the lyrics. A person who writes the music is called a 'composer.' Although songwriters of the past commonly composed, arranged and played their own songs, more recently the pressure to produce popular hits has tended to distribute responsibility between a number of people.[1] Popular culture songs may be written by group members, but are now usually written by staff writers: songwriters directly employed by music publishers.[1]
Some songwriters serve as their own music publishers, while others have outside publishers.[1] Further more, songwriters no longer need labels to support their music. Technology has advanced to the point where anyone can record at home.
The old-style apprenticeship approach to learning how to write songs is being supplemented by some universities and colleges and rock schools.[1] A knowledge of modern music technology and business skills are seen as necessary to make a songwriting career, and music colleges offer songwriting diplomas and degrees with music business modules.[1]
Since songwriting and publishing royalties can be a substantial source of income, particularly if a song becomes a hit record, legally, in the US, songs written after 1934 may only be copied e authors. The legal power to grant these permissions may be bought, sold or transferred. This is governed by international copyright law.[1]
Professional songwriters can either be employed to write directly for or alongside a performing artist, or they pitch songs to A&R, publishers, agents and managers for consideration. Song pitching can be done on a songwriter's behalf by their publisher or independently using tip sheets like "RowFax", the MusicRow publication, and SongQuarters.[1]
[edit] The staff writer
Songwriters signed to an exclusive songwriting agreement with a publisher are known as "staff writers". Being a staff-writer effectively means that during the term of a songwriter's contract with a publisher, all their songs are automatically published by the company to which they signed, and can not be published elsewhere.[1]
In the Nashville country music scene there is a strong staff writer culture where contracted writers work normal "9-to-5" hours at the publishing office and are paid a regular salary. This salary is in effect the writer's 'draw', an advance for future earnings paid on a monthly basis so they are able to eat on it.[2] The copyright of the songs written during the term of the agreement is owned by the publisher for designated period, after which the copyright can be reclaimed.[2] In an interview with HitQuarters songwriter Dave Berg extolled the benefits of the set-up: "I was able to concentrate on writing the whole time and have always had enough money to live on."[3]
Staff writers are common across the whole industry, but without the more office-like working arrangements favoured in Nashville. All the major publishers employ writers under contract.[3] A staff writer contract with a publisher is a natural first step for any professional songwriting career, with some writers outgrowing the set-up once they achieve a degree of success and a desire for greater independence.[3] Songwriter Allan Eshuijs described his staff writer contract at Universal Music Publishing as a "starter deal", the success from which eventually allowed him to found his own publishing company so that he could "keep as much [publishing] as possible and say how it’s going to be done."[4]
[edit] References
- ^ a b c d e f g h "How to pitch your songs to industry insiders.". EMusician. 1 July 2007. http://emusician.com/tutorials/columns/pitching_songs_how/. Retrieved Aug 25, 2010.
- ^ a b "Interview with Roger Murrah". HitQuarters. 22 June 2009. http://www.hitquarters.com/index.php3?page=intrview/opar/intrview_Roger_Murrah_Interview.html. Retrieved Aug 25, 2010.
- ^ a b c "Interview with Dave Berg". HitQuarters. 4 January 2010. http://www.hitquarters.com/index.php3?page=intrview/opar/intrview_Dave_Berg_Interview.html. Retrieved Aug 25, 2010.
- ^ "Interview with Allan Eshuijs". HitQuarters. 6 September 2010. http://www.hitquarters.com/index.php3?page=intrview/opar/intrview_Allan_Eshuijs_Interview.html. Retrieved Sep 7, 2010.
[edit] Further reading
- Rimler, Walter Not Fade Away Pierian Press (1984) ISBN 0-87650-159-5
- Waterman, J. Douglas, Ed. Song: The World's Best Songwriters on Creating the Music That Moves Us Writer's Digest (2007) ISBN 1-58297-424-1