The Hunchback of Notre Dame (1923 film)

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The Hunchback of Notre Dame

Theatrical poster
Directed by Wallace Worsley
Produced by Carl Laemmle
Irving Thalberg
Written by Novel:
Victor Hugo
Screenplay:
Edward T. Lowe, Jr.
Perley Poore Sheehan
Starring Lon Chaney, Sr.
Patsy Ruth Miller
Norman Kerry
Nigel de Brulier
Brandon Hurst
Music by Cecil Copping
Carl Edouarde
Hugo Riesenfeld
Heinz Eric Roemheld
Cinematography Robert Newhard
Tony Kornman
Virgil Miller
Stephen S. Norton
Charles J. Stumar
Editing by Edward Curtiss
Maurice Pivar
Sydney Singerman
Distributed by Universal Pictures
Release date(s) September 2, 1923
Running time 100 min
Country United States
Language Silent film
English intertitles
Budget $1,250,000 (estimated)

The Hunchback of Notre Dame is a 1923 American film directed by Wallace Worsley and produced by Carl Laemmle and Irving Thalberg. It stars Lon Chaney, Sr., Patsy Ruth Miller, Norman Kerry, Nigel de Brulier, Brandon Hurst. The film is the second most famous adaptation of Victor Hugo's novel, following the critically acclaimed, much reissued 1939 masterpiece by RKO. The film was Universal's "Super Jewel" of 1923 and was their most successful silent film, grossing over $3 million.

The film is most notable for the grand sets that recall 15th century Paris as well as Lon Chaney's performance and spectacular make-up as the tortured bell-ringer of Notre Dame. The film elevated Chaney, already a well-known character actor, to full star status in Hollywood. It also helped set a standard for many later horror films, including Chaney's The Phantom of the Opera in 1925. In 1951, the film entered the public domain (in the USA) due to the claimants failure to renew its copyright registration in the 28th year after publication.[1]

Contents

[edit] Synopsis

The story is set in Paris ten years before Columbus discovered America.

Quasimodo is a deformed (deaf and half-blind) bell-ringer of the famous Cathedral of Notre Dame in Paris. His master, Jehan Frollo, the evil brother of the saintly archdeacon Claude Frollo, prevails upon the hunchback to kidnap the fair Esmeralda, the adopted daughter of Clopin, who is the king of the oppressed beggars of Paris' underworld. The dashing Captain Phoebus rescues her from Quasimodo, while Jehan escapes and leaves him. Phoebus is entranced by Esmeralda, and takes her under his wing. Quasimodo is sentenced to be lashed in the public square. As he suffers under the sting of the whip, Esmeralda pities him, and brings him water. Quasimodo later hates Jehan for betraying him. Jehan and Clopin both learn that Phoebus plans to wed Esmeralda. Clopin leads the beggars into the house of Phoebus' fiance, where Phoebus has brought Esmeralda and disguised her as royalty. Clopin demands Esmeralda be returned, and Phoebus only does so after Esmeralda says that she does not belong with the aristocracy. However, Esmeralda sends him a note, to say goodbye to him a last time. During their meeting in Notre Dame, Jehan stabs and wounds Phoebus and lays the blame on Esmeralda. She is sentenced to death, but is rescued from the gallows by Quasimodo and takes refuge in the cathedral, where Archdeacon Claude invokes the sacred right of sanctuary, protecting her from arrest. Clopin leads the whole of the underworld to storm the cathedral that night, while crafty Jehan attempts to loot the treasure vaults. Quasimodo routs the invaders with rocks and torrents of molten lead, and kills Jehan by throwing him off the ramparts of Notre Dame. Just before he does, however, Jehan fatally stabs Quasimodo in the back with his knife. Phoebus comes to the rescue and encounters Esmeralda. As she and Phoebus clasp each other to their hearts, Quasimodo rings his own death toll. Esmeralda and Phoebus leave without even noticing that Quasimodo is mortally wounded, but Claude enters just in time to see him die. After ringing the bell, Quasimodo dies. The last image of the film is the great bell, swinging silently, holding the corpse of Quasimodo.

[edit] Cast

[edit] Preservation

Original prints of the film were on cellulose nitrate film stock and were either worn out, decomposed or were destroyed by the studio (mostly the latter). Original prints were on tinted film stock in various colors, including sunshine, amber, rose, lavender and blue.

The only surviving prints of the film are 16 mm "show-at-home" prints distributed by Universal in the 1920s and 1930s for home-movie purposes, and no original 35mm negatives or prints survive. Most video editions (including public domain releases) of the film are derived from 16 mm duplicate prints that were distributed by Blackhawk Films in the 1960s and 1970s. A DVD release of a newly restored print of the film was released by Image Entertainment on October 9, 2007.

[edit] See also

[edit] References

  1. ^ Pierce, David (June 2007). "Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain". Film History: An International Journal 19 (2): 125–43. doi:10.2979/FIL.2007.19.2.125. ISSN 0892-2160. OCLC 15122313. http://www.jstor.org/stable/25165419. Retrieved 2012-01-05. 

[edit] External links

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