The Vučedol culture (Croatian: Vučedolska kultura) flourished between 3000 and 2200 BC (the Eneolithic period of earliest copper-smithing), centered in Syrmia and eastern Slavonia on the right bank of the Danube river, but possibly spreading throughout the Pannonian plain and western Balkans and southward. It was thus contemporary with the Sumer period in Mesopotamia, the Early Dynastic period in Egypt and the earliest settlements of Troy (Troy I and II). Some authors regard it as an Indo-European culture.
Following the Baden culture, another wave of perhaps Indo-European speakers came to the banks of the Danube. One of the major places they occupied is present-day Vučedol ("Wolf's Valley"), a location six kilometers downstream from the town of Vukovar, Croatia. It is estimated that the site had once been home to about 3000 inhabitants, making it one of the largest and most important European centers of its time.Coordinates: According to Bogdan Brukner, proto-Illyrians descended from this wave of Indo-European settlers.
The early stages of the culture occupied locations not far from mountain ranges, where copper deposits were located, because of their main invention: making tools from arsenical copper in series reusing double, two-part moulds.
The Vučedol culture developed from two older eneolithic cultures: the Baden culture, mainly in the Pannonian plain, and the Kostolac culture in northern Serbia and western Romania, so the primary region of Vučedol development is eastern Croatia and the Syrmia region.
The archaeological stratigraphy of the Vučedol culture can be divided into four phases:
- Preclassic period A
- Early classic period B1
- Classic period B2
- Period of expansion with regional types, C:
- East Croatian (Slavonian-Syrmian type)
- West Bosnian (Hrustovac type)
- South Bosnian (Debelo Brdo type)
- North Serbian (Đurđevačka Glavica type)
- West Croatian-Slovenian (Ljubljansko Barje type)
- Transdanubian (Pannonian Hungarian type)
- East Austrian-Czech type
The Vučedol culture is the final eneolithic culture of the region, displaying characteristically common use of the war axe in its "Banniabik" form. Cult objects suggest the practice of new cults very different from the Neolithic Magna Mater conception: cult of the Deer, womb-shaped solar motives, figures of women in clothes without sexual or fertility decoration, symbols of double axe. In pottery, new forms and a new rich decoration, are characterized by the spectacular find, the Vučedol dove. The Vučedol culture exploited native copper ores on a massive scale. The settlement sites destroyed earlier eneolithic settlements, and new Vučedol settlements also developed in regions where none previously existed.
The rise of a dominant hunter-warrior class is a preview of the changes that will be characteristic for the east and middle European early Bronze Age.
Compared to earlier and contemporary cultures the Vučedol culture exploited a diversity in food sources: the Vučedol people were hunters, fishermen and agrarians, with some strong indications that they cultivated certain domesticated animals. Thus the culture was more resilient to times of want.
The community chief was the shaman-smith, possessing the arcane knowledge of avoiding poisonous arsenic gas which is connected to the technology of coppersmithing as well as understanding the year cycle. Still, the whole life of shaman-smith could not pass without biological consequences: slow loss of body movement coordination, and at the same time, stronger sexual potency. "That is why", according to Aleksandar Durman, "all eneolithic, or later gods of metallurgy are identified with fertility, and also why all gods in almost all early cultures - limp."
It was a society of deep social changes and stratification that led to the birth of tribal and military aristocracy. Also, Vučedol people had enough time to express their spiritual view of the world.
In modern times, Vučedol ceramics have become famous worldwide. A very characteristic bi-conical shape and typical ornaments evolved, in many cases with typical "handles" which were almost non-functional, but were key to understanding ornaments that had symbolic meanings, representing terms such as "horizon", "mountains", "sky", "underworld", "sun", "constellation of Orion", "Venus", et cetera.
The Vučedol dove
One of the most famous pieces of Vučedol is the ritual vessel made between 2800 and 2500 BC, called by the speculative attribution of the finder in 1938, M. Seper, the "Vučedol Dove" (vučedolska golubica). The latest interpretation, however, is that the vessel is in the shape of the male partridge, a symbol of fertility, whose limping defensive behavior against predator attack on a partridge nest on the ground linked it to the limping shaman-smith, according to the recent interpretation by Aleksandar Durman of Zagreb. The figure is a remarkable example of artistic creation and religious symbolism associated with a cult of the Great Mother.
The "Vučedol Dove" is a 19,5 cm high ritual vessel made from baked clay. Three symbols of double axes and a necklace were incised on its neck with lines covering its wings and chest, and an unusual crest on the back of the head. If the shape of the crest and carefully delineated wings and chest, prove the figure to be the domesticated dove, then it was being raised in Europe 4500 years ago, much earlier than we commonly think. The "Vučedol Dove" is the oldest dove figure found in Europe so far.
Oldest European calendar
Among the most famous pieces is a vessel bearing inscribed images corresponding to what has been alleged to be the oldest Indo-European calendar, based on an Orion cycle, shown by precise sequence of constellations on a vessel found in an eneolithic mound in the very center of the modern town of Vinkovci. The climatic conditions in that latitude bring about four yearly seasons. The simple explanation of the Vučedol Calendar is that each of the four lateral bands on the vessel represent the four seasons, starting with spring on the top. Each band is divided into twelve boxes, making up 12 "weeks" for each season. Each of the little boxes contains an ideogram of what you see when you look at a certain point on the horizon right after twilight. The place of reference on the horizon is the point at which (in those days) Orion's belt disappeared from view at the end of winter, which meant the beginning of a new year. The pictographs in the boxes represent: Orion, the Sun, Cassiopeia, Cygnus, Gemini, Pegasus, and the Pleiades. If the box is empty, it means there was nothing visible at the reference point during the corresponding time.
Lifestyle and religion
People of the Vučedol culture lived in dwelling pits covered by branches and canebrake and did not invent brick as a construction material. Vučedol people lived on hilltop sites surrounded with palisades. Houses were half buried, mostly square or circular in plan with floors of burned clay; the shapes were also combined in mushroom shapes; there were circular fireplaces.
The houses at the Vučedol site were also places of birth and burial. A number of human skeletons were found in the pits that once served as food storage pits. Their bodies were placed in a ritual way, with some possible indications of human sacrifice. Also, marks on the foreheads of skulls were found that could be attributed to some kind of initiation in early childhood by a drop of molten copper.
Connections with other advanced cultures
Some researchers of the Vučedol culture[who?] have claimed that there was establisheed trade connection between territorial position of the Vučedol culture and Mycenean civilisation on the south so that some cultural elements found in B2 phase in the Vučedol culture owes their existence to first period for the middle Bronze Age of Helladic culture of mainland Greece.
The archaeological site of Vučedol is situated 5 km (3 mi) downstream from the Croatian town of Vukovar, on the right bank of the Danube. It is one of the most important eneolithic sites of eastern Europe. Because of the importance of findings in Vučedol, the whole local phase of Eneolithic period was named after it - the Vučedol Culture. It was the center of the great and widespread Vučedol culture. Artifacts from the site are in the [[ Archaeological Museum, Zagreb]], and the city museum of Vukovar. Due to extremely favourable strategic position, Vučedol has always been open to colonization. During the Copper Age, the settlement extended across most of the present-day archaeological site, covering an area of approximately 3 hectares (7.4 acres). The site is considerably larger than contemporary sites which indicates that it must have been a regional economic and social center. Some of the most important archaeological discoveries belonging to the Vučedol culture have been made at this site.
The highest part of the site at Vučedol was separated from the rest of the settlement by two parallel ditches. These ditches enclosed a large rectangular structure that was considerably larger than the houses located in surrounding residential areas, and this area also produced the only evidence of copper smelting on the site. Some scholars had argued that this part of the settlement may have been occupied by a local elite that exercised control not only over Vučedol but also over the production and exchange of precious goods and that dominated the smaller settlements in the area. Unfortunately, there is little convincing evidence for the presence of an elite class within that or any other settlement of the Late Copper Age in the area. Thus, while the settlement may have been an economic and ideological center where copper processing occurred, it seems unlikely that it would have been the center of a chiefdom.
During the Battle of Vukovar in 1991, the Vučedol site was destroyed by being used as a firing base for the Serbian Yugoslav People's Army artillery and tanks in the three-month bombardment of Vukovar.
The excavated settlement of Vučedol provides a base for the cultural stratigraphy of the whole culture. No final conclusions about the Vučedol culture population can be made that they were linguistic Indo-Europeans, or to what extent they mixed with native European population, especially in regions of the eastern Adriatic coast, Dalmatia and Herzegovina with some parts of Bosnia as well.
Marija Gimbutas characterized the Bell Beaker culture complex as an amalgam of Vucedol and Yamna culture traditions formed after the incursion of the Yamna people into the milieu of the Vučedol culture, which evolved in the course of the three or four centuries after 3000/2900 BC.
- Dating as in Ian Shaw, ed., A Dictionary of Archaeology, 2002, and elsewhere; dating methods are discussed in Aleksandar Durman and Bogomil Obelić,Radiocarbon dating of the Vučedol culture complex, 1989.
- Supporters of Gimbutas' "kurgan model" of Indo-European expansion identify both the preceding Baden culture and Vučedol as Indo-European speakers, though no trace of a written language for either can be expected; see Mallory and Adams, eds., Encyclopedia of Indo-European Culture, 1997; "A succession of Kurgan 'waves' of expansion was set out, the fourth influencing the Vucedol culture of Yugoslavia. This was significant for the further 'Kurganization' of Europe by the Bell Beaker people." (Colin Renfrew, Archaeology and Language: the puzzle of Indo-European origins, 1990:39)
- Bogdan Brukner, "Balkan i srednja Evropa u praistoriji - sličnosti i razlike u razvoju", Novi Sad, 1992, page 26.
- A clay model of a deer with a vase on its head, a clay altar and a carefully preserved full skeletion of a deer, suggest the ritual importance of the deer (Zvane Črnja, Cultural History of Croatia, 1962:28).
- Croatian National Bank. Features of Kuna Banknotes: 20 kuna (1993 issue) & 20 kuna (2001 issue). – Retrieved on 30 March 2009.
- Oldest European calendar 'deciphered', May 22, 2001, Independent Online
- The Blytt-Sernander post-glacial climate phase in question is the Subboreal.
- About the archaeoastronomy in the wider area read also Kokino and Miholjanec.
- For a full discussion see Marina Milicevic-Bradac, "Treatment of the Dead on the Eneolithic Site of Vucedol, Croatia", The Archaeology of Cult and Religion (Archaeolingua) 2001.
- Kaiser, Timothy (1995). "Archaeology and ideology in southeast Europe". In Kohl, Philip L; Fawcett, Clare P. Nationalism, politics, and the practice of archaeology. Cambridge University Press. p. 118. ISBN 978-0-521-55839-6.
- Gimbutas, The Civilization of the Goddess: the world of Old Europe, 1991:372ff.
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