Yumi Matsutoya

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Yumi Matsutoya
Birth name Yumi Arai
Also known as Yuming, Yumi Arai, Karuho Kureta
Born (1954-01-19) January 19, 1954 (age 60)
Origin Hachiōji, Tokyo, Japan
Genres Pop rock, jazz fusion, folk rock, kayōkyoku, adult contemporary
Occupations Singer, composer, lyricist, radio personality
Instruments Piano
Years active 1968–present
Labels Alfa
Express/Toshiba EMI
Capitol Music Co./EMI Music Japan
Website www.emimusic.jp/yuming

Yumi Matsutoya (松任谷 由実 Matsutōya Yumi?, born January 19, 1954), nicknamed Yuming (ユーミン Yūmin?), is a Japanese singer, composer, lyricist and pianist. She is renowned for her idiosyncratic voice, and live performances, and is an important figure in Japanese popular music.[1]

Her recording career has been commercially successful with more than 42 million records sold.[2] In 1990, her album The Gates of Heaven became the first album to be certified "2x million" by the RIAJ,[3] and she has had twenty-one #1 albums listed on the Oricon charts.[2] She is the only artist to have at least one number-one album every year on the Oricon charts for 18 consecutive years.[4]

After gaining several years of experience as a session musician, she debuted as a singer-songwriter in 1972. During her early career, she worked under her birth name Yumi Arai (荒井 由実 Arai Yumi?). In 1975, Arai became known as a composer for "Ichigo Hakusho wo Mou Ichido", a commercially successful song recorded by the folk duo BanBan. She also gained popularity as a vocalist in the same year, through the success of "Ano Hi ni Kaeritai" that became her first number-one spot on the Japan's Oricon Charts.

After marrying her musical collaborator Masataka Matsutoya in 1976, Arai began recording under her married name and has continued to do so. Throughout the 1980s, Matsutoya's music was prominently featured in advertisements for Mitsubishi Motors in her native Japan and her image was used to promote their vehicles. In addition to multiple hit singles, she has obtained enormous commercial success on the Japanese Albums Chart, particularly during the late 1980s and the first half of the 1990s.

Biography[edit]

Early years[edit]

Yumi Arai was born in 1954 in Hachiōji, Tokyo. She had three brothers and sisters, and her family ran a draper's shop which was called Arai Gofukuten, established in 1912. When she was a junior high school student, she used to go to an Italian restaurant called Chianti, started in 1960. In those days, many celebrities went to the restaurant; Akira Kurosawa, Yukio Mishima, Kōbō Abe, Seiji Ozawa, Ryu Murakami, Taro Okamoto, Kishin Shinoyama, and Hiroshi "Monsieur" Kamayatsu, who eventually became her first record producer.[5] Alfa Records, the label to which she belonged early her in career, was founded by the people who were regular customers at Chianti.

Her nickname "Yuming" was given to her by Shi Yu Chen, a Chinese pop singer she had a crush on when she was 13 years old. She began her music career when she was still young. At the age of 14, she worked as a musician for the first time. Having worked as a studio musician, she also wrote many original songs. When she was 17 years old, her first original song titled "Ai wa Totsuzen ni" was released. It was sung by Katsumi Kahashi, the former guitarist of the influential 1960s Japanese band The Tigers.

In April 1972, Arai entered Tama Art University. At the same time, she signed with Alfa as a music artist. At first, she wanted to be a songwriter. However, the founder of the record company, Kunihiko Murai, encouraged her to work as a singer-songwriter.

Music career[edit]

Early career; works as Yumi Arai[edit]

On July 5, 1972, Arai released her debut single "Henji wa Iranai". It was produced by Hiroshi "Monsieur" Kamayatsu, the former vocalist of The Spiders. Her first single sold only 300 copies.

She recorded her first full album, Hiko-ki Gumo, with the band Caramel Mama, better known as Tin Pan Alley, which consisted of Haruomi Hosono, Shigeru Suzuki, Tateo Hayashi and Matsutoya Masataka, and it was released in November 1973; the song Hiko-ki Gumo was later used as the theme song for the movie The Wind Rises released in 2013. For her next album, Misslim, (1974), Masataka Matsutoya, who was the keyboardist of Tin Pan Alley, arranged all of her songs. Her third studio album, Cobalt Hour, (1975) featured her early famous song "Sotsugyō Shashin". The same year, it was covered by the chorus group Hi-fi Set on their first album with the same name. That cover version also succeeded as a single. In later years, it was covered by many Japanese artists and became one of Japan's classic pop songs. The same year, the duo composed of male singers called BanBan sang her song "Ichigo Hakusho o Mou Ichido" and reached number one on the Oricon chart. Because of the commercial success of other artists, she became famous as a songwriter.

Yumi achieved moderate success with her fifth single, Rouge no Dengon ("Rouge Message"), an up-tempo song considered to be an early J-Pop classic. She gained a television appearance singing this song with the top Japanese girl group of the time, Candies, and the song has been covered by a number of artists over the years.

Her first top hit as a singer-songwriter was her sixth single "Ano Hi ni Kaeritai". In August 1975, it was used as the theme song for the TBS TV drama Katei no Himitsu. Two months later, it was released as a single and reached the top of the Oricon chart. The 14th Moon (1976), her final album as Yumi Arai featured Leland Sklar on bass and Mike Baird on drums. Since this album, Masataka Matsutoya has produced all her albums herself. She considers her nickname "Yuming" to also mean the name of the union with her husband. Following the success with "Ano Hi ni Kaeritai", it became her first album that reached number one on the Oricon chart. Besides, in the end of the year chart in 1976, three of her albums ranked in the top 10.[6] Four years after her debut, she dominated the Japanese album charts. This astonishing record has never been broken by anyone since.

In 1989, her fifth single "Rouge no Dengon" and another song, "Yasashisa ni Tsutsumaretanara" (from her second album), were featured as the theme songs of the film Kiki's Delivery Service. Nowadays, those tunes are known as her early notable songs. Some of her songs were deeply influenced by many American and European musicians, such as Joni Mitchell and Carole King. As a pioneering singer-songwriter who mixed Western culture and Japanese pop, she left a strong impression on Japanese popular music. Today, many music critics in Japan consider that her works as Yumi Arai were her peak as a musician.

Works as Yumi Matsutoya[edit]

After the marriage with Masataka Matsutoya on November 29, 1976, she had considered retirement. But eventually she decided to continue to work as a musician, and changed her stage name to her new family name, Yumi Matsutoya. In 1978, her memorable first album as Yumi Matsutoya, entitled Benisuzume was released. In the late 1970s and early 80s, she had released two albums every year. However, those albums hadn't succeeded the way others had when she was single. But she wrote several of her well-known songs during those years. Moreover, her albums reached the top 10 on the Oricon chart.

Before the release of Benisuzume, a compilation named Album was released by Toshiba EMI. It mainly contained songs she had released as Yumi Arai, and two songs released as singles only. Matsutoya didn't want to release this compilation; in her autobiography released in 1982, she writes about this album and calls it "The biggest stain on my music career."[7] Because of this, she never allowed the release of another compilation album until 1998. However, her ex-record-label Alfa Records had released many compilations which consisted of her old tunes without her permission. Hence, in the late 1990s, she bought the copyrights of all her songs which she had written under her maiden name.

Her tenth album, Surf and Snow (1980), changed the negative tide for her. When the album was released, it did not sell as others had previously. However, in 1986, "Koibito ga Santa Claus" became popular as the theme song for the hit movie Watashi wo Ski ni Tsuretette. The album eventually sold over 400,000 copies. In 1987, she returned to the top of Japanese pop music. Her husband wrote the score for the movie Nerawareta Gakuen, which was directed by Nobuhiko Obayashi and distributed by Kadokawa Pictures. She wrote "Mamotte Agetai" as the theme song for the movie. The single of this song reached number two on Oricon and sold nearly 700,000 copies. Following the success of the single, her eleventh album Sakuban Oaishimasho (1981) became her second number one album. From that year through 1997, 17 studio albums which she released reached number one on the charts.

In 1982, she published an autobiography, Rouge no Dengon. In this book, she wrote about her life in an exaggerated style. She contemplated doing the artwork on her own albums. The artwork of the album Sakuban Oaishimasho(1981) was designed by Hipgnosis, and the video Compartment was produced by Storm Thorgerson, Aubrey Powell and Peter Christopherson. A logo design from the latter film also became the logo of "Yuming", and was used as the cover of the 1984 album No Side. Aubrey Powell and Richard Evans of Hipgnosis also designed the cover of the 1983 album "Voyager". Since the 1970s, she has also been famous as an artist who performs in concerts using gorgeous and novel sets. She used elaborated visual technology on the stage and it is said that they cost over a hundred million yen. She has released two live albums and several videos. In 1986, she released her first live album, Yuming Visualive DA-DI-DA,. It was released on CD and cassette tape only, and it became one of the rarest items among her fans for many years.

Commercial peak and decline[edit]

In the late 1980s and early 1990s, her albums consisted of mechanical sounds which featured synclavier. In addition, they were recorded by a lot of famous West Coast musicians. However, in later years, Masataka Matsutoya, her record producer and husband, regretted the cheap rhythm section on those albums. Before the Diamond Dust Fades.... (1987) sold more than any of her albums at that time. In the late 1980s, her record sales increased. Delight Slight Light KISS (1988) became the first million-selling record for her. From this album in 1995 to the album Kathmandu, she released eight studio albums and all of them sold over million copies. Above all, two of those albums, The Gates of Heaven (1990), and The Dancing Sun (1994), sold over double-million copies. The former is the first double million-selling album in Japan. Dawn Purple (1991) sold over a million copies in one week after the album's release. Her record sales were appraised by the Japanese music industry. Before the Diamond Dust Fades... won Japan Record Awards of 1988 and The Gates of Heaven won a Japanese gold disc grand prix of 1991.

The Gates of Heaven and several of her albums in those years reflected an optimistic atmosphere in Japan caused by the asset price bubble around the end of the 1980s and early 1990s. She was often called "Charisma of Youth" or "The Enthusiastic Leader of Love" in those days. In order to make people buy the album, she did not release any single at all for about four years in the early 1990s. However, in autumn 1993, she released "Manatsu no Yo no Yume", the first single in four years since "Anniversary", already known as the theme song of the TV drama Dare nimo Ienai. It sold over 1,400,000 copies and became the 89th best-selling single in Japan. It is her most successful single.

The next year, she produced the two-million-selling singles called "Hello,My Friend" and "Haru-yo, Koi". Both of these singles were used in TV dramas (the former was featured on Kimi to Ita Natsu, the latter was used on the same titled program broadcast by NHK). Particularly the latter is famous as one of her standard numbers. Those songs were also included on the album The Dancing Sun. Because of those strong tunes, it became her second double million-selling album.

She was interested in the spiritual world for many years, and this preference was often represented in her songs, a tendency that became deeper in the 1990s.

In August 1996, about twenty years after her marriage, Yumi Matsutoya came back as Yumi Arai and performed three days at Nakano Sunplaza, Tokyo. Excerpts of that live recording were released on video and CD. A month before the live performances, a newly recorded version of her early standard song, "Machibuse" (she did not sing it herself), was released as a single. Until 1995, she had released studio albums every year, but her popularity began to decline around 1996. After her twenty-ninth studio album, The Waves of Zuvuya, (1997) her record sale declined more and more.

As "Yumi Matsutoya", she had not released any compilation albums since 1977. Formerly, she didn't want to release compilation albums. However, in 1998, she released a double album compilation, Neue Musik: Yumi Matsutoya Complete Best Vol. 1. It included 28 songs and two new songs recorded with the former members of Tin-Pan-Alley. In addition, several songs of this album were selected by votes by her fans. At this stage, it is her biggest-selling and final million-selling album.

Recent years[edit]

After the release of her well-sold compilation album, she declared that she would make the music she wants to. From 1999 on, she has released five studio albums.

Awards and honors[edit]

Matsutoya was decorated with the Medal of Honor with Purple Ribbon in the 2013 spring honors list, released on 29 April. The medal is in recognition of artistic, academic or athletic contributions.[8]

Production works[edit]

Songwriter[edit]

As a songwriter and lyricist, Yumi Matsutoya wrote hundreds of songs for Hi-Fi Set, Asami Kobayashi, Kenji Sawada, Hiromi Gō, Toshihiko Tahara, Reimy and many other artists. Some of them became big hits, such as "Ichigo Hakusho o Mou Ichido"(Performed by Banban, 1975) "Machibuse" (Performed by Seiko Miki, Hitomi Ishikawa, originally released in 1975). Most of their hit tunes were sung by an idol singer Seiko Matsuda. Several songs sung by Matsuda reached number one at Oricon singles chart; such as "Akai Sweet Pea", "Nagisa no Balcony"(1982) and "Hitomi wa Diamond"(1986). These singles are known as notable Matsuda's song. Matsutoya has collaborated with many songwriters and lyricists; Yosui Inoue, Takashi Matsumoto, Kōki Mitani, Kunihiko Kase, Shizuka Ijuin and many others. When Matsutoya wrote songs for other singers, she often used pseudonyms Karuho Kureta (呉田軽穂 Kureta Karuho?). It was parody on the name of Greta Garbo.

Collaboration with other artists[edit]

In her early albums, several 1970s famous Japanese singer-songwriters who had not succeeded at that time sang as the backing vocalists; Tatsuro Yamashita, Taeko Onuki, Akiko Yano and Minako Yoshida. Yamashita had usually arranged chorus part of her song in the '70s. But in later year, he criticized her late 1980s music career by his own song called "Queen of Hype Blues". In over 30 years career, Matsutoya has ever had duet with many singers; Takao Kisugi, Toshinobu Kubota, Masumi Okada, and Takao Tajima.

She has often recorded several collaboration singles with other musicians. In 1985, she released the song "Imadakara" with Kazumasa Oda and Kazuo Zaitsu. It was mostly composed by Oda and Matsutoya, arranged by Ryuichi Sakamoto and played by former Sadistic Mika Band members. At the live event performed in June of same year, having added Matsutoya for vocalist, the band reunited as "Sadistic Yuming Band" and performed this song.

In 1986, Matsutoya wrote a theme song for TV program with Keisuke Kuwata, a leader of Southern All Stars. On "Kissin' Christmas", the song screened only on TV, collaboration by two most successful Japanese songwriters was realized. However, at the stage now, this song hasn't released on any format.

In 1992, Matsutoya and Karl Smokey Ishii cooperated for the single "Ai no Wave". She wrote it and the B-Side "Roman no Dengon" with him. The same year, Ishii had released "Kimi ga Irudake de",the fifth best-selling single in Japan. Therefore, the single climbed to the top of the hit parade naturally. The title of "Roman no Gengon" was self-parody of their songs; it was named under Matsutoya's "Rouge no Dengon" and Kome Kome Club's "Roman Hikou".

When her popularity was quickly diminished in the end of '90s, she recorded the song with the popular group Pocket Biscuits. They collaborated on the single "Millennium" in 2000, but it didn't provide expected success.

In 2002, she penned the song "Koi no Signal" for the group Coming Century, a sub-unit of the popular boyband V6. Compared to other Coming Century songs of the time, the lyrics for the song were more heartfelt and optimistic.

In 2005, Matsutoya formed the group called "Yumi Matsutoya and Friends of Love the Earth" with four East Asian artists; Dick Lee from Singapore, Lim Hyung Joo from South Korea, amin and Xu Ke from China. Matsutoya wrote the song "Smile Again" for the new group, and it was released on iTMS only. When Matsutoya appeared at the Expo 2005 concert in September of the same year, they appeared as guests and sang this song. On New Year's Eve the same year, they appeared in the Japanese traditional annual TV music program Kohaku Uta Gassen, and performed "Smile Again". The next year, Matsutoya re-recorded the song and released it on her album A Girl in Summer. In autumn of 2006, this unit added more members. They had only one concert and released the new single "Knockin' at the Door" on CD.

In 2006, she wrote a song "Still Crazy for You" for Crazy Cats, a Japanese comedy team popular in the late 1950s and 1960s, and sung a duet with the vocalist Kei Tani.[9] It was released as the group's first new single since 1986, and climbed to #14 on the Oricon chart. It was the highest chart position they have ever reached.[10]

In 2012 Yumi came to London to record "A Whiter Shade of Pale" with Procol Harum, a band she considered an inspiration for her work. She sang a duet with Gary Brooker on this new version of the 1967 classic, which featured three verses and a guitar solo by Geoff Whitehorn. Yumi and Procol Harum then played a series of December concerts in major Japanese cities, one of which was recorded for a later television showing.

Discography[edit]

Studio albums[edit]

  • Hikōki-gumo (1973) (credited to "Yumi Arai")
  • Misslim (1974) (credited to "Yumi Arai")
  • Cobalt Hour (1975) (credited to "Yumi Arai")
  • The 14th Moon (14-banme no Tsuki) (1976) (credited to "Yumi Arai")
  • Benisuzume (1978)
  • Ryūsenkei '80 (1978)
  • Olive (1979)
  • Gallery in My Heart (Kanasii hodo Otenki) (1979)
  • Toki no Nai Hotel (1980)
  • Surf and Snow Volume One (1980)
  • Mizu no Naka no Asia e (1981)
  • Sakuban Oaisimashō (1981)
  • Pearl Pierce (1982)
  • Reincarnation (1983)
  • Voyager (1983)
  • No Side (1984)
  • DA-DI-DA (1985)
  • ALARM à la mode (1986)
  • Before the DIAMOND DUST fades... (Diamond Dust ga Kienumani) (1987)
  • Delight Slight Light KISS (1988)
  • Love Wars (1989)
  • Tengoku no Door (The Gates of Heaven) (1990)
  • Dawn Purple (1991)
  • Tears and Reasons (1992)
  • U-miz (1993)
  • The Dancing Sun (1994)
  • Kathmandu (1995)
  • Cowgirl Dreamin' (1997)
  • Suyua no Nami (The Wave of Zuvuya) (1997)
  • Frozen Roses (1999)
  • Acacia (2001)
  • Wings of Winter, Shades of Summer (2002)
  • Yuming Compositions:FACES (2003)
  • VIVA! 6×7 (2004)
  • A Girl in Summer (2006)
  • And I Will Dream Again (Soshite mouichido yumemiru darou)(2009)
  • Road Show (2011)

Reception[edit]

In a 2006 survey of people between 10 and 49 years of age in Japan, Oricon Style found the number one selling song Valentine's Radio (1,606,780 copies) to be the third most popular Valentine's Day song in Japan. The most popular song was Sayuri Kokushō's 1986 debut single Valentine Kiss, which sold only 317,000 copies. The other songs in the top five were (in order) Love Love Love from Dreams Come True (2,488,630 copies), Happy Happy Greeting from the Kinki Kids (608,790 copies), and My Funny Valentine by Miles Davis.[11]

See also[edit]

References[edit]

  1. ^ "Top 100 Japanese pops Artists - No.3|HMV ONLINE". Hmv.co.jp. Retrieved 2013-08-07. 
  2. ^ a b トピックス. "ミュージック - エンタメ - 最新ニュース|MSN トピックス". Music.jp.msn.com. Retrieved 2013-08-07. 
  3. ^ The Recording Industry Association of Japan. "社団法人 日本レコード協会|レコード産業界の歴史 1990年~1999年 (Recording Industry Association of Japan – History of the Japanese record industry; 1990~1999)". www.riaj.or.jp. Retrieved 2008-05-17. 
  4. ^ (Japanese) "浜崎あゆみ、歴代2位タイ、8年連続アルバム首位獲得!". Oricon. 2006-01-09. Retrieved 2010-02-14. 
  5. ^ Chianti Monogatari, Tsuneyoshi Noji, Gentosha Inc, ISBN 978-4-87728-494-7
  6. ^ [1][dead link]
  7. ^ Rouge no Dengon, Yumi Matsutoya, Kadokawa Shoten Publishing Co., Ltd., ISBN 978-4-04-158001-1
  8. ^ Coskrey, Jason (2013-04-28). "Singer Matsutoya among 723 spring decoration recipients". The Japan Times. Retrieved 2013-08-07. 
  9. ^ "ZAKZAK". ZAKZAK. Retrieved 2013-08-07. 
  10. ^ "クレイジーキャッツ、ユーミンのデュエット曲で、36年ぶりのチャートイン! (クレイジーキャッツ&YUMING) ニュース-ORICON STYLE". Oricon.co.jp. Retrieved 2013-08-07. 
  11. ^ "大公開!『バレンタインソング』といえばこの曲!" [The Great Exhibition! When speaking of a "Valentine song", this is the song!] (in Japanese). Oricon Style. February 3, 2006. Archived from the original on March 17, 2010. Retrieved March 17, 2010. 

External links[edit]