Orazio Orlando: Difference between revisions
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== Life and career == |
== Life and career == |
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Born in [[Naples]], Orlando attended the [[Accademia d'Arte Drammatica|Academy of Dramatic Arts]] in Rome for two seasons, in 1953-54 and in 1954-55, without graduating.<ref name=bio>{{cite book|author1=Enrico Lancia |author2=Roberto Poppi |title=Dizionario del cinema italiano: Gli artisti. Gli attori dal 1930 ai giorni nostri.|publisher=Gremese Editore, 2003|isbn=8884402697}}</ref> He made his debut at 18, with the stage company of Renzo Ricci, along with [[Giorgio Albertazzi]] and [[Anna Proclemer]].<ref name=bio/><ref name=diz>{{cite book|author1=F. Cappa |author2=Piero Gelli |author3=Marco Mattarozzi |title=Dizionario dello spettacolo del '900|publisher=Dalai editore, 1998|isbn=8880892959}}</ref> His first important participation was in [[William Shakespeare|Shakespeare]]'s ''[[King Lear]]'', in 1955.<ref name=diz/> |
Born in [[Naples]], Orlando attended the [[Accademia d'Arte Drammatica|Academy of Dramatic Arts]] in Rome for two seasons, in 1953-54 and in 1954-55, without graduating.<ref name=bio>{{cite book|author1=Enrico Lancia |author2=Roberto Poppi |title=Dizionario del cinema italiano: Gli artisti. Gli attori dal 1930 ai giorni nostri.|publisher=Gremese Editore, 2003|isbn=8884402697}}</ref> He made his debut at 18, with the stage company of Renzo Ricci, along with [[Giorgio Albertazzi]] and [[Anna Proclemer]].<ref name=bio/><ref name=diz>{{cite book|author1=F. Cappa |author2=Piero Gelli |author3=Marco Mattarozzi |title=Dizionario dello spettacolo del '900|year=1998 |publisher=Dalai editore, 1998|isbn=8880892959}}</ref> His first important participation was in [[William Shakespeare|Shakespeare]]'s ''[[King Lear]]'', in 1955.<ref name=diz/> |
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In 1958 he began his television career in the role of [[Tybalt]] in a successful adaptation of ''[[Romeo and Juliet]]''; he took part in a great number of films, TV-series and television movies, but became popular in 1973 thanks to the interpretation of the Commissioner Solmi, in the television series ''[[Qui squadra mobile]]''.<ref name="bio" /><ref name="diz" /> |
In 1958 he began his television career in the role of [[Tybalt]] in a successful adaptation of ''[[Romeo and Juliet]]''; he took part in a great number of films, TV-series and television movies, but became popular in 1973 thanks to the interpretation of the Commissioner Solmi, in the television series ''[[Qui squadra mobile]]''.<ref name="bio" /><ref name="diz" /> |
Revision as of 12:48, 12 March 2021
Orazio Orlando | |
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Born | |
Died | 18 December 1990 | (aged 57)
Orazio Orlando (14 June 1933 – 18 December 1990) was an Italian film, stage and television actor.
Life and career
Born in Naples, Orlando attended the Academy of Dramatic Arts in Rome for two seasons, in 1953-54 and in 1954-55, without graduating.[1] He made his debut at 18, with the stage company of Renzo Ricci, along with Giorgio Albertazzi and Anna Proclemer.[1][2] His first important participation was in Shakespeare's King Lear, in 1955.[2]
In 1958 he began his television career in the role of Tybalt in a successful adaptation of Romeo and Juliet; he took part in a great number of films, TV-series and television movies, but became popular in 1973 thanks to the interpretation of the Commissioner Solmi, in the television series Qui squadra mobile.[1][2]
He is best remembered for his film roles in Elio Petri's Investigation of a Citizen Above Suspicion (1970) and Property Is No Longer a Theft (1973), Pupi Avati's Help Me Dream (1981) and Alberto Bevilacqua's Woman of Wonders, or La donna delle meraviglie (original title) (1985).[3][2]
At 57 years old, he died of a heart attack on the Teatro Flaiano stage in Rome during the rehearsal of the play Ad Eva aggiungi Eva.[1][2]
Selected filmography
- Le bambole (1965) - Richetto, amante (segment "Minestra, La")
- Investigation of a Citizen Above Suspicion (1970) - Brigadiere Biglia
- Il debito coniugale (1970) - Romolo
- Waterloo (1970) - Constant
- La supertestimone (1971) - Charlot, il secondino capo
- Ripped Off (1972) - Mike Dugall
- Gli ordini sono ordini (1972) - Amedeo - Giorgia's husband
- The Adventures of Pinocchio (1972) - Maresciallo
- It Was Me (1973)
- Property Is No Longer a Theft (1973) - Brigadier Pirelli
- Amore mio uccidimi! (1973) - Riccardo - l'amico de Guido
- Lovers and Other Relatives (1974) - Renzo
- Brigitte, Laura, Ursula, Monica, Raquel, Litz, Florinda, Barbara, Claudia, e Sofia le chiamo tutte... anima mia (1974) - Franco Donati
- Policewoman (1974) - Ruggero Patanè
- The Perfume of the Lady in Black (1974) - Nicola
- Bello come un arcangelo (1974) - Avv. Pantaleo Fortis, 'Totonno'
- The Flower in His Mouth (1975) - Pretore Occhipinti
- La linea del fiume (1976) - Amedeo
- Evil Thoughts (1976) - lawyer Borderò
- L'Italia s'è rotta (1976)
- Maschio latino cercasi (1977) - Gennarino (segment "Gennarino l'emigrante")
- Gangbuster (1977) - Giorgio
- Il mostro (1977) - Pisani
- Highway Racer (1977) - Silicato
- Tre soldi e la donna di classe (1977)
- Corleone (1977) - Pubblico Ministero
- Traffic Jam (1979) - Ferreri
- Tigers in Lipstick (1979) - Fioroni / The Arab (segment "L'arabo")
- Speed driver (1980)
- Help Me Dream (1981) - Guido
- Superstition (1982) - (uncredited)
- Scusa se è poco (1982) - Tullio (segment "Trenta minuti d'amore")
- La donna delle meraviglie (1985) - Ulisse
- Sicilian Connection (1987)
References
- ^ a b c d Enrico Lancia; Roberto Poppi. Dizionario del cinema italiano: Gli artisti. Gli attori dal 1930 ai giorni nostri. Gremese Editore, 2003. ISBN 8884402697.
- ^ a b c d e F. Cappa; Piero Gelli; Marco Mattarozzi (1998). Dizionario dello spettacolo del '900. Dalai editore, 1998. ISBN 8880892959.
- ^ "Orazio Orlando". IMDb. Retrieved 2020-06-21.