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{{about|the dubstep producer|his self-titled album|Skream! (album)|the boy band|Skream!}}
{{about|the Dubstep producer|his self-titled album|Skream! (album)|the boy band|Skream!}}
{{Infobox musical artist | <!-- See Wikipedia:WikiProject Musicians -->
{{Infobox musical artist | <!-- See Wikipedia:WikiProject Musicians -->
| name = Skream
| name = Skream
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| date = 27 August 2005
| date = 27 August 2005
| url = http://blackdownsoundboy.blogspot.com/2005_08_01_archive.html
| url = http://blackdownsoundboy.blogspot.com/2005_08_01_archive.html
| accessdate = 30 June 2007}}</ref> on 1 June 1986) is a [[dubstep]] producer based in [[Croydon]].<ref name="Time1">{{cite web | author= O'Connell, Sharon | title= Dubstep | work= [[Time Out London]] | url=http://www.timeout.com/london/music/features/2083.html | date= 4 October 2006 |accessdate=13 June 2007}}</ref> One of dubstep's first<ref name="Warren1" /> and most prominent producers, he has played an important role in the genre's development.<ref name="Clark1">{{cite web | author= Clark, Martin | title= Column: The Month in Grime / Dubstep | work= [[Pitchfork Media]] | url=http://pitchforkmedia.com/article/feature/10331-column-the-month-in-grime-dubstep | date= 20 July 2005 | accessdate=13 June 2007}}</ref> His debut album ''[[Skream! (album)|Skream!]]'' was released in 2006, and was followed up by ''[[Outside the Box (Skream album)|Outside the Box]]'' in 2010. Skream is also a member of the dubstep supergroup [[Magnetic Man]],<ref>IMO Records [http://www.imorecords.co.uk/dubstep/skream-biography/ "Skream Biography"], ''[[IMO Records]]'', London, 20th October 2011. Retrieved on 22 November 2011.</ref> along with fellow producers [[Benga (musician)|Benga]] and [[Artwork (musician)|Artwork]]. The group released their [[Magnetic Man (album)|self-titled debut album]] on 8 October 2010.
| accessdate = 30 June 2007}}</ref> on 1 June 1986) is a [[Dubstep]] producer based in [[Croydon]].<ref name="Time1">{{cite web | author= O'Connell, Sharon | title= Dubstep | work= [[Time Out London]] | url=http://www.timeout.com/london/music/features/2083.html | date= 4 October 2006 |accessdate=13 June 2007}}</ref> One of Dubstep's first<ref name="Warren1" /> and most prominent producers, he has played an important role in the genre's development.<ref name="Clark1">{{cite web | author= Clark, Martin | title= Column: The Month in Grime / Dubstep | work= [[Pitchfork Media]] | url=http://pitchforkmedia.com/article/feature/10331-column-the-month-in-grime-Dubstep | date= 20 July 2005 | accessdate=13 June 2007}}</ref> His debut album ''[[Skream! (album)|Skream!]]'' was released in 2006, and was followed up by ''[[Outside the Box (Skream album)|Outside the Box]]'' in 2010. Skream is also a member of the Dubstep supergroup [[Magnetic Man]],<ref>IMO Records [http://www.imorecords.co.uk/Dubstep/skream-biography/ "Skream Biography"], ''[[IMO Records]]'', London, 20th October 2011. Retrieved on 22 November 2011.</ref> along with fellow producers [[Benga (musician)|Benga]] and [[Artwork (musician)|Artwork]]. The group released their [[Magnetic Man (album)|self-titled debut album]] on 8 October 2010.


In an interview with The Independent (UK) in September 2011, Skream was quoted: "The word dubstep is being used by a lot of people and there were a lot of people being tagged with the dubstep brush. They don’t want to be tagged with it and shouldn’t be tagged with it – that’s not what they’re pushing ... When I say ‘UK bass’, it’s what everyone UK is associated with so it would be a lot easier if it was called that.” <ref>[http://blogs.independent.co.uk/2011/09/13/skream-‘i-want-to-make-sure-once-this-fad-dies-out-i’m-still-standing’/ Skream: ‘I want to make sure once this fad dies out, I’m still standing,’ by Sam Moir, The Independent, September 13, 2011]</ref>
In an interview with The Independent (UK) in September 2011, Skream was quoted: "The word Dubstep is being used by a lot of people and there were a lot of people being tagged with the Dubstep brush. They don’t want to be tagged with it and shouldn’t be tagged with it – that’s not what they’re pushing ... When I say ‘UK bass’, it’s what everyone UK is associated with so it would be a lot easier if it was called that.” <ref>[http://blogs.independent.co.uk/2011/09/13/skream-‘i-want-to-make-sure-once-this-fad-dies-out-i’m-still-standing’/ Skream: ‘I want to make sure once this fad dies out, I’m still standing,’ by Sam Moir, The Independent, September 13, 2011]</ref>


== Origins ==
== Origins ==
As a teenager, Jones worked at Big Apple Records, a [[Croydon]]-based record store that was at the centre of the early dubstep scene; even prior to this, Jones had become acquainted with [[Hatcha]], another dubstep pioneer, because Jones' brother worked on an adjacent floor in Big Apple Records.<ref name="Interview1" /> As a result of this encounter, Hatcha was the first DJ to play Skream dubplates.<ref name="Time1" />
As a teenager, Jones worked at Big Apple Records, a [[Croydon]]-based record store that was at the centre of the early Dubstep scene; even prior to this, Jones had become acquainted with [[Hatcha]], another Dubstep pioneer, because Jones' brother worked on an adjacent floor in Big Apple Records.<ref name="Interview1" /> As a result of this encounter, Hatcha was the first DJ to play Skream dubplates.<ref name="Time1" />


Jones began producing music at the age of 15<ref name="Interview1" /> (using [[FruityLoops]])<ref name="Time1" /> and claims to now have roughly 800 songs in varying stages of development, including a number of early disco and funk inspired records.<ref name="Heller1">{{cite web | author= Heller, Josh | title= Benga and Skream Interview | work= [[The Comment Tree]] | url=http://www.thecommenttree.com/2008/12/benga-and-skream-interview.html | date= 27 December 2008 | accessdate=10 April 2009}}</ref> Jones would regularly 'bunk' school and spend the day at Big Apple Records though his teenage years. On various occasions he would also go to [[FWD]] a club based in Croydon that would play underground sounds. DJ's such as Hatcha would do live shows here. Skream's early productions were often with another alumnus of Big Apple, [[Benga (artist)|Benga]], and are of a decidedly darker and less melodic nature than later releases.<ref name="wire279">{{cite journal|url=http://www.thewire.co.uk/current/index.php |journal=[[The Wire (magazine)|The Wire]] |issue=279 |title=The Primer: Dubstep}}</ref>
Jones began producing music at the age of 15<ref name="Interview1" /> (using [[FruityLoops]])<ref name="Time1" /> and claims to now have roughly 800 songs in varying stages of development, including a number of early disco and funk inspired records.<ref name="Heller1">{{cite web | author= Heller, Josh | title= Benga and Skream Interview | work= [[The Comment Tree]] | url=http://www.thecommenttree.com/2008/12/benga-and-skream-interview.html | date= 27 December 2008 | accessdate=10 April 2009}}</ref> Jones would regularly 'bunk' school and spend the day at Big Apple Records though his teenage years. On various occasions he would also go to [[FWD]] a club based in Croydon that would play underground sounds. DJ's such as Hatcha would do live shows here. Skream's early productions were often with another alumnus of Big Apple, [[Benga (artist)|Benga]], and are of a decidedly darker and less melodic nature than later releases.<ref name="wire279">{{cite journal|url=http://www.thewire.co.uk/current/index.php |journal=[[The Wire (magazine)|The Wire]] |issue=279 |title=The Primer: Dubstep}}</ref>


== Rise to prominence ==
== Rise to prominence ==
As dubstep gained notice from conventional media such as ''[[The Guardian]]''<ref name="Warren1">{{cite web | author= Warren, Emma | title= Various, Dubstep Allstars 5 - Mixed By DJ N-Type | work= The Guardian | url=http://observer.guardian.co.uk/print/0,,329781715-111639,00.html | date= 22 April 2007 | accessdate=13 June 2007}}</ref> and ''[[Pitchfork Media]]'',<ref name="Clark1" /> Jones' music started to take on a more melodic sound; less overtly influenced by the darker, [[UK garage]] influenced sounds of early dubstep artists such as [[Horsepower Productions]], with [[dub reggae|dub]], [[house]], and even [[jazz]] influences instead.<ref name="wire279" /> The 2005 Skream track "Midnight Request Line" has been described as "dubstep's most recognizable crossover hit,"<ref name="LAT1">{{cite web | author= Hampton, Justin B | title= Dubstep: music dark enough to tug the guts | work= [[LA Times]] | url=http://www.latimes.com/entertainment/news/music/la-wk-dubstep12apr12,1,6618326.story?coll=la-entnews-music | date= 12 April 2007 |accessdate=13 June 2007}} {{Dead link|date=October 2010|bot=H3llBot}}</ref> and has been praised by producers as diverse as [[Grime (music)|grime]] producer [[Wiley (rapper)|Wiley]], and [[minimal techno]] producer [[Ricardo Villalobos]].<ref name="BBC2">{{cite web | author= Cowdery, James | title=Bass in the place. | work= [[Collective (BBC)|Collective]] | url=http://www.bbc.co.uk/dna/collective/A10695684 | date= 6 April 2006|accessdate=15 June 2007}}</ref> The [[key change]] in the [[refrain|chorus]], which ''[[The Wire (magazine)|The Wire]]'' has described as "an epic change of key and tempo that recall(s) the classicist mannerisms of [[Derrick May (musician)|Derrick May]],"<ref name="wire270">{{cite journal|title=Review of Dubstep Allstars vol. 4, on Tempa records.|journal=The Wire|date=1 August 2006|first=Derek|last=Walmsley|coauthors=|volume=|issue=270|pages=1}}</ref> has been credited as being a key factor in the evolution of a more melodic sound in the dubstep genre.<ref name="wire279" />
As Dubstep gained notice from conventional media such as ''[[The Guardian]]''<ref name="Warren1">{{cite web | author= Warren, Emma | title= Various, Dubstep Allstars 5 - Mixed By DJ N-Type | work= The Guardian | url=http://observer.guardian.co.uk/print/0,,329781715-111639,00.html | date= 22 April 2007 | accessdate=13 June 2007}}</ref> and ''[[Pitchfork Media]]'',<ref name="Clark1" /> Jones' music started to take on a more melodic sound; less overtly influenced by the darker, [[UK garage]] influenced sounds of early Dubstep artists such as [[Horsepower Productions]], with [[dub reggae|dub]], [[house]], and even [[jazz]] influences instead.<ref name="wire279" /> The 2005 Skream track "Midnight Request Line" has been described as "Dubstep's most recognizable crossover hit,"<ref name="LAT1">{{cite web | author= Hampton, Justin B | title= Dubstep: music dark enough to tug the guts | work= [[LA Times]] | url=http://www.latimes.com/entertainment/news/music/la-wk-Dubstep12apr12,1,6618326.story?coll=la-entnews-music | date= 12 April 2007 |accessdate=13 June 2007}} {{Dead link|date=October 2010|bot=H3llBot}}</ref> and has been praised by producers as diverse as [[Grime (music)|grime]] producer [[Wiley (rapper)|Wiley]], and [[minimal techno]] producer [[Ricardo Villalobos]].<ref name="BBC2">{{cite web | author= Cowdery, James | title=Bass in the place. | work= [[Collective (BBC)|Collective]] | url=http://www.bbc.co.uk/dna/collective/A10695684 | date= 6 April 2006|accessdate=15 June 2007}}</ref> The [[key change]] in the [[refrain|chorus]], which ''[[The Wire (magazine)|The Wire]]'' has described as "an epic change of key and tempo that recall(s) the classicist mannerisms of [[Derrick May (musician)|Derrick May]],"<ref name="wire270">{{cite journal|title=Review of Dubstep Allstars vol. 4, on Tempa records.|journal=The Wire|date=1 August 2006|first=Derek|last=Walmsley|coauthors=|volume=|issue=270|pages=1}}</ref> has been credited as being a key factor in the evolution of a more melodic sound in the Dubstep genre.<ref name="wire279" />


Skream has released records on a variety of UK record labels, such as [[Tempa]], [[Tectonic (record label)|Tectonic]], and Big Apple Records, including a self-titled album on the Tempa label. He has done few tracks with Niall Henshaw otherwise known as Spectrum.<ref name="AMG1">{{cite web | author=Whalley, Matt | title= Skream! | work=[[Allmusic]] | url={{Allmusic|class=album|id=r934830|pure_url=yes}} | date= |accessdate=13 June 2007}}</ref> He has performed in Europe, the US, Australia, and Japan,<ref name="Jpn1">{{cite web | author= Smart, Richard | title= Viral sounds from South London. | work= The Japan Times Online | url= http://search.japantimes.co.jp/cgi-bin/fq20070518a3.html | date= 18 May 2007|accessdate=13 June 2007}}</ref> as well as the UK.<ref name="BBC1">{{cite web | author= Madden, Joe | title= Skream if you wanna go deeper. | work= ''[[Collective (BBC)|Collective]]'' | url= http://www.bbc.co.uk/dna/collective/A16144904 | date= 12 October 2006|accessdate=13 June 2007}}</ref> Skream used to host a weekly show on Rinse FM, called Stella Sessions. He now co-hosts the Skream and [[Benga (artist)|Benga]] Sessions.<ref name="dummy">[http://www.dummymag.com/blog/2007_02_01_archive.html DUMMY MAGAZINE: February 2007]</ref><ref name="Clark2">{{cite web | author= Clark, Martin | title= Column: The Month in Grime / Dubstep | work= [[Pitchfork Media]] | url=http://www.pitchforkmedia.com/article/feature/40981-the-month-in-grime-dubstep | date= 14 February 2007 |accessdate=14 July 2007}}</ref>
Skream has released records on a variety of UK record labels, such as [[Tempa]], [[Tectonic (record label)|Tectonic]], and Big Apple Records, including a self-titled album on the Tempa label. He has done few tracks with Niall Henshaw otherwise known as Spectrum.<ref name="AMG1">{{cite web | author=Whalley, Matt | title= Skream! | work=[[Allmusic]] | url={{Allmusic|class=album|id=r934830|pure_url=yes}} | date= |accessdate=13 June 2007}}</ref> He has performed in Europe, the US, Australia, and Japan,<ref name="Jpn1">{{cite web | author= Smart, Richard | title= Viral sounds from South London. | work= The Japan Times Online | url= http://search.japantimes.co.jp/cgi-bin/fq20070518a3.html | date= 18 May 2007|accessdate=13 June 2007}}</ref> as well as the UK.<ref name="BBC1">{{cite web | author= Madden, Joe | title= Skream if you wanna go deeper. | work= ''[[Collective (BBC)|Collective]]'' | url= http://www.bbc.co.uk/dna/collective/A16144904 | date= 12 October 2006|accessdate=13 June 2007}}</ref> Skream used to host a weekly show on Rinse FM, called Stella Sessions. He now co-hosts the Skream and [[Benga (artist)|Benga]] Sessions.<ref name="dummy">[http://www.dummymag.com/blog/2007_02_01_archive.html DUMMY MAGAZINE: February 2007]</ref><ref name="Clark2">{{cite web | author= Clark, Martin | title= Column: The Month in Grime / Dubstep | work= [[Pitchfork Media]] | url=http://www.pitchforkmedia.com/article/feature/40981-the-month-in-grime-Dubstep | date= 14 February 2007 |accessdate=14 July 2007}}</ref>


On 17 June 2007, Skream was featured on [[BBC Radio 1]]'s [[Essential Mix]].<ref name="Essential Mix">{{cite web | url=http://www.bbc.co.uk/radio1/essentialmix/tracklistingarchive.shtml?20070617
On 17 June 2007, Skream was featured on [[BBC Radio 1]]'s [[Essential Mix]].<ref name="Essential Mix">{{cite web | url=http://www.bbc.co.uk/radio1/essentialmix/tracklistingarchive.shtml?20070617
Line 49: Line 49:
In the summer of 2010, Skream released his second full-length album '[[Outside the Box (Skream album)|Outside the Box]]'. The record earned a score of 7 out of 10 from SPIN magazine.<ref name="SPIN Review">{{cite web | url=http://www.spin.com/reviews/skream-outside-box-tempa | title=Skream, 'Outside the Box'}}</ref>
In the summer of 2010, Skream released his second full-length album '[[Outside the Box (Skream album)|Outside the Box]]'. The record earned a score of 7 out of 10 from SPIN magazine.<ref name="SPIN Review">{{cite web | url=http://www.spin.com/reviews/skream-outside-box-tempa | title=Skream, 'Outside the Box'}}</ref>


Also making records as a part of [[Magnetic Man]]. Magnetic Man is a live electronic music project consisting of dubstep producers and DJs Skream, [[Benga (musician)|Benga]] and Artwork.
Also making records as a part of [[Magnetic Man]]. Magnetic Man is a live electronic music project consisting of Dubstep producers and DJs Skream, [[Benga (musician)|Benga]] and Artwork.


From January 2011, Skream, along with [[Benga (musician)|Benga]], replaced [[Alex Metric]] in his 'In New DJ's We Trust' slot on [[BBC Radio 1]].
From January 2011, Skream, along with [[Benga (musician)|Benga]], replaced [[Alex Metric]] in his 'In New DJ's We Trust' slot on [[BBC Radio 1]].
Line 56: Line 56:


==Personal life==
==Personal life==
Skream is the brother of [[Oldschool jungle|jungle]] DJ Hijak.<ref>{{cite journal |url=http://www.clashmusic.com/feature/skream |title=Skream: The dubstep scene's hottest property |last= Churchill |first=Tom |work=[[Clash (magazine)|Clash]] |date= 1 November 2006 |archiveurl=http://www.webcitation.org/63fFWniOu |archivedate=3 December 2011 |deadurl=no}}</ref> In July 2011 Skream's first child, a son named Jesse, was born.<ref>{{cite news |url=http://www.guardian.co.uk/music/2011/dec/03/skream-magnetic-man-dubstep-global |title=Skream and the perils of going pop |last=Wolfson |first=Sam |work=[[The Guardian]] |date=3 December 2011 |accessdate=3 December 2011}}</ref>
Skream is the brother of [[Oldschool jungle|jungle]] DJ Hijak.<ref>{{cite journal |url=http://www.clashmusic.com/feature/skream |title=Skream: The Dubstep scene's hottest property |last= Churchill |first=Tom |work=[[Clash (magazine)|Clash]] |date= 1 November 2006 |archiveurl=http://www.webcitation.org/63fFWniOu |archivedate=3 December 2011 |deadurl=no}}</ref> In July 2011 Skream's first child, a son named Jesse, was born.<ref>{{cite news |url=http://www.guardian.co.uk/music/2011/dec/03/skream-magnetic-man-Dubstep-global |title=Skream and the perils of going pop |last=Wolfson |first=Sam |work=[[The Guardian]] |date=3 December 2011 |accessdate=3 December 2011}}</ref>


== Discography ==
== Discography ==

Revision as of 09:52, 19 February 2012

This article is about the Dubstep producer. For his self-titled album, see Skream! (album). For the boy band, see Skream!
Skream
Skream at Metropolis in Leeds
Skream at Metropolis in Leeds
Background information
Birth nameOliver Dene Jones
Born (1981-06-01) 1 June 1981 (age 43)
GenresDubstep, UK garage, dub
Occupation(s)producer, musician
Instrument(s)music sequencer, samplers, drum machine, personal computer
Years active2003–present
LabelsTempa, OWSLA
Websitehttp://www.skreamandbenga.com/

Skream (born Oliver Dene Jones in West Wickham, Bromley, London[1] on 1 June 1986) is a Dubstep producer based in Croydon.[2] One of Dubstep's first[3] and most prominent producers, he has played an important role in the genre's development.[4] His debut album Skream! was released in 2006, and was followed up by Outside the Box in 2010. Skream is also a member of the Dubstep supergroup Magnetic Man,[5] along with fellow producers Benga and Artwork. The group released their self-titled debut album on 8 October 2010.

In an interview with The Independent (UK) in September 2011, Skream was quoted: "The word Dubstep is being used by a lot of people and there were a lot of people being tagged with the Dubstep brush. They don’t want to be tagged with it and shouldn’t be tagged with it – that’s not what they’re pushing ... When I say ‘UK bass’, it’s what everyone UK is associated with so it would be a lot easier if it was called that.” [6]

Origins

As a teenager, Jones worked at Big Apple Records, a Croydon-based record store that was at the centre of the early Dubstep scene; even prior to this, Jones had become acquainted with Hatcha, another Dubstep pioneer, because Jones' brother worked on an adjacent floor in Big Apple Records.[1] As a result of this encounter, Hatcha was the first DJ to play Skream dubplates.[2]

Jones began producing music at the age of 15[1] (using FruityLoops)[2] and claims to now have roughly 800 songs in varying stages of development, including a number of early disco and funk inspired records.[7] Jones would regularly 'bunk' school and spend the day at Big Apple Records though his teenage years. On various occasions he would also go to FWD a club based in Croydon that would play underground sounds. DJ's such as Hatcha would do live shows here. Skream's early productions were often with another alumnus of Big Apple, Benga, and are of a decidedly darker and less melodic nature than later releases.[8]

Rise to prominence

As Dubstep gained notice from conventional media such as The Guardian[3] and Pitchfork Media,[4] Jones' music started to take on a more melodic sound; less overtly influenced by the darker, UK garage influenced sounds of early Dubstep artists such as Horsepower Productions, with dub, house, and even jazz influences instead.[8] The 2005 Skream track "Midnight Request Line" has been described as "Dubstep's most recognizable crossover hit,"[9] and has been praised by producers as diverse as grime producer Wiley, and minimal techno producer Ricardo Villalobos.[10] The key change in the chorus, which The Wire has described as "an epic change of key and tempo that recall(s) the classicist mannerisms of Derrick May,"[11] has been credited as being a key factor in the evolution of a more melodic sound in the Dubstep genre.[8]

Skream has released records on a variety of UK record labels, such as Tempa, Tectonic, and Big Apple Records, including a self-titled album on the Tempa label. He has done few tracks with Niall Henshaw otherwise known as Spectrum.[12] He has performed in Europe, the US, Australia, and Japan,[13] as well as the UK.[14] Skream used to host a weekly show on Rinse FM, called Stella Sessions. He now co-hosts the Skream and Benga Sessions.[15][16]

On 17 June 2007, Skream was featured on BBC Radio 1's Essential Mix.[17]

On 15 September 2008 Harmless released 'Watch The Ride' CD mixed by Skream, following on from artists like Scratch Perverts, Zinc and Goldie. On 2 October 2008 Skream featured in a fly on the wall German TV show 'Durch die Nacht mit...' alongside Drum and bass artist Goldie. In this he said he currently had writer's block, but he was working on music in other genres, also they talked about a Skream & Goldie collaboration that may be on the cards. Skreamizm Volume 5 was released in December 2008

In 2009, he rose to further prominence when his remix of "In for the Kill" by La Roux became firstly an underground hit in the early part of the year before bursting onto the mainstream, being used in promotional material for the 2010 video game Bayonetta.[18] Also in 2009, Skream has completed further remixes for Bat For Lashes and Toddla T.

In 2010, Skream's popular remix of "In for the Kill" by La Roux was featured in an episode titled "Hair" on the hit HBO series Entourage[19] and "In the club" on the hit E4 series Misfits.

In the summer of 2010, Skream released his second full-length album 'Outside the Box'. The record earned a score of 7 out of 10 from SPIN magazine.[20]

Also making records as a part of Magnetic Man. Magnetic Man is a live electronic music project consisting of Dubstep producers and DJs Skream, Benga and Artwork.

From January 2011, Skream, along with Benga, replaced Alex Metric in his 'In New DJ's We Trust' slot on BBC Radio 1.

Skream and Benga will be performing together at Field Day music festival in Sydney, Australia on New Years Day 2012[21].

Personal life

Skream is the brother of jungle DJ Hijak.[22] In July 2011 Skream's first child, a son named Jesse, was born.[23]

Discography

Main article: Skream discography

Solo

Albums

With Magnetic Man

Albums

References

  1. ^ a b c Clark, Martyn (27 August 2005). "Interview with Skream". Retrieved 30 June 2007.
  2. ^ a b c O'Connell, Sharon (4 October 2006). "Dubstep". Time Out London. Retrieved 13 June 2007.
  3. ^ a b Warren, Emma (22 April 2007). "Various, Dubstep Allstars 5 - Mixed By DJ N-Type". The Guardian. Retrieved 13 June 2007.
  4. ^ a b Clark, Martin (20 July 2005). "Column: The Month in Grime / Dubstep". Pitchfork Media. Retrieved 13 June 2007.
  5. ^ IMO Records "Skream Biography", IMO Records, London, 20th October 2011. Retrieved on 22 November 2011.
  6. ^ Skream: ‘I want to make sure once this fad dies out, I’m still standing,’ by Sam Moir, The Independent, September 13, 2011
  7. ^ Heller, Josh (27 December 2008). "Benga and Skream Interview". The Comment Tree. Retrieved 10 April 2009.
  8. ^ a b c "The Primer: Dubstep". The Wire (279).
  9. ^ Hampton, Justin B (12 April 2007). "Dubstep: music dark enough to tug the guts". LA Times. Retrieved 13 June 2007. [dead link]
  10. ^ Cowdery, James (6 April 2006). "Bass in the place". Collective. Retrieved 15 June 2007.
  11. ^ Walmsley, Derek (1 August 2006). "Review of Dubstep Allstars vol. 4, on Tempa records". The Wire (270): 1. {{cite journal}}: Cite has empty unknown parameter: |coauthors= (help)
  12. ^ Whalley, Matt. "Skream!". Allmusic. Retrieved 13 June 2007.
  13. ^ Smart, Richard (18 May 2007). "Viral sounds from South London". The Japan Times Online. Retrieved 13 June 2007.
  14. ^ Madden, Joe (12 October 2006). "Skream if you wanna go deeper". Collective. Retrieved 13 June 2007. {{cite web}}: Italic or bold markup not allowed in: |work= (help)
  15. ^ DUMMY MAGAZINE: February 2007
  16. ^ Clark, Martin (14 February 2007). "Column: The Month in Grime / Dubstep". Pitchfork Media. Retrieved 14 July 2007.
  17. ^ "BBC Radio 1 Essential Mix Tracklisting". 17 June 2007. Retrieved 19 June 2007.
  18. ^ Jonze, Tim (23 May 2009). "La Roux: Killer Queen". The Guardian. Retrieved 8 December 2009.
  19. ^ "Entourage". 8 July 2010.
  20. ^ "Skream, 'Outside the Box'".
  21. ^ http://fuzzy.com.au/coming-up/252/info
  22. ^ Churchill, Tom (1 November 2006). "Skream: The Dubstep scene's hottest property". Clash. Archived from the original on 3 December 2011. {{cite journal}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  23. ^ Wolfson, Sam (3 December 2011). "Skream and the perils of going pop". The Guardian. Retrieved 3 December 2011.

External links

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