Jump to content

Alfred Kubin: Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous editNext edit →
Content deleted Content added
VisualWikitext
JJMC89 bot (talk | contribs)
Bots
1,154,870 edits
Removed WP:NFCC violation(s). No valid non-free use rationale for this page. See WP:NFC#Implementation. Questions? Ask here.
No edit summary
Line 24: Line 24:
Kubin was born in [[Kingdom of Bohemia|Bohemia]] in the town of Leitmeritz, [[Austro-Hungarian Empire]] (now [[Litoměřice]]). From 1892 to 1896, he was apprenticed to the [[Landscape photography|landscape photographer]] Alois Beer, although he learned little.<ref name=":0">{{Cite web|url=https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000048160|title=Kubin, Alfred|website=Grove Art Online|year=2003|language=en|doi=10.1093/gao/9781884446054.article.T048160|access-date=2020-04-16|last1=Brockhaus|first1=Christoph|isbn=978-1-884446-05-4}}</ref> In 1896, he attempted suicide on his mother's grave, and his short stint in the Austrian army the following year ended with a nervous breakdown.<ref name=":0" /> In 1898, Kubin began a period of artistic study at a private academy run by the painter Ludwig Schmitt-Reutte, before enrolling at the [[Academy of Fine Arts Munich|Munich Academy]] in 1899, without finishing his studies there. In Munich, Kubin discovered the works of [[Odilon Redon]], [[Edvard Munch]], [[James Ensor]], [[Henry de Groux]], and [[Félicien Rops]]. He was profoundly affected by the prints of [[Max Klinger]], and later recounted: "Here a new art was thrown open to me, which offered free play for the imaginative expression of every conceivable world of feeling. Before putting the engravings away I swore that I would dedicate my life to the creation of similar works".<ref name="ARN88">Arnason & Wheeler 1986, p. 88.</ref> The [[aquatint]] technique used by Klinger and [[Francisco Goya|Goya]] influenced the style of his works of this period, which are mainly ink and [[wash (visual arts)|wash]] drawings of fantastical, often macabre subjects.<ref name=":0" /> Kubin produced a small number of oil paintings in the years between 1902 and 1910, but thereafter his output consisted of [[quill|pen and ink]] [[drawings]], [[watercolor]]s, and [[lithograph]]s. In 1911, he became associated with the ''[[Blaue Reiter]]'' group, and exhibited with them in the ''[[Der Sturm|Galerie Der Sturm]]'' in Berlin in 1913.<ref name="ARN88" /> After that time, he lost contact with the artistic avant-garde.
Kubin was born in [[Kingdom of Bohemia|Bohemia]] in the town of Leitmeritz, [[Austro-Hungarian Empire]] (now [[Litoměřice]]). From 1892 to 1896, he was apprenticed to the [[Landscape photography|landscape photographer]] Alois Beer, although he learned little.<ref name=":0">{{Cite web|url=https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000048160|title=Kubin, Alfred|website=Grove Art Online|year=2003|language=en|doi=10.1093/gao/9781884446054.article.T048160|access-date=2020-04-16|last1=Brockhaus|first1=Christoph|isbn=978-1-884446-05-4}}</ref> In 1896, he attempted suicide on his mother's grave, and his short stint in the Austrian army the following year ended with a nervous breakdown.<ref name=":0" /> In 1898, Kubin began a period of artistic study at a private academy run by the painter Ludwig Schmitt-Reutte, before enrolling at the [[Academy of Fine Arts Munich|Munich Academy]] in 1899, without finishing his studies there. In Munich, Kubin discovered the works of [[Odilon Redon]], [[Edvard Munch]], [[James Ensor]], [[Henry de Groux]], and [[Félicien Rops]]. He was profoundly affected by the prints of [[Max Klinger]], and later recounted: "Here a new art was thrown open to me, which offered free play for the imaginative expression of every conceivable world of feeling. Before putting the engravings away I swore that I would dedicate my life to the creation of similar works".<ref name="ARN88">Arnason & Wheeler 1986, p. 88.</ref> The [[aquatint]] technique used by Klinger and [[Francisco Goya|Goya]] influenced the style of his works of this period, which are mainly ink and [[wash (visual arts)|wash]] drawings of fantastical, often macabre subjects.<ref name=":0" /> Kubin produced a small number of oil paintings in the years between 1902 and 1910, but thereafter his output consisted of [[quill|pen and ink]] [[drawings]], [[watercolor]]s, and [[lithograph]]s. In 1911, he became associated with the ''[[Blaue Reiter]]'' group, and exhibited with them in the ''[[Der Sturm|Galerie Der Sturm]]'' in Berlin in 1913.<ref name="ARN88" /> After that time, he lost contact with the artistic avant-garde.
[[File:Herrensitz von Alfred Kubin in Zwickledt Oberoesterreich.png|left|thumb|Manor-House Zwickledt (Upper Austria): Last residence of Alfred Kubin.]]
[[File:Herrensitz von Alfred Kubin in Zwickledt Oberoesterreich.png|left|thumb|Manor-House Zwickledt (Upper Austria): Last residence of Alfred Kubin.]]
Kubin is considered an important representative of [[Symbolism (arts)|Symbolism]] and [[Expressionism]] and is noted for dark, spectral, symbolic fantasies, often assembled into thematic series of drawings. Like [[Oskar Kokoschka]] and [[Albert Paris Gütersloh]], Kubin had both artistic and literary talent. He illustrated the works of [[Edgar Allan Poe]], [[E. T. A. Hoffmann]], and [[Fyodor Dostoevsky]], among others. Kubin also illustrated the German fantasy magazine ''[[Der Orchideengarten]]''.<ref name="studien">Siegfried Schödel,
Kubin is considered an important representative of [[Symbolism (arts)|Symbolism]] and [[Expressionism]] and is noted for dark, spectral, symbolic fantasies, often assembled into thematic series of drawings. Like [[Oskar Kokoschka]] and [[Albert Paris Gütersloh]], Kubin had both artistic and literary talent. He illustrated works of [[Edgar Allan Poe]], [[E. T. A. Hoffmann]], and [[Fyodor Dostoevsky]], among others. Kubin also illustrated the German fantasy magazine ''[[Der Orchideengarten]]''.<ref name="studien">Siegfried Schödel,
''Studien zu den phantastischen Erzählungen Gustav Meyrinks'', Universität Erlangen-Nürnberg, 1965, (p.27).</ref><ref name="nyt">Rosenberg, Karen. 15 October 2008. [https://www.nytimes.com/2008/10/16/arts/design/16neue.html?_r=1&scp=1&sq=%22alfred%20kubin%22%20+%20zwickeldt%22&st=cse Mapping the Shadowy Corners of the Subconscious]. The New York Times. Retrieved 3 April 2012.</ref>
''Studien zu den phantastischen Erzählungen Gustav Meyrinks'', Universität Erlangen-Nürnberg, 1965, (p.27).</ref><ref name="nyt">Rosenberg, Karen. 15 October 2008. [https://www.nytimes.com/2008/10/16/arts/design/16neue.html?_r=1&scp=1&sq=%22alfred%20kubin%22%20+%20zwickeldt%22&st=cse Mapping the Shadowy Corners of the Subconscious]. The New York Times. Retrieved 3 April 2012.</ref>


Revision as of 21:56, 18 December 2022

Alfred Kubin
Born
Alfred Leopold Isidor Kubin

(1877-04-10)10 April 1877
Litoměřice, Kingdom of Bohemia, Austria-Hungary
(now Litoměřice, Czech Republic)
Died20 August 1959(1959-08-20) (aged 82)
Zwickledt near Wernstein am Inn, Austria
NationalityAustrian
EducationMunich Academy
Known forPainting
MovementSymbolism, Expressionism

Alfred Leopold Isidor Kubin (10 April 1877 – 20 August 1959) was an Austrian printmaker, illustrator, and occasional writer. Kubin is considered an important representative of Symbolism and Expressionism.

Biography

Kubin was born in Bohemia in the town of Leitmeritz, Austro-Hungarian Empire (now Litoměřice). From 1892 to 1896, he was apprenticed to the landscape photographer Alois Beer, although he learned little.[1] In 1896, he attempted suicide on his mother's grave, and his short stint in the Austrian army the following year ended with a nervous breakdown.[1] In 1898, Kubin began a period of artistic study at a private academy run by the painter Ludwig Schmitt-Reutte, before enrolling at the Munich Academy in 1899, without finishing his studies there. In Munich, Kubin discovered the works of Odilon Redon, Edvard Munch, James Ensor, Henry de Groux, and Félicien Rops. He was profoundly affected by the prints of Max Klinger, and later recounted: "Here a new art was thrown open to me, which offered free play for the imaginative expression of every conceivable world of feeling. Before putting the engravings away I swore that I would dedicate my life to the creation of similar works".[2] The aquatint technique used by Klinger and Goya influenced the style of his works of this period, which are mainly ink and wash drawings of fantastical, often macabre subjects.[1] Kubin produced a small number of oil paintings in the years between 1902 and 1910, but thereafter his output consisted of pen and ink drawings, watercolors, and lithographs. In 1911, he became associated with the Blaue Reiter group, and exhibited with them in the Galerie Der Sturm in Berlin in 1913.[2] After that time, he lost contact with the artistic avant-garde.

Manor-House Zwickledt (Upper Austria): Last residence of Alfred Kubin.

Kubin is considered an important representative of Symbolism and Expressionism and is noted for dark, spectral, symbolic fantasies, often assembled into thematic series of drawings. Like Oskar Kokoschka and Albert Paris Gütersloh, Kubin had both artistic and literary talent. He illustrated works of Edgar Allan Poe, E. T. A. Hoffmann, and Fyodor Dostoevsky, among others. Kubin also illustrated the German fantasy magazine Der Orchideengarten.[3][4]

From 1906 until his death, he lived a withdrawn life in a Manor-House on a 12th-century estate in Zwickledt, Upper Austria.[4] In 1938, at the Anschluss of Austria and Nazi Germany, his work was declared entartete Kunst or "degenerate art,"[5] but he managed to continue working during World War II.

The Other Side

Kubin's only written work was Die andere Seite (transl. The Other Side) (1908), a fantastic novel set in an oppressive imaginary land.[6][7][8][9] The novel has an atmosphere of claustrophobic absurdity similar to the writings of Franz Kafka, who admired the book.[4][10] The illustrations for the book were originally intended for The Golem by Gustav Meyrink, but as that book was delayed, Kubin instead worked his illustrations into his own novel.[3]

Nazi-looted art

In 2016, the Städtische Galerie im Lenbachhaus Munich restituted, to the heirs of Max and Hertha Morgenstern, 16 drawings by Kubin which had been sold under duress in Vienna in July 1938 as a result of Nazi persecution of Jews following Austria's Anschluss with Nazi Germany. Lenbachhaus had acquired them from Kurt Otte, a Kubin collector in Hamburg in 1971.[11]

The German Lost Art Foundation lists 24 artworks by Kubin in its database, many of which are from the Found-Object Reports from the Staatliche Kunstsammlungen Dresden Kupferstichkabinett in Dresden[12] which launched Nazi-era provenance research in 2008.[13]

Honours and awards

Collections

  • Kubin's Dance of Death and Other Drawings (1973) (art collection) (ISBN 9780486228846)
  • The Life and Art of Alfred Kubin (2017) (autobiography) (ISBN 9780486815305)
  • The State (1899–1900)
    The State (1899–1900)
  • Dolmen (c. 1900–1902), Indian ink, wash, spray paint, and white body color, Albertina, Vienna
    Dolmen (c. 1900–1902), Indian ink, wash, spray paint, and white body color, Albertina, Vienna
  • A Dream Visits us Every Night (1900)
    A Dream Visits us Every Night (1900)
  • The Past Forgotten Swallowed (1901)
    The Past Forgotten Swallowed (1901)
  • The Lady on the Horse (1901), pen, ink, wash and spray
    The Lady on the Horse (1901), pen, ink, wash and spray
  • The Last King (1902)
    The Last King (1902)
  • The Moment of Birth (1902)
    The Moment of Birth (1902)
  • Siberian Fairy Tale (1902)
    Siberian Fairy Tale (1902)
  • Angst (1903)
    Angst (1903)
  • Black Mass (1905)
    Black Mass (1905)

See also

Notes

  1. ^ a b c Brockhaus, Christoph (2003). "Kubin, Alfred". Grove Art Online. doi:10.1093/gao/9781884446054.article.T048160. ISBN 978-1-884446-05-4. Retrieved 16 April 2020.
  2. ^ a b Arnason & Wheeler 1986, p. 88.
  3. ^ a b Siegfried Schödel, Studien zu den phantastischen Erzählungen Gustav Meyrinks, Universität Erlangen-Nürnberg, 1965, (p.27).
  4. ^ a b c Rosenberg, Karen. 15 October 2008. Mapping the Shadowy Corners of the Subconscious. The New York Times. Retrieved 3 April 2012.
  5. ^ Karl-Heinz Meissner, Alfred Kubin, Städtische Galerie im Lenbachhaus München, Edition Spangenberg, 1990 (p.114).
  6. ^ "Artist creates a nightmare novel". The Canberra Times. Australian Capital Territory, Australia. 24 October 1970. p. 13. Retrieved 30 March 2020 – via Trove.
  7. ^ Robyn Walton (2011), The Crime of Material Culture, the Condition of the Colonies and Utopian/Dystopian Impulses, 1908-10, retrieved 30 March 2020
  8. ^ Kubin, Alfred; Lindley, Denver; Kubin, Alfred, 1877-1959. Autobiography (1969), The other side : a fantastic novel, Gollancz, ISBN 978-0-575-00345-3{{citation}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  9. ^ Kubin, Alfred, The Life and Art of Alfred Kubin, Dover 2017 (Bibliographic note). Viewable through Amazon.com's Look Inside feature for the book.
  10. ^ Franz Rottensteiner,The Fantasy Book: An Illustrated History from Dracula to Tolkien (p. 143) Collier Books, 1978. ISBN 0-02-053560-0
  11. ^ "16 drawings by Alfred Kubin restituted to the heirs of Max and Hertha Morgenstern". www.lootedart.com. Archived from the original on 24 June 2020. Retrieved 5 June 2021. On 15 May 2019 sixteen drawings by Alfred Kubin were restituted by the Städtische Galerie im Lenbachhaus Munich to the heirs of Max and Hertha Morgenstern of Vienna with the assistance of the Commission for Looted Art in Europe. The drawings were sold under duress in Vienna in July 1938 to Kurt Otte, a Kubin collector in Hamburg. In 1971 his archive and collection were sold to the Lenbachhaus in Munich where the sixteen drawings remained, with the Morgenstern stamp, and together with the documents of the 1938 sale, until their restitution in May 2019. Max Morgenstern was one of the earliest collectors of Kubin and the artist's first major patron.
  12. ^ "Lost Art Internet Database - Advanced Search". www.lostart.de. Retrieved 5 June 2021.
  13. ^ "Staatliche Kunstsammlungen Dresden - Provenance Research". 5 November 2016. Archived from the original on 5 November 2016. Retrieved 5 June 2021.

References

  • Arnason, H. H., & Wheeler, D. (1986). History of Modern Art: Painting, Sculpture, Architecture, Photography. Englewood Cliffs, N.J.: Prentice-Hall. ISBN 9780133903607
  • Assman, Peter Alfred Kubin 1877–1959. Exhibition catalogue Brussels (Ixelles) 1997
  • Alfred Kubin. Exhibition catalogue Neue Galerie New York 2008
  • Romana Schuler Alfred Kubin, Aus meinem Reich. Exhibition catalogue Leopold Museum Vienna 2003
  • Traumgestalten. 100 Meisterwerke aus dem Besitz der Graphischen Sammlung Albertina. Vienna 1990
Retrieved from "https://en.wikipedia.org/w/index.php?title=Alfred_Kubin&oldid=1128185853"