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The title is derived from the Japanese term [[ronin]], used for [[samurai]] who have no master and whose motivations are largely based on money and survival instead of honor and duty. Many of the characters in the film are unemployed agents set adrift by the end of the [[Cold War]]. The film also makes a lengthy reference to the classic Japanese story, the [[47 Ronin]], further alluding to the identities of the protagonists and antagonists of the film.
The title is derived from the Japanese term [[ronin]], used for [[samurai]] who have no master and whose motivations are largely based on money and survival instead of honor and duty. Many of the characters in the film are unemployed agents set adrift by the end of the [[Cold War]]. The film also makes a lengthy reference to the classic Japanese story, the [[47 Ronin]], further alluding to the identities of the protagonists and antagonists of the film.


''Ronin'' is notable for a number of car chase scenes, the last being a particularly lengthy one through the streets and tunnels of [[Paris]]; some scenes utilized up to 150 stunt drivers. Car work has been a speciality of Frankenheimer, a former amateur racing driver <ref>Bowie, S.[http://www.sensesofcinema.com/contents/directors/06/frankenheimer.html "John Frankenheimer"], ''Senses of Cinema'', August 2006. Accessed [[September 2]] [[2007]]</ref>, ever since his 1966 film, ''[[Grand Prix (movie)|Grand Prix]]''. Although action sequences are often shot by a second unit director, Frankenheimer did all these himself. While he was aware of the many innovations in digital [[special effects]] since then, he elected to film all these sequences live, to obtain the maximum level of authenticity. To further this, many of the high-speed shots have the actual actors in the cars. [[Skipp Sudduth]] did nearly all of his own driving, while other cars were right hand drive models with stunt drivers driving - crashes were handled by a stuntman. The chases are also notable for their lack of musical score accompaniment, unusual in modern films.
''Ronin'' is notable for a number of car chases, the last being a particularly lengthy one through the streets and tunnels of [[Paris]]; some scenes used up to 150 stunt drivers. Car work has been a speciality of Frankenheimer, a former amateur racing driver <ref>Bowie, S.[http://www.sensesofcinema.com/contents/directors/06/frankenheimer.html "John Frankenheimer"], ''Senses of Cinema'', August 2006. Accessed [[September 2]] [[2007]]</ref>, ever since his 1966 film, ''[[Grand Prix (movie)|Grand Prix]]''. Although action sequences are often shot by a second unit director, Frankenheimer did all these himself, and sometimes rode along. While he was aware of the many innovations in digital [[special effects]] since then, he elected to film all these sequences live, to obtain the maximum level of authenticity. To further this, many of the high-speed shots have the actual actors in the cars. [[Skipp Sudduth]] did nearly all of his own driving, while other cars were right hand drive models with stunt drivers driving - crashes were handled by a stuntman. To lend additional authenticity, the sound recordist re-recorded many of the vehicles in the chases to ensure that during the editing, the right sounds were dubbed in for each vehicle. The chases are also notable for their lack of musical score accompaniment, unusual in modern films, though the last chase ends with syncopated, non-melodic music. The choice of non-melodic music was easier to edit to, and has since become fashionable in film and television.


The contents of the metal case are never revealed (see [[MacGuffin]]). Mamet has written that he believes revealing such details can be anticlimactic, that a director is wiser to allow the audience's imagination to answer the question. This is a technique Mamet has used repeatedly in his films.
The contents of the metal case are never revealed (see [[MacGuffin]]). Mamet has written that he believes revealing such details can be anticlimactic, that a director is wiser to allow the audience's imagination to answer the question. This is a technique Mamet has used repeatedly in his films. Voting on the film's web site for 'what could be in the case' was enabled for the public. One of the popular suggestions was 'Guinness.'


Porn star [[Ron Jeremy]] had a small role playing a [[fishmonger]] in Paris whose stall is demolished during the chase, but his scene was cut by the studio when audiences laughed as he was recognized.<ref>{{cite news
Porn star [[Ron Jeremy]] had a small role playing a [[fishmonger]] in Paris whose stall is demolished during the chase, but his scene was cut by the studio when audiences laughed as he was recognized.<ref>{{cite news

Revision as of 21:35, 10 August 2008

Ronin
Ronin promotional movie poster
Directed byJohn Frankenheimer
Written byJ.D. Zeik (story)
David Mamet (screenplay,
as Richard Weisz)
Produced byFrank Mancuso Jr.
StarringRobert De Niro
Jean Reno
Natascha McElhone
Stellan Skarsgård
Sean Bean
and Jonathan Pryce
CinematographyRobert Fraisse
Edited byTony Gibbs
Music byElia Cmiral
Distributed byUnited Artists
Release dates
September 12, 1998 (Venice Film Festival)
Running time
121 min.
LanguageEnglish
BudgetUS$55,000,000 (estimated)

Ronin is a 1998 action-thriller film written by J.D. Zeik and David Mamet and directed by John Frankenheimer. It stars Robert De Niro and Jean Reno as two of several former special forces and intelligence agents who team up to steal a mysterious, heavily guarded suitcase while navigating a maze of shifting loyalties and alliances. The film is noted for utilizing some of the most sensational car chases on film.

Plot

In a Paris café, an Irish woman named Deirdre (Natascha McElhone) meets five men, taking them to a warehouse and briefing them on a mission. The men, Spence (Sean Bean), Larry (Skipp Sudduth), Gregor (Stellan Skarsgård), Vincent (Jean Reno) and Sam (Robert De Niro), are all former special forces soldiers or intelligence operatives now working as mercenaries. The team will attack a heavily-armed convoy and steal a suitcase, its contents unknown (a McGuffin). Following the briefing, the team begins assembling their equipment. Deirdre meets with her handler Seamus (Jonathan Pryce), who reveals that Russian gangsters are bidding for the case and that the team must act quickly to intercept it. Later at the warehouse, Spence is exposed as a fraud and is summarily released from the team, who then depart for Nice, where for the next several days they observe the convoy and plan an ambush. The team engages the convoy and pursue the survivors through the surrounding highways in the country. After a lengthy car chase and gun battle, they successfully obtain the case, but Gregor betrays the team and steals the case for himself before disappearing, leaving a fake case that explodes, seriously injuring Larry.

Gregor attempts to sell the case to the Russians but shoots his contact when he attempts betrayal. Gregor contacts Mikhi, the leader of the gangsters and threatens to sell the case to the Irish unless Mikhi pays a grossly inflated price for it, which Mikhi agrees to. Meanwhile, the rest of the team track Gregor through one of Sam's old CIA contacts and corner him in the Roman arena in Arles. Following a tense standoff and hectic firefight with Gregor and the Russians negotiating with him, Gregor escapes the coliseum but is kidnapped by Seamus, who kills Larry and escapes with Deirdre just as Sam and Vincent emerge from the coliseum. Sam, seriously wounded from the fight, is taken by Vincent to his friend Jean-Pierre (Michael Lonsdale) in a villa in rural France. After removing the bullet and allowing Sam time to recuperate, Vincent asks Jean-Pierre to help him locate Gregor, Dierdre and Seamus. Meanwhile, in a Paris slum, Seamus learns that Gregor has mailed the case to himself at a post office in Paris. Later, as they retrieve the case, they are ambushed by Vincent and Sam. Following a high-speed chase through the streets and tunnels of Paris, Vincent shoots out Deirdre's tires and sends her car over a highway overpass. The three are pulled from the car by construction workers shortly before it explodes, and Gregor once again escapes with the case.

Vincent and Sam, considering their options, discover that the case is identical to one used by figure skaters. Intelligence gleaned from Jean-Pierre's contacts also suggest the Russians are involved with figure skater Natacha Kirilova (Katarina Witt), the protégé of Mikhi, who is performing a show at the local arena that night. Vincent and Sam appear at the arena as Mikhi, already there with Natacha, receives a call from Gregor, who demands to meet in a backstage dressing room. At the meet, Mikhi exchanges money for the case when Gregor, prepared to leave, reveals that he has positioned a sniper somewhere in the arena that will shoot Natacha if Gregor is betrayed. Mikhi shoots Gregor regardless, allowing Natacha to be killed, and Mikhi prepares to leave with the case and his money. Meanwhile, Vincent and Sam follow the panicked crowd out of the arena in time to see Seamus ambush and shoot Mikhi before stealing the case. Sam runs ahead of Seamus and finds Deirdre sitting in the getaway car, where he asks her to leave the scene, revealing himself as an agent of the CIA currently pursuing Seamus. Deirdre flees, leaving Seamus to shoot his way past the crowd back to the arena, with Sam in pursuit. In the final gunfight, Seamus wounds Sam and prepares to kill him when Vincent opens fire from the scaffolding, killing Seamus.

Some time later radio broadcasts reveal a peace agreement has been reached between Sinn Féin and the British as a result of Seamus's death. Sam and Vincent share a drink in the same Montmartre café from the first scene and part as friends before Sam drives off with his CIA contact, Vincent disappears up a nearby staircase into gloomy Paris.

Cast

Production

Writer David Mamet is credited as "Richard Weisz", reportedly due to disappointment at having to share credit with Zeik (the originating writer). According to production sources (notably Zeik's lawyer), Mamet's contributions were "minor", limited to adding the character Deirdre and most of De Niro's scenes. According to Frankenheimer, "The credits should read: Story by J.D. Zeik, screenplay by David Mamet. We didn't shoot a line of Zeik's script." [1] This is confirmed by a copy of Zeik's original script, which shows his very minor contributions. [2]

The title is derived from the Japanese term ronin, used for samurai who have no master and whose motivations are largely based on money and survival instead of honor and duty. Many of the characters in the film are unemployed agents set adrift by the end of the Cold War. The film also makes a lengthy reference to the classic Japanese story, the 47 Ronin, further alluding to the identities of the protagonists and antagonists of the film.

Ronin is notable for a number of car chases, the last being a particularly lengthy one through the streets and tunnels of Paris; some scenes used up to 150 stunt drivers. Car work has been a speciality of Frankenheimer, a former amateur racing driver [3], ever since his 1966 film, Grand Prix. Although action sequences are often shot by a second unit director, Frankenheimer did all these himself, and sometimes rode along. While he was aware of the many innovations in digital special effects since then, he elected to film all these sequences live, to obtain the maximum level of authenticity. To further this, many of the high-speed shots have the actual actors in the cars. Skipp Sudduth did nearly all of his own driving, while other cars were right hand drive models with stunt drivers driving - crashes were handled by a stuntman. To lend additional authenticity, the sound recordist re-recorded many of the vehicles in the chases to ensure that during the editing, the right sounds were dubbed in for each vehicle. The chases are also notable for their lack of musical score accompaniment, unusual in modern films, though the last chase ends with syncopated, non-melodic music. The choice of non-melodic music was easier to edit to, and has since become fashionable in film and television.

The contents of the metal case are never revealed (see MacGuffin). Mamet has written that he believes revealing such details can be anticlimactic, that a director is wiser to allow the audience's imagination to answer the question. This is a technique Mamet has used repeatedly in his films. Voting on the film's web site for 'what could be in the case' was enabled for the public. One of the popular suggestions was 'Guinness.'

Porn star Ron Jeremy had a small role playing a fishmonger in Paris whose stall is demolished during the chase, but his scene was cut by the studio when audiences laughed as he was recognized.[4] He is credited as "Ron Hiatt", which is similar to his surname by birth, "Hyatt".

Template:Infobox movie certificates

DVD & Blu-ray Disc release

The DVD release has an extensive, detailed commentary about the making of the film by Frankenheimer, where he explains the production techniques used to realize the high speed chases.

The DVD's paper insert includes excerpts from a Frankenheimer interview in which he discusses the chase through a Paris tunnel that is remarkably similar to the site of Princess Diana's death on 31 August 1997. The filming took place in a different tunnel, however. "Paris has a lot of tunnels," Frankenheimer commented. "That’s part of the thing about the city I wanted people to see. A crash in a tunnel in Paris is about as likely as someone having a crash on a freeway here. It happens all the time." (Rocky Mountain News, September 27, 1998).

The US edition of the original DVD release has several navigational hooks to DVD-ROM content, which were taken advantage of several weeks after the original release of the DVD, on MGM's website during a special 'RONIN' event where viewers would be taken on a guided tour of the making of RONIN. Making-of scenes shot during filming are hidden on the DVD, since they are not present on the main menu of the DVD you can only access them on a computer using the DVD-ROM program that is on the disc or using a DVD viewing program that let you navigate through the titles of the disc manually.

An alternate ending on the DVD depicts Deirdre being ambushed and carried off in a van.

On Oct 11, 2004 a two-disc Special Edition of the movie was released in the US. This new version contain the same things as the old single disc version on disc one and on disc two there are supplemental material about the movie: one documentary, six featurettes and a picture gallery.

A Blu-ray Disc edition was announced but then subsequently postponed by MGM. [5]

References

  1. ^ "We didn't shoot a line...", Find Articles. Inactive link at September 2 2007
  2. ^ J.D. Zeik's first draft of 'Ronin'
  3. ^ Bowie, S."John Frankenheimer", Senses of Cinema, August 2006. Accessed September 2 2007
  4. ^ Glenn Lovell (December 4 2001). "Porn star and documentary subject Ron Jeremy wants respect". San Jose Mercury News. Retrieved 2008-02-11. {{cite news}}: Check date values in: |date= (help)
  5. ^ MGM Yanks 'Ronin,' 'Red Dawn' Blu-ray Releases - High-Def Digest 11/9/07

External links