I Walk the Line (film)
|I Walk the Line|
|Directed by||John Frankenheimer|
|Produced by||Harold D. Cohen
|Written by||Alvin Sargent|
|Based on||An Exile
by Madison Jones
|Music by||Johnny Cash|
|Cinematography||David M. Walsh|
|Edited by||Henry Berman
Harold F. Kress (sup.)
|Distributed by||Columbia Pictures|
I Walk the Line is a 1970 film directed by John Frankenheimer and starring Gregory Peck and Tuesday Weld. The film is the story of Sheriff Henry Tawes (Peck) who develops a relationship with town girl Alma McCain (Weld).
Henry Tawes (Gregory Peck) is an aging sheriff in small-town of Sutton, Tennessee, who is becoming bored with his wife Ellen (Estelle Parsons) and his life. He meets young Alma McCain (Tuesday Weld) and is drawn to her, even though she isn't even half his age.
Alma seduces him, then persuades Tawes to provide protection for her father Carl McCain (Ralph Meeker), who makes moonshine whiskey with an illegal still. Tawes obliges her until a federal agent, Bascomb (Lonny Chapman), turns up. He obeys orders and destroys the still.
A deputy, Hunnicutt (Charles Durning), suspects that Tawes and the young woman are romantically involved. When he tries to take Alma by force, Hunnicutt is killed by the McCains.
Tawes helps dispose of the deputy's body. He decides to take off with Alma and start a new life in California, but finds to his surprise that she and her family have already left. Tawes pursues them, assuming Alma still wants to be with him, but she has other ideas.
- Gregory Peck as Sheriff Tawes
- Tuesday Weld as Alma McCain
- Estelle Parsons as Ellen
- Ralph Meeker as Carl McCain
- Lonny Chapman as Bascomb
- Charles Durning as Hunnicutt
- Jeff Dalton as Clay McCain
- Freddie McCloud as Buddy McCain
- Jane Rose as Elsie
- J.C. Evans as Grandpa Tawes
- Margaret A. Morris as Sybil
- Bill Littleton as Pollard
- Leo Yates as Vogel
- Nora Denney as Darlene Hunnicutt (as Dodo Denney)
Frankenheimer wanted Gene Hackman to play the sheriff, but Columbia Pictures insisted that Peck be cast in the lead since he was under contract to them. Frankenheimer cast J.C. Evans, his wife's grandfather, who was eighty-two years old, to play the sheriff's father; the director called Evans "quite wonderful" but eventually had Will Geer dub his part. During the drive-in scene, the film playing is The Big Mouth, but the posters at the theater list it as Hook, Line & Sinker (both were Jerry Lewis movies). When Sony released it on DVD in 2006, the final shot was altered to show a freeze-frame of Peck's face. In the original version, Peck's face is never frozen, and his eyes are open.
In a December 1970 review, Time magazine summarized the film's main characters:
- "Tuesday Weld is an understandably desirable love object, a genuine Lolita, but she can make little sense of her rather muddy character"
- "Ralph Meeker, as the ruthless moonshiner, is all sinister smiles and barely repressed violence"
- "[Gregory) Peck succeeds in conveying the sheriff's vulnerability but never his passion"
According to TV Guide, "[t]he one reason to watch is the astonishing, unsung Weld, the modern Louise Brooks, who can suggest amorality, skewed innocence and ageless sensuality—she played nymphets through her thirties with infinite ease—that makes Bardot pale."
In an interview published in October 2009, Madison Jones, the author upon whose novel the film's screenplay was based, said Peck "didn’t really fit the role.... He didn’t really fit any role unless he is playing himself." According to Jones, "Peck himself said there was a good movie lying on the cutting-room floor."
Cash re-recorded the title song for the film, and ended up with enough material for a soundtrack album. One of the songs, "Flesh and Blood," even became a number one country hit in 1971. The soundtrack featured three songs not heard in the film ("This Town", "Face of Despair" and "The World's gonna Fall On You").