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<ref>Rock Movers & Shakers by Dafydd Rees & Luke Crampton, 1991 Billboard Books.</ref> <references/>
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{{Aerosmith}}
{{Aerosmith singles}}
{{Aerosmith singles}}



Revision as of 22:42, 4 November 2008

"Sweet Emotion"
Song
B-side"Uncle Salty"
"Sweet Emotion"
Song

"Sweet Emotion" is a song by American rock band Aerosmith. It was released in 1975 as the first single from the band's breakthrough smash Toys in the Attic. The song began a string of pop hits and large-scale mainstream success for the band that would continue for the remainder of the 1970s. The song was written by lead singer Steven Tyler and bassist Tom Hamilton.

Success

"Sweet Emotion" was released as a single in 1975, and peaked at #36 on the Billboard Hot 100, becoming the band's breakthrough single and the first Top 40 hit for the band. The day it hit #36 on the U.S. chart, July 19, 1975, Aerosmith was booked at a gig in New York City's Central Park, called the Schaefer Music Festival. The song was so successful that the band decided to ride the heels of success and re-release their first single, "Dream On", which had originally charted at #59 in 1973. The re-released version went on to hit #6, the highest chart performance in the 1970s for the band.

Lyrical interpretation

Many Aerosmith fans believe that Steven Tyler wrote all of the lyrics to the song about the tension and hatred between the band members and Joe Perry's wife. While this is partially true, Steven Tyler himself has said that only some of the lyrics were inspired by Perry's wife. It was stated in Aerosmith's tell-all autobiography Walk This Way and in an episode of Behind the Music that growing feuds between the band members' wives (including an incident involving "spilt milk") may have helped lead to the band's original lineup dissolving in the early 1980s.

In the film Be Cool, John Travolta determined that Steven Tyler wrote "Sweet Emotion" because of the emotion he felt as being a father for the first time. This interpretation cannot be true because Tyler's first born, Liv Tyler, was born in 1977, 2 years after the song was written.

Music Video

The video for the re-released version (mentioned in a later section) is said to be based on a phone sex conversation. In the video, it shows a young man under his covers with a magazine which is advertising a phone sex line. The boy and girl talk about each other for a bit, until it goes into a shot of the band performing in someone's basement (This portion of the video was actually recorded in the band's old apartment on 1325 Commonwealth Ave. in Boston) It switches in between Aerosmith performing Sweet Emotion and the phone conversation. At the very end, it is revealed that the sexy woman the young man is talking with is not what he sees her as in his mind. She is shown to be an overweight older woman with a baby living in a poor house.

Song structure

The beginning of the song is a repeating bass riff by Tom Hamilton that continues throughout the rest of the song. There is also usage of a talk-box in the beginning by Joe Perry, which has become one of the more popular and famous uses of the guitar talk box in popular music (Joe Perry can be heard saying the title). Eventually Steven Tyler joins in, saying "Sweet Emotion" slowly, in sync with the talk-box, or vocoder. After that, the song kicks into a more rocking number with dueling guitars, and rapid-fire angry-sounding lyrics by Steven Tyler. The chorus in the song consists of a repeating guitar riff followed by a slow singing of "Sweet Emotion" twice. The band supposedly used a packet of sugar as the percussion instrument for the intro. In live performance this sound is duplicated by Steven Tyler with maracas.

On Aerosmith's Greatest Hits, the 1980 compilation album, "Sweet Emotion" appears in edited form. The bass solo and vocoder part that opens the song has been cut, and the track begins with the chorus that precedes the first verse. The guitar solo at the end of the song was also excised, and the track concludes with the chorus, which repeats as the song fades out. This same edit was used for the original single release of the song, which was quickly replaced in subsequent pressings with the album version from Toys in the Attic.

Live in concert

Ever since its inception, the song has been a live staple at Aerosmith concerts, and even to this day, the band almost never omits it from the setlist. Live, this song is Joe Perry's feature solo spot, of late complete with elaborate lights, smoke, theremin, and a variety of guitar tricks, as well as an extended guitar solo. The song is also a feature live spot for Tom Hamilton, as it is one of the more prominent Aerosmith songs featuring an opening bass solo. He often does an extended bass solo before the band goes into the song. In concert, Steven Tyler is also known to substitute racier lyrics such as "I'll be comin' in your hand" instead of "I'll be eatin' from your hand"; has also on occasion replaced "I can't say baby where I'll be in a year" with "I've got the garage but I'll park it in the rear" (a seeming reference to anal sex); and is also known to grab or point to his crotch, during the lyrics "my get up and go". Steven Tyler also often encourages the crowd to chant "yeah...yeah...yeah..." during the repeating guitar riffs preceding the choruses. Aerosmith have also performed the song with 90s rock quartet Stone Temple Pilots.

Legacy

The song has been included on almost every Aerosmith compilation and live album, including Aerosmith's Greatest Hits, Pandora's Box, Pandora's Toys, O, Yeah! Ultimate Aerosmith Hits, Devil's Got a New Disguise, Live! Bootleg, Classics Live I, A Little South of Sanity, Greatest Hits 1973–1988 and Rockin' the Joint.

The song is frequently cited as Aerosmith's signature song, including in the World Almanac and Book of Facts, and regularly competes with "Dream On" and "Walk This Way" for the title of Aerosmith's "signature song" elsewhere.

It is often included on "greatest song" lists or "greatest rock song" lists, including a ranking of #408 on Rolling Stone magazine's 500 Greatest Songs of All Time.

Re-Release

The original recording was remixed by David Thoener and released as a single in 1991 in coordination with the release of the band's box set Pandora's Box.(While it was released in conjunction with Pandora's Box, the remixed version did not appear on that release.) A new music video was filmed and released in support of the single. The re-released version reached #36 on the Mainstream Rock Tracks chart and #74 in the United Kingdom. The remixed version was later issued on the soundtrack to the 1998 film Armageddon.

Cultural References

References

[1]

  1. ^ Rock Movers & Shakers by Dafydd Rees & Luke Crampton, 1991 Billboard Books.