Talk:Pibroch

Ancient?

Why is pìoraireachd referred to as "ancient" multiple times in this article? That is a rather slippery term, but none of the evidence here points to it being older than the late Renaissance, which generally does not qualify as "ancient"?

My suspicion is that the term represents the "bagpipes are an ancient Celtic heritage" story put forth in the nineteenth and early twentieth centuries and still maintained by many. I am going to edit this word out. If someone has a justification for reverting, please do so, but explain why the term is justified or, better yet, use more precise terminology than ancient, which is very imprecise.

Also, given the use of dates in this article, some sort of citation is needed for the statements of fact. For instance, it states that most pìoraireachd was composed prior to 1745. How do we know that? I presume it has something to do with the Jacobite Rising, but the connection is obscure at present. +Fenevad 13:51, 12 January 2007 (UTC)

I don't know if anyone has done any serious analysis of composition dates: it would be a fairly pointless endeavour as so much of the repertoire is undated. It seems a reasonable guess, though, that the split is about 50/50 pre and post c.1750 (there is no connection with the Jacobite Rising), the bulk being of 18th century origin. Some of the tunes have potential connections to events in the 14th and 15th centuries, although there is no evidence for their antiquity (other than internal). It is also possible that original melodies were later adopted for the pipe.

As for the use of the word 'ancient', most of the piping literature uses that term simply because of the time scale compared with the serious development of the light music. If it is inconsistent with the rest of the encylopedia, then there is no great reason to keep it. Calum 17:17, 13 January 2007 (UTC)

Excellent point. It's wearying to read all the myths surrounding Scottish heritage and particularly bagpipes - especially the tired old saw about the pipes being banned under Proscription or the notion that clan tartans existed before Culloden, etc. It is refereshing to see all this stuff put back into its proper historical perspective. If anyone can prove that piobaireachd dates back to before Proscription, feel free, but like the rest of the fantasy, I doubt anything concrete will turn up.139.48.25.61 (talk) 16:17, 28 July 2008 (UTC)

Tartans being specific to a particular clan were a quite "recent" invention by certain people in London at the time when "all things Scottish" became fashionable under Queen Victoria. Prior to that time, the Scots wore any tartan that pleased them. However, as a Highland piper since 1975, and having read from an excellent collection of piping history books, it is clear to me that the roots, at least, of Piobaireachd go back to around the Medieval time period. As to whether or not that constitutes "ancient" is probably a matter of opinion. I doubt if there is a hard definition of "ancient". Now, as far as the pipes being banned is concerned, Seumas MacNeill, in his preface to Angus MacKay's book, A Collection of Ancient Piobaireachd, first published in 1838, and republished in 1972, specifically says, "The Disarming Act, which lasted until 1782, made piping illegal." Although at this late date (in my life) I cannot specifically reference from which book I read about it, I do remember reading other details about "The Disarming Act". I also remember reading about a specific instance when a piper was hanged for violating this act. Perhaps further research is necessary. Calum's comments are quite accurate. KenGordon (talk) 16:14, 23 August 2008 (UTC)

Dating piobaireachd is a mug's game. We know too little. Certain melodies almost certainly date from medieval times; the bulk though seem unlikely to be much earlier than 1600 or so. As for the Disarming Act, look up a copy and read it. Bagpipes are not mentioned and were never proscribed. The entire thing appears, as far as anyone has managed to show, to have been started in the introduction to Donald MacDonald's published book of piobaireach. Whoever wrote it, it was not MacDonald - apart from the flowery language of the Romantic period (MacDonald barely spoke English), he would have known perfectly well that pipes were never banned. James Reid was hanged for being a traitor (rightly or wrongly). He claimed somewhat disingenuously to have been only a musician, and the judge's remarks have gone down in history as the damning proof that pipers were severely oppressed. Calum (talk) 15:09, 18 March 2009 (UTC)

There are some key issues here that need to be addressed. 1) Bagpipes themselves are known to be "ancient" as they have been depicted in carvings of ancient peoples such as the egyptians. The progression of piping instruments and piping styles has been a gradual and essentially continual process since anicient times, with several different idioms of piping having emerged. What this says is that Piobaireachd has to be considered a musical style which has derived from Celtic Cultures (not just Scotland) and adapted for use on the particular bagpipes used in the Celtic Cultures of Scotland and Ireland. Piobaireachd then has a dependence on the type of bagpipe that was in use at the time. I believe evidence exists that the Great Highland Pipe instrument has been around in it's basic form since Medieval times, circa 1500 AD, although no specimen of a GHP exists to my knowledge. 2) Piobaireachd as a musical idiom can be considered much older than the written music. Piobaireachd as well as other forms of pipe music has tradtionally been taught by singing and memorization. Most pipers in earlier periods and right up to the 18th century were often illiterate and not familiar with written musical scores. So, music was passed on by memory. This also the case with other Celtic music forms such as bardic histories, which were sung to the accompaniment of the clarsach, within Celtic circles. The earliest Piobaireachd was most likely an adaptation of simple musical phrases that were already in existence as bardic tunes or folk tunes. It would be difficult to place a timeframe on such tunes, other than we know the clarsach itself is also an "ancient" instrument and was commonly used by the Keltoi in Roman Britain where bardic practices existed.

So, In a sense I believe Piobaireachd can be considered an "old" musical idiom that was developed out of traditional bardic and folk music common in the Celtic people groups of ancient Britain. It is older than "classical music" but perhaps not as old as "ancient". I therefore recommend NOT using any time period, but introducing some background history to qualify the time epochs covered. Tom Na Glen (talk) 14:09, 27 February 2009 (UTC)

There are NOT carvings of Egyptians or other ancient mid-eastern peoples with bagpipes. There is a mention of the Roman emperor Nero being a piper, then NOTHING shows evidence of bagpipes anywhere in the world until the 9th century in Europe, after which time illuminated manuscripts, stone carvings, written descriptions, and paintings emerge around central, western, and southeastern Europe. There is no evidence for piping in any Arabic-speaking area until recently, not even in the medieval period. As for Great Highland Pipes, we know from the portrait of the Piper to the Laird of Grant that they existed in their present form in 1714, but prior to that, we can only guess; the closest thing are written descriptions that could be interpreted a variety of ways. User:ravenman2000 20:56, 17 March 2009 (UTC)

In regard to Egyptians and bagpipes the link that historians make is that there is believed to be a chanter like instrument that was played. In addition there is speculation that a drone may have been played in accompaniment to the chanter by a separate person. It is then believed that the addition of a bag to the mix was around the 9th century. Many people make the assumption that the pipes made their journey through Ireland along with Gaelic and that the Irish and Scottish pipes would have been comparable. It is however a purely Scottish act of introducing a second tenor drone. As has been mentioned that occurred some time before the 18th century. (Rtc872 (talk) 08:18, 10 May 2009 (UTC))

Fair enough, but just note that chanter-like instruments (and mouth-blown drone accompaniment, like the ancient British triple-pipe) were played all over the world from the earliest evidence, including Asia and Europe, not just Egypt, so an Egyptian origin is completely unfounded, as is any Egyptian influence on proto-bagpipes. The best evidence points to a central European development. In a romanticized attempt to instill a sense of antiquity to piping, the early College of Piping tutor claimed ancient Egyptian origins, pulling the statement out of thin air and with no evidence whatsoever. It's a shame, but that same make-believe statement has been repeated over-and-over so many times that many casual pipers today actually believe that ancient Egyptians somehow contributed to the eventual development of piping. —Preceding unsigned comment added by Ravenman2000 (talk • contribs) 04:08, 20 June 2009 (UTC)

Actually, the Egyptians did have a bagpipe sort of thing. Certainly the Romans did and it is said the idea was picked up by the Celts from their contact with the Romans. It would be nice to know for sure. Gingermint (talk) 22:12, 28 September 2009 (UTC)

Just Scottish?

I'm wondering if this is a musical art form from Scotland. Or is it from Wales or Ireland and wound up in Scotland? And do all Celts have this music? I don't know and I'm not finding it out from this article. There's certain things assumed in this article that should not be. Gingermint (talk) 22:12, 28 September 2009 (UTC)

Example

It would be good to see a brief musical example in notation. Gingermint (talk) 22:12, 28 September 2009 (UTC)

Baroque

It is said that the style of Pìobaireachd is owed partly to the somewhat florid, intricate style of the Baroque. Can we find some sort of ... anything ... on this. Either a yay or nay, but it would be good to have this addressed. Gingermint (talk) 22:18, 28 September 2009 (UTC)

It's a considerable stretch to say that it *developed* from the baroque (though it is equally important to stress that it didn't develop in a musical vacuum, either), but a fair point that there is a similarity, in that both tend to build ornate rhythmic structures on a theme. Calum (talk) 09:32, 1 October 2009 (UTC)

IPA pronunciation

Aren't the /p/ and /r/ supposed to be palatalized? 71.13.148.220 (talk) 03:48, 29 April 2009 (UTC)

I'm afraid I don't speak IPA, so I can only be of limited help here. By palatalise, I presume you mean bringing the tongue up to the top of the palate? As pronounced by English speakers, I would say not - however, it's not an English word! The Gaelic pronunciation, though, will differ widely depending on the region. Calum (talk) 08:53, 1 May 2009 (UTC)

The word is "Pibroch"

I'm sorry, but the spelling "pìobaireachd" is reconstructive hogwash.

The Gaelic word "pìobaireachd" is not equivalent to "pibroch" as it merely means (as stated in the article) pipe music or the act of "piping". In Gaelic the term for pibroch music is "an ceòl mór" (lit. "the big music").

This sort of abuse of the Gaelic term is unwarranted and confusing to many people. Let's stick with the accepted term and not some illiterate, pretentious, hyper-correct Celtic mist nonsense, shall we?

80.192.26.229 (talk) 16:25, 16 October 2009 (UTC)

Calm down. What did Donald MacDonald call it? What did MacLeod of Gesto call it? What does the foremost society dedicated to its study and performance call itself? The English word "pibroch" is an anglicisation, most likely due to Scott. It is no better or worse a term than piobaireachd, or ceol mor. And everybody and his dog now calls it piobaireachd, most often without the pretentious and hyper-correct grave accents. Calum (talk) 12:12, 20 October 2009 (UTC)

Sorry, but as far as I'm concerned, the Piobaireachd Society is about as pretentious as anything on this planet.

Besides, why shouldn't a word in English be anglicised?

80.192.26.229 (talk) 12:59, 21 October 2009 (UTC)

Because it is not an English word, it is a Gaelic word which does in fact have a specific meaning, as well as its general translation. And nonetheless, it has been the Piobaireachd Society for 106 years now and your point of view has yet to result in a name change. Just for giggles, what's the earliest cite you can find for the expression "ceol mor"? Calum (talk) 13:38, 23 October 2009 (UTC)

The DSL has citations for "pibroch" going back as far as 1719, which is almost 3 times as long ago as the Society has been going, but of course that's Scots rather than English. It's worth noting that was before Walter Scott's birth, if that's the Scott you're referring to.

Prof Wrong (talk) 21:47, 30 October 2009 (UTC)

That's interesting, thanks for that. I had always assumed that Walter Scott had come up with the term. To be honest, though, most of the citations do not clarify what is actually meant by the word "pibroch" as used at that time...so I'm back to my original conclusion that in English, piobaireachd or ceol mor are probably better designations. Besides, I find "pibroch" aesthetically offensive :p Calum (talk) 11:17, 5 November 2009 (UTC)

Doesn't it seem a bit daft to have Gaelic pronunciation for a word that is allegedly now part of the English language?

As to the citations, I think there's more than enough in the quotes to conclude that they are for the most part referring to the ceòl mór:

*Quhyle, playand Pibrochs, Minstralls meit Afore him stately strade. The "stately" stride is still a major part of pibroch perfomance.

*Donald, ye may gang and entertain her with a pibroch of Macreemon's composition. The MacCrimmons were particularly famous for their pibrochs, weren't they?

*He breaks your rest with a jigg, and rushes on you with all the martial strains of a peebruch. By contrast with "jigg", it is clear that the author is using "peebruch" as a genre, not pipe music as a whole.

The dictionary makes it clear that the word has occasionally been extended beyond ceòl mór, but that the overwhelming body of evidence examined leads the compilers to conclude that the term generally does mean ceòl mór.

The DSL is a prime source, and it is not WP's place to be trying to reevaluate the data in one of the few primary sources available on this matter. You may still argue that the word "pibroch" shouldn't be the main article title as it is attested as Scots, not English, but it still deserves far more prominence than it currently has in the article.

Prof Wrong (talk) 15:55, 4 February 2010 (UTC)

Well, in a sense yes but only because this page is named badly. It should be at pibroch really. I must admit to this being OR but in all my time in the Gaelic scene I have never heard a Scot refer to it as pìobaireachd, it's always pibroch for non-Gaelic speakers. I'd personally recommend we move the page to Pibroch and put in a section explaining the derivation of it from pìobaireachd and the discrepancy to Gaelic ceòl mòr. Akerbeltz (talk) 15:56, 4 February 2010 (UTC)

The OED also gives "pibroch" as the headword, with "piobaireachd" (no accent) as an alternative. (Of course, it cites the same (Scots) quotations as the DSL.) I'd give more weight to the OED as a primary source than the Society. Prof Wrong (talk) 19:34, 4 February 2010 (UTC)

The poor man's corpus also would support pibroch being the more common English term with 86,000 for pibroch and 40,000 for piobaireachd (the latter of course includes all the Gaelic pages using the term). I say we move it. Akerbeltz (talk) 20:45, 4 February 2010 (UTC)

Works better now. Though we now need an admin to move it to Pibroch. Akerbeltz (talk) 23:07, 5 February 2010 (UTC)

 Done. JohnCD (talk) 20:37, 12 February 2010 (UTC)

What do the pipers call it? I don't know which spelling is older or which one was more common two hundred years ago, but I do know how it is spelled today by those who play it. As a grade 3 piper, I compete inside the BCPA. When I download entry forms for competitions, they always list the event as "Piobaireachd." I have always been under the impression that the English spelling was only used informally, so I was outraged when I saw that Wikipedia had changed the name of this article. Now I am wondering: does the usage of the two spellings vary by region? I have never traveled far, but none of the pipers I have met use "Pibroch" except in text messages or other informal contexts. Unless I am mistaken, the vast majority of those who are involved in this art form would consider the Gaelic spelling to be more appropriate in a formal setting such as an encyclopedia. Please reconsider this decision. 76.27.200.25 (talk) 07:24, 20 May 2010 (UTC)

Deindenting for clarity. The Scots Guard tunebooks use the term "Ceol Mor". The booklet accompanying the CD "Dastirum" by Allan MacDonald -- one of the most import pibroch recordings in history, by one of the greatest spokesmen for the form -- uses "pibroch" consistently. It's worth noting that Allan is a native Gael. Donald Black has made the world's only recording of "pibroch" on the harmonica. But yes, other people do use "piobaireachd". We could sit down and do a full statistical study of the usage of the term, but that would constitute original research, and would have no weight against the fact that the dictionary says "pibroch". Prof Wrong (talk) 08:50, 20 May 2010 (UTC)

The Scots Guards tunebooks were not written by scholars, but by practising musicians. The text for Dastirum was written by Barnaby Brown, who doesn't represent the mainstream of piobaireachd scholarship (not making a judgement here, by the way). And I don't really think harmonica players are relevant. As for dictionaries that have not been updated since the days when the Highlands were run as an English colony, I am not much swayed. Scholars like William Donaldson and Hugh Cheape use the Gaelic spelling. The piping media use the Gaelic spelling. Pipers use the Gaelic spelling. The Piobaireachd Society uses the Gaelic spelling. The editor of Grove's dictionary might not, but the editors of Grove never asked a piper about anything when they wrote their dictionary. Calum (talk) 20:22, 20 May 2010 (UTC)

It was written by Barnaby AND Allen MacDonald and you can't complain about his credentials. I would just like to point out that piobaireachd is NOT the Gaelic spelling. Pìobaireachd is. And very few non-speakers manage the correct output, which is /pʰiːpɛɾʲəxk/ - however they spell it, it comes out as pib(e)roch. Akerbeltz (talk) 20:39, 20 May 2010 (UTC)

Actually, I don't have a lot of time for many of Allan's theories, despite his musicianship, but expounding on it here would be pretty pointless, not to mention straying well into OR territory. The booklet is not credited to Allan. As for the grave accent, well, it's not in my McLennan :p Calum (talk) 22:16, 20 May 2010 (UTC)