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| location= Edinburgh
| location= Edinburgh
| pages= 683–685
| pages= 683–685
| isbn= 1-84195-017-3}}</ref> is an [[English people|English]] [[guitarist]], [[songwriter]], [[Painting|painter]] and [[experimental music]]ian. He currently lives in [[Selby]].
| isbn= 1-84195-017-3}}</ref> is an [[English people|English]] [[guitarist]], [[songwriter]], [[producer]], [[Painting|painter]] and [[experimental music]]ian. He currently lives in [[Selby]].


==Career==
==Career==

Revision as of 14:50, 27 October 2011

Bill Nelson
Massey Hall, Toronto, 22 October 1977
Massey Hall, Toronto, 22 October 1977
Background information
Birth nameWilliam Nelson
GenresExperimental rock, Art rock, New Wave, Post-punk, Ambient experimental music
Occupation(s)Musician, songwriter, artist
Instrument(s)Vocals, guitar, keyboards, drums, bass, percussion
Years active1970–present
LabelsEMI, Emigma, CBS, Twentythree Records, Populuxe Records, Sonoluxe, Cocteau Records
Websitehttp://www.billnelson.com/

Bill Nelson (born William Nelson, 18 December 1948, Wakefield, West Yorkshire, England)[4] is an English guitarist, songwriter, producer, painter and experimental musician. He currently lives in Selby.

Career

Born to Walter Nelson, a musician, he also had a brother who was involved in music: Ian (1956–2006), and who collaborated on the Be-Bop Deluxe song "Ships In The Night", and formed the band Fiat Lux.

1970s

Nelson was educated at the Wakefield College of Art, where he developed an interest in the work of poet and filmmaker Jean Cocteau. At this time he was also developing as a musician, drawing upon Duane Eddy as a primary guitar influence.

His first record was a brief contribution on the album A-Austr, with Chris Coombs, Brian Calvert, Brian Wilson, Ted Hepworth and Mike Levon. Levon recorded and produced the album A-Austr: Musics from Holyground which appeared on the Holyground label in 1970. After that Nelson appeared in a much more substantial role with "Lightyears Away" on Astral Navigations released in 1971. One track from this also gave Nelson his first airplay by John Peel,[4] "Yesterday", written by Coombs, where Nelson's lead guitars were recorded by Levon in an acid rock style, supporting Coombs' stylophone riff.

Nelson's debut solo album Northern Dream drew more attention from Peel on his national BBC Radio 1 programme in the United Kingdom, and this eventually led to Nelson's band Be-Bop Deluxe signing to EMI. All of the Nelson recordings made at Holyground were released in February 2001 on the CD, Electrotype. Shortly after this, Be-Bop Deluxe were signed to EMI, releasing Axe Victim.

After the breakup of Be-Bop Deluxe, Nelson created Red Noise (releasing the Sound on Sound album), but eventually settled into a career as a solo musician, recording albums in the early electropop vein such as The Love That Whirls and Quit Dreaming and Get On the Beam. Many of these albums were released with bonus tracks, including records featuring experimental ambient instrumentals. For a period between the late 1970s and early 1980s, Nelson self-produced on his Cocteau label a plethora of releases, consisting of solo synthesizer and keyboard instrumental pieces.[4] Many were later released on the short-lived Enigma label.

1980s

In mid 1980 Nelson released "Do You Dream In Colour?", and after airplay on BBC Radio 1, the single reached #52 in the UK Singles Chart.[5]

He was hired by British synthpop artist Gary Numan to produce his 1983 album Warriors, with Numan claiming that Bill Nelson was his "favourite guitar player, bar none." However, the two musicians failed to maintain a working relationship, and ultimately Nelson chose not to be credited for his role on the album. Nelson also contributed towards several tracks on David Sylvian's Gone to Earth (1986).

Nelson had bad luck with major record labels in the 1980s. A deal with CBS Records went sour, leaving one album, Getting the Holy Ghost Across (U.S. title: On a Blue Wing). Nelson and his manager Mark Rye had formed the Cocteau Records label in 1981, and for many years this label handled the majority of Nelson's output, which often included multiple albums per year. Among the more ambitious Cocteau releases were the four-record boxed set of experimental electronic music, Trial by Intimacy (The Book of Splendours), and the later ambient collection, Chance Encounters in the Garden of Lights, which contained music informed by Nelson's Gnostic beliefs. In the late 1980s, Nelson signed to Enigma Records, who went out of business, although they had just re-released his entire Cocteau catalogue.

As the 1980s ended, Nelson suffered a series of personal setbacks, including a divorce, tax problems, and an acrimonious dispute with his manager over his back catalogue rights. In the case of one album, the unreleased Simplex, Nelson discovered his manager had been selling copies via mail order without Nelson's authorisation or knowledge; Nelson claims he never received any royalties from these sales.[6]

1990s

In the 1990s he released the 4-CD box set, Demonstrations of Affection, and he worked on some guitar-based instrumental projects such as the albums Crimsworth and Practically Wired, or How I Became Guitar Boy. Further large scale improvised offerings included My Secret Studio and Noise Candy.

By 1996, Nelson's troubles with his former manager were resolved in a lawsuit which enabled Nelson to recover much of his back catalogue.[citation needed] A fully authorised version of the Simplex album was released in 2001.

In the late 1990s, Nelson created the Populuxe label, with a distribution arrangement with Robert Fripp's Discipline Global Mobile, but his relationship with them had stagnated and Nelson's last release on that label was Atom Shop in 1998. Subsequent releases have been on other imprints such as Toneswoon and Voiceprint as well as direct mail-order releases.

2000s

2002 saw the release of Three White Roses and a Budd, (with Fila Brazillia and Harold Budd) on Twentythree Records.

By 2006, Universal Music (UK) re-issued three Mercury albums; Quit Dreaming and Get on the Beam, The Love that Whirls, and Chimera all have been remastered, and released with bonus tracks. The lone CBS album, Getting the Holy Ghost Across/On a Blue Wing, has also been re-issued, with all the original tracks and extras on Nelson's Sonoluxe imprint.

An annual event known as 'Nelsonica' is held every year in Yorkshire, at which Nelson makes a rare public performance. He has recently released the first part of an autobiography.

Discography

Albums

References

  1. ^ Billnelson.com
  2. ^ "Drastic Plastic" booklet
  3. ^ Vintageguitar.com
  4. ^ a b c Strong, Martin C. (2000). The Great Rock Discography (5th ed.). Edinburgh: Mojo Books. pp. 683–685. ISBN 1-84195-017-3.
  5. ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 389. ISBN 1-904994-10-5.
  6. ^ link Nelson vs. Rye

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