Johann Nepomuk Hummel

"Johann Hummel" redirects here. For the German painter, see Johann Erdmann Hummel.

Johann Nepomuk Hummel

Johann Nepomuk Hummel (November 14, 1778 – October 17, 1837) was an Austrian composer and virtuoso pianist. His music reflects the transition from the Classical to the Romantic musical era.

Life

Hummel was born in Pressburg, Kingdom of Hungary, then a part of the Austrian Habsburg Monarchy (now Bratislava in Slovakia). His father, Johannes Hummel, was the director of the Imperial School of Military Music in Vienna and the conductor there of Emanuel Schikaneder's theater orchestra at the Theater auf der Wieden; his mother, Margarethe Sommer Hummel, was the widow of the wigmaker Josef Ludwig. He was named after St John of Nepomuk. Wolfgang Amadeus Mozart offered the boy music lessons at the age of eight after being impressed with his ability. Hummel was taught and housed by Mozart for two years free of charge and made his first concert appearance at the age of nine, at one of Mozart's concerts.

Hummel's father then led him on a European tour, arriving in London, where he received instruction from Muzio Clementi and stayed for four years before returning to Vienna. In 1791, Joseph Haydn, who was in London at the same time as young Hummel, composed a sonata in A-flat for Hummel, who played its premiere in the Hanover Square Rooms in Haydn's presence. When Hummel finished, Haydn reportedly thanked the young man and gave him a guinea.

Hummel in 1814

The outbreak of the French Revolution and the following Reign of Terror caused Hummel to cancel a planned tour through Spain and France. Instead, he returned to Vienna, giving concerts along his route. Upon his return to Vienna he was taught by Johann Georg Albrechtsberger, Joseph Haydn, and Antonio Salieri.

At about this time, young Ludwig van Beethoven arrived in Vienna and took lessons from Haydn and Albrechtsberger, becoming a fellow student and a friend. Beethoven's arrival was said to have nearly destroyed Hummel's self-confidence, though he recovered without much harm. Despite the fact that Hummel's friendship with Beethoven was often marked by ups and downs, the mutual friendship developed into reconciliation and respect. Hummel visited him in Vienna on several occasions, with his wife Elisabeth and pupil Ferdinand Hiller. Following Beethoven's wishes, Hummel improvised at the great man's memorial concert. It was at this event that Hummel became good friends with Franz Schubert. Schubert dedicated his last three piano sonatas to Hummel. However, since both composers had died by the time of the sonatas' first publication, the publishers changed the dedication to Robert Schumann, who was still active at the time.

In 1804, Hummel became Konzertmeister to Prince Esterházy's establishment at Eisenstadt. Although he was performing many of the duties of Kapellmeister because Haydn was not not healthy enough to perform them, he was still called the concertmaster in honor of Haydn. But when Haydn died in May 1809, Hummel started to be called the Kappellmeister, or music director, of the Eisenstadt court. He was in the service of Prince Esterházy for seven years before being dismissed in May 1811 for neglecting his duties. He then returned to Vienna. After composing for two years, he married the opera singer Elisabeth Röckel in 1813. The next year, he toured Russia and Europe at the request of his wife. They had two sons.

Hummel later held the position of Kapellmeister in Stuttgart from 1816 to 1819 and in Weimar from 1819 to 1837, where he formed a close friendship with Goethe. He learned about the aesthetic quality of the poetry of Schiller, who had died in 1805. During Hummel's stay in Weimar, he made the city into a European musical capital, inviting the best musicians of the day to visit and make music there. He started one of the first pension programs for fellow musicians, giving benefit concert tours when the musicians' retirement fund ran low. Hummel was one of the first to fight for musical copyrights against intellectual pirating. In 1832, at the age of 54, Hummel started to dedicate less energy to being the music director at Weimar, for he was too sick to continue his responsibilities there fully. Also, Goethe had died in March 1832, so he had fewer people to converse with at the Weimar theater. As a result, he was in a period of partial retirement from 1832 until his death in 1837.

Influence

Bust of Hummel near the Deutsches Nationaltheater in Weimar

While in Germany, Hummel published A Complete Theoretical and Practical Course of Instruction on the Art of Playing the Piano Forte (1828), which sold thousands of copies within days of its publication and brought about a new style of fingering and of playing ornaments. Later 19th century pianistic technique was influenced by Hummel, through his instruction of Carl Czerny who later taught Franz Liszt. Czerny had transferred to Hummel after studying three years with Beethoven.

Hummel's influence can also be seen in the early works of Frédéric Chopin and Robert Schumann, and the shadow of Hummel's Piano Concerto in B minor as well as his Piano Concerto in A minor can be particularly perceived in Chopin's concertos. This is unsurprising, considering that Chopin must have heard Hummel on one of the latter's concert tours to Poland and Russia, and that Chopin kept Hummel's piano concertos in his active repertoire. Harold C. Schonberg, in The Great Pianists, writes "the openings of the Hummel A minor and Chopin E minor concertos are too close to be coincidental". In relation to Chopin's Preludes, Op. 28, Schonberg says: "It also is hard to escape the notion that Chopin was very familiar with Hummel's now-forgotten Op. 67, composed in 1815 – a set of twenty-four preludes in all major and minor keys, starting with C major".

Robert Schumann also practiced Hummel (especially the Sonata in F-sharp minor, Op. 81), and considered becoming his pupil. Liszt's father Adam refused to pay the high tuition fee Hummel was used to charging (thus Liszt ended up studying with Czerny). Czerny, Friedrich Silcher, Ferdinand Hiller, Sigismond Thalberg, and Adolf von Henselt were among Hummel's most prominent students. He also briefly gave some lessons to Felix Mendelssohn.

Music

See also: List of compositions by Johann Nepomuk Hummel

Hummel's music took a different direction from that of Beethoven. Looking forward, Hummel stepped into modernity through pieces like his Sonata in F-sharp minor, Op. 81, and his Fantasy, Op. 18, for piano. These pieces are examples where Hummel may be seen to both challenge the classical harmonic structures and stretch the sonata form.

His main oeuvre is for the piano, on which instrument he was one of the great virtuosi of his day. He wrote eight piano concertos, ten piano sonatas (of which four are without opus numbers, and one is still unpublished), eight piano trios, a piano quartet, a piano quintet, a wind octet, a cello sonata, two piano septets, a mandolin concerto, a mandolin sonata, a Trumpet Concerto in E major written for the Keyed trumpet (usually heard in the more convenient E-flat major), a "Grand Bassoon Concerto" in F, a quartet for clarinet, violin, viola, and cello, four hand piano music, 22 operas and Singspiels, masses, and much more, including a variation on a theme supplied by Anton Diabelli for Part II of Vaterländischer Künstlerverein.

Hummel's output is marked by the conspicuous lack of a symphony. Of his eight piano concertos the first two are early Mozartesque compositions (S. 4/WoO 24 and S. 5) and the later six were numbered and published with opus numbers (Opp. 36, 85, 89, 110, 113, and posth 1).

A full list of Hummel's works is available online.

Last years and legacy

Hummel's grave on the Historical Cemetery, Weimar

At the end of his life, Hummel saw the rise of a new school of young composers and virtuosi, and found his own music slowly going out of fashion. His disciplined and clean Clementi-style technique, and his balanced classicism, opposed him to the rising school of tempestuous bravura displayed by the likes of Liszt. Composing less and less, but still highly respected and admired, Hummel died peacefully in Weimar in 1837. A freemason (like Mozart), Hummel bequeathed a considerable portion of his famous garden behind his Weimar residence to his masonic lodge. His grave is in the Historical Cemetery, Weimar.

Although Hummel died famous, with a lasting posthumous reputation apparently secure, his music was quickly forgotten at the onrush of the Romantic period, perhaps because his classical ideas were seen as old-fashioned. Later, during the classical revival of the early 20th century, Hummel was passed over. Like Haydn (for whom a revival had to wait until the second half of the 20th century), Hummel was overshadowed by Mozart. Due to a rising number of available recordings and an increasing number of live concerts across the world, his music is now becoming reestablished in the classical repertoire.

References

• Johann Nepomuk Hummel: Der Mensch und Künstler. Karl Benyovszky, Breslau: Eos-Verlag 1934.
• Zwischen Klassik und Klassizismus. Johann Nepomuk Hummel in Wien und Weimar. Anselm Gerhard, Laurenz Lütteken (editors), Kassel: Bärenreiter 2003.
• Kroll, Mark (2007). Johann Nepomuk Hummel: A musician's Life and World. Lanham, MD: Scarecrow Press. ISBN 0-8108-5920-3.
• Schonberg, Harold C. (1963). "VII: From Ireland to Bohemia". The Great Pianists: From Mozart to the Present. New York: Simon & Schuster.
• Schonberg, Harold C. (1987). The Great Pianists (Rev. & updated ed.). New York City: Simon and Schuster. ISBN 0-671-64200-6.
• Kapellmeister Hummel in England and France. Joel Sachs, Detroit: Information Coordinators 1977.
• Johann Nepomuk Hummel und Weimar. Komponist, Klaviervirtuose, Kapellmeister 1778–1837. Kurt Thomas, Weimar: Rat der Stadt 1987
• Die Kammermusik Johann Nepomuk Hummels. Dieter Zimmerschied, Mainz: 1966.
• Thematisches Verzeichnis der Werke von Johann Nepomuk Hummel. Dieter Zimmerschied, Hofheim am Taunus: Hofmeister 1971.

External links

• The Hummel Project Comprehensive website on the life and works of Hummel including biographical information, videos, audio samples and scores along with information on performances of Hummel's work in the UK and France
• Hummel Gesellschaft Weimar Official Home Page of the Hummel Society in Weimar (German)
• Hummel's House in Marienstrasse 8, Weimar Official website of the Hummel House (owned by the Lückhoff Institute)
• Classical composers database entry
• Short biography
• 8notes biography and commentary
• Haydn Page with reference to Hanover Square Rooms performance
• Compactdiscoveries article on Hummel's relation to Chopin
• Karadar.com Biography with free MP3s recorded by themselves
• Hummel on Hyperion Records; many of the individual CD pages have a further link to sound samples and/or the CD booklet notes.
• Hummel medallion by David d'Angers, 1834.
• Johann Nepomuk Hummel Discussion Group on Yahoo
• Septet, Op. 74, recording by ensemble Solstice

Music scores

• Free scores by Johann Nepomuk Hummel at the International Music Score Library Project (IMSLP)
• Free scores by Johann Nepomuk Hummel in the Choral Public Domain Library (ChoralWiki)