Until the middle of the nineteenth century, the instrumentation most frequently consisted of piano, violin, viola, cello, and double bass. Following the phenomenal success of Robert Schumann's Piano Quintet in E♭ major, Op. 44 in 1842, which paired the piano with a string quartet (i.e., two violins, viola, and cello), composers began to adopt Schumann's instrumentation. Among the most frequently performed piano quintets, aside from Schumann's, are those by Franz Schubert, Johannes Brahms, Antonín Dvořák, César Franck, and Dmitri Shostakovich.
The piano quintet before 1842
While the piano trio and piano quartet were firmly established in the eighteenth century by Mozart and others, the piano quintet did not come into its own as a genre until the nineteenth century. Its roots extend into the late Classical period, when piano concertos were sometimes transcribed for piano with string quartet accompaniment.
Not before the mid-nineteenth century was music ordinarily composed expressly for this combination of instruments. Although such classical-era composers as Luigi Boccherini composed quintets for piano and string quartet, it was more common in this period for the piano to be joined by violin, viola, cello and double bass. The Piano Quintet in f minor, Op. 41, of Jan Ladislav Dussek (1799) is an early example of a piano quintet written for piano, violin, viola, cello, and double bass; other works for the combination were composed by Johann Nepomuk Hummel (1802, 1816), Ferdinand Ries (1817), Franz Schubert (the "Trout" Quintet, 1819), Johann Baptist Cramer (1825, 1832), Henri Jean Rigel (1826), Johann Peter Pixis (ca.1827), Franz Limmer (1832), Louise Farrenc (1839, 1840), and George Onslow (1846, 1848, 1849).
Mozart (1784) and Beethoven (1796) each composed a piano and winds quintet scored for piano, oboe, clarinet, horn, and bassoon.
Schumann and the Romantic piano quintet
Not until the middle of the 19th century did Robert Schumann's Piano Quintet in E♭ major, Op. 44 (1842) firmly establish music for piano and string quartet as a significant, and quintessentially Romantic, chamber music genre.
By 1842, the string quartet had evolved into the most important chamber music ensemble, and advances in the design of the piano had expanded its power and dynamic range. Bringing the piano and string quartet together, Schumann's Piano Quintet took full advantage of the expressive possibilities of these forces in combination, alternating conversational passages between the five instruments with concertante passages in which the combined forces of the strings are massed against the piano. In Schumann's hands, the piano quintet became a genre "suspended between private and public spheres" alternating between "quasi-symphonic and more properly chamber-like elements."
Schumann's quintet was immediately acclaimed and widely imitated. Johannes Brahms was persuaded by Clara Schumann to rework a sonata for two pianos as a piano quintet. The result, the Piano Quintet in F minor (1864), is one of the most frequently performed works of the genre.
In the first half of the twentieth-century, significant piano quintets were produced by such composers as Sergei Taneyev, Gabriel Fauré, Edward Elgar and Dmitri Shostakovich. However, unlike the string quartet, which remained an important genre for twentieth-century composers, the piano quintet came to acquire "a somewhat conservative profile, far from major developments" in musical expression.
List of compositions for piano quintet
The following is a partial list of compositions for piano quintet. All works are scored for piano and string quartet unless otherwise noted.
1900 and after
- Stowell, Robin. The Cambridge Companion to the String Quartet, p. 324.
- The quintets for piano, oboe, clarinet, horn, and bassoon composed by Mozart and Beethoven are usually described as "quintets for piano and winds" so as to distinguish them from compositions for piano and four strings.
- Randel, Don Michael, The Harvard Dictionary of Music, p. 699.
- Smallman, Basil The Piano Quartet and Quintet: Style, Structure, and Scoring , p. 3.
- Smallman, Basil. The Piano Quartet and Quintet: Style, Structure, and Scoring, p. 26.
- Stowell, Robin The Cambridge Companion to the String Quartet, pp. 323-324.
- John Daverio, 'Robert Schumann: Herald of a "New Poetic Age."' (1997, Oxford), p. 256
- Smallman, Basil. The Piano Quartet and Quintet: Style, Structure, and Scoring, p. 53.
-  Rodda, Richard E. "Piano Quintet in F minor, Op. 34," n.p.
- Stowell, Robin. The Cambridge Companion to the String Quartet, p. 325.
- "Goldmark Quintets". Retrieved 4 August 2009.
- "Description Page - Sgambati First Piano Quintet". Edition Silvertrust. Retrieved 4 August 2009.
- "Description Page - Stanford Piano Quintet". Edition Silvertrust. Retrieved 4 August 2009.
- "Description of Disc with Both of Thuille's Quintets". Retrieved 4 August 2009.
- "Description Page - Thuille Piano Quintet in E flat". Edition Silvertrust. Retrieved 4 August 2009.
- "List of works by Charles-Marie Widor". IMSLP.
- "James Aikman - Piano Quintet". Non-Sequitur Music Publishing. Retrieved 2014-09-17.
- "ARENSKI Anton Stéphanovitch Suites pour piano n°1 à 5". abeillemusique.com. Retrieved 2010-12-24.
- "Bacewicz Worklist". Polish Music Information Center. 1998–2003. Retrieved 6 August 2009.
- Trevor Bray (1965-06-24). "Frank Bridge: A Life in Brief ~ Appendix 3: List of Works: 122". Trevor-bray-music-research.co.uk. Retrieved 2010-12-24.
- "FURTWANGLER Piano Quintet [RB]: Classical Reviews- Aug 2002 MusicWeb(UK)". Musicweb-international.com. Retrieved 2010-12-24.
- Alan Rawsthorne: A Bio-Bibliography at Google Books. p. 33.
- Rochberg, George; Gene Rochberg. Five Lines, Four Spaces: The World of My Music at Google Books. p. 111.
- "The Scotsman, 9 November 2007".
- Piano Quintet Op. 1: Scores at the International Music Score Library Project (IMSLP)
- Basil Smallman (1994). The Piano Quartet and Quintet: Style Structure, and Scoring, New York: Oxford University Press. ISBN 0-19-816640-0.