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* [[Jimmy Page]] - Used a Fender Electric XII for studio use, and a Gibson EDS-1275 for live use, both cases for "[[Stairway To Heaven]]".
* [[Jimmy Page]] - Used a Fender Electric XII for studio use, and a Gibson EDS-1275 for live use, both cases for "[[Stairway To Heaven]]".
* [[Rik Emmett]] used an Ibanez doubleneck[http://www.ivc.ca/misc/artist/images/RikEmmit.jpg] and a simliar Yamaha model following his endorsement deal with the company.
* [[Rik Emmett]] used an Ibanez doubleneck[http://www.ivc.ca/misc/artist/images/RikEmmit.jpg] and a simliar Yamaha model following his endorsement deal with the company.
* [[Steve Howe (guitarist)|Steve Howe]] ([[Yes (band)|Yes]]) and [[Pete Townshend]] ([[The Who]]) - Have used both Rickenbackers and EDS-1275 guitars.
* [[Steve Howe (guitarist)|Steve Howe]] ([[Yes (band)|Yes]]) and [[Pete Townshend]] ([[The Who]]) - Have used both Rickenbackers and EDS-1275 guitars. Townshend has also used Fender 12-string electric guitars.
* [[Michael Nesmith]] ([[The Monkees]]) - played a [[Gretsch]] twelve string
* [[Michael Nesmith]] ([[The Monkees]]) - played a [[Gretsch]] twelve string
* [[Rick Nielsen]] - Has a twelve-string neck on his five-necked [[Hamer]] guitar.
* [[Rick Nielsen]] - Has a twelve-string neck on his five-necked [[Hamer]] guitar.

Revision as of 18:48, 1 July 2006

The twelve string guitar is an acoustic or electric guitar with twelve strings, which produces a richer, more ringing tone than a standard six string guitar.

The 12-string guitar is almost essentially in the brazilian style "Viola", played by a majority of rural musicians and the precursor of modern brazilian "sertanejo" music.

Maton CW80/12

The strings are placed in courses of two strings each that are usually played together. The two strings in each bass course are normally tuned an octave apart, while each pair of strings in the treble courses is tuned in unison. The tuning of the second string in the third course (G) varies: some players use a unison string which is less prone to breakage, others prefer the distinctive high-pitched, bell-like quality an octave string makes in this position.

Some players, either in search of distinctive tone or for ease of playing, will remove some of the doubled strings. For example, removing the higher octave from the three bass courses simplifies playing running bass lines, but keeps the extra treble strings for the full strums.

The tension placed on the instrument by the strings is great, and because of this, 12 string guitars have a reputation for warping after a few years of use. Some twelve-string guitars have nontraditional structural supports to prevent or postpone such a fate, at the expense of appearance and tone. Until recently, twelve-string guitars were nearly universally tuned lower than the traditional EADGBE, to reduce the stresses on the instrument. Leadbelly famously used a low C-tuning, as did Beau on his Dandelion recordings.

Many performers who play the twelve-string guitar use an ordinary six-string guitar as their primary instrument, switching to the twelve-string guitar for certain songs that seem to call for a brighter sound.

Because it is substantially more difficult to pluck individual strings on the twelve-string guitar, and almost impossible to bend notes tunefully, the instrument is rarely used for lead musical parts. It is primarily suited to a rhythm, accompaniment, or solo role, and is often used in folk songs and some popular music. Some hard rock and progressive rock musicians use double-necked guitars, which have both six-string and twelve-string components, allowing the guitarist easy transition between different sounds.

The greater number of strings complicates playing, particularly for the right hand. The gap between the dual-string courses is usually narrower than that between the single-string courses of a conventional six-string guitar, so more precision is required with pick or fingertip when not simply strumming chords. The pairing of thin, easily broken octave strings with larger, stiffer bass strings presents difficulties to the player also, and only a very skilled player can reliably pluck single strings from within a course at any speed (notably the very high octave G string, which is the highest-pitched string on the instrument). Nevertheless, with practice, the twelve-string guitar is not unduly difficult to play. It is, however, generally used in a fairly restricted role which emphasises its strengths: rich ringing, full-bodied chords, and fast, rippling single plucked notes on the twinned strings.

Twelve-string guitars are made in both acoustic and electric form. However, it is the acoustic type that is most common. Use of twelve-string electric guitar is cyclical: massively popular in the mid-1960s thanks largely to its use by George Harrison of The Beatles and Roger McGuinn of The Byrds, it fell out of favor by the decade's end and was largely limited to niche use by progressive rockers in the 1970s. The instrument was revived in the 1980s by alternative rockers such as Peter Buck of REM and Johnny Marr of The Smiths. During the 1990s, its popularity waned again, although it plays a key part in the sound of indie rock acts such as Low and The Decemberists. The most popular electric twelve-string model since the 1960s has been the Rickenbacker 360/12, first popularized by Harrison. Many double-neck guitars have a twelve-string neck, in order for guitarists to switch between tones during live performances, for example, when playing 'Stairway to Heaven.'

Noted twelve-string performers

Two electric 12 strings, a Shergold Modulator 12 and a Maton Magnetone TB36/12; the latter is a copy of the Rickenbacker 360/12

Acoustic

Electric

Rickenbacker
Gibson EDS-1275
Other
Unconfirmed

Unconfirmed

See also

Template:Guitar

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