Tonino Guerra: Difference between revisions
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At 30 he moved to Rome and worked as a schoolteacher.<ref name="guardian1"/> During this time he met [[Elio Petri]], the future director of ''Investigation of a Citizen Above Suspicion'' (1970), who worked as assistant to [[Giuseppe De Santis]]. Guerra was able to get his first screenwriting credit after he and Petri went to the Abruzzi mountains to find out about wolf-hunting; "Though they discovered that wolf hunters no longer existed, De Santis went ahead anyway with the film, ''Uomini e Lupi'' (Men and Wolves, 1957)".<ref name="guardian1"/> |
At 30 he moved to Rome and worked as a schoolteacher.<ref name="guardian1"/> During this time he met [[Elio Petri]], the future director of ''Investigation of a Citizen Above Suspicion'' (1970), who worked as assistant to [[Giuseppe De Santis]]. Guerra was able to get his first screenwriting credit after he and Petri went to the Abruzzi mountains to find out about wolf-hunting; "Though they discovered that wolf hunters no longer existed, De Santis went ahead anyway with the film, ''Uomini e Lupi'' (Men and Wolves, 1957)".<ref name="guardian1"/> |
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Although a descendant of [[Cesare Zavattini]],{{Citation needed|date=March 2012}}, who essentially defined the style and morals of [[Italian neorealism]], Guerra deviated from his mentor: while Zavattini brought the directors with whom he collaborated over to his own social and moral speculation, Guerra went to the filmmakers and helped them advance their own concept. He worked with such filmmakers as [[Michelangelo Antonioni]], with ''[[L'avventura]]'', ''[[La notte]]'', ''[[L'Eclisse]]'', ''[[The Red Desert]]'', ''[[Blowup]]'', ''[[Zabriskie Point (film)|Zabriskie Point]]'' and ''[[Identification of a Woman]]'', [[Federico Fellini]] with ''[[Amarcord]]'', [[Theo Angelopoulos]], with ''[[Landscapes in the Mist]]'', ''[[Eternity and a Day]]'' and ''[[The Weeping Meadow]]'', [[Andrei Tarkovsky]] with ''[[Nostalghia]]'', and [[Francesco Rosi]], with ''[[The Mattei Affair]]'', ''[[Lucky Luciano]]'' and ''[[Exquisite Corpses]]''. |
Although a descendant of [[Cesare Zavattini]],{{Citation needed|date=March 2012}}, who essentially defined the style and morals of [[Italian neorealism]], Guerra deviated from his mentor: while Zavattini brought the directors with whom he collaborated over to his own social and moral speculation, Guerra went to the filmmakers and helped them advance their own concept. He worked with such filmmakers as [[Michelangelo Antonioni]], with ''[[L'avventura]]'', ''[[La notte]]'', ''[[L'Eclisse]]'', ''[[The Red Desert]]'', ''[[Blowup]]'', ''[[Zabriskie Point (film)|Zabriskie Point]]'' and ''[[Identification of a Woman]]'', [[Federico Fellini]] with ''[[Amarcord]]'', [[Theo Angelopoulos]], with ''[[Landscapes in the Mist]]'', ''[[Eternity and a Day]]'' and ''[[Trilogy: The Weeping Meadow]]'', [[Andrei Tarkovsky]] with ''[[Nostalghia]]'', and [[Francesco Rosi]], with ''[[The Mattei Affair]]'', ''[[Lucky Luciano]]'' and ''[[Exquisite Corpses]]''. |
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In 1995 he was awarded with an Honorable Diploma at the [[19th Moscow International Film Festival]].<ref name="Moscow1995">{{cite web |url=http://www.moscowfilmfestival.ru/miff34/eng/archives/?year=1995 |title=19th Moscow International Film Festival (1995) |accessdate=2013-03-16 |work=MIFF}}</ref> |
In 1995 he was awarded with an Honorable Diploma at the [[19th Moscow International Film Festival]].<ref name="Moscow1995">{{cite web |url=http://www.moscowfilmfestival.ru/miff34/eng/archives/?year=1995 |title=19th Moscow International Film Festival (1995) |accessdate=2013-03-16 |work=MIFF}}</ref> |
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Revision as of 15:21, 26 April 2015
Tonino Guerra | |
|---|---|
 Guerra in Pennabilli in 2011 | |
| Born | Antonio Guerra 16 March 1920 |
| Died | 21 March 2012 (aged 92) |
| Nationality | Italian |
| Occupation(s) | Writer, Poet, Screenwriter |
Antonio "Tonino" Guerra[1] (16 March 1920 – 21 March 2012) was an Italian concentration camp survivor, poet, writer and screenwriter who collaborated with some of the most prominent film directors of the world.[2]
Life and work
Guerra was born in Santarcangelo di Romagna.[3]
According to his obituary in The Guardian, Guerra first started writing poetry when interned in a prison camp in Germany, after being rounded up at the age of 22 with other antifascists from Santarcangelo.
To pass the time he told his companions stories: when he came home in 1945 he found a publisher for a book of them, I Scarabocc (Cockroaches, but also "scribblings").[3]
At 30 he moved to Rome and worked as a schoolteacher.[3] During this time he met Elio Petri, the future director of Investigation of a Citizen Above Suspicion (1970), who worked as assistant to Giuseppe De Santis. Guerra was able to get his first screenwriting credit after he and Petri went to the Abruzzi mountains to find out about wolf-hunting; "Though they discovered that wolf hunters no longer existed, De Santis went ahead anyway with the film, Uomini e Lupi (Men and Wolves, 1957)".[3]
Although a descendant of Cesare Zavattini,[citation needed], who essentially defined the style and morals of Italian neorealism, Guerra deviated from his mentor: while Zavattini brought the directors with whom he collaborated over to his own social and moral speculation, Guerra went to the filmmakers and helped them advance their own concept. He worked with such filmmakers as Michelangelo Antonioni, with L'avventura, La notte, L'Eclisse, The Red Desert, Blowup, Zabriskie Point and Identification of a Woman, Federico Fellini with Amarcord, Theo Angelopoulos, with Landscapes in the Mist, Eternity and a Day and Trilogy: The Weeping Meadow, Andrei Tarkovsky with Nostalghia, and Francesco Rosi, with The Mattei Affair, Lucky Luciano and Exquisite Corpses.
In 1995 he was awarded with an Honorable Diploma at the 19th Moscow International Film Festival.[4]
He was an atheist.[5]
Selected filmography
- Piece of the Sky (1959)
- L'avventura (1960)
- La notte (1961)
- The Assassin (1961)
- I giorni contati (1962) | Numbered Days
- L'Eclisse (1962)
- The Red Desert (1964)
- Blow-Up (1966)
- Catch As Catch Can (1967)
- Ghosts - Italian Style (1968)
- In Search of Gregory (1969)
- A Quiet Place in the Country (1969)
- The Voyeur (1970)
- Zabriskie Point (1970)
- The Mattei Affair (1972)
- Lucky Luciano (1973)
- Amarcord (1973)
- Illustrious Corpses (1976)
- Caro Michele (1976)
- The Night of the Shooting Stars (1981)
- Identification of a Woman (1982)
- Voyage in Time (1983)
- Nostalghia (1983)
- And the Ship Sails On (1983)
- Henry IV (1984)
- Voyage to Cythera (1984)
- Ginger and Fred (1985)
- The Beekeeper (1986)
- Chronicle of a Death Foretold (1987)
- Landscape in the Mist (1988)
- Burro (1989)
- Dimenticare Palermo (1989)
- The Sun Also Shines at Night (1990)
- The Suspended Step of the Stork (1991)
- Eternity and a Day (1998)
- Ulysses' Gaze (1995)
- Tierra del fuego (2000)
References
- ^ Lim, Dennis (23 March 2012). "Tonino Guerra, Italian Screenwriter and Poet, Dies at 92". The New York Times.
- ^ "Great screenwriter Guerra dies at 92". Ansa Mediterranean. 2012-03-21. Retrieved 21 March 2012.
- ^ a b c d John Francis Lane (21 March 2012). "Tonino Guerra obituary | Culture". London: The Guardian. Retrieved 2012-03-24.
- ^ "19th Moscow International Film Festival (1995)". MIFF. Retrieved 2013-03-16.
- ^ Tonino Guerra ovvero l'ottimismo di un poeta, FilmTV, 12th August, 2010.