Peking opera: Difference between revisions
| Line 33: | Line 33: | ||
==Venue== |
==Venue== |
||
[[Image:SummerPalaceOperaStageAdj.jpg|right|thumb|200px|A stage for Chinese opera in the Summer Palace]] |
[[Image:SummerPalaceOperaStageAdj.jpg|right|thumb|200px|A stage for Chinese opera in the Summer Palace]] |
||
[[Image: |
[[Image:SummerPalaceOperaStageQL.jpg|right|thumb|200px|Another view of the stage]] |
||
In the image at the right is a stage for the presentation of Beijing opera, built in the late [[19th Century]] at the command of the [[Empress Dowager Cixi]] inside the [[Summer Palace]] in Beijing. |
In the image at the right is a stage for the presentation of Beijing opera, built in the late [[19th Century]] at the command of the [[Empress Dowager Cixi]] inside the [[Summer Palace]] in Beijing. |
||
Revision as of 05:43, 24 October 2006
Beijing opera or Peking opera (simplified Chinese: 京剧; traditional Chinese: 京劇; pinyin: Jīngjù) is a kind of Chinese opera which arose in the mid-19th century and was extremely popular in the Qing Dynasty court. It is widely regarded as one of the cultural treasures of China. Beijing and Tianjin are respected as the base cities of Peking opera in the north while Shanghai is the base in the south.
History
Although it is called Beijing opera, its origins are in the Chinese provinces of Anhui and Hubei. Beijing opera got its two main melodies, Xipi and Erhuang, from Anhui and Hubei operas. Much dialogue is also carried out in an archaic dialect originating partially from those regions. It also absorbed music and arias from other operas and musical arts such as the historic Qinqiang as well as being very strongly influenced by Kunqu, the form that preceded it as court art. It is regarded that Beijing opera was born when the Four Great Anhui Troupes came to Beijing in 1790. Beijing opera was originally staged for the court and came into the public later. In 1828, some famous Hubei troupes came to Beijing. They often jointly performed in the stage with Anhui troupes. The combination gradually formed Beijing opera's main melodies.
Four main roles
- Sheng (生, Male role)
- Dan (旦, Female role)
- Jing (净, Painted face male role)
- Chou (丑, Clown role)
The three roles other than the second role represent male characters.
There is an explanation about why the roles take the names above. It is said that they were chosen to have opposite meanings. Sheng in Chinese may mean "strange" or "rare", but the chief male role is a well known character. Dan, which means "morning" or "masculine", is contrary to the feminine nature of the characters. Jing means "clean", but in fact the paintings on their faces make the characters look unclean but colorful. And Chou in Chinese sometimes represents the animal "ox", which, in some senses, is slow and silent - in contrast, the Chou characters are usually quick and talkative.
Famous artists
Repertoire
The traditional repertoire of Beijing opera includes more than 1,000 works, mostly taken from historical novels or traditional stories about civil, political and military struggles.
Modern live productions for tourists include English language displays of the text, useful for those unfamiliar with the classic stories.
Venue
In the image at the right is a stage for the presentation of Beijing opera, built in the late 19th Century at the command of the Empress Dowager Cixi inside the Summer Palace in Beijing.