Marianne Aulie: Difference between revisions
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== Galleri Sand in New York == |
== Galleri Sand in New York == |
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In 2008, Vebjørn Sand, together with his twin Aune Sand and Marianne Aulie, opened Galleri Sand in [[New York City|New York]] to work there fulltime and ultimately showcase their work. On opening night in October of 2009 they sold paintings for over 3,700,000 [[Norwegian krone|kroner]].<ref>{{Cite news|url=https://www.seher.no/kjendis/kjopte-champagne-for-600000/64747193|title=Bought champagne for 600,000|last=|first=|date=2009|work=Se og Hør|access-date=}}</ref> |
In 2008, Vebjørn Sand, together with his twin Aune Sand and Marianne Aulie, opened Galleri Sand in [[New York City|New York]] to work there fulltime and ultimately showcase their work. On opening night in October of 2009 they sold paintings for over 3,700,000 [[Norwegian krone|kroner]].<ref>{{Cite news|url=https://www.seher.no/kjendis/kjopte-champagne-for-600000/64747193|title=Bought champagne for 600,000|last=|first=|date=2009|work=Se og Hør|access-date=}}</ref> |
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[[File:Galleri Sand, New York, 2009.jpg|left|thumb|A photograph of the art studio Galleri Sand in New York, NY. Photograph from 2009.]] |
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== Art as Merchandise == |
== Art as Merchandise == |
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== "Triumph of the Optimist" == |
== "Triumph of the Optimist" == |
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[[File:"Optimist" of the Triumph of the Optimist series.jpg|thumb|A painting by Marianne Aulie of one of her clown figures in one of the paintings featured in the "Triumph of the Optimist". Photograph from 2016.]] |
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Aulie’s trademark series of paintings are “Triumph of the Optimist” and “Narrespill”. The paintings feature clown-like figures as the focus. Of the figures Aulie said, “These are good creatures. Beings that want good. They are naive, but very kind. So the ‘Triumph of the Optimist’ is all about building each other up,"<ref>{{Cite news|url=https://www.adressa.no/kultur/2016/09/11/Marianne-Aulie-er-i-Trondheim-med-et-hundretalls-klovner-13312679.ece|title=Marianne Aulie is in Trondheim with a hundred clowns|last=|first=|date=2016|work=Adresseavisen|access-date=}}</ref> |
Aulie’s trademark series of paintings are “Triumph of the Optimist” and “Narrespill”. The paintings feature clown-like figures as the focus. Of the figures Aulie said, “These are good creatures. Beings that want good. They are naive, but very kind. So the ‘Triumph of the Optimist’ is all about building each other up,"<ref>{{Cite news|url=https://www.adressa.no/kultur/2016/09/11/Marianne-Aulie-er-i-Trondheim-med-et-hundretalls-klovner-13312679.ece|title=Marianne Aulie is in Trondheim with a hundred clowns|last=|first=|date=2016|work=Adresseavisen|access-date=}}</ref> |
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[[File:"Dance" of the Triumph of the Optimist series.jpg|left|thumb|A painting by Marianne Aulie of an abstract dancing figure in one of the paintings featured in the "Triumph of the Optimist". Photograph from 2016.]] |
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Aulie summarized the ultimate purpose of her trademark work with: "We have to see each other and those who are unseen. And together perform the victory dance of the optimists. We have to separate from the cynicism, egoism, and materialism that we see in our society. We believe in the triumph of kindness, that to be good and tender is a victory.” |
Aulie summarized the ultimate purpose of her trademark work with: "We have to see each other and those who are unseen. And together perform the victory dance of the optimists. We have to separate from the cynicism, egoism, and materialism that we see in our society. We believe in the triumph of kindness, that to be good and tender is a victory.” |
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| ⚫ | In 2010 Aulie met New York fashion designer Cody Ross, of Priestess NYC,<ref>{{Cite web|url=http://www.priestessnyc.net/|title=Priestess NYC website|last=|first=|date=|website=|archive-url=|archive-date=|dead-url=|access-date=}}</ref> a fashion collection featured in [[Vogue (magazine)|Vogue]], [[Harper's Bazaar|Harper’s Bazaar]] and [[I-D|i:D]], and they collaborated to design a clothing line based on Aulie’s art<ref>{{Cite news|url=https://www.tv2.no/a/2854984/|title=Marianne Aulie makes clothes of paintings|last=|first=|date=2009|work=TV 2|access-date=}}</ref>. Ross, who owns a townhouse steps from Galleri Sand, first met Aulie when he stopped by to see her exhibition. |
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| ⚫ | Priestess NYC, a favorite of supermodel [[Tyra Banks]], artist [[Björk|Bjørk]] and actress [[Juliette Lewis]], was one of the hottest fashion brands in 2010. Ross was constantly pushing the envelope and his collaboration with Aulie was no different.<ref>{{Cite news|url=https://www.cnbc.com/id/23883420|title=Cody Ross Goes From From High Finance To Chic Fashion|last=|first=|date=2008|work=CNBC|access-date=}}</ref> He said of Aulie: “She's great. She is the definition of "yumminess". She is [[avant-garde]] and abstract. She is an extreme talent and still an emerging star. I dig her.”<ref>{{Cite news|url=https://www.vg.no/nyheter/utenriks/i/O4amk/aulie-med-kleskolleksjon-i-usa|title=Aulie with clothing collection in the USA|last=|first=|date=2009|work=VG|access-date=}}</ref> |
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| ⚫ | In September of 2010 the pair debuted the collection alongside Aulie’s original paintings in a show titled “Clowns, Chaos & Order” at Galleri Sand in NYC. Ross described the show for [[Paper (magazine)|Paper magazine]]: “Phantasmagoric, subversive, super-cool fashion meets abstract art, a directional fashion/art project that leverages surrealism, [[absurdism]], shock-and-awe, technology and rigorous construction."<ref>{{Cite news|url=http://www.papermag.com/marianne-aulie-and-cody-rosss-trippy-fashion-and-art-1425705161.html|title=Marianne Aulie and Cody Ross's Trippy Fashion and Art|last=|first=|date=2010|work=Paper Magazine|access-date=}}</ref> |
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== Performance Art & Controversy == |
== Performance Art & Controversy == |
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[[File:"Summer of Love", 2004.jpg|thumb|A painting by Marianne Aulie inspired by the 1960's "Summer of Love" movement. Painted in 2004.]] |
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Channeling the “[[Summer of Love|summer of love]]” spirit of the 1960’s, Aulie has always embraced nudity and physical symbolism in her artwork. A career performance artist, she’s promoted her work by swimming naked out to sea with her paintings, splashing her work with champagne as part of the process, and burning her paintings. |
Channeling the “[[Summer of Love|summer of love]]” spirit of the 1960’s, Aulie has always embraced nudity and physical symbolism in her artwork. A career performance artist, she’s promoted her work by swimming naked out to sea with her paintings, splashing her work with champagne as part of the process, and burning her paintings. |
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In 2007 Aulie caused a national stir when she took out a massive ad in the Norwegian publication [[Aftenposten|Aftenposen’s]] cultural section that consisted entirely of a photograph of her bare buttocks. The ad, four full columns in length and carefully crafted to get the attention of the artistic authority, also had the words, “Dear Minister of Culture, we will meet under a full moon.”<ref>{{Cite news|url=https://www.nrk.no/kultur/stoppet-naken-rumpe-1.2977339|title=Stopped naked buttocks|last=|first=|date=2007|work=NRK|access-date=}}</ref> After the editors of the paper realized what had happened, they rushed to stop it. Aftenposen editor Ola Bernhus defended the paper saying, “We simply think that her buttocks over four columns of the cultural section's first page were more than we should allow, even though we have allowed the same body part in smaller a format earlier. Now the limit [has been] reached.” |
In 2007 Aulie caused a national stir when she took out a massive ad in the Norwegian publication [[Aftenposten|Aftenposen’s]] cultural section that consisted entirely of a photograph of her bare buttocks. The ad, four full columns in length and carefully crafted to get the attention of the artistic authority, also had the words, “Dear Minister of Culture, we will meet under a full moon.”<ref>{{Cite news|url=https://www.nrk.no/kultur/stoppet-naken-rumpe-1.2977339|title=Stopped naked buttocks|last=|first=|date=2007|work=NRK|access-date=}}</ref> After the editors of the paper realized what had happened, they rushed to stop it. Aftenposen editor Ola Bernhus defended the paper saying, “We simply think that her buttocks over four columns of the cultural section's first page were more than we should allow, even though we have allowed the same body part in smaller a format earlier. Now the limit [has been] reached.” |
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[[File:Galleri Sand advertisement in Aftenposten.jpg|thumb|The full page advertisement by Galleri Sand featured in the Norwegian magazine Aftenposten. This ad was later taken down by the publication. Photograph from 2007.]] |
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[[File:Aulie's performance art.jpg|left|thumb|Photographs of Norwegian artist Marianne Aulie turning her paintings from the "Triumph of the Optimist" series into performance art utilizing nudity and fire. Photograph accessed in 2019.]] |
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Aulie believed the ad being cut short was simply yet another example of an artist being [[Censorship|censored]]. Norwegian [[Culture minister|Minister of Culture]] at the time [[Trond Giske]] did not comment on the ad and subsequent controversy. |
Aulie believed the ad being cut short was simply yet another example of an artist being [[Censorship|censored]]. Norwegian [[Culture minister|Minister of Culture]] at the time [[Trond Giske]] did not comment on the ad and subsequent controversy. |
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These guerilla-like marketing tactics were but one way Aulie and Galleri Sand engaged with the art industry as well as established awareness for the work they were doing. Aulie was one of the first artists in Norway to successfully use this type of marketing strategy, drawing both criticism and praise at every turn. |
These guerilla-like marketing tactics were but one way Aulie and Galleri Sand engaged with the art industry as well as established awareness for the work they were doing. Aulie was one of the first artists in Norway to successfully use this type of marketing strategy, drawing both criticism and praise at every turn. |
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| ⚫ | |||
| ⚫ | In 2010 Aulie met New York fashion designer Cody Ross, of Priestess NYC,<ref>{{Cite web|url=http://www.priestessnyc.net/|title=Priestess NYC website|last=|first=|date=|website=|archive-url=|archive-date=|dead-url=|access-date=}}</ref> a fashion collection featured in [[Vogue (magazine)|Vogue]], [[Harper's Bazaar|Harper’s Bazaar]] and [[I-D|i:D]], and they collaborated to design a clothing line based on Aulie’s art<ref>{{Cite news|url=https://www.tv2.no/a/2854984/|title=Marianne Aulie makes clothes of paintings|last=|first=|date=2009|work=TV 2|access-date=}}</ref>. Ross, who owns a townhouse steps from Galleri Sand, first met Aulie when he stopped by to see her exhibition. |
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| ⚫ | Priestess NYC, a favorite of supermodel [[Tyra Banks]], artist [[Björk|Bjørk]] and actress [[Juliette Lewis]], was one of the hottest fashion brands in 2010. Ross was constantly pushing the envelope and his collaboration with Aulie was no different.<ref>{{Cite news|url=https://www.cnbc.com/id/23883420|title=Cody Ross Goes From From High Finance To Chic Fashion|last=|first=|date=2008|work=CNBC|access-date=}}</ref> He said of Aulie: “She's great. She is the definition of "yumminess". She is [[avant-garde]] and abstract. She is an extreme talent and still an emerging star. I dig her.”<ref>{{Cite news|url=https://www.vg.no/nyheter/utenriks/i/O4amk/aulie-med-kleskolleksjon-i-usa|title=Aulie with clothing collection in the USA|last=|first=|date=2009|work=VG|access-date=}}</ref> |
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| ⚫ | In September of 2010 the pair debuted the collection alongside Aulie’s original paintings in a show titled “Clowns, Chaos & Order” at Galleri Sand in NYC. Ross described the show for [[Paper (magazine)|Paper magazine]]: “Phantasmagoric, subversive, super-cool fashion meets abstract art, a directional fashion/art project that leverages surrealism, [[absurdism]], shock-and-awe, technology and rigorous construction."<ref>{{Cite news|url=http://www.papermag.com/marianne-aulie-and-cody-rosss-trippy-fashion-and-art-1425705161.html|title=Marianne Aulie and Cody Ross's Trippy Fashion and Art|last=|first=|date=2010|work=Paper Magazine|access-date=}}</ref> |
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== Personal Life == |
== Personal Life == |
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Revision as of 21:40, 15 March 2019
Marianne Aulie | |
|---|---|
 Marianne Aulie and Aune Sand | |
| Born | October 23, 1971 |
| Nationality | Norwegian |
| Occupation | painter |
Marianne Aulie (born 23 October 1971 in Lørenskog) is a Norwegian painter and former model.
Born 23 October 1971 in Lørenskog, Marianne Aulie is a Norwegian contemporary artist, primarily known for painting and performance art. Aulie’s large, colorful and expressive paintings explore the neo expressionist, action paint and neo pop art movements. Aulie is also known for her controversial performance art and guerilla marketing tactics to draw attention to her work, often employing nudity and dramatic gestures to do so.
Early Life & Career
Aulie grew up in Lorenskog, in Greater Oslo, Norway. In the mid 1990s she met the twin of Norwegian artist Vebjørn Sand, Aune Sand, while he was making his debut feature film Dis[1] in Cairo, Egypt. After helping Aune make the film and with his encouragement, Aulie returned to Norway to pursue her ambitions in art.
In Norway Aulie, pregnant with her first child, juggled three odd jobs while she applied for the Bergen Academy of Art & Design. After nearly being admitted twice in a row, Aulie decided to try and sell her paintings rather than continue to pursue a professional education. Of this time she said:
“When I was so close to the goal and not yet admitted to the Academy, I decided that I must show my child that I am strong enough to support us. I gave myself two or three years to pursue art. I had an easel in the corner of Galleri Sand at Grünerløkka. Vebjørn and Aune’s big brother, Håvard, sold pictures from the gallery to companies around Norway. One day he brought my pictures too. When a business bought all 10 of my pictures, I realized: I could live off my art.”[2]
Galleri Sand in New York
In 2008, Vebjørn Sand, together with his twin Aune Sand and Marianne Aulie, opened Galleri Sand in New York to work there fulltime and ultimately showcase their work. On opening night in October of 2009 they sold paintings for over 3,700,000 kroner.[3]
Art as Merchandise
In 2010, Galleri Sand was hired to open Allkopi concept stores for 1 million NOK[4]. Allkopi, Norway’s largest graphic chain and a traditionally business to business company, was looking to break into the consumer market at the time. Given Galleri Sand’s creative reputation, they were contracted to help build brand awareness for Allkopi with the Norwegian public. As part of the partnership Allkopi also bought the rights to print graphics based on Aulie paintings, and images based on Aune Sand’s films onto various materials from aluminum to glass and traditional print.[5]
To promote the partnership, Allkopi CEO Christian Paulsen “bought” a pair of Aulie’s underwear as part of the deal[6]. In a publicized gesture, Aulie pasted her panties onto a picture and swung a paintbrush over them to symbolically establish art for the partnership. Of the move Aulie said, “The act of handing over my underwear is a symbolic acton. It’s performance art combined with painting. It’s about expressing the person I am. A symbol for being a strong and free woman.”
"Triumph of the Optimist"
Aulie’s trademark series of paintings are “Triumph of the Optimist” and “Narrespill”. The paintings feature clown-like figures as the focus. Of the figures Aulie said, “These are good creatures. Beings that want good. They are naive, but very kind. So the ‘Triumph of the Optimist’ is all about building each other up,"[7]
Aulie summarized the ultimate purpose of her trademark work with: "We have to see each other and those who are unseen. And together perform the victory dance of the optimists. We have to separate from the cynicism, egoism, and materialism that we see in our society. We believe in the triumph of kindness, that to be good and tender is a victory.”
Clothing Line
In 2010 Aulie met New York fashion designer Cody Ross, of Priestess NYC,[8] a fashion collection featured in Vogue, Harper’s Bazaar and i:D, and they collaborated to design a clothing line based on Aulie’s art[9]. Ross, who owns a townhouse steps from Galleri Sand, first met Aulie when he stopped by to see her exhibition.
Priestess NYC, a favorite of supermodel Tyra Banks, artist Bjørk and actress Juliette Lewis, was one of the hottest fashion brands in 2010. Ross was constantly pushing the envelope and his collaboration with Aulie was no different.[10] He said of Aulie: “She's great. She is the definition of "yumminess". She is avant-garde and abstract. She is an extreme talent and still an emerging star. I dig her.”[11]
In September of 2010 the pair debuted the collection alongside Aulie’s original paintings in a show titled “Clowns, Chaos & Order” at Galleri Sand in NYC. Ross described the show for Paper magazine: “Phantasmagoric, subversive, super-cool fashion meets abstract art, a directional fashion/art project that leverages surrealism, absurdism, shock-and-awe, technology and rigorous construction."[12]
Performance Art & Controversy
Channeling the “summer of love” spirit of the 1960’s, Aulie has always embraced nudity and physical symbolism in her artwork. A career performance artist, she’s promoted her work by swimming naked out to sea with her paintings, splashing her work with champagne as part of the process, and burning her paintings.
In 2007 Aulie caused a national stir when she took out a massive ad in the Norwegian publication Aftenposen’s cultural section that consisted entirely of a photograph of her bare buttocks. The ad, four full columns in length and carefully crafted to get the attention of the artistic authority, also had the words, “Dear Minister of Culture, we will meet under a full moon.”[13] After the editors of the paper realized what had happened, they rushed to stop it. Aftenposen editor Ola Bernhus defended the paper saying, “We simply think that her buttocks over four columns of the cultural section's first page were more than we should allow, even though we have allowed the same body part in smaller a format earlier. Now the limit [has been] reached.”
Aulie believed the ad being cut short was simply yet another example of an artist being censored. Norwegian Minister of Culture at the time Trond Giske did not comment on the ad and subsequent controversy.
These guerilla-like marketing tactics were but one way Aulie and Galleri Sand engaged with the art industry as well as established awareness for the work they were doing. Aulie was one of the first artists in Norway to successfully use this type of marketing strategy, drawing both criticism and praise at every turn.
Personal Life
Aulie lives in the West Village neighborhood of New York City with her husband Aune Sand and their three daughters, Alba, Malove and Ava.. Aulie often uses their home as her art studio and showcases her work at Galleri Sand in West Village, NYC.[14]
External links
References
- ^ "A Story About Love (1995)". IMDB.
{{cite web}}: Cite has empty unknown parameter:|dead-url=(help) - ^ "Earned millions on maternity leave". VG. 2014.
- ^ "Bought champagne for 600,000". Se og Hør. 2009.
- ^ "Allkopi company website".
{{cite web}}: Cite has empty unknown parameter:|dead-url=(help) - ^ "Norway's largest graphic chain". Tønsbergs Blad. 2010.
- ^ "Marianne Aulie's panty sold for one million kroner". TV 2. 2010.
- ^ "Marianne Aulie is in Trondheim with a hundred clowns". Adresseavisen. 2016.
- ^ "Priestess NYC website".
{{cite web}}: Cite has empty unknown parameter:|dead-url=(help) - ^ "Marianne Aulie makes clothes of paintings". TV 2. 2009.
- ^ "Cody Ross Goes From From High Finance To Chic Fashion". CNBC. 2008.
- ^ "Aulie with clothing collection in the USA". VG. 2009.
- ^ "Marianne Aulie and Cody Ross's Trippy Fashion and Art". Paper Magazine. 2010.
- ^ "Stopped naked buttocks". NRK. 2007.
- ^ "This is how they have succeeded in tough New York". Dagbladet. 2015.
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