Lalan (artist)

• Comment: Hey there. Another reviewer found this draft to be a copyright violation. I have removed additional text so that it stops setting off the copyright detector. To be safe, let's just do a bulleted list with titles and no other info. Proper nouns by themselves, with no supporting grammar, are not copyright violations. Can you also clean up the section I renamed to "Museum collections"? We need to make sure these are all "permanent collections" and not exhibitions. To pass WP:NARTIST, I am looking for two famous museums that have webpages that say that her work is in their permanent collections. I clicked a few of the citations you added and was not able to easily verify this. The easier to verify for the reviewer, the better. Please resubmit when you're done. Thank you. –Novem Linguae (talk) 21:17, 21 July 2021 (UTC)

• Comment: This draft has a disambiguated title.
  If this draft is accepted, an entry will need to be added to the disambiguation page for the primary name.
  The disambiguation page for the primary name is Lalan (disambiguation). Robert McClenon (talk) 17:32, 21 July 2021 (UTC)

• Comment: This person is notable (passes WP:NARTIST), but too many copyright violations. You copy pasted from at least 3 websites. You must make sure not to copy paste or close paraphrase. Please rewrite the article from scratch. Also, please provide inline citations to at least 2 of the "Museum Collections". I need to verify these to accept the article. Also, don't re-add the images back unless you took the photos yourself, else those are copyright violations too. –Novem Linguae (talk) 12:48, 19 July 2021 (UTC)

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Lalan (Xie Jing-lan, 謝景蘭, nickname Lan-lan, 1921–1995) was a Chinese-French multidisciplinary female artist. Lalan was among the early practitioners of integrated arts, incorporated painting, music, dance and poetry into her performance. Born in Guizhou China. Having received professional vocal training in the Shanghai Music Academy, Lalan studied composition and modern dance after relocating to Paris in 1948with her husband at the time painter Zao Wou-ki. At the age of 37, she began her independent artistic career in painting, composing electronic music and choreography in Modern dance. In 1975, she was nominated as the Chevalier of Ordre des Arts et des Lettres (Order of Arts and Letters) by the French Ministry of Culture. Lalan passed away in a car accident in 1995.

Biography

Xie Jinglan, nickname Lan-lan, who later changed her name to Lalan, was born on September 14th 1921 in Guiyang, Guizhou Provence, China. Grew up in a scholarly family under the influence of the New Culture Movement, Lalan received Western education in Hongdao Girls' Middle School, an American missionary school in Hang Zhou. At a young age, Lalan had a gift for music and dance and was able to cultivate her talent thanks to her father Xie Meigen, who was a great flute musician and a scholar. In 1935, LaLan was introduced to Zao Wou-Ki, who was studied at the Hangzhou School of Art. She enrolled in the Music Department while Zao was studying Painting. In 1941, they married in Hong Kong, the following year their song Zhao Jialing was born.

At the time, the headmaster of Hangzhou School of art was artist Lin Fengmian, who studied in France before coming back to China to teach. Lalan and Zao Wou-ki were motivated by their teachers. In 1948, after 36 days of travelling, Lalan and Zao arrived in France and settled down on Rue du Moulin-Vert District 14 Paris, and became neighbours of the sculptor Alberto Giacometti. Lalan later entered the Conservatoire de Paris and studied composition under Darius Mihaud. Inspired by a documentary about American Modern dancer Martha Graham, she received the Graham Technique training from Karin Waehner at Le Centre American. A dear friend of the couple Henri Michaux introduced Zao and Lalan to the "Father of Electronic Music" French composer Edgard Varèse who introduced Electronic Music to Lalan. To commemorate her mentor, Lalan painted A Edgard Varese in 1985. Through Michaux, Lalan met the violinist Marcel Van Thienen in 1952, who later became her second husband in 1957.

After a six months trip back to Mainland China in 1956, Lalan and Zao Wou-ki decided to divorce after being together for over twenty years. Without the title of "the artist's wife", Lalan started her independent art career and ventured into the realms of painting, composing and choreography. In her practices, she incorporate the Chinese traditional Taoism philosophy, and the Lyrical Abstraction at the time, finding her unique voice in the Integrated art that she created since the 1970s.

Artistry

CALLIGRAPHIC ABSTRACTION, 1957-1969

Lalan was introduced to the Art Informel movement after moving to France. As a self-taught painter, she learnt about the language of modern painting through Lyrical Abstraction, started by artists like Georges Mathieu, Pierre Soulages, joined by Zao Wou-ki. The artists shared artistic characteristics such as explosive gestural lines, calligraphic signs and the improvisational way of creating.

The training in music and dance enabled Lalan's brushstrokes to express a dancer-like quality and musical rhythms. The canvases are larger than life, provided a dance stage for her paintbrush. From 1957 to 1959 she created a series of abstract paintings that were dark and meditative. She had her first solo exhibition in 1960 the Creuze Gallery in Paris.

THE TRANQUIL INNER LANDSCAPES, 1970–1983

Facing a plateau in the mid 1965s, Lalan looked back to her root culture to look for inspiration. She carefully studied the paintings by Song masters such as Ma Yuan and Xia Gui, as well as Taoist philosophy. Different from the early works, the paintings from this period appeared much in tranquil: the color palette became lighter and softer while the rhythmic lines became more refined, depicting natural elements such as mountains, rocks and the moon. The compositions are referencing the Song landscape paintings where the subjects are placed in a corner, leaving the blank space for imagination and harmony.

INTEGRATED ART (L'ART SYNTHÈSE)

In the 1960s and 1970s, Lalan focused on composing music and choreography. The Graham technique of "expressing inner feelings through bodily movement" was inspirational to Lalan. With her paintings as the backdrop, Lalan performed her own choreographed modern dance accompanied by her original electronic musics at the Galerie Jacques Desbrières, and the Galerie Iris Clert. She incorporated painting, music and dance into her Integrated Art, "Spectacle". In 1973, Lalan received an award from the Culture Ministry of France for her parallel research of painting, music and dance. One of her three paneled painting, Sudden Blue (Soudain Bleu) staged for her choreography show "Le Cycle", was in the permanent collection of the Culture Ministry of France.

RETURN TO ABSTRACTION, 1984-1995

In the 1980s, Lalan primary focus was painting . Her artistic style replaced the images of landscapes with abstraction. Lalan was experimenting with new techniques such as painting ultra-fine intuitive lines and dripping to create harmonious yet explosive works. In the late 1980s, Lalan and her husband moved to Bormes-les-Mimosas, southern France, where the beauty of nature became inspirational to the artists. Early in 1995, Lalan produced a film of solo dance titled "Dance of Qigong" (Danse du Qigong), introducing the traditional Chinese culture into modern dance, uniting intuitive dance movements with meditation and breathing exercises. This innovative and introspective dance was the last dance of Lalan. She lost her life in an car accident a week after.

Museum collections

• Culture Ministry of France

• Paris Modern Art Museum (Musée d'Art Moderne de la Ville de Paris)
• Shanghai Art Museum
• MAIIAM Contemporary Art Museum, Chiang Mai, Thailand

References

Category:Female Category:Modern art Category:Painting Category:Modern dance Category:Music Category:Art Category:Choreographers