Talk:Duerme Negrito
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The song was compiled by Atahualpa Yupanqui as mentioned but he was also one of the main popularizers. The song has since been attributed Cuban composers and linked to versions from Afro-Cuban culture that are older than Yupanqui's version. Ernesto Grenet Sánchez wrote a version in the 1920's in Cuba. See, e.g. Balmaseda-Maestu, E. (Enrique). (2008). La huella africana en el español caribeño a través de Mojana Drume Negrita y Saludo Changó. Servicio de Publicaciones de la Universidad de Navarra. Retrieved from http://dadun.unav.edu/handle/10171/21074 (page 57). Mentioned also in Sublette, N. (2004). Cuba and its music: From the first drums to the mambo. Chicago, Ill: Chicago Review Press. This version has been wrongly attributed to his brother Eliseo Grenet Sánchez for decades. Another, older variant is Drumi, Mobila by the Afro-Cuban singer and composer Bola de Nieve. His version was published in 1938 in an anthology of Afro-Cuban poetry [1]. Drumi, Mobila's text is as follows:
No yora, Mobila,
que tu mamá ta la campo,
y horita ta bení pa cá.
Si nene drumi
cuando mamá sale,
e trae regalito pa ti,
e trae to lo nunie pa ti.
Y si nene no drumi,
¡Chimbilicó!,
Cheche Calunga
lo ranca lo pitico
y lo come.
Drumi, drumi,
Mobila.
Tu mamá fue la campo,
Mobila.
Caya y caya,
Mobila.
Tu mamá fue la campo,
Mobila.
E ba trae pajarito
pa ti;
e ba trae coronice
pa ti.
Drumi, drumi,
Mobila.
Tu mamá fue la campo,
Mobila.
E fue a buca lo duse,
Mobila;
pa que tú mañana come,
Mobila;
Caya, Mobila..
Drumi, Mobila...
Drumi, Mobila...
˜˜˜˜
- ^ Guirao, R. (1938). Orbita de la poesía afrocubana, 1928-37: antología. La Habana: Ucar, García y Cía.