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List of Watchmen characters

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The six main characters of the 1986 comic book limited series Watchmen (from left to right): Ozymandias, the second Silk Spectre, Doctor Manhattan, the Comedian (kneeling), the second Nite Owl and Rorschach.

Watchmen is a twelve-issue comic book limited series created by Alan Moore, Dave Gibbons, and John Higgins, published by DC Comics in 1986 and 1987. Watchmen focuses on six main characters: the Comedian, Doctor Manhattan, the Nite Owl, Ozymandias, Rorschach, and the Silk Spectre. These characters are primarily based on superhero properties DC had acquired from Charlton Comics in the early 1980s. Series writer Alan Moore created the main characters to present six "radically opposing ways" to perceive the world, and to give readers of the story the privilege of determining which one was most morally comprehensible.[1]

Main characters

The Comedian

The Comedian is Edward Blake. The Comedian was based on the Charlton Comics character Peacemaker, with elements of the Marvel Comics spy character Nick Fury added. Moore and Gibbons saw The Comedian as "a kind of Gordon Liddy character, only a much bigger, tougher guy".[2] Moore has observed elsewhere that the character's pseudonym was inspired by Graham Greene's novel 'The Comedians'. Gibbons went with a Groucho Marx-style appearance (moustache and cigar) for the Comedian in his design, deciding that the "clown" look had already been appropriated by DC Comics' Joker.[3] His costume itself was noted by Gibbons as being particularly problematic, he was initially designed with a more militaristic costume which was later dropped for a black leather outfit with a "rapist mask".[3] He believes that humans are savage in nature, and that civilization can never be more than an idea. He therefore chooses to become a mockery of society, fighting and killing without reservation.

Blake's murder, which takes place shortly before the story begins in 1985, sets the plot of Watchmen in motion. The character appears throughout the story in flashbacks and aspects of his personality are revealed by other characters.[4] Richard Reynolds described The Comedian as "ruthless, cynical, and nihilistic, and yet capable of deeper insights than the others into the role of the costumed hero".[4] Nicholas Michael Grant said the Comedian is "the only character in the Watchmen universe who is almost totally unlikeable."[5] Paige MacGregor said Comedian's unusual appeal to women was due to "the willingness of Sally Jupiter [...] to have consensual sex with [him] after he tried to rape her" and because of a later moment in which he breaks down and shows his "innate humanity".[5]

He and Doctor Manhattan are the only two superheroes to be government-sanctioned after the Keene Act banning costumed vigilantism is passed.

In the Watchmen film he is played by Jeffrey Dean Morgan.

Doctor Manhattan

Physicist Jonathan "Jon" Osterman, Ph. D., was transformed into a blue-skinned god-like being after he was accidentally disintegrated in an "Intrinsic Field Subtractor" in 1959, when he became trapped in the chamber while attempting to retrieve a watch inside it. Within a few months and after several attempts, his disembodied consciousness managed to reconstruct a physical body for itself, assisted in part (it is implied) by his childhood training in watch repair and a solid understanding of precision assembly and disassembly. He is immediately pressed into service by the United States government, who gives him the name Doctor Manhattan, after the Manhattan Project. He is the only character in the story who possesses real superpowers.[6] Though he dabbles briefly in crime-fighting, his greatest influence is to grant the U.S. a strategic advantage over the Soviet Union during the Cold War, with his most significant action taking place after he is personally asked by President Richard Nixon to intervene in the Vietnam War, leading to an unqualified victory for the U.S. with the defeat of North Vietnam and the Vietcong, preventing the collapse of the Saigon government[4] and allowing the eventual annexation of Vietnam as the 51st state. Since he works for the U.S. government, he is exempt from the provisions of the Keene Act, but spends much of his time doing advanced technology research and development and physics research. He is single-handedly responsible for the shift to electric-powered vehicles (by synthesizing the needed elements and chemicals himself) and Veidt credits him with causing a huge leap forward in myriad areas of science and technology. After the death of his father in 1969, he does not bother to conceal his original name and is repeatedly addressed or referenced as "Jon" or "Dr. Osterman".

Doctor Manhattan was based on Charlton's Captain Atom, who in Moore's original proposal was surrounded by the shadow of nuclear threat. However, the writer found he could do more with Manhattan as a "kind of a quantum super-hero" than he ever could have with Captain Atom.[2] Moore sought to delve into nuclear physics and quantum physics in constructing the character of Dr. Manhattan. The writer believed that a character living in a quantum universe would not perceive time with a linear perspective, which would influence the character's perception of human affairs. Moore also wanted to avoid creating an emotionless character like Spock from Star Trek, so he sought for Dr. Manhattan to retain "human habits" and to grow away from them and humanity in general.[1] Gibbons had created the blue character Rogue Trooper, and explained he reused the blue skin motif for Doctor Manhattan as it resembles skin tonally, but has a different hue. Moore incorporated the color into the story, and Gibbons noted the rest of the comic's color scheme made Manhattan unique.[7] The blue skin color is explained as being a result of Cherenkov radiation. Moore recalled that he was unsure if DC would allow the creators to depict the character as fully nude, which partially influenced how they portrayed the character.[8] Gibbons wanted to tastefully depict Manhattan's nudity, selecting carefully when full frontal shots would occur and giving him "understated" genitals — like a classical sculpture — so the reader would not initially notice it.[9] Dr. Manhattan's forehead is marked with the atomic structure of hydrogen, which he himself put on, declining a helmet with the atom symbol.

In the Watchmen film, Doctor Manhattan is a CGI character modeled after Greg Plitt with motion capture and facial performance provided by Billy Crudup. Crudup also plays the pre-transformation Jon Osterman.

Nite Owl

The second Nite Owl is Daniel Dreiberg, a retired, out-of-shape superhero who uses owl-themed gadgets, in a manner which led Dave Gibbons to consider him "an obsessive hobbyist... a comblahics fan, a fanboy."[10] Nite Owl was based on the Ted Kord version of the Charlton superhero Blue Beetle. Just as Ted Kord had a predecessor, Moore also incorporated an earlier adventurer who used the name "Nite Owl", the retired crime fighter Hollis Mason, into Watchmen.[2] While Moore devised character notes for Gibbons to work from, the artist provided a name and a costu me design for Hollis Mason he had created when he was twelve.[9] Richard Reynolds noted in Super Heroes: A Modern Mythology that despite the character's Charlton roots, Nite Owl's modus operandi has more in common with the DC Comics character Batman.[11] According to Geoff Klock, his civilian form "visually suggests an impotent, middle-aged Clark Kent."[12] The second Nite Owl is another Crimebusters vigilante who has not revealed his identity in the post-Keene Act era throughout the novel.

In the 2009 Watchmen film he is played by Patrick Wilson, who put on 25 pounds[13] in between the filming of his flashback scenes and the 1985 scenes, showing the physical decline of his character.

Ozymandias

Adrian Veidt was formerly the superhero Ozymandias, drawing inspiration from his hero Alexander the Great and the Egyptian pharaoh Ramesses II, for whom he is named. He inherited a fortune, but gave it away to see if he could be a success by himself. Ozymandias traced Alexander's path himself. He is the story's main antagonist. At the start of Watchmen he has retired to devote his attention to the running of his own enterprises. Ozymandias was directly based on Peter Cannon, Thunderbolt, whom Moore had admired for using his full brain capacity as well as possessing full physical and mental control.[2] Veidt is believed to be the smartest man on the planet, even capable of outsmarting Dr. Manhattan. His combination of intelligence and highly advanced fighting skills makes him perhaps the most feared and dangerous of the mortal Crimebusters. He was even able to catch a bullet fired at him. He is often accompanied by his genetically-engineered lynx, Bubastis. Richard Reynolds noted that by taking initiative to "help the world", Veidt displays a trait normally attributed to villains in superhero stories, and in a sense he is the "villain" of the series.[14] Gibbons noted "One of the worst of his sins [is] kind of looking down on the rest of humanity, scorning the rest of humanity."[15] In 2008, he was ranked number 10 on the Forbes Fictional 15.[16] Wizard magazine also ranked Ozymandias as 25th greatest villain of all time and IGN ranked him as 21st Greatest Comic Book Villain of All Time.[17]

In the Watchmen film he is played by Matthew Goode and it is suggested both by a scene in the opening credits and by Rorschach's monologue that Adrian is homosexual.

Rorschach

A vigilante who wears a white mask that resembles ink blots, Rorschach continues to fight crime in spite of his outlaw status. He was born Walter Joseph Kovacs, the son of a prostitute, and spent much of his childhood in a home for troubled youth; later he worked in the garment industry. After reading about the murder of Kitty Genovese and the reported complete indifference of the witnesses of the crime, he modified a special fabric to create a mask and became a vigilante, eventually forming a productive partnership with Nite Owl II. In 1975, after a failed attempt to find and rescue a young kidnapped girl before she was murdered after vowing to her parents that he would be successful, he lost his sanity, viewing Rorschach as his real identity and Kovacs as his "disguise". When the story begins, a man is seen walking around New York carrying a sign that reads "The End Is Nigh," but it is not until several chapters later that the reader learns that this man is Kovacs/Rorschach.

Moore based Rorschach on the Steve Ditko creation Mr. A. Moore said he was trying to "come up with this quintessential Steve Ditko character — someone who's got a funny name, whose surname begins with a 'K,' who's got an oddly designed mask".[18] As a result, Rorschach's real name is given as Walter Kovacs. Comics historian Bradford W. Wright described the character's world view as "a set of black-and-white values that take many shapes but never mix into shades of gray, similar to the ink blot tests of his namesake". Rorschach sees existence as random and, according to Wright, this viewpoint leaves the character "free to 'scrawl [his] own design' on a 'morally blank world'".[19] Moore said he did not foresee the death of Rorschach until the fourth issue when he realized that his refusal to compromise would result in him not surviving the story.[1]

In the Watchmen film he is played by Jackie Earle Haley.

Silk Spectre

Laurie Juspeczyk, the second Silk Spectre, is the daughter of Sally Jupiter, the first Silk Spectre. Laurie's mother apparently wanted her to follow in her footsteps and so she fought crime for ten years before the Keene Act banned vigilantes. Unlike the other protagonists, Silk Spectre was not based on a particular Charlton character, although her relationship with Dr. Manhattan is similar to that between Captain Atom and the heroine Nightshade. Moore felt he needed a female hero in the cast and drew inspiration from comic book heroines such as Black Canary and Phantom Lady.[2]

Laurie is kept on retainer by the government because of her relationship with Doctor Manhattan and lives on a government base at the beginning of the comic. When Doctor Manhattan leaves Earth, the government has her removed from the base and suspends her expense account, forcing her to move in with Dan, with whom she starts a romantic relationship. At the end of the eighth issue, Doctor Manhattan appears and takes her to Mars because he knows she wants to convince him to save the world. On Mars, she realizes that The Comedian was her biological father. After the final encounter with Veidt at the end of the series, she assumes the identity of Sandra Hollis and continues her relationship with Dan.

In the Watchmen film she is played by Malin Åkerman. In a 2003 draft script by David Hayter, which was reviewed by IGN, Laurie has the family name Jupiter and the alter ego name "Slingshot".[20] The former detail seems to have been retained in the final version of the film (though the Nite Owl's goggles gave her last name as Juspeczyk). The film gives her date of birth as December 2, 1949.

Supporting characters

Key to the success of Watchmen is the wide range of characters it features beyond the 'main' stars. Moore stated in 1988 that, in Watchmen, "we spend a good deal of time with the people on the street. We wanted to spend as much time detailing these characters and making them believable as we did the main characters."[21] Moore and Gibbons deliberately wanted all their characters "to have a place in this vast organic mechanism that we call the world."[21] The fleshing-out of the world was, in Moore's words, to demonstrate that "all the way through the entire series human life is going on with all of its petty entanglements and minor difficulties and all the rest of it."[22] Moore adds that it is possible to see the story as being as much about the supporting as the main characters:

What Nixon does and what Dr. Manhattan does and what Veidt does — it affects the people on the street corner but only peripherally, indirectly... And yet, in some ways, those people on the street corner, it's their story. They're the people we're concerned about.

— [22]

Minutemen

  • Hollis Mason (1917): The first Nite Owl (retired, 1962) and author of the autobiography "Under The Hood" which appears in excerpts throughout the story. Hollis was the only member of the Minutemen who did not have any social problems and mainly enjoyed being a costumed adventurer. On Halloween The Knot-Tops, led by Derp, assault Hollis in retaliation for the release of Rorschach, which was caused by The Nite Owl II (Daniel Dreiberg) and The Silk Spectre II (Laurie Juspeczyk); Derp hits Hollis on the head with Hollis's Nite Owl trophy, killing the former superhero (this event is only depicted in the director's cut version of the film).
He is roughly based on Dan Garret/The Blue Beetle[citation needed] from, at different times, Fox Feature Syndicate, Holyoke Publications, and Charlton Comics and in the story's timeframe he is a Legacy Hero, followed by Nite Owl II. In the film, he is played by Stephen McHattie.
  • Sally Jupiter (1921): The first Silk Spectre (real name Sally Juspeczyk): Domineering mother of Laurie Juspeczyk, and founding member of The Minutemen, now retired. She married her manager, Laurence Schexnayder, shortly after retiring. She narrowly avoided being sexually assaulted by the Comedian, although she later forgave him, and ultimately bore his child (Laurie, however, believed her father to be the Hooded Justice, with whom her mother had been pretending to have a relationship). Sally adores the attention she receives from fans of "The Silk Spectre." In the film, she is played by Carla Gugino.
  • Captain Metropolis (real name Nelson Gardner) (?–1974): Gardner is a Former-Marine Lieutenant and one of the more active members of the Minutemen, a group of superheroes formed in the 1940s; he suggested that a collaboration of forces would be the most effective way to fight crime. In the 1960s, he also unsuccessfully attempted to recruit the second generation of superheroes into a new group called the Crimebusters. He is briefly mentioned as having been decapitated in a car accident in 1974. Allusions were made to a relationship with Hooded Justice, which Moore tacitly confirmed in 1988, saying "I wanted to approximate real life as much as possible and that meant giving each of the characters a sexual identity."[23] He was played by Darryl Scheelar.
  • Hooded Justice (?– c.1950): The first masked vigilante, his real identity is never conclusively revealed but is strongly suggested to be circus strongman Rolf Müller. Involved in a phony relationship with Sally Jupiter to hide his homosexual involvement with Captain Metropolis, the Hooded Justice disappeared under mysterious circumstances in the early 1950s, presumably murdered by the Comedian, in retaliation for Hooded Justice preventing his former teammate from raping Sally Jupiter years earlier.[24] He was played by Glenn Ennis in the film. Fans have also speculated that Hooded Justice and Captain Metropolis faked their deaths in order to be together. This was hinted in the first issue, page 25, panel 4.
  • Dollar Bill (real name Bill Brady as stated in the role playing sourcebook) (?–1947): A bank sponsored member of the Minutemen who died during a bank robbery in 1947. His cloak was caught in the bank's revolving doors and Dollar Bill was shot at point-blank range. In the film, he is portrayed by Dan Payne.
  • Mothman (real name Byron Lewis) (?–): A former member of the Minutemen who suffered from alcoholism and mental illness later in life. In his youth Lewis created special wings that made him glide while fighting crime. Mothman became an alcoholic during the pressures of the HUAC trials. He is forcibly brought to a mental asylum, but was briefly released for the Minutemen's reunion. In the film, he is portrayed by Niall Matter.
  • The Silhouette (real name Ursula Zandt) (?–1946): A former member of The Minutemen who was forced into retirement in 1946 after her status as a lesbian became public knowledge. She and her lover were murdered six weeks thereafter by an unknown homophobic killer. She is portrayed by Apollonia Vanova in the film.

Miscellanea

  • Moloch The Mystic (real name Edgar William Jacobi): A former super-villain, Moloch was jailed for a time during the 1970s. He is dying of cancer, received from Adrian Veidt, who later murders him, and frames Rorschach. In the film, he is played by Matt Frewer.
  • Detective Steven Fine: The policeman that investigates Edward Blake's murder, and captures Rorschach. He deduces that Dan Dreiberg is Nite Owl II, and hints at this to Dreiberg in an effort to warn him away from further activity. Fine dies when Veidt's monster appears in New York. He is portrayed by Jerry Wasserman in the film.
  • Detective Joe Bourquin: The partner to Detective Steven Fine. Bourquin dies when Veidt's monster appears in New York. In the film, he is Detective Gallagher and is portrayed by Don Thompson.
  • Doug Roth: A reporter for Nova Express. He is present at Dr. Manhattan's interview with Ted Koppel and reveals that several of his coworkers died of cancer, presumably from Manhattan. This leads to Manhattan's self-imposed exile on Mars. Roth was played by John Shaw in the film.
  • Janey Slater: Janey is the first girlfriend of Dr. Jon Osterman. She leaves him in 1966 after she perceives a relationship building between Osterman and Laurie. Veidt gives Janey cancer as part of his scheme to exile Dr. Manhattan; Janey erroneously believes that Jon Osterman gave it to her. In the film she is played by Laura Mennell.
  • Bernard: Bernard is a news vendor who appears periodically on the central New York street corner. Bernard is amongst the many characters who dies when Veidt's monster appears in New York, and he dies trying to protect his young namesake. Moore has stated that he "is in some ways every man, because he's a complete pratt [sic] and doesn't know what's going on... [h]e is like a lot of people, he is a function of the news... [regurgitating news headlines] think[ing] that's an opinion."[25]
  • Dr. Malcolm Long: The psychiatrist who is assigned to evaluate Rorschach after he is apprehended. He is initially very hopeful of "curing" Rorschach, even though his utter lack of emotion makes Long's psychiatric evaluation techniques useless. Rorschach's unveiling of events that shaped his uncompromising mindset greatly affect Dr. Long's own outlook and marriage. Malcolm dies when Veidt's monster appears in New York.
  • Big Figure: jailed dwarfish crime boss, former adversary of Nite Owl and Rorschach. Tries to get revenge when Rorschach is imprisoned in the same jail as he.
  • Seymour: Seymour is a junior worker at the New Frontiersman magazine offices, designed by Moore to be "the ordinary common slob".[21] He is the final character in Watchmen, playing a pivotal role in the final pages, whom Moore describes as "the most low-life, worthless, nerdish sort of character in the entire book who finally has the fate of the world resting in his pudging fingers".[21] In the film, Seymour is played by Chris Gauthier; in the theatrical cut his sole appearance is in the film's finale. In the last panel, he gets sauce on his smiley face shirt, mimicking the blood on the Comedian's button.

References

  • Klock, Geoff. How to Read Superhero Comics and Why. Continuum, 2002. ISBN 0-8264-1419-2
  • Reynolds, Richard. Super Heroes: A Modern Mythology. B. T. Batsford Ltd, 1992. ISBN 0-7134-6560-3
  • Wright, Bradford W. Comic Book Nation: The Transformation of Youth Culture in America. Johns Hopkins, 2001. ISBN 0-8018-7450-5
  • Gibbons, Dave. "Watching the Watchmen: The Definitive Companion to the Graphic Novel". Titan Books, 2008. ISBN 978-1848560413

Notes

  1. ^ a b c Eno, Vincent; El Csawza. "Vincent Eno and El Csawza meet comics megastar Alan Moore". Strange Things Are Happening. May/June 1988.
  2. ^ a b c d e Cooke, Jon B. "Alan Moore discusses the Charlton-Watchmen Connection". Comic Book Artist. August 2000. Retrieved on October 8, 2008.
  3. ^ a b Gibbons, Dave (2008). Watching the Watchmen. United States of America: DC Comics. p. 26. ISBN 9781848560413. {{cite book}}: |access-date= requires |url= (help); Unknown parameter |coauthors= ignored (|author= suggested) (help)
  4. ^ a b c Reynolds, p. 106
  5. ^ a b Paige MacGregor (August 14, 2008). "Fatal Attraction: Hating to Love Watchmen's Comedian". Hating to Love Watchmen's Comedian. Fandomania. Retrieved 21 November 2009.
  6. ^ Wright, p. 272
  7. ^ "Watchmen Secrets Revealed". WatchmenComicMovie.com. November 3, 2008. Retrieved on November 5, 2008.
  8. ^ "A Portal to Another Dimension". The Comics Journal. July 1987.
  9. ^ a b Kallies, Christy. "Under the Hood: Dave Gibbons". SequentialTart.com. July 1999. Retrieved on October 12, 2008
  10. ^ Gibbons, "Watchmen Round Table: Moore & Gibbons" in David Anthony Kraft's Comics Interview (1988), p. 47
  11. ^ Reynolds, p. 32
  12. ^ Klock, p. 66
  13. ^ Amsden, David (1 March 2009). "Patrick Wilson, Superstar". New Yorker. Retrieved 14 April 2009.
  14. ^ Reynolds, p. 110
  15. ^ "Talking With Dave Gibbons". WatchmenComicMovie.com. October 16, 2008. Retrieved on October 28, 2008.
  16. ^ Ewalt, David M. "The Forbes Fictional 15 No. 10 Veidt, Adrian". Forbes.com. December 18, 2008. Retrieved on January 17, 2009.
  17. ^ Ozymandias is number 21, IGN.
  18. ^ Stewart, Bhob. "Synchronicity and Symmetry". The Comics Journal. July 1987.
  19. ^ Wright, p. 272–73
  20. ^ Stax. "The Stax Report: Script Review of Watchmen." IGN. September 9, 2004. Retrieved on March 5, 2009.
  21. ^ a b c d Christopher Sharrett, "(Interview with) Alan Moore," in David Anthony Kraft's Comics Interview #65 (1988), p. 7
  22. ^ a b Moore, "Watchmen Round Table: Moore & Gibbons," in David Anthony Kraft's Comics Interview #65 (1988), p. 37
  23. ^ Moore talking in Comics Interview #65 (1988), p. 11
  24. ^ Moore talking in Comics Interview #65 (1988), p. 9
  25. ^ Moore in Comics Interview #65 (1988), p. 41