Jump to content

Three hares

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by DustFormsWords (talk | contribs) at 05:33, 11 November 2011 (→See also: Lynch's "Rabbits" has nothing to do with the Three Rabbits design. "See also" is not for use as a disambiguator.). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Dreihasenfenster (Window of Three Hares) in Paderborn Cathedral

The three hares is a circular motif appearing in sacred sites from the Middle and Far East to the churches of southwest England (as the "Tinners’ Rabbits"),[1] and historical synagogues in Europe.[2] It is used as an architectural icon, a religious symbol, and modernly as a work of art[3][4] or a logo for adornment (including tattoos),[5] jewelry and a coat of arms on an escutcheon.[6] It is viewed as a puzzle or as a topology problem or as a visual challenge. It is rendered as a sculpture, in drawing, and in painting.

The symbol features three hares chasing each other in a circle. Like the triskelion[7] the triquetra (and their antecedents, e.g., the Triple spiral and the Yin yang whorl), it has a threefold rotational symmetry. See Frieze group. All of those symbols are interrelated[citation needed] and as such are used in pagan and Wiccan symbolism.[8] Each of the ears is shared by two hares, so that only three ears are shown. It has a number of mystical associations and is associated with fertility and the lunar cycle. When used in Christian churches, it is a symbol of the Trinity. Its origins and original significance are uncertain, as are the reasons why it appears in such diverse locations.[1] That the image's meaning changes depending upon the context and the viewer could be characterized as being analogous to pareidolia[2]; its widespread appeal may be characterized as being a meme.[9][10]

Origins in Buddhism and diffusion on the Silk Road

The spread of the Three Hares symbol between 600 and 1500

The earliest occurrences appear to be in cave temples in China, dated to the Sui dynasty (6th to 7th centuries).[11][12] The iconography spread along the Silk Road,[13] and was a symbol associated with Buddhism.[14] The hares have been said to be "A hieroglyph of 'to be'."[15] In other contexts the metaphor has been given different meaning. For example, Guan Youhui, a retired researcher from the Dunhuang Academy, who spent 50 years studying the decorative patterns in the Mogao Caves, believes the three rabbits image-—"like many images in Chinese folk art that carry auspicious symbolism—represent peace and tranquility."[11][12] See Aurel Stein. The hares have appeared in Lotus motifs.[16]

The Three Hares appear on 13th century Mongol metal work, and on a copper coin, found in Iran, dated to 1281.[17][18][19]

Another appears on an ancient Islamic reliquary from southern Russia. Another 13th or early 14th century Reliquary was from Iran from Mongol rule, and is preserved in the treasury of Cathedral of Trier Germany. On its base, the casket reveals Islamic iconography, and originally featured two images of the three hares. One was lost through damage.[20]

One theory pertaining to the spread of the motif is that it was transported from China across Asia and as far as the south west of England by merchants traveling the silk road. This view is supported by the early date of the surviving occurrences in China. However the majority of representations of the three hares in churches occur in England and northern Germany. This supports a contrary view that the Three Hares are English or early German symbols.[1][11][12][21]

Some claim that the Devon name, Tinners’ Rabbits, is related to local tin miners adopting it. The mines generated wealth in the region and funded the building and repair of many local churches, and thus the symbol may have been used as the miners signature mark.[22] The architectural ornament of the Three Hares also occurs in churches that are unrelated to the miners of South West England. Other occurrences in England include floor tiles at Chester Cathedral,[23] stained glass at Long Melford, Suffolk, and a ceiling in Scarborough, Yorkshire.[1]

In Christianity

The motif of the Three Hares is used in a number of medieval European churches, particularly in France (e.g., in the Basilica of Notre-Dame de Fourvière in Lyons)[24] and Germany. It occurs with the greatest frequency in the churches of the West Country of England. The motif appears in architectural wood carving, stone carving, window tracery and stained glass. In South Western England there are nearly thirty recorded examples of the Three Hares appearing on 'roof bosses' (carved wooden knobs) on the ceilings in medieval churches in Devon, (particularly Dartmoor). There is a good example of a roof boss of the Three hares at Widecombe-in-the-Moor,[7] Dartmoor, with another in the town of Tavistock on the edge of the moor. The motif occurs with similar central placement in Synagogues.[2] Another occurrence is on the ossuary that by tradition contained the bones of St. Lazarus.[25]

Where it occurs in England, the Three Hares motif usually appears in a prominent place in the church, such as the central rib of the chancel roof, or on a central rib of the nave. This suggests that the symbol held significance to the church, and casts doubt on the theory that they may have been a masons' or carpenters' signature marks.[1] There are two possible and perhaps concurrent reasons why the Three Hares may have found popularity as a symbol within the church. Firstly, it was widely believed that the hare was hermaphrodite and could reproduce without loss of virginity.[26] This led to an association with the Virgin Mary, with hares sometimes occurring in illuminated manuscripts and Northern European paintings of the Virgin and Christ Child. The other Christian association may have been with the Holy Trinity,[26][27] representing the "One in Three and Three in One" of which the triangle or three interlocking shapes such as rings are common symbols. In many locations the Three Hares are positioned adjacent to the Green Man, a symbol associated with the continuance of Anglo-Saxon paganism.[28] These juxtapositions may have been created to imply the contrast of the Divine with man's sinful, earthly nature.[26]

In Judaism

In Judaism, the "shafan" in Hebrew has symbolic meaning. Although rabbits are listed as a non-kosher animal in the Bible, it can carry very positive symbolic connotations, like lions and eagles. 16th century German scholar Rabbi Yosef Hayim Yerushalmi, saw the rabbits as a symbol of the Diaspora. The replica of the Chodorow Synagogue from Poland (on display at the Museum of the Jewish Diaspora in Tel Aviv) has a ceiling with a large central painting which depicts a double headed eagle holds two brown rabbits in its claws without harming them. The painting is surrounded by a citation from the end of Deuteronomy:

.כנשר יעיר קינו על גוזליו ירחף. יפרוש כנפיו יקחהו ישאהו על אברתו
— Deuteronomy 32:11, The Song of Moses.

This may be translated: "As an eagle that stirreth up her nest, hovereth over her young, spreadeth abroad her wings, taketh them, beareth them on her pinions (...thus is G'd to the Jewish people)."[2]

The hare frequently appears in the form of the symbol of the "rotating rabbits". An ancient German riddle describes this graphic thus:

"Three hares sharing three ears, Yet every one of them has two."[2]

This curious graphic riddle can be found in all of the famous Wooden synagogues from the period of the 17th and 18th century in the Ashknaz region (in Germany) that are on museum display in Beth Hatefutsoth Museum in Tel Aviv, the Jewish Museum Berlin and The Israel Museum in Jerusalem. They also appear in the Synagogue from Horb am Neckar (donated to the Israel Museum). The three animals adorn the wooden panels of the prayer room from Unterlimpurg near Schwäbisch Hall, which may be seen in replica in the Jewish Museum Berlin. They also are seen in a main exhibit of the Diaspora Museum in Tel Aviv. Israeli art historian Ida Uberman wrote about this house of worship: "... Here we find depictions of three kinds of animals, all organized in circles: eagles, fishes and hares. These three represent the Kabbalistic elements of the world: earth, water and fire/heavens... The fact that they are always three is important, for that number . . . is important in the Kabbalistic context".[2]

Not only do they appear among floral and animal ornaments, but they are often in a distinguished location, directly above the Torah ark, the place where the holy scriptures repose.[2]

They appear on headstones in Sataniv (Сатанів), western Ukraine.[29][30] See Galicia (Central-Eastern Europe)[2]

As an optical illusion or puzzle

The logo presents a problem in topology.[21] It is a strange loop or rendered as a puzzle[31]

Jurgis Baltrusaitis's (1955) Le Moyen-Âge fantastique. Antiquités et exotismes dans l'art gothique [32] includes a 1576 Dutch engraving with the puzzle given in Dutch and French around the image. It notes:

The secret is not great when one knows it.
But it is something to one who does it.
Turn and turn again and we will also turn,
So that we give pleasure to each of you.
And when we have turned, count our ears,
It is there, without any disguise, you will find a marvel.[21]

"These are the oldest known dated examples of the Three Rabbits as a puzzle." One commentator believes its being a puzzle is likely reason for the image's popularity.[21]

One recent philosophical book poses it as a problem in perception and an optical illusion -- an example of contour rivalry. Each rabbit can be individually seen as correct—it is only when you try to see all three at once that you see the problem with defining the hares' ears. This is similar to "The Impossible Tribar" by Roger Penrose,[21] first originated by Oscar Reutersvärd. Compare, M.C. Escher See, Impossible object.

Arms of the city of Hasloch

See also

References

  1. ^ a b c d e Chapman, Chris (2004). "The Three Hares Project". Retrieved 2008-11-11.
  2. ^ a b c d e f g h Wonnenberg, Felice Naomi. "How do the rabbits get into the synagogue? From China via Midlle East and Germany to Galizia: On the tracks of the ROTATING RABBITS SYMBOL". googlepages.com. Retrieved 2011-08-13.
  3. ^ "Miniature sculptures of Tinners' Rabbits, ca. 1300)". Finestoneminiatures.com. Retrieved 2010-06-29.
  4. ^ Tinner's Rabbits sculpture, Art that Matters.
  5. ^ Celtic knot Tatoo: border encircling Triple knotwork Hares by *WildSpiritWolf".
  6. ^ The "three hares motif from a window of the Paderborn cathedral cloister (Unity and Trinity as a symbol of the Trinity, the central mystery of faith of the Catholic Church and the whole of Christendom)." Coat of Arms, Bishop Paul Werner Scheele, Bischof von Würzburg 1979-2003. See Ecclesiastical heraldry.
  7. ^ a b Greeves, Dr. Tom, From China to Widecombe: The Extraordinary Journey of The Three Hares, Widecombe-in-the-Moor.
  8. ^ Pagan and Wiccan Symbols at Answers.com
  9. ^ della Quercia, Jacopo (April 11, 2011). "7 Memes That Went Viral Before The Internet Existed, Part 2". Cracked.com. Retrieved August 11, 2011.
  10. ^ della Querciac, Jacopo (April 11, 2011). "7 Memes That Went Viral Before The Internet Existed". Cracked.com. Retrieved August 11, 2011.
  11. ^ a b c Zhang, Wei; Rasmussen, Peter. The Three Rabbits in China. Adapted from a presentation at the International Conference on Grottoes Research, Dunhuang China, August 2004.
  12. ^ a b c /news18/idpnews_18.a4d International Dunhuang Project Newsletter No. 18. The Travels of the Three Rabbits: Shared Iconography Across the Silk Road.
  13. ^ Whitfield, Susan, The Silk Road: trade, travel, war and faith, p. 290. London: The British Library. ISBN 1-932476-13-X; ISBN 978-1-932476-13-2.
  14. ^ "The Symbolism of Rabbits and Hares". Endicott Studio's Journal of Mythic Arts. Summer 2005. Retrieved 2010-09-30.
  15. ^ "Staedlin, Naomi, (November 7, 2004) ''The rabbits as a hieroglyph of 'to be'.''" (PDF). Retrieved 2010-03-20.
  16. ^ The Silk Road: trade, travel, war and faith, by Susan Whitfield, page 290
  17. ^ "The Three Hares". Retrieved 2008-11-11.
  18. ^ "Chasing Hares". BBC. 16 November 2004. Retrieved 2008-11-11.
  19. ^ Tom Greeves. "The Three Hares". Retrieved 2010-06-13. {{cite web}}: External link in |author= (help)
  20. ^ Chris Chapman, Three Hares.
  21. ^ a b c d e Singmaster, David (August 2004). "The Three Rabbits and Similar Puzzles". threehares.net. Retrieved 2008-11-11.
  22. ^ Sandles, Tim (2007-11-23). "The Tinner's Rabbits". Legendary Dartmoor. Retrieved 2008-11-11.
  23. ^ "The archaeology of Cheshire West and Chester in ten objects".
  24. ^ Three Hares at Basilica of Notre-Dame de Fourvière, four hares, and three hares and three wolves, elsewhere. photographs and drawing.
  25. ^ *Shackle, Eric, Eric Shackle's e-book: Three Hares Share Three Ears.
  26. ^ a b c Chris Chapman Three Hares Project, What does the Symbol Mean?
  27. ^ "Three Hares as representation of the Trinity". Threehares.blogspot.com. 2006-02-25. Retrieved 2010-06-29.
  28. ^ Montagrier, Juliana Lees (December, 2009) The Green Man of Cercle.[dead link‍]
  29. ^ "Gruber, Ruth Ellen. ''A Tribe of Stones: The Sataniv Cemetery''". Web.mac.com. Retrieved 2010-03-20.
  30. ^ Gruber, Ruth Ellen. "'The Power of Jewish Headstones.' Traveling in Central Europe". Centropa.org. Retrieved 2010-06-29.
  31. ^ "Three hares puzzle". Southwestcrafts.co.uk. 2007-07-20. Retrieved 2010-06-29.
  32. ^ ISBN 2080816039; ISBN 978-2-08-081603-0. P. 134.
  33. ^ Wappen Hasloch. from source.
  34. ^ Wappen Hasloch.
  35. ^ Detail on Hasloch.
  36. ^ "Simon, Terri, ''Finnish Magic and the Old Gods'', The Nomadic Chantry of the Gramarye" (PDF). Retrieved 2010-06-29.
  37. ^ a b "The Great Hare". Community-2.webtv.net. Retrieved 2010-06-29.
  38. ^ "Windling, Terri. ''The Symbolism of Rabbits and Hares''". Endicott-studio.com. Retrieved 2010-06-29.
  39. ^ "Nanabozho, Access geneaology". Accessgenealogy.com. Retrieved 2010-06-29.
  40. ^ "Choreography, Tinners Rabbits dance" (PDF). Breathless In Berthoud Border Morris. 2008-02-08. Retrieved 2010-06-29.
  41. ^ "Video, Tinners Rabbits dance". Weblo.com. Retrieved 2010-06-29.
  42. ^ a b Fox-Davies, A.C. (1978) A Complete Guide to Heraldry (New York: Bonanza Books) p. 214. ISBN 1-60239-001-0; ISBN 978-1-60239-001-0.
  43. ^ Burke, John; Burke, Sir John Bernard (1851). Encyclopædia of heraldry: or General armory of England, Scotland, and Ireland. Retrieved September 11, 2011.
  44. ^ Hervé Pinoteau French Wikipedia.
  45. ^ Arms Family Pinoteau: Rietstap gives: Quarterly, 1st silver, a lion sable armed and langued reds; to 2e gules, a silver sword adorned with gold and 3e gules, a sword of gold band and a rifle gold bars, in saltire; to 4e Silver, a chevron azure, with three rabbits sand stream. Borel Hauterive gives, in the Yearbook of the nobility of France and the royal houses of Europe, T. 21, Paris, 1865: Quarterly, 1st silver, a lion sable armed and langued reds; to 2e gules a sword high silver barons fair district military-3e gules, a sword and a rifle gold necklace set with (weapons of honor) to 4e Silver, a chevron azure, three rabbits with sand, which is Brumauld.
  46. ^ ingen Briain meic Donnchada, Mari (Kathleen M. O'Brien) (February 9, 2009). "English Sign Names From 17th Century Tradesman's Tokens". Medieval Scotland,. Retrieved September 11, 2011.{{cite web}}: CS1 maint: extra punctuation (link)
  47. ^ "Three Conies Inn". Thorpe Mandeville: Thorpe-Mandeville yesterday. Retrieved September 11, 2011..
  48. ^ Noah Webster, “Leash” Dictionary, 1828.
  49. ^ "Leash" Merriam Webster online.
  50. ^ "Leash", Webster's Unabridged Dictionary, 1913 edition.
  51. ^ "Cat Shit One #01". Manga Glénat (in French).

Further reading

  • Dunhuang Research Academy (2006). Jinshi Fan. ed. China Dunhuang. Nanjing: Jiangsu Fine Arts Publishing House. ISBN 7-5344-2082-2. Photography by Wu Jian, including Caves #305 and #407.
  • Goepper, Roger. (1996) Alchi: Ladakh’s Hidden Buddhist Sanctuary: The Sumtsek. London: Serindia Publications. ISBN 978-1-57062-240-3. Photos of the three hares on Maitreya’s dhoti.
  • Goepper, Roger. The "Great Stupa at Alchi" in Artibus Asiae, Vol. LIII 1/2 (1993), pp. 111–43.
  • Dunhuang Research Academy (2005). Wenjie Duan; Fan, Jinshi. ed. 敦煌石窟全集. 1, 再现敦煌. Hong Kong: The Commercial Press (H.K.) Ltd. ISBN 962-07-5299-6.
  • Shackle, Eric, Eric Shackle's e-book: Three Hares Share Three Ears.
  • Ueckermann, Erhard: Das Hasensymbol am Dom zu Paderborn, im Kloster Hardehausen, in der Kathedralkirche St. Paulus in Münster und der Klosterkirche Haina. In: Zeitschrift für Jagdwissenschaft 41 (1995), S. 285-29.
  • Tan Chung, Editor. (1994) Dunhuang Art: Through the Eyes of Duan Wenjie. New Delhi: Abhinav Publications. ISBN 81-7017-313-2.
  • Whitfield, Susan. (2004) The Silk Road: Trade, Travel, War and Faith. London: The British Library. ISBN 1-932476-13-X; ISBN 978-1-932476-13-2.
  • Windling, Terri. The Symbolism of Rabbits and Hares.
  • Xizang Zizhiqu (1991) wenwu guanli weiyuanhui. Guge gucheng (The Site of the Ancient Guge Kingdom). Beijing: Wenwu chubanshe, with photos of four hares and other impossible shared-body images.
Wikimedia Commons has media related to Three hares.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Three_hares&oldid=460088437"