16 Lovers Lane
|16 Lovers Lane|
|Studio album by|
|Label||Mushroom (AUS), Beggars Banquet (UK)|
|Producer||Mark Wallis, Go-Betweens|
|The Go-Betweens chronology|
|Singles from 16 Lovers Lane|
16 Lovers Lane was the sixth album by Australian indie rock group The Go-Betweens, released in 1988 by Beggars Banquet Records. Prior to the recording of the album, longtime bassist Robert Vickers left the band when the other group members decided to return to Australia after having spent several years in London, England; he was replaced by John Willsteed. The album was recorded at Studios 301 in Sydney, between Christmas 1987 and Autumn 1988.
16 Lovers Lane was the final release from the original version of the band. The Go-Betweens broke up in 1989 and would produce no other material until Grant McLennan and Robert Forster reformed the band, with a completely different line-up of personnel, in 2000.
In late 1987 the band relocated from the UK to Sydney. The relationship between guitarist Robert Forster and drummer Lindy Morrison had ended, whilst singer Grant McLennan and violinist Amanda Brown became more involved. Upon their return to Australia the band added John Willsteed on bass and began preparing their sixth album.
The recording process for 16 Lovers Lane was different to previous releases. Between December 1987 and January 1988 McLennan and Forster began an intense songwriting process. They demoed all the songs in advance and then presented them to the producer and their bandmates, leaving less room for improvisation. McLennan stated "We really sat down for the first time in years and wrote together in the sense that anything new we'd come up with the night before we'd go through and rearrange and discard or put it into something else. Our normal method was to write separately and the spend two weeks together, familarising ourselves with each other songs and suggesting things. So this way was a completely different process and it was due to trying to get back to what started the band - closeness."
McLennan said the band was also affected by moving back to Australia. "We'd spent five years in London—blackness, darkness, greyness and poverty—and suddenly for some reason we seemed to have more money in Sydney, and we all had places to live and being in a city where after five years we can go to the beach in ten minutes." Forster agreed saying it brought on "a burst of energy, a burst of songs."
McLennan said, "I had a vision for this record. It was, in some way, just sitting down with acoustic guitars in sunlight, writing songs, and then making a record. It was as simple as that. And I get that vibe from the record, a summer feeling." Forster described the album as, "the perfect combination between London melancholy and Sydney sunshine."
The songwriting duo demoed sixteen tunes acoustically and sent them to English producer, Mark Wallis, prior to his arrival in Australia. The book, 100 Best Australian Albums, describes that Wallis' production maintained the acoustic feel, embellishing them sparingly and "affording them a sparkle and crispness that suggested the summer that was their inspiration." Drummer Lindy Morrison was said to have "hated" Wallis, which may be a reflection of the fact that Wallis replaced Morrison with a drum machine on five of the songs on the album. Both Morrison and Brown were unhappy with the pre-production process, which limited their contribution, but Forster defended it, saying, "The pre-production to every album can't always been the same. You can't keep doing the same things over and over."
Elsewhere, Forster blamed others for the synthetic nature of the recordings. He said, "I wanted to make the kind of record I ended up making on Danger in the Past. I just wanted the band to be playing live, get us into a really big studio. Instead, it was one person in the studio with the rest of them playing pool. Lindy would be talking about drum machines, and her and Amanda were talking about triggering the violin to make synthesizer keyboard sounds. The only two live tracks on that album are both my songs, and I insisted on those." In 2016, Forster wrote, "I had trouble with 16 Lovers Lane for a long time. It wasn't until the late nineties that I recognised it for what it was - a pop record."
In 2004, LO-MAX Records issued a greatly expanded CD which included a second disc of ten bonus tracks and music videos for the songs "Streets of Your Town" (two versions) and "Was There Anything I Could Do?" which were filmed to promote 16 Lovers Lane at the time of its initial release.
|The Buffalo News|||
|Encyclopedia of Popular Music|||
|The Rolling Stone Album Guide|||
|The Village Voice||A−|
In October 2010, 16 Lovers Lane was listed at No. 12 in the book, 100 Best Australian Albums. The authors describe the album as being "the band's high-water mark and Forster and McLennan knew they'd nailed it" and that the songs were "their most direct, accessible and heartfelt ever", with "Forster, particularly, having learnt a new restraint. Gone was the bravado and archness that had informed much of his earlier work and in its place was an openess and honesty."
Reviewing the album in Spin, Evelyn McDonnell said the Go-Betweens reminded her of, "whooping cranes: great gangling creatures capable of heights of gracefulness when in flight and passionate spasms when in heat. Similarly, the Go-Betweens infuse portentious poetry into giddy pop structures, then throw the uncertain songs in the air, whispering 'Fly or fuck.'" While praising the album, McDonnell blamed most of the album's occasional "putrid moments" on producer Mark Wallis.
|Original 1988 release|
|1.||"Love Goes On"||3:19|
|3.||"Love Is a Sign"||4:12|
|4.||"You Can't Say No Forever"||3:57|
|5.||"The Devil's Eye"||2:05|
|6.||"Streets of Your Town"||3:36|
|8.||"Was There Anything I Could Do?"||3:06|
|9.||"I'm All Right"||3:10|
|10.||"Dive for Your Memory"||4:17|
|11.||"Streets of Your Town" (Australian video on 2004 expanded CD)|
|12.||"Streets of Your Town" (US/UK video on 2004 expanded CD)|
|13.||"Was There Anything I Could Do?" (video on 2004 expanded CD)|
|2004 bonus disc|
|1.||"Love Goes On" (single version – re-mixed by Tom Visconti at Good Earth Studios, London in May 1988)||3:18|
|2.||"Wait Until June" (recorded at Electric Avenue Studios Sydney in 1988)||3:03|
|3.||"Mexican Postcard" (recorded at Bloomsbury London in August 1988)||2:13|
|4.||"Rock and Roll Friend" (recorded at Bloomsbury London in August 1988)||3:34|
|5.||"Casanova's Last Words" (recorded at Electric Avenue Studios Sydney in 1988)||2:38|
|6.||"You Won't Find It Again" (recorded at Trackdown Studios, Sydney on 14 January 1988)||3:21|
|7.||"Running the Risk of Losing You" (live – recorded at Max's Petersham Inn, Sydney on 15 December 1989)||3:06|
|8.||"Apples in Bed" (recorded at Damian Gerrard Studios, Ultimo in April 1988)||2:37|
|9.||"Head Over Heels" (recorded at Damian Gerrard Studios, Ultimo in April 1988)||2:27|
|10.||"You're a Big Girl Now" (Bob Dylan – recorded at McCabe's Guitar Shop in Santa Monica, California on 11 November 1988)||3:41|
|United Kingdom||Beggars Banquet||LP||BEGA 95|
|United States||1988||Capitol||CDP 7 91230 2|
|Germany||Rebel Rec.||SPV 85-2875|
|United Kingdom||1996||Beggars Banquet||BBL 2006 CD|
|Australia||Silk Sheen||SILK 007|
|United Kingdom||2004||LO-MAX||LO-MAX CD004|
|Australia||EMI Australia||0946 3 69600 2 9|
- Amanda Brown – violin, oboe, guitar, vocals
- Robert Forster – vocals, rhythm guitar, harmonica
- Grant McLennan – vocals, lead guitar
- Lindy Morrison – drums
- John Willsteed – bass guitar, guitar, Hammond organ, piano
- Michael Armiger – bass on "Running the Risk of Losing You"
- O'Donnell, John; Creswell, Toby; Mathieson, Craig (2010). 100 Best Australian Albums. Prahran, Vic: Hardie Grant Books. p. 60. ISBN 978-1-74066-955-9.
- Gavin Sawford (12 April 1996). "Gazing On A Sunny Afternoon". Rave. Stones Corner, QLD: Rave Magazine Pty Ltd: 7–8.
- Dave Dimartino (14 January 1989). "Critics' Faves Seek Commercial Hit With 1st Capitol Album". Billboard. New York City.
- The Mojo Collection: 4th Edition. Canongate Books. 2007. p. 530. ISBN 978-1-84767-643-6.
- David Burchill (2010). Sean Sennett and Simon Groth, ed. Off The Record:25 Years of Music Street Press. St. Lucia, Queensland: University of Queensland Press. p. 43. ISBN 978-0-7022-3863-5.
- Steve Kilbey (16 June 2014). "Steve Kilbey Picks Five Great Australian Albums". Double J. Retrieved 7 July 2015.
- Clinton Walker (1996). Stranded: The Secret History of Australian Independent Music 1977–1991. Pan MacMillan. p. 230. ISBN 0-7329-0883-3.
- Robert Forster (2016). Grant & I. Penguin. p. 194. ISBN 978-0-670-07822-6.
- "The Go-Betweens (16 Lovers Lane)". Great Australian Albums. Season 2. Episode 1. 6 September 2008.
- Jurek, Thom. "16 Lovers Lane – The Go-Betweens". AllMusic. Retrieved 9 September 2016.
- Lim, Dennis. "The Go-Betweens: (various reissues)". Blender. Archived from the original on 5 April 2005. Retrieved 2 February 2017.
- Miers, Jeff (5 December 2004). "The Go-Betweens, '16 Lovers Lane,' expanded edition (Jetset)". The Buffalo News. Archived from the original on 29 March 2017. Retrieved 29 March 2017. (Subscription required (help)).
- Larkin, Colin (2011). The Encyclopedia of Popular Music (5th concise ed.). Omnibus Press. ISBN 0-85712-595-8.
- "The Go-Betweens: 16 Lovers Lane". Mojo (131): 122. October 2004.
- "The Go-Betweens: 16 Lovers Lane". NME: 47. 13 April 1996.
- Wolk, Douglas (2004). "The Go-Betweens". In Brackett, Nathan; Hoard, Christian. The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 333–34. ISBN 0-7432-0169-8.
- Male, Andrew (May 1996). "The Go-Betweens: Send Me a Lullaby / Before Hollywood / Spring Hill Fair / Liberty Belle and the Black Diamond Express / Tallulah / 16 Lovers Lane". Select (71): 102.
- "The Go-Betweens: 16 Lovers Lane". Uncut (86): 120. July 2004.
- Christgau, Robert (24 January 1989). "Christgau's Consumer Guide". The Village Voice. Retrieved 3 May 2016.
- O'Donnell, John; Creswell, Toby; Mathieson, Craig (October 2010). 100 Best Australian Albums. Prahran, Vic: Hardie Grant Books. ISBN 978-1-74066-955-9.
- Evelyn McDonnell (February 1989). "Spins". Spin. New York: 71–72.
- Robert Dimery; Michael Lydon (23 March 2010). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition. Universe. ISBN 978-0-7893-2074-2.