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Werner Reinhart

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Werner Reinhart (19 March 1884 – 29 August 1951) was a Swiss merchant, philanthropist, amateur clarinetist, and patron of composers and writers, particularly Igor Stravinsky and Rainer Maria Rilke. Reinhart knew and corresponded with many artists and musicians of the early-mid 20th century in Europe world, and his Villa Rychenberg in Winterthur became an international meeting point for musicians and writers.[1]

He was sometimes referred to as "the Winterthur Maecenas".[2] Alice Bailly named Werner Reinhart "L'homme aux mains d'or" – the man with the golden hands,[3] and her 1920 portrait of him is called "The Man with the Golden Heart".[4] Oskar Kokoschka also painted his portrait in 1947.[5][6]

Werner Reinhart inherited his wealth from the Volkart family business, based in Winterthur, which he ran together with his elder brother Georg.[7] Reinhart and Hermann Scherchen played a leading role in shaping the musical life of Winterthur between 1922 and 1950, the emphasis being on contemporary music, and they were instrumental in numerous premieres being performed there.[8] Scherchen was one of many people whom Reinhart patronised, not least in Scherchen's case because he had to pay alimony to no less than five ex-wives.[9]

People Reinhart supported and assisted (abridged)

Othmar Schoeck

Othmar Schoeck was left destitute when World War I broke out. His appointment as conductor of the St. Gallen Symphony Orchestra[10] (with special permission to remain resident in Zürich), combined with the annuity Werner Reinhart gave him from 1916 onwards, allowed Schoeck to give up his jobs as chorus director and to compose more or less undisturbed.[11] Schoeck was not given to overt signs of gratitude, but he dedicated to Werner Reinhart the following works:

  • Gaselen, 10 poems by Gottfried Keller, Op. 38 (1923), for baritone, flute, oboe, bass clarinet, trumpet, percussion and piano[12]
  • the Sonata for Bass Clarinet and Piano, Op. 41 (1927–28)[13]
  • the Suite in A flat for Strings, Op. 59 (1945).[14]

Igor Stravinsky

Igor Stravinsky approached Reinhart for financial assistance when he was writing Histoire du soldat (The Soldier's Tale). The first performance was conducted by Ernest Ansermet on 28 September 1918, at the Théâtre Municipal de Lausanne. Werner Reinhart sponsored this performance, and to a large degree underwrote it. In gratitude, Stravinsky dedicated the work to Reinhart,[15] and even gave him the original manuscript.[16][17]

Reinhart continued his support of Stravinsky's work in 1919 by funding a series of concerts of his recent chamber music.[18] These included a suite of five numbers from The Soldier's Tale, arranged for clarinet, violin, and piano, which was a nod to Reinhart, who was an excellent amateur clarinetist.[15][19] The suite was first performed on 8 November 1919, in Lausanne, long before the better-known suite for the seven original instruments became widely known.[20] Stravinsky dedicated his Three Pieces for Clarinet to Reinhart, in gratitude for his ongoing support.[15][18][21][22]

Reinhart founded a music library of Stravinskiana at his home in Winterthur.[23]

Rainer Maria Rilke

In 1919, Rainer Maria Rilke travelled to Switzerland from Munich. The outward motive was an invitation to lecture in Zürich, but the real reason was the wish to escape the post-war chaos and take up once again his work on the Duino Elegies. The search for a suitable and affordable residence proved to be very difficult and Rilke lived in various places. Only in the summer of 1921 was he able to find a permanent abode in the Chateau de Muzot in the commune of Veyras, close to Sierre in Valais. It was at Muzot, in February 1922, that Rilke, in a storm of inspiration, wrote most of the fifty-five Sonnets to Orpheus and several smaller collections of poems.[24] In May 1922, after deciding he could afford the cost of considerable necessary renovation, Werner Reinhart bought Muzot so that Rilke could live there rent-free, and became Rilke's patron.[25] Here Rilke completed his greatest work, the Duino Elegies.[26]

During this time, Reinhart introduced Rilke to his protégée, the Australian violinist Alma Moodie.[27] Rilke was so impressed with her playing that he wrote in a letter: What a sound, what richness, what determination. That and the "Sonnets to Orpheus", those were two strings of the same voice. And she plays mostly Bach! Muzot has received its musical christening....[27][28][29]

Paul Hindemith

Paul Hindemith's Clarinet Quintet, first performed at the ISCM Festival in Salzburg on 7 August 1923, was dedicated to Werner Reinhart,[2] as was his Canon in Three Voices Sine musica nulla disciplina (1944).[30]

Reinhart told Gertrud Hindemith "there was something Mozartian" about her husband's writing Trauermusik in less than a day in London after the death of King George V, and premiering it the same evening. "I know no one else today who could do that", he said.[31]

Ernst Krenek

Ernst Krenek and his then wife Anna Mahler (daughter of Gustav Mahler) lived in Zurich 1924-25, at Reinhart's invitation.[32][33][34] Their marriage collapsed, however, and Krenek had a brief affair with Alma Moodie. While this relationship did not last, Krenek was so grateful for Moodie's introduction to Reinhart's assistance that he dedicated his Violin Concerto No. 1, Op. 29, to her. His Kleine Suite, Op. 28 (1924) was written for Reinhart himself, and a piano Prelude (1944, W.o.O. 87) bears the dedication, "Dedicated to Werner Reinhart in the old spirit of cordial friendship and with the most sincere wishes."[13]

Arthur Honegger

Werner Reinhart was the primary financial supporter of the Théâtre du Jorat, where Arthur Honegger's oratorio Le Roi David premiered, and corresponded with its owner René Morax.[35]

Honegger's Sonatine for Clarinet and Piano (1921–22) was written for Reinhart.[13]

Honegger's Pastorale d’été was played in Berlin on 9 November 1922, conducted by Bernhard Seidmann. This was financially supported by Werner Reinhart, who also urged Honegger to program Horace victorieux, a work he believed to be far more important.[36]

Anton Webern

It was thanks to Werner Reinhart that Anton Webern, who was living in political isolation in Austria, was able to attend the premiere of his Variations for Orchestra, Op. 30 in Winterthur in 1943. Reinhart invested all the financial and diplomatic means at his disposal to enable Webern to travel to Switzerland. In return for this support, Webern dedicated the work to him.[37]

Other dedications

  • In 1944, Frank Martin wrote a "Canon for Werner Reinhart" for eight voices (SSAATTBB), to a text by Pierre de Ronsard.[38]
  • Adolf Busch's Sonata for solo bass clarinet was written for Reinhart.[13]
  • Hermann Burte dedicated Gedichte Voltaires to Reinhart.
  • Richard Strauss dedicated his Sonatina no. 2 "Fröhliche Werkstatt" für 16 Blasinstrumente (a.k.a. Symphony for Wind Instruments, "Happy Workshop") to Reinhart.[39]

Other associates

References

  1. ^ a b "Volkart Foundation". Archived from the original on 9 February 2009. Retrieved 5 December 2008.
  2. ^ a b "Arbiterrecords". Archived from the original on 13 May 2009. Retrieved 5 December 2008.
  3. ^ "Bibliothèque du Gymnase de Beaulieu". Archived from the original on 26 January 2016. Retrieved 5 December 2008.
  4. ^ DeBartha Galerie Senarclens[permanent dead link]
  5. ^ [1] Archived 26 September 2003 at the Wayback Machine
  6. ^ "Oskar Kokoschka: Exile and new home 1938–1980" (PDF). Archived from the original (PDF) on 4 March 2016. Retrieved 7 December 2008.
  7. ^ "Volkart Foundation". Archived from the original on 15 February 2009. Retrieved 5 December 2008.
  8. ^ "KoelnKonzert". Archived from the original on 29 May 2007. Retrieved 5 December 2008.
  9. ^ Michael Kater, The Twisted Muse
  10. ^ "St. Gallen Symphony Orchestra website". Archived from the original on 30 May 2008. Retrieved 7 December 2008.
  11. ^ The Schoeck Home Page
  12. ^ "Musinfo". Archived from the original on 13 October 2006. Retrieved 5 December 2008.
  13. ^ a b c d Colin James Lawson, The Cambridge Companion to the Clarinet
  14. ^ Theodore Front Musical Literature[permanent dead link]
  15. ^ a b c Ragtime Ensemble presents The Soldier's Tale
  16. ^ Concert Artists Guild Archived 17 December 2008 at the Wayback Machine
  17. ^ The composer, the antiquarian and the go-between
  18. ^ a b Chamber Music Society of Lincoln Center Archived 21 June 2009 at the Wayback Machine
  19. ^ "L'Histoire du Soldat". Archived from the original on 22 June 2009. Retrieved 5 December 2008.
  20. ^ A Musical Feast Archived 10 December 2008 at the Wayback Machine
  21. ^ naxos Archived 1 March 2014 at the Wayback Machine
  22. ^ Philharmonic Society Presents
  23. ^ Kuko.com Archived 21 June 2009 at the Wayback Machine
  24. ^ Bookrags
  25. ^ Ralph Freedman, Life of a Poet
  26. ^ "untitled". Archived from the original on 21 March 2007. Retrieved 5 December 2008.
  27. ^ a b R. M. Rilke: Music as Metaphor
  28. ^ Photo and description
  29. ^ Rainer Maria Rilke: a brief biographical overview
  30. ^ "Paul Hindemith summary". Archived from the original on 24 October 2008. Retrieved 5 December 2008.
  31. ^ Michael Steinberg, The Concerto
  32. ^ Universal Edition
  33. ^ "Anna Mahler biography". Archived from the original on 15 March 2012. Retrieved 28 November 2010.
  34. ^ Of mountains and modernism: Othmar Schoeck
  35. ^ Contemporary Music in a well-established Genre
  36. ^ "unknown title". Archived from the original on 7 March 2008. Retrieved 18 September 2017.
  37. ^ "Music of the Viennese School". Archived from the original on 22 August 2009. Retrieved 5 December 2008.
  38. ^ "Musinfo". Archived from the original on 24 October 2007. Retrieved 5 December 2008.
  39. ^ "Error".
  40. ^ Jews and Geniuses: An Exchange
  41. ^ Nick Strimple, Choral Music in the 20th Century
  42. ^ View Mozart 2006[permanent dead link]
  43. ^ Michael H. Kater, Composers of the Nazi Era
  44. ^ The Past and the Present: A Visit with Elisabeth Furtwangler
  45. ^ "musinfo". Archived from the original on 24 October 2007. Retrieved 5 December 2008.
  46. ^ The free library
  47. ^ Press ISRO (Romanian)
  48. ^ Winterthur Libraries, Special Collections, Archives of the Musikkollegium
  49. ^ Winterthur Libraries, Special Collections, Rychenberg Foundation

Bibliography

  • Georges Duplain. L'Homme aux Mains d'Or: Werner Reinhart, Rilke, et les Créateurs de Suisse Romande
  • Zehn Komponisten um Werner Reinhart: ein Ausschnitt aus dem Wirkungskreis des Musikkollegiums Winterthur, 1920-1950, Volume 1. Peter Sulzer. Stadtbibliothek, 1979 - Authors - 238 pages.
  • Zehn Komponisten um Werner Reinhart : e. Ausschnitt aus d. Wirkungskreis d. Musikkollegiums Winterthur 1920 - 1950 - zweiter Band / Neujahrsblatt der Stadtbibliothek Winterthur 310 School & Library Binding – 1 Jan. 1980 by Peter Sulzer.

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