Acheloos Painter

Acheloos Painter
Athlete bringing jumping weights into play; that is, actually jumping, and an aulos player, theme on a black-figure lekythos by the Acheloos Painter. The vase is located in the Staatliche Antikensammlungen, Inventory Number 1892, Berlin.
Born	Unknown. The name vase is a black-figure amphora depicting Herakles fighting the river god, Acheloos. Before 525 BCE
Died	About 500 BCE
Nationality	Greek
Known for	Vase painting
Notable work	Worked at Athens
Movement	Black-figure style, Leagros Group.

The Acheloos Painter, active around 525 - 500 BCE in Athens, was a vase painter of the black-figure style. His scenes were like those of the Leagros Group; however, unlike their work, his themes are comic episodes, like modern cartoons. Herakles was a favorite topic, as were banqueting scenes. His banqueters were portrayed satirically: overweight, aging, huge, jutting noses, and so on. The heroic is made anti-heroic by parody. His preferred vase forms are amphorae and hydriae.

Name vase

He received his name from a representation of a fight between the river god, Acheloos, and Heracles, on formerly Amphora F 1851 in the Berlin Antique collection, now missing. In this comic depiction, the screaming and frightened river god, in the form of a horned centaur, is being kept from escaping by an unflustered Herakles pulling him back by the horns. Hermes, stock messenger of the gods, sits at ease. His long, projecting beard juts out parallel to his long, projecting nose. In the heroic scenes of Greek mythology, a hero ought to be victorious over awful and implacable monsters according to the will of the divine gods. In this scene and others like it the hero demeans himself with a craven and ridiculous monster while the caricature of divinity slumps over in a state of ennui. "Nonsense inscriptions" have nothing to say.

In an unrelated scene on the opposite side, a hoplite and an archer say goodbye to their aged parents. The wrinkles are shown in the mother's neck. The hoplite's shield covers him up to his nose. On it is emblazoned an isolated running leg with a naked buttock. A dog sniffs at the hoplite's groin region.

Select works

Name	Images	Dimensions	Type	Date	Description	Museum Record
Altenburg, Staatliches Lindenau-Museum
Amphora 228
Basel, Antikenmuseum und Sammlung Ludwig
Amphora BS 1906.294
Berlin, Antikensammlung
Amphora F 1845
Amphora F 1851
Hydria F 1905
Cambridge, Harvard University Art Museums
Amphora 1960.314		H. 40.9 cm, W. 27.9 cm	Attic Black-figure neck amphora	510-500 BC	A: Departure scene	Record
Florence, Museo archeologico di Firenze
Amphora 3871			Attic black-figure amphora	510-500 BC	A: Heracles and the cercopi; B: Heracles and Apollo
London, The British Museum
Panathenaic Amphora B 167
Mississippi, University of Mississippi
Amphora 1977.3.71		H. 36 cm, D. 24.5 cm	Attic black-figure amphora	510-500 BC	Departure scene	record
Munich, Staatliche Antikensammlung
Amphora SL 459
Lekythos 1892		----	Attic black-figure lekythos	525-500 BC	Athlete holding jumping weights and aulos player
New York, Metropolitan Museum of Art
Pelike 49.11.1		H. 33.3 cm	Attic black figure pelike	c.510 BC	A: King Midas's men discover Silenos; B: Flute-player and boxers	Record
Reading, The Ure Museum of Greek Archaeology
Amphora 45.10.22
Toledo, Toledo Museum of Art
Amphora 58.69
Würzburg, Martin von Wagner Museum
Amphora 210

Additional references

• Beazley, J D (1986). The development of Attic black-figure. Sather classical lectures, v. 24. Berkeley: University of California Press. p. 79.

External links

• "3 Vases whose Painter is Acheloos Painter". Art & Archaeology Artifact Browser, Perseus Digital Library. Tufts University. Retrieved 20 June 2012.