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Hippolyte Bayard

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Hippolyte Bayard
Self portrait, salt print (1847)
Born20 January 1801
France
Died14 May 1887 (aged 86)
NationalityFrench
Known forPhotography
Notable workSelf Portrait as a Drowned Man

Hippolyte Bayard (20 January 1801 – 14 May 1887) was a French photographer and pioneer in the history of photography. He invented his own process that produced direct positive paper prints in the camera and presented the world's first public exhibition of photographs on 24 June 1839. He claimed to have invented photography earlier than Louis-Jacques Mandé Daguerre in France and William Henry Fox Talbot in England, the men traditionally credited with its invention.[1]

Bayard experimented with the new medium taking photos of plant speciments, statuary (including posing with them for self-portraits), street scenes, urban landscapes, architectural photos, and portraits. He photographed prominent figures and an ordinary worker. He also advocated combination printing and was one of the founders of a photo society.

Early life and career

While working as a civil servant, Bayard experimented with photography. He developed his own method of producing photos called the direct positive process.[2] It involved exposing silver chloride paper to light, which turned the paper completely black. It was then soaked in potassium iodide before being exposed in a camera. After the exposure, it was washed in a bath of hyposulfite of soda and dried.[3]

The home where Hippolyte Bayard was born (Maison d'Hippolyte Bayard) at 4 Bayard place in Breteuil

The resulting image was a unique photograph that could not be reproduced. Due to the paper's poor light sensitivity, an exposure of approximately twelve minutes was required. Using this method of photography, still subject matter, such as buildings, were favoured. When used for photographing people, sitters were told to close their eyes so as to eliminate the eerie, "dead" quality produced due to blinking and moving one's eyes during such a long exposure.

In the summer of 1851, along with photographers Édouard Baldus, Henri Le Secq, Gustave Le Gray, and O. Mestral, Bayard travelled throughout France to photograph architectural monuments at the request of the Commission des Monuments Historiques.[4]

Self Portrait as a Drowned Man

Self portrait as a drowned man, direct positive print

Bayard was persuaded to postpone announcing his process to the French Academy of Sciences by François Arago, a friend of Louis Daguerre, who invented the rival daguerreotype process. Arago's conflict of interest cost Bayard the recognition as one of the principal inventors of photography. He eventually gave details of the process to the French Academy of Sciences on 24 February 1840 in return for money to buy better equipment.

As a reaction to the injustice he felt he had been subjected to, Bayard created the first staged photograph entitled, Self Portrait as a Drowned Man. In the image, he pretends to have committed suicide, sitting and leaning to the right. Bayard wrote on the back of his most notable photograph:

The corpse which you see here is that of M. Bayard, inventor of the process that has just been shown to you. As far as I know this indefatigable experimenter has been occupied for about three years with his discovery. The Government which has been only too generous to Monsieur Daguerre, has said it can do nothing for Monsieur Bayard, and the poor wretch has drowned himself. Oh the vagaries of human life....! ... He has been at the morgue for several days, and no-one has recognized or claimed him. Ladies and gentlemen, you'd better pass along for fear of offending your sense of smell, for as you can observe, the face and hands of the gentleman are beginning to decay.

Late career

Despite his initial hardships in photography, Bayard continued to be a productive member of the photographic society. He was a founding member of the French Society of Photography. Bayard was also one of the first photographers to be commissioned to document and preserve architecture and historical sites in France for the Missions Héliographiques in 1851 by the Historic Monument Commission. He used a paper photographic process similar to the one he developed to take pictures for the Commission. Additionally, he suggested combining two negatives to properly expose the sky and then the landscape or building, an idea known as combination printing which began being used in the 1850s.

Famous photographs

Construction Worker in Paris, salt print (circa 1846)
  • Self Portrait as a Drowned Man, 1840.
  • Specimens, 1842.
  • Construction Worker, Paris, 1845–1847.
  • Self Portrait in the Garden, 1847.
  • Tests of photosensitivity (1839)
    Tests of photosensitivity (1839)
  • Still life with plaster casts circa 1839
    Still life with plaster casts circa 1839
  • Self portrait (1839/1840)
    Self portrait (1839/1840)
  • Arrangement of specimens, direct positive print (1842)
    Arrangement of specimens, direct positive print (1842)
  • Montmartre circa 1842
    Montmartre circa 1842
  • Woman with fan (1843)
    Woman with fan (1843)
  • Madeleine Paris (circa 1845)
    Madeleine Paris (circa 1845)
  • Arch and picture of horse (1847)
    Arch and picture of horse (1847)
  • Cathedral of Notre Dame in Paris (1850)
    Cathedral of Notre Dame in Paris (1850)
  • France, albumen print (1858)
    France, albumen print (1858)
  • Pierre Michel François Chevalier (1861)
    Pierre Michel François Chevalier (1861)
  • Duchess d'Harcourt
    Duchess d'Harcourt
  • Ernest Pinard
    Ernest Pinard
  • Self portrait (1863)
    Self portrait (1863)

See also

References

  1. ^ "Hippolyte Bayard (French, 1801 - 1887) (Getty Museum)". The J. Paul Getty in Los Angeles. Archived from the original on 2013-10-24. Retrieved 2016-04-06.
  2. ^ Hippolyte Bayard
  3. ^ Hippolyte Bayard Historic Camera
  4. ^ Lemagny, Jean-Claude; et al. (1986). A History of Photography. Cambridge: Cambridge University Press. pp. 56–57. ISBN 978-0-521-34407-4.
  • Gautrand, Jean-Claude and Frizot, Michel, Hippolyte Bayard. Naissance de l'image photographique, Éd. Trois cailloux, 1986.
  • Keeler, Nancy, "Hippolyte Bayard aux origines de la photographie et de la ville moderne", in: La Recherche photographique Nr. 2, Univ. Paris VIII, May 1987.
  • Lavin, Amélie, Hippolyte Bayard. Fictions photographiques: effet d'image et jeu idéal, DEA Thesis, Univ. Paris I, 2001.
  • Poivert, Michel & Lavin, Amélie, Hippolyte Bayard, Photopoche Nr. 91, Paris: Nathan 2001.
  • Rosen, Margit, Hippolyte Bayard. Fotografie und die Fiktion des Todes, MA Thesis, Staatliche Hochschule für Gestaltung Karlsruhe (HfG), 2002.
  • Hippolyte Bayard: chevalier de l'ombre (Proceedings of the colloquy in Breteuil-sur-Noye, 16–17 November 2001), Breteuil-sur-Noye: Société historique de Breteuil-sur-Noye, 2005.
  • Lerner, Jillian, "The Drowned Inventor: Bayard, Daguerre, and the Curious Attractions of Early Photography" History of Photography 38.3 (2014) http://www.tandfonline.com/eprint/YhBxjaWf7hNBxVYmNGNn/full
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