Dona, Dona

Not to be confused with Dona Dona.

"Dana Dana (Yiddish original)"
Song
Language	Yiddish
Published	1941
Songwriter(s)	Sholom Secunda, Aaron Zeitlin

"Dona Dona (English version)"
Song
Language	English
Published	mid-1950s
Genre	Folk music
Songwriter(s)	Sholom Secunda, Aaron Zeitlin. English lyrics by Arthur Kevess and Teddi Schwartz

"Dona Dona" popularly known as "Donna, Donna" is a song about a calf being led to slaughter written by Sholom Secunda and Aaron Zeitlin. Originally a Yiddish language song "Dana Dana" (in Yiddish דאַנאַ דאַנאַ), also known as "Dos Kelbl" (in Yiddish דאָס קעלבל meaning The Calf) it was a song used in a Yiddish play produced by Zeitlin.

History

"Dana Dana" was written for the Aaron Zeitlin stage production Esterke (1940–41) with music composed by Sholom Secunda. The lyrics, score, parts, and associated material are available online in the Yiddish Theater Digital Archives. The lyric sheet is in typewritten Yiddish and handwritten Yiddish lyrics also appear in the piano score. The text underlay in the score and parts is otherwise romanized in a phonetic transcription that appears oriented toward stage German. The YIVO standardized transliteration system was not then in widespread use, and many Yiddish transliterations looked like German, to which the Yiddish language is closely related.

The orchestra plays the "Dana Dana" melody at several points in Esterke. The original is 2/4, in G minor for a duo of a man and a woman, choral with the orchestral accompaniment. Secunda wrote "Dana-" for the orchestral score and "Dana Dana" for the vocal scores. The Yiddish text was written with Roman alphabet. He wrote for the choral score "andantino" (somewhat slowly) and "sempre staccato" (play staccato always). The melody of the introduction was also used at the end of the song. He wrote "piu mosso" (more rapidly) for the refrain and some passages that emphasize the winds. First, a woman (Secunda wrote "she") sings four bars and then the man (Secunda wrote "he") sings the next four. They sing together from the refrain. Although singing the third part of "Dana Dana" (="Dana Dana Dana Dana...") the man sometimes sings lower than the melody using disjunct motions. The melody is refrained. Then "he" sings the melody, and "she" sometimes sings "Dana", other times sings "Ah" with a high voice or technical passage. Secunda wrote "molto rit." (suddenly much more slowly) for the ending of the first verse. There are some differences between the original and the melody that are well known. Secunda wrote "ha ha ha" for the choral score with the broken chords.

There are various views as to the meaning of the Yiddish word Dana, repeated sixteen times in each chorus. Some believe it to be a nonesense word. A comment appearing in the Hebrew newspaper Haaretz (ref https://www.haaretz.co.il/misc/1.1256045), gives the meaning of Dana as the sound that was commonly made by the guide of a horse-drawn cart to encourage the horse to continue to step forward as it drags its heavy load. According to the comment in Haaretz, the translation of the word Dana (from Yiddish to Hebrew) was provided by Kol Israel in 1962, when the song was performed by Nechama Hendel. In the John Camden Hotten slang dictionary, the word Dana related to a nightman's or dustman's cart in old German / Austrian slang. https://www.gutenberg.org/files/42108/42108-h/42108-h.htm

Lyrics

https://www.haaretz.co.il/misc/1.1256045 Yiddish original אױפֿן פֿורל ליגט דאָס קעלבל, ליגט געבונדן מיט אַ שטריק. הױך אין הימל פֿליט דאָס שװעלבל, פֿרייט זיך, דרייט זיך הין און צוריק. כאָר: לאַכט דער ווינט אין קאָרן, לאַכט און לאַכט און לאַכט, לאַכט ער אָפּ אַ טאָג אַ גאַנצן מיט אַ האַלבע נאַכט. דאָנאַ, דאָנאַ, דאָנאַ, … שרייַט דאָס קעלבל, זאָגט דער פּױער: װער זשע הײסט דיר זײַן אַ קאַלב? װאָלסט געקענט דאָך זײַן אַ פֿױגל, װאָלסט געקענט דאָך זײַן אַ שװאַלב. כאָר בלינדע קעלבער טוט מען בינדן און מען שלעפּט זײ און מען שעכט, װער ס'האָט פֿליגל, פֿליט אַרױפֿצו, איז בײַ קײנעם ניט קיין קנעכט. כאָר

Translation by Shalom Secunda On a wagon bound and helpless Lies a calf, who is doomed to die. High above him flies a swallow Soaring gaily through the sky. Chorus: The wind laughs in the cornfield Laughs with all his might Laughs and laughs the whole day through And half way through the night Dona, dona, dona... Now the calf is softly crying "Tell me wind, why do you laugh?" Why can’t I fly like the swallow Why did I have to be a calf, Chorus Calves are born and soon are slaughtered With no hope of being saved. Only those with wing like swallow Will not ever be enslaved. Chorus

Translation by Kodesh & Schwartz On a wagon bound for market There's a calf with a mournful eye. High above him there's a swallow Winging swiftly through the sky. Chorus: How the winds are laughing They laugh with all their might Laugh and laugh the whole day through And half the summer's night. Dona, dona, dona... “Stop complaining,” said the farmer, “Who told you a calf to be? Why don't you have wings to fly away Like the swallow so proud and free?” Chorus Calves are easily bound and slaughtered Never knowing the reason why. But whoever treasures freedom, Like the swallow has learned to fly. Chorus

Literal English translation Upon the wagon lies the calf, Lies bound with a rope. High up in the skies there flies a swallow, Rejoicing, flying to and fro. Chorus: The wind laughs in the corn, Laughs and laughs and laughs, Laughs up a whole day And half a night. Dona, dona, dona … The calf shouts; the farmer says, “Who told you to be a calf? You could have been a bird, You could have been a swallow.” Chorus People tie up blind calves, Move them around, and slaughter them; Whoever has wings flies up, Not enslaved by anyone. Chorus

Versions

"Donna Donna"
Single by Joan Baez
from the album Joan Baez
A-side	"House of the Rising Sun"
B-side	"Donna, Donna"
Released	1960
Recorded	1960
Genre	Folk music
Length	3:15 or 3:09
Label	Vanguard
Songwriter(s)	English lyrics by Arthur Kevess and Teddi Schwartz

"Donna Donna"
Single by Claude François
from the album Donna Donna / Les choses de la maison
A-side	"Donna, Donna"
B-side	"Du Pain et du beurre / Je sais / Les cloches sonnaient"
Released	1964-1965
Recorded	1964
Genre	Folk music
Length	2:32
Label	Philips
Songwriter(s)	French lyrics by Vline Buggy, Claude François

"Donna Donna"
File:Donna-Donna-Donovan.jpg
Single by Donovan
from the album What's Bin Did and What's Bin Hid
A-side	"Donna, Donna"
B-side	"Car Car / (alternatively) Josie"
Released	1965
Recorded	1965
Genre	Folk music
Length	2:56
Songwriter(s)	Sholom Secunda, Aaron Zeitlin. English lyrics by Arthur Kevess and Teddi Schwartz

"Donna Donna"
File:Donna-Donna-by-C4.jpg
Single by C4
A-side	"Donna, Donna"
Released	1998
Recorded	1998
Genre	Dance music / disco
Length	3:31
Songwriter(s)	French lyrics by Vline Buggy, Claude François

Secunda's English version

Secunda translated "Dana Dana" into English language (changing the vocalization of 'dana' to 'dona'), but this version didn't gain much attention.

Joan Baez version

The lyrics were translated once again in the mid-1950s, this time by Arthur Kevess and Teddi Schwartz, and the song became well known with their text.

It became especially popular after being recorded by Joan Baez in 1960 in her album Joan Baez. In her version, the song is retitled "Donna, Donna" (doubling the n"). This became very popular and later versions also used the double "n". The song became a staple of Baez and used in the human rights protest movement in the 1960s.

Claude François version

In 1964, the song was recorded in French language by French singer Claude François as "Donna, Donna" reaching the top of the French Singles Charts for two consecutive weeks in December 1964. François co-wrote the French lyrics with Vline Buggy. The song also known by its longer title "Donna, Donna (Le Petit Garçon)" is a completely revamped version lyricwise, as it no longer describes a helpless calf being led to its slaughter, as in the original Yiddish version, but is rather about the troubles of an aspiring young boy growing up dreaming about his own future. In the last verse, in an autobiographical twist, Claude François alludes to himself by singing the verse as "ce petit garçon que j'étais" (this small boy that I was...).

Donovan version

Very soon after the Claude François version, the Scottish singer-songwriter Donovan recorded another very popular cover of Baez' version in 1965. The track appeared on his album What's Bin Did and What's Bin Hid. The title is also "Donna, Donna", thus reinforcing further the popular "Donna" rather than the original transliteration "Dona".

Hebrew version

"Dana Dana" has been translated from Yiddish into Hebrew as "Lama Dona" and interpreted by Rika Zaraï. Zaraï went on also to launch a French oriental dance version in her album Hava.

Translations

The song was recorded in many other languages as well including German, French, Swedish, Japanese, Hebrew, Russian, Italian, Catalan and Vietnamese. In Vietnamese language, the lyrics was translated metaphorically from French version by Trần Tiến, a well-known musician in Vietnam. This version was performed by a girlband name Tam Ca Áo Trắng (Trio of schoolgirls). There is also a less popular Vietnamese version called "Tiếc thương" (Mourning) that expresses the mourning of a man whose lover died at the young age.

Covers

(Selective)

Yiddish

The song has been recorded in original Yiddish lyrics amongst others by:

• Nechama Hendel (YouTube video)
• Chava Alberstein (YouTube video)
• Theodore Bikel (YouTube video)
• Sumi Jo (YouTube video)
• Karsten Troyke (YouTube video)
• Moni Ovadia (YouTube video).

The German folk ensemble Zupfgeigenhansel interpreted it as part of their 1978 album Jiddische Lieder ('ch Hob Gehert Sogn) (as "Dos Kelbl" (YouTube video) with lyrics from Jtschak Katsenelson).

English

The most famous recordings in the English language include those by Joan Baez and Donovan. But there are also versions by:

• American folk singers The Chad Mitchell Trio covered it on their 1961 US album Mighty Day on Campus
• English duo Chad & Jeremy (Chad Stuart and Jeremy Clyde) covered it on their January 1965 US album Sing For You on World Artists Records. It was a B-side to their single "If I Loved You" which reached number 23 on the Billboard Hot 100. It was also included on their 1966 US album More Chad & Jeremy on Capitol Records.
• Israeli folk duo Esther & Abi Ofarim recorded their version in 1966 in English for the album Noch Einen Tanz.
• Actress and performer Patty Duke covered "Dona, Dona" on her unreleased 1968 album Patty Duke Sings Folk Songs - Time To Move On for United Artists Records. She also performed it at the time on The Ed Sullivan Show.
• Swedish band Ola & the Janglers covered it in English in as Side B of their single in 1966 (YouTube video)
• Mocedades, a Spanish-Basque singing group covered it in English in 1969
• Mary Hopkin covered it live during Expo '70 concert in Osaka, Japan
• In 1974, Filipino folk singer Wee Gee covered it in English naming her album Donna, Donna as well

French

• The song was covered in French by Claude François (YouTube video). His version topped the French Singles Chart for 1964. Because of the popularity of his version, in 1965 he released his album Donna Donna / Les choses de la maison making "Donna, Donna" the title track.
• Dorothée and Hélène interpreted it in French as a duo on the inaugural edition of Rock'n'roll Show broadcast on prime time on TF1 in the autumn of 1993. (YouTube video)
• In 1998, the French boyband C4 released a French dance version as "Donna, Donna" (YouTube video) on Polygram having a minor hit on French Singles Charts reaching number 25 and staying 12 weeks on the chart.
• Les Stentors a French 4-member super vocal group covered it in their self-titled 2010 debut album Les Stentors

Others

• Catalan cover by Duo Ausona in 1965, "No T'emportis Mai L'Amor" (YouTube)
• Daniel Popović in Serbo-Croat in 1987 (album Slomljeno srce, Jugoton)
• Colombian band Los Speakers in Spanish (YouTube video)

External links

• Secunda's typed Yiddish lyrics
• Secunda's handwritten romanized transcription (which differs here and there from the Yiddish lyric sheet) together with the music on several of the documents