Made in U.S.A. (1966 film)
Made in U.S.A. | |
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Directed by | Jean-Luc Godard |
Screenplay by | Jean-Luc Godard |
Based on | |
Produced by | Georges de Beauregard |
Starring | |
Cinematography | Raoul Coutard |
Edited by |
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Music by | |
Production companies |
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Distributed by | Lux Compagnie Cinématographique de France |
Release dates |
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Running time | 85 minutes |
Country | France |
Language | French |
Budget | $50,000[1] |
Box office | $95,209[2] |
Made in U.S.A is a 1966 French crime comedy film[3] directed by Jean-Luc Godard, starring Anna Karina, Marianne Faithfull and Jean-Pierre Léaud. It was inspired by the Howard Hawks film The Big Sleep—in turn based on the novel of the same name by Raymond Chandler—and unofficially based on the novel The Jugger, by Richard Stark (an alias of Donald E. Westlake).
Because neither Godard nor the producer paid the book's adaptation rights and following legal action by Westlake, the film was long unavailable in the United States. The film had its U.S. premiere on April 1, 2009 (three months after Westlake's death) at the Castro Theatre in San Francisco in a newly restored print distributed by Rialto Pictures.[4] Criterion released the film on DVD in July 2009.[5]
Premise
Paula Nelson goes to Atlantic-Cité to meet her lover, Richard Politzer, at an unknown point in the future (possibly 1969). Once there, she learns that Richard is dead and decides to investigate. In her hotel room she meets Typhus, whom she ends up knocking out. His corpse is later found in the apartment of writer David Goodis. Paula is arrested and interrogated. From then on, she encounters many gangsters.
Cast
- Anna Karina as Paula Nelson
- Jean-Pierre Léaud as Donald Siegel
- László Szabó as Richard Widmark
- Ernest Menzer as Edgar Typhus
- Kyôko Kosaka as Doris Mizoguchi
- Yves Afonso as David Goodis
- Marc Dudicourt as Barman
- Sylvain Godet as Robert MacNamara
- Jean-Claude Bouillon as Inspector Aldrich
- Philippe Labro as Himself
Background
The film was shot at the same time as Two or Three Things I Know About Her. Godard did it to help his friend and producer, Georges de Beauregard, through difficulties after the censorship of The Nun, a film by Jacques Rivette, that he produced.[citation needed][6]
This is the last full-length film in which Anna Karina and Jean-Luc Godard collaborated. He again directed her in a segment (called "Anticipation, ou: l'amour en l'an 2000" (Anticipation: or Love in the Year 2000)) of the film Le plus vieux métier du monde (1967).
Marianne Faithfull has a cameo in a cafe scene where she sings "As Tears Go By".
Characters in the film are named for such real-life personages as Don Siegel, Kenji Mizoguchi, Richard Widmark, Robert McNamara, David Goodis, and Richard Nixon. Paula Nelson is probably named for Baby Face Nelson, about whom Siegel had made a film starring Mickey Rooney.
The film is dedicated to "Nick and Sam", referring to Nicholas Ray and Samuel Fuller, "Hollywood mavericks who were objects of filial awe and Oedipal aggression" for Godard.[7]
Reception
Made in U.S.A "has rarely been seen in the U.S.A.";[7] it was shown at the 1967 New York Film Festival, prompting The New York Times to call it an "often bewildering potpourri of film narration, imagery and message" and point out that "Anna Karina, as the questing girl friend, supplies not only a luminous beauty but also a unifying thread of humanity."[8] Over forty years later, A.O. Scott saw it at Film Forum and said while it is "far from a lost masterpiece, it is nonetheless a bright and jagged piece of the jigsaw puzzle of Mr. Godard’s career"; he suggested a number of "reasons for non-Godardians" to see the film:[7]
There is, for one thing, a pouting and lovely Marianne Faithfull singing an a capella version of 'As Tears Go By.' There are skinny young men smoking and arguing. There are the bright Pop colors of modernity juxtaposed with the weathered, handsome ordinariness of Old France, all of it beautifully photographed by Raoul Coutard. There are political speeches delivered via squawk box. And of course there is a maddening, liberating indifference to conventions of narrative coherence, psychological verisimilitude or emotional accessibility.
The film holds a rating of 89% on Rotten Tomatoes.
References
- ^ Box Office Information for Made in U.S.A. IMDb. Retrieved 16 April 2012.
- ^ "Made in U.S.A, Box Office Information". The Numbers. Retrieved 16 April 2012.
- ^ Gates, Anita (15 December 2019). "Anna Karina, Star of French New Wave Cinema, Is Dead at 79". The New York Times. Archived from the original on 15 December 2019. Retrieved 10 October 2020.
- ^ Made in U.S.A. Archived 2011-06-13 at the Wayback Machine from Rialto Pictures
- ^ Made in U.S.A from The Criterion Collection
- ^ Brody, Richard (2008). Everything is Cinema: The Working Life of Jean-Luc Godard. Picador. p. 308.
- ^ a b c Scott, A. O. (8 January 2009). "Godard's '60s Policier, Set in Atlantic City, France". The New York Times. Retrieved 23 May 2011.
- ^ "Movie Review: Made in U.S.A.". The New York Times. 28 September 1967. Retrieved 23 May 2011.
External links
- Made in U.S.A. at IMDb
- Made in U.S.A. at AllMovie
- Made in U.S.A. from Rialto Pictures
- Made in U.S.A. from Film Forum, including a January 2008 Q & A with co-star László Szabó
- Made in U.S.A: The Long Goodbye an essay by J. Hoberman at the Criterion Collection
- 1966 films
- 1966 comedy films
- 1966 crime films
- 1960s avant-garde and experimental films
- 1960s comedy mystery films
- 1960s crime comedy films
- Films based on American novels
- Films based on works by Donald E. Westlake
- Films directed by Jean-Luc Godard
- Films set in fictional populated places
- Films set in France
- Films set in the future
- French avant-garde and experimental films
- French comedy mystery films
- French crime comedy films
- French films
- French-language films