Blue Magic (band)
|Origin||Philadelphia, Pennsylvania, United States|
|Genres||Philadelphia soul, soul|
|Labels||ATCO, Capitol, Columbia, Mirage|
Blue Magic is an American R&B/soul music group, and one of the most popular Philadelphia soul groups of the 1970s. Founded in 1972, the group's original members included lead singer Ted Mills with Vernon Sawyer, Wendell Sawyer, Keith Beaton, and Richard Pratt. Their most notable songs included smooth soul ballads such as "Sideshow", "Spell", "What’s Come Over Me", "Three Ring Circus" and "Stop to Start."
- 1 Origins
- 2 Recording, early singles, and their first album
- 3 Success, their second album and their first world tour
- 4 Decline of popularity
- 5 The 1980s, disbanding, regrouping in the 1990s
- 6 The 2000s and incidental work
- 7 Three versions of the band touring
- 8 Original 1974 members
- 9 Discography
- 10 References
- 11 External links
Blue Magic was formed in Philadelphia, Pennsylvania in 1972 when former member of The Delfonics Randy Cain brought in singer-songwriter Ted Mills to do some writing with the Philly-based WMOT production company to create a new band. A short time later the group Shades of Love, featuring Keith Beaton, Richard Pratt, Vernon Sawyer and his brother Wendell, came in to audition. (According to Marc Taylor in his book 'A Touch of Classic Soul of the Early 1970s', "although the group performed admirably, they lacked a standout lead singer".) The execs decided to replace the Toppicks, the act Mills recorded with. They inserted Shades of Love (which they owned contractually) with Ted Mills and retitled the group Blue Magic. They were signed with Atco Records through WMOT in the same year.
Recording, early singles, and their first album
The group was one of the earliest acts produced by Norman Harris, a Philadelphia recording veteran. The group's harmonies were supported by the MFSB studio house band. Their first early song release in 1973 was "Spell" which went onto the Billboard R&B charts at number 30 (it was written and co-produced by Mills). They were known for making dreamy ballads and their choreographed stage moves.
Their second release was the uptempo "Look Me Up"; which reached number 36, stayed on the R&B chart for 11 weeks, and was popular on the early disco scene. Their next single was the ballad "Stop to Start". This hit was even more successful, reaching #14 on the Billboard R&B chart and #74 on the pop chart. The next single release became their first Billboard US Top 10 R&B and Pop hit, "Sideshow" taken from an idea from a Blue Magic associate ( Richard Dickson ) who was not credited at the time, It sold over one million copies, and was awarded a gold disc by the RIAA on August 16, 1974. It climbed to #8 on the Billboard Hot 100 and topped the R&B chart. The Blue Magic album also went Gold, and is considered a classic, as well as one of the best Philly soul albums of all-time. In addition to the four hit singles, it also included another Richard Dickson inspired creation, the hit ballad "What's Come Over Me", a 7-minute rendition of the Main Ingredient million seller "Just Don't Want To Be Lonely", the solid album closer "Tear It Down", and the uptempo "Welcome to the Club" (which would become a classic of the Chicago House Music scene in the late 1980s). The first single from their 1975 follow-up album The Magic of the Blue, entitled "Three Ring Circus", also sold well, reaching #36 in the pop chart and #5 R&B. MFSB guitarist Bobby Eli and Richard Dickson co wrote both "Sideshow" and "Three Ring Circus".
Because their biggest hits were slower songs, the group became known mostly for their ballads.
Success, their second album and their first world tour
The album Thirteen Blue Magic Lane in 1975 maintained the group's popularity and spawned their version of the popular dance number "We're On The Right Track", as well as the ballad "Chasing Rainbows". The song "What's Come Over Me" from their debut album was re-worked as a duet with Margie Joseph dubbed in alongside Mills' original lead vocals. The new approach saw the song climb to #11 on the R&B chart again in 1975.In total the group had two R&B chart singles in 1975 and four in 1976.
The group had their first world tour that year which lasted for 42 weeks. The tour included 48 states in the United States, five countries in Europe and a 10-day stay in the Philippines. They concluded their tour with a two-week engagement in the Virgin Islands.
Blue Magic were known also for their choreography. As a visually oriented group, they had several major television appearances, including Soul Train, The Mike Douglas Show, The Jerry Blavat Show, Dancin' On Air, and A.M. Philadelphia.
In April 1975, they were chosen as the best new group of the year which earned two Ebony Awards. The first was presented in New York by Aretha Franklin, the second in Florida by the female recording artist Vanity.
They have shared the stage with other performers such as The Jacksons, Lionel Richie, The Commodores, Marvin Gaye, Gladys Knight and the Pips, Natalie Cole, The Temptations, The Four Tops, The Spinners, Earth, Wind & Fire, New Edition, The Stylistics, Mick Jagger and others.
Decline of popularity
By 1977, the group's popularity was faded with the rise of disco and changing music styles, and despite the group continuing to record consistently they failed to chart. Subsequent label moves to Capitol Records for a reunion with Norman Harris (who had left two years earlier) and then the smaller label Mirage resulted in some smaller R&B charting, but no major success.
The 1980s, disbanding, regrouping in the 1990s
Background singer Richard Pratt left in the early 1980s. After singers Vernon and Wendell Sawyer left, the remaining two members Mills and Beaton hired two other singers and traveled to Los Angeles, California to record with Skip Scarborough and some members of the popular group Earth Wind & Fire on the album "Message from the Magic."
In 1988, the original group got back together and had some renewed popularity in late 1989 with the album, "From Out of the Blue". Also in 1989, they appeared on the song "To Be Your Man", the third single from Big Daddy Kane's second album It's a Big Daddy Thing.
In 1990, The Amsterdam News carried the story of Mills' near-fatal car accident. After surgery in 1996, Mills returned to the music scene as a solo act, recording an album for Casablanca Records that year entitled "This Magic Is Real", featuring the remake of "Tear It Down." The other members of the group brought in new lead Rod Wayne (real name Roderick Bronaugh), who remained with the group until 2004. Bronaugh now teaches at Tennessee State University. After Rod Wayne, Wade Elliot and Leemy Walters, other leads. Ted Mills has reunited with Wendall Sawyer and Keith Beaton. Both Vernon Sawyer and Richard Pratt have their own groups.
The 2000s and incidental work
Mills appeared in the touring play, "Girl, He Ain't Worth It" with The Manhattans, Meli'sa Morgan and Tito Jackson, and appeared in the play "Looking For Love In All The Wrong Places". In 2007, Mills recorded the album "3 Tenors of Soul" with Russell Thompkins, Jr., original lead singer of The Stylistics, and William Hart of The Delfonics released on Shanachie Records and produced by Bobby Eli.
Mills appeared and gave two concerts for the audiences at the 2014 Soul Train Cruise in February 2014 on the Holland America Eurodam.
Three versions of the band touring
Officially, the group known as "Blue Magic", featuring members Keith Beaton, Wendell Sawyer, continued to tour worldwide with Fernando Kee, and first, lead vocalist Rod Wayne, then Wade Elliott in 2004, then Leemy Waiters. Ted Mills reunited with Wendell Sawyer and Keith Beaton in May 2013. In 2014, Robert "Buddy" Williams joined the group. The name was formally trademarked by Wendell Sawyer and Keith Beaton some years earlier. Richard Pratt and Vernon Sawyer each have their own versions of the group as well.
Original 1974 members
- Ted Wizard Mills - lead tenor
- Wendell Sawyer – baritone, lead
- Keith "Duke" Beaton – tenor
- Richard Pratt - bass
- Vernon Sawyer- tenor
The group’s discography is represented in a number of compilations, although their original albums were generally unavailable on CD for some years, until their first four studio albums for Atco and a live album with Margie Joseph and Major Harris were re-released individually in the U.S. in 2006.
|Year||Album||Peak chart positions||Record label|
|The Magic of the Blue||71||14||—|
|1975||Thirteen Blue Magic Lane||50||9||—||ATCO/WMOT|
|1977||Message from the Magic||—||—||—||ATCO|
|1989||From Out of the Blue||—||48||—||Columbia|
|1995||My Magic Is Real||—||—||—||Hot Prod.|
|"—" denotes a recording that did not chart or was not released in that territory.|
- Greatest Hits (1986, Omni)
- The Magic of the Blue: Greatest Hits (1990, Atlantic)
- The Best of Blue Magic: Soulful Spell (1996, Rhino)
|Year||Single||Peak chart positions|
|"Look Me Up"||—||36||—||—||—||—|
|"Stop to Start"||74||14||—||—||—||—|
|"Three Ring Circus"||36||5||26||62||87||—|
|1975||"Love Has Found Its Way to Me"||—||45||—||—||—||—|
|"What's Come Over Me" (with Margie Joseph)||—||11||—||—||—||—|
|"Magic of the Blue"||—||—||—||—||—||—|
|"Teach Me (It's Something About Love)"||—||48||—||—||—||—|
|1981||"Land of Make-Believe"||—||77||—||—||—||—|
|"Seems I Haven't Seen Her||—||—||—||—||—||—|
|"Since You Been Gone"||—||—||—||—||—||—|
|1989||"Romeo and Juliet"||—||20||—||—||—||89|
|"It's Like Magic"||—||31||—||—||—||—|
|"—" denotes a recording that did not chart or was not released in that territory.|
- "Blue Magic Biography". AllMusic. Retrieved 11 June 2016.
- Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 343. ISBN 0-214-20512-6.
- "Roderick Bronaugh". Tnstate.edu. Retrieved 2014-07-29.
- "US Charts > Blue Magic". Billboard. Retrieved 2010-02-09.
- "CAN Charts > Blue Magic". RPM. Retrieved 2015-02-26.
- David Kent (1993). Australian Charts Book 1970—1992. Australian Chart Book Pty Ltd, Turramurra, N.S.W. ISBN 0-646-11917-6.
- "UK Charts > Blue Magic". Official Charts Company. Retrieved 2011-01-14.